THISBE NISSEN is the author of a story collection, Out of the Girls’ Room and into the Night, and two novels, The Good People of New York and Osprey Island. Her fiction has been published in the Iowa Review and the American Scholar, among others, and her nonfiction has appeared in Vogue, Glamour, and elsewhere. She teaches at Western Michigan University and lives in Battle Creek, Michigan, with her husband, writer Jay Baron Nicorvo, and their son.
Our Lady of the Prairie
eBook
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ISBN-13:
9781328663054
- Publisher: Houghton Mifflin Harcourt
- Publication date: 01/23/2018
- Sold by: Houghton Mifflin Harcourt
- Format: eBook
- Pages: 384
- Sales rank: 247,277
- File size: 13 MB
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A sharp and bitingly funny novel about a professor whose calm-ish midwestern life gives way to a vortex of crises—and her attempts to salvage the pieces without going to pieces herself
In the space of a few torrid months on the Iowa prairie, Phillipa Maakestad—long-married theater professor and mother of an unstable daughter—grapples with a life turned upside down. After falling headlong into a passionate affair during a semester spent teaching in Ohio, Phillipa returns home to Iowa for her daughter Ginny’s wedding. There, Phillipa must endure (among other things) a wedding-day tornado, a menace of a mother-in-law who may or may not have been a Nazi collaborator, and the tragicomic revenge fantasies of her heretofore docile husband.
Naturally, she does what any newly liberated woman would do: she takes a match to her life on the prairie and then steps back to survey the wreckage.
Set in the seething political climate of a contentious election,Thisbe Nissen's new novel is sexy, smart, and razor-sharp—a freight train barreling through the heart of the land and the land of the heart.
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Longtime theater professor Phillipa Maakestad is in Ohio teaching for the spring semester when she meets and falls in love with Lucius Bocelli. It's too bad she's already married to Michael—and has been for 26 years—sharing the responsibility of teaching in the theater department at the University of Iowa and raising a difficult daughter in their quiet Midwestern home. After weeks of mind-blowing passion in Ohio, Phil leaves to return to her prairie home for her daughter's nuptials to a former Amish man, Silas. It's springtime in the Midwest and prime season for a tornado to rip through the fields on the day of the wedding. Meanwhile, Phil pretends to be one half of an untroubled couple and deals with her exasperating and possible Nazi collaborator mother-in-law. A metaphorical tornado is sweeping through Phil's fine-but-staid life and upending everything she's built in the past three decades. VERDICT Investigating dysfunction and cynicism with humor, Nissen (Osprey Island) writes a descriptive novel filled with vulnerable and complicated characters who are often all too human. [See Prepub Alert, 8/2/17.]—Melissa Keegan, Ela Area P.L., Lake Zurich, IL
Nissen (Out of the Girls’ Room and Into the Night) relies too heavily on authorial gymnastics in her latest, which explores what happens in middle-aged theater professor Phillipa Maakestad’s life after she falls in love and decides to blow up her marriage. The tornado that subsequently roars through town and disrupts the wedding of her emotionally fragile daughter, Ginny, at the once-Catholic Our Lady of the Prairie Church is a metaphor for the ensuing emotional chaos. Phillipa’s attempts to reclaim control—allowing her husband to spank her, handling her daughter’s hostility about the affair—are less than successful. Meanwhile, she becomes obsessed with proving that her belligerent European mother-in-law collaborated with the Nazis during World War II, and her decision to volunteer for John Kerry’s 2004 presidential run is a dramatic distraction she does not need. Nissen excels at capturing her protagonist as a woman on the edge—the elation, the sex, the emotional roller coaster, the questionable choices. But the mother-in-law subplot is too much for the narrative to support. It affords Nissen the chance to spin a self-contained, creative, and ironic 58-page fantasy, but Phillipa’s fixation remains nebulous. Is it a diversionary tactic against the circus her life has become, or a sign that she has lost touch with the people around her? This big question mark overshadows the book’s other elements, resulting in an intriguing yet uneven story. (Jan.)
"I devoured this novel. It's full of the sweet, crazed, exhausted, love-saturated, tension-flecked bustle of family, and the finely-rendered complexities of intimacythat vexing, sublime, shape-shifting beast. So much humanity and surprise in this book. It just made my whole being vibrate and hum with the impossible, inevitable business of loving other people."— Leslie Jamison, New York Times bestselling author of The Empathy Exams and The Recovering "Thisbe Nissen's Our Lady of the Prairie is a Midwestern fever dream, a bold and ambitious look into the roiling emotions of a woman caught between should and could, between I must and I want. I found it funny, angry, hopeful, heartfelt, and above all, honest: about marriage, family, and that old-fashioned, endlessly fascinating thing called desire.”—Joshua Ferris, author of Then We Came to the End and The Dinner Party “Our Lady of the Prairie is a marvel of a book: exuberant, frisky, and fierce. Thisbe Nissen's surprising storytelling is matched only by her ability to conjure such a terrific heroine: a woman brimming with desire and rage, and a need for secrets to step into the light.”—Edan Lepucki, author of Woman No. 17 “I’ve been a Thisbe Nissen fan since page one of The Good People of New York. And now, loyalty rewarded! Our Lady of the Prairie delivers this wonderful author's characteristic wit, layered with delicious dysfunction, poignancy, and heart.”—Elinor Lipman, author of On Turpentine Lane “Our Lady of the Prairie is a tumultuous romp, both cautionary and liberating. A mystery winds its way through these pages, as Thisbe Nissen explores marriage, lust, midlife crises and motherhood, crafting complex portraits not only of her characters but also of the land they inhabit; and, one thing is clear, this novel was written in praise of the prairie itself.”—Julianna Baggott, author of Harriet Wolf’s Seventh Book of Wonders “The temptation will be to call Thisbe Nissen’s captivating Our Lady of the Prairie one of the decade’s Great Midwestern Novels (and it is!). But, above all, this is a great American novel, deftly capturing our contemporary dysfunctions and denials, our rages and regrets, with a blazing wit and burning heart. It is an entertaining, moving epic that captures a nation, and its people, teetering on new precipices, wanting certainty, but full of dreams and desires that make certainty impossible."—Dean Bakopoulos, author of Summerlong
Against the backdrop of the Bush-Kerry election, an Iowa Democrat has a midlife crisis that gives the tornadoes that rip through the state a run for their money.The timing of Phillipa Maakestad's decision to tell her husband about her passionate affair is unfortunate—the two theater professors are due to play parents of the bride at their daughter Ginny's wedding to a wonderful Amish boy. The responsibility is torqued by the facts that his parents, who were close friends of Phillipa's, were killed when an SUV hit their buggy and raising Ginny has been like a scene out of The Exorcist. Bulimic, addicted, promiscuous, filled with rage—Ginny has touched all the bases. After they get through the (literal) tornado that strikes the wedding, the Ginny problem is finally solved, though not for long. And by then, Phillipa herself has gone off the rails, living in a cheap motel, phoning in her classes, and freaking out about the election. If the author did not intend the Bush-era political ravings to be alienating, she overshot the mark. "Passing the monstrous W barn on 26, I wanted to drive up onto the grass, get out of my car, and hammer on the door, shouting ‘How do you live with yourselves? Why not put up an I'm a Greedy Bigot sign?'" Then, after a flash of self-awareness (I sound like Ginny! she thinks), she returns to form. "The miserable world into which I brought my own miserable child, now a miserable adult, fully aware and sickened to the marrow of her bones by the injustice of this godforsaken place, and as wholly incapable as her pathetic mother to do a goddamn thing about it. About anything. How does anyone with a conscience…do anything but cry, all day every day, navigating this godforsaken world." This sort of thing, combined with random classist comments—on the baby of a woman she drives to the polls: "Travis: a name destined for the meth den"—seems designed to make the reader hate liberals. Throw in church-sign puns and musicals you can't get out of your head and a whole mininovel about Nazis in France…whew.At first, Nissen's narrator (Osprey Island, 2004, etc.) seems clever and voluble, so daring with her spanking-scene opener, but eventually she wears a bit thin.