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    Odes

    by Sharon Olds

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    • ISBN-13: 9780451493644
    • Publisher: Knopf Doubleday Publishing Group
    • Publication date: 09/20/2016
    • Pages: 128
    • Sales rank: 184,362
    • Product dimensions: 6.10(w) x 9.20(h) x 0.50(d)

    Winner of the 2016 Wallace Stevens Award from the Academy of American Poets

    SHARON OLDS     was born in San Francisco and educated at Stanford University and Columbia University. The winner of both the Pulitzer Prize and England’s T. S. Eliot Prize for her 2012 collection, Stag’s Leap, she is the author of ten previous books of poetry and the winner of many other awards and honors, including the Wallace Stevens Award, the inaugural San Francisco Poetry Center Award for her first book, Satan Says (1980), and the National Book Critics Circle Award for her second, The Dead and the Living, which was also the Lamont Poetry Selection for 1983. The Father was short-listed for the T. S. Eliot Prize, and The Unswept Room was a finalist for the National Book Award and the National Book Critics Circle Award. Olds teaches in the Graduate Creative Writing Program at New York University and helped to found the NYU outreach programs, among them the writing workshop for residents of Goldwater Hospital on Roosevelt Island, and for the veterans of the Iraq and Afghanistan wars. She lives in New York City.

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    Table of Contents

    Acknowledgments xi

    Ode to the Hymen 3

    1

    Ode to the Clitoris 7

    Ode to the Penis 8

    Ode of Broken Loyalty 10

    Wind Ode 11

    Ode to My Whiteness 12

    Amaryllis Ode 13

    Ode to My Sister 14

    2

    Ode to the Condom 19

    Ode to the Tampon 20

    Hip Replacement Ode 21

    Ode with a Silence in It 22

    Ode to the Last Thirty-Eight Trees in New York City Visible from This Window 24

    Ode to My Living Friends (January 2010) 26

    Ode of Withered Cleavage 27

    3

    Ode to Menstrual Blood 31

    Celibate's Ode to Balls 32

    Ode to Thought 34

    Secondary Boycott Ode 35

    Legs Ode 36

    Unmatching Legs Ode 38

    Matching Ode 40

    Ode of Girls' Things 42

    4

    Blow Job Ode 45

    Ode to the Female Reproductive System 46

    Sexist Ode 47

    Spoon Ode 48

    Ode to Buttermilk 49

    Ode of the Corner I Was Stood In 50

    Ode to the Creature from the Black Lagoon 51

    5

    Douche-Bag Ode 55

    Single Lady's Ode 56

    Ode to Whiskers 58

    Split Ode 60

    Ode of the Present Moment, in the Living Room, with Bianca 62

    Stanley Kunitz Ode 64

    Sheffield Mountain Ode 66

    San Francisco Bay Dawn Ode 68

    Sick Couch Ode 70

    6

    Victuals Dream Ode 75

    Ode to the Word Vulva 76

    Toxic Shock Ode 77

    Ode to Wattles 78

    Real Estate Ode 79

    Ode to My Fat 80

    My Mother's Flashlight Ode 81

    Ode to Stretch Marks 82

    Merkin Ode 84

    Wild Ode 86

    7

    Ode for the Vagina 89

    Ode to the Glans 90

    Second Ode to the Hymen 91

    Ode to a Composting Toilet 92

    Ode to Dirt 94

    Woodwind Ode 95

    New England Camping Ode 96

    Pine Tree Ode 98

    Sloan Kettering Ode 99

    Trilobite Ode 100

    Double Ode for Hazel 102

    Harmony Ode 105

    O of Multiple O's 106

    Donner Party Mother Ode 107

    ABRACADABRA Ode 108

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    Following the Pulitzer prize-winning collection Stag’s Leap, Sharon Olds gives us a stunning book of odes. Opening with the powerful and tender “Ode to the Hymen,” Olds addresses and embodies, in this age-old poetic form, many aspects of love and gender and sexual politics in a collection that is centered on the body and its structures and pleasures. The poems extend parts of her narrative as a daughter, mother, wife, lover, friend, and poet of conscience that will be familiar from earlier collections, each episode and memory burnished by the wisdom and grace and humor of looking back. In such poems as “Ode to My Sister,” “Ode of Broken Loyalty,” “Ode to My Whiteness,” “Blow Job Ode,” and “Ode to the Last Thirty-Eight Trees in New York City Visible from This Window,” Olds treats us to an intimate examination that, like all her work, is universal, by turns searing and charming in its honesty. From the bodily joys and sorrows of childhood to the deaths of those dearest to us, Olds shapes the world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.

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    Related Subjects

    Literature
    Awards
    Poetry
    American Poetry
    21st Century American Poetry
    American poetry->21st century
    American poetry->Women authors->21st century
    Boston Globe's Best Poetry of 2016
    Literature
    Awards
    Poetry
    American Poetry
    21st Century American Poetry
    American poetry->21st century
    American poetry->Women authors->21st century
    Boston Globe's Best Poetry of 2016
    From the Publisher
    A brazenly honest, humorous meditation on the body, sex, love, and death . . . A bold yet charming celebration of both the poetic form and the imperfection of our humanness.” —Jarry Lee, BuzzFeed
     
    “Odes picks up where Stag’s Leap left off, which is to say that it contains some of the best and most ingenious poems of her career .” —Dwight Garner, The New York Times
     
    “Odes sees Olds fully restored to the world, enjoying life in all its variety. It’s perhaps the funniest book I’ve read this year, and also among the most moving and philosophical, charged with the kind of metaphysical self-interrogation that is a central, though often overlooked, aspect of her work.” —Alexandra Schwartz, The New Yorker
     
    “Olds has many lurid imitators who miss her great project. Yes, her poems present matter-of-celebratory-fact aspects of the body sexual, but they never merely focus on parts as parts. Instead, they are connected to the whole of human experience, personal, historical, and even mythological.” —Fred Dings, World Literature Today

    “Sharon Olds is a poet for these times, a powerful woman who won’t back down.” —Diana Whitney, San Francisco Chronicle

    The New York Times - Dwight Garner
    [Ms. Olds's] new book, Odes, picks up where Stag's Leap left off, which is to say that it contains some of the best and most ingenious poems of her career…Ms. Olds renders the personal universal…The book's warmth comes from the intensities of its language and the intensities that emerge from a life that seems well lived.
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