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    The Palace of Laughter: The Wednesday Tales No. 1

    The Palace of Laughter: The Wednesday Tales No. 1

    4.6 18

    by Jon Berkeley, Brandon Dorman (Illustrator)


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    $4.99

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      ISBN-13: 9780062003126
    • Publisher: HarperCollins Publishers
    • Publication date: 03/02/2010
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 464
    • File size: 1 MB
    • Age Range: 8 - 12 Years

    Jon Berkeley was born in Dublin when TV was black-and-white and airplanes still had propellers. He was the worst football (um, soccer) player in the entire parish, and his favorite food was spaghetti bolognese. Some things never change.

    Jon has worked as a freelance illustrator for a quarter of a century and more recently has taken to writing. He is the author and illustrator of chopsticks, a story about the friendship between a mouse and a dragon, and has illustrated several books by other authors.

    He is the author of the Wednesday Tales series—The Palace of Laughter, The Tiger's Egg, and The Lightning Key, which have been praised for their vivid storytelling, humor, and one-of-a-kind characters. Publishers Weekly said of the palace of laughter: "Berkeley weaves painterly details into his depiction of this night-shaded world but also injects an ample measure of humor."


    Brandon Dorman lives in Puyallup, Washington, and is the creator of Pirates of the Sea! and Santa's Stowaway, and the illustrator of Jack Prelutsky's Be Glad Your Nose Is on Your Face, as well as Halloween Night, by Marjorie Dennis Murray.

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    The Palace of Laughter

    The Wednesday Tales No. 1
    By Jon Berkeley

    HarperCollins Publishers, Inc.

    Copyright © 2006 Jon Berkeley
    All right reserved.

    ISBN: 0060755075

    Chapter One

    A Boy in a Barrel

    On a blustery October night the Circus Oscuro came to town. It was clear from the start that this was no ordinary circus. It did not roll into town with fanfares and cartwheeling clowns. No one handed out flyers or announced the show through squawking loudspeakers. Instead, the circus came in the dead of night, when all the townspeople were asleep. Its wagons crept and rumbled down the winding road and across the old stone bridge while the town's fat mayor, who normally had to give his permission before anyone could set up as much as a fruit stall, was snoring in his bed. The circus wagons turned in to the long field at the bottom of the hill that overlooked the town of Larde, and creaked to a halt in neat rows with barely a sound.

    From the wagons and trucks a strange crew emerged into the moonlight--great muscled men with sun-darkened faces, a tattooed giantess with a booming voice who could lift three of the men at once, small wiry boys dragging coils of rope and buckets of sawdust. They began to set up their enormous tent there and then by the light of flickering lanterns, with the wind whipping at the stripy canvas and cracking the ropes across the men's hairy arms. Their shoutsand curses were snatched from their throats by the wind and flung up over the hill. Two elephants were led from one of the wagons and set to work, lifting wooden poles into place and pushing them upright with their stubbly foreheads. Acrobats ran up the swaying poles like monkeys, fixing ropes and leaping from point to point as though they were only inches from the ground, gripping lanterns in their strong teeth. A thin man on stilts 20 feet high checked blocks and pulleys and shouted orders to the men below. Slowly the huge tent rose from the grassy field like a great beast awakening, and still the townspeople slept, and the fat mayor's snores ruffled his walrus mustache and rumbled through his wife's dreams.

    There was just one witness to the arrival of the circus. A small boy, huddled in a large wooden barrel high on the side of the hill, watched the raising of the big top, awakened from his sleep by the shouts of the circus people and the occasional trumpeting of the elephants. The boy's name was Miles, and the barrel was his home.

    Now if you are picturing a shivering boy standing knee-deep in slimy rainwater in an upright barrel, you will need to turn that picture sideways and let the water run out for a start. This barrel lay on its side under a low-spreading pine tree, which provided shelter from the wind and the rain. It was an enormous barrel that had once held a fine vintage wine, and Miles could almost stand upright in it, although he was nearly eleven. It was dry and warm inside. In the barrel was an old mattress that had been thrown out by Piven, the baker, and which still gave out a cloud of fine flour when you sat on it. A candle stub in a fat bottle served as a lamp, and an old biscuit tin with the paint worn off as a larder.

    Miles had lived in his barrel on the side of the hill since escaping (for the seventh time) from Pinchbucket House, the county orphanage. He shared his wooden home with a small stuffed bear named Tangerine, no larger than a tall man's hand. When Tangerine wasn't out and about with his owner, he lived in a deep pocket of the old overcoat that Miles used as a blanket. Some of Tangerine's stuffing had escaped, which made him a little floppy. His fur, which had once been the color of a tangerine, was now a kind of orangey gray. His mouth wore a crooked smile, and although he never said a word, he was a good listener.

    Under a silver moon Miles, curled up in the mouth of his barrel, watched as the circus tent grew fatter and taller and the thick ropes that anchored it grew tauter. The hypnotic ringing of sledgehammers on iron pegs and the snatches of strange music that floated from the trailers made his eyes heavy and his head nod with sleep. He pulled the old overcoat tighter around him, and closed his eyes for a moment.

    When he opened them again he did not know how much time had passed, but everything seemed strangely still. Not an owl's hoot or mouse's rustle broke the silence, and the pine tree stood silently, undisturbed by the faintest breeze. Miles rubbed his eyes and looked out to see if work on the circus tent had ceased, but his eye was caught by something that had not been there before. A large shape crouched in the grass not twenty paces from where he sat in the mouth of his barrel. A shape with a huge head, enormous paws and a long striped tail. It was a fully grown Bengal tiger, stretched out motionless except for the tip of his tail, which twitched from side to side in the silvery grass.

    The tiger was so close Miles could almost count his whiskers. His inky stripes seemed to shift and breathe as the thin clouds swept across the moon. Miles held his breath. It was no use crying out; no one would hear him. He had never been face to face with a tiger before, but he was pretty sure that to the magnificent striped beast who sat a stone's throw from his barrel, he must look like a sandwich whose bread had fallen off.

    The tiger yawned, his teeth like yellow knives in the red cave of his mouth, and gave a loud but oddly human sigh that made his whiskers shiver. His massive head turned and he stared directly at Miles with . . .

    Continues...


    Excerpted from The Palace of Laughter by Jon Berkeley Copyright © 2006 by Jon Berkeley. Excerpted by permission.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

    Table of Contents


    A Boy in a Barrel     1
    A Bag of Bones     11
    The Tiny Acrobat     20
    The Null     30
    A Black Hole     41
    Lady Partridge     60
    Falling Through Thunder     75
    The Silver Ticket     90
    The Council of Cats     97
    The Surly Hen     107
    Tangerine     124
    Sunflower and Stormcloud     132
    Varippuli     145
    Baltinglass of Araby     158
    Apple Jelly     168
    Big Laughing Head     181
    Halfheads     188
    Boneyard     202
    Pigball     218
    A Nest of Ants     227
    A Mouthful of Nails     251
    Back to Front and Inside Out     264
    Top Hat and Sandbag     274
    Silverpoint     283
    A Box of Stars     294
    The Electric Boy     304
    Providence     314
    Chief Genghis     331
    Fish to Fry     344
    Many a Slip     357
    Tin Can't     373
    String     388
    Little     395
    The Larde Weekly Herald     416

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    Miles Wednesday, orphaned, unwashed and living in a barrel, has never been to a circus before—but then the Circus Oscuro is no ordinary circus. There's a strange beast called The Null and an array of sinister-looking clowns, and when an unusual little girl with wings falls from a tower during the performance, Miles's life is changed forever. As Miles and Little embark on an extraordinary journey to rescue two friends who have been captured at the Palace of Laughter, they discover nothing less than the power of friendship and the gift of family.

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    Miles Wednesday's first visit to the circus was unusually memorable. For one thing, he never expected to encounter a strange beast called the Null; nor did he imagine crossing paths with a winged creature named Little. But the orphan's introduction to Circus Oscuro was only the beginning of his adventures. In the next stage, he and his angelic companion would be off on their own….
    Publishers Weekly
    An ominous traveling circus makes for a splendid setting in Berkeley's (Scarlette Beane) first book in the Wednesday Tales. Ten-year-old orphan Miles Wednesday lives in a barrel, having escaped repeatedly from the Pinchbucket House orphanage, where laughter is forbidden. When the Circus Oscuro arrives in town one night, Miles sneaks in and witnesses a tiny girl falling from a precarious height, only to be saved by the two wings on her back. Miles befriends the girl, whose name is Little and who turns out to be a 400-year-old angel, held by the circus against her will. Silverpoint, Little's mentor angel, was captured by the same circus and taken to the "Palace of Laughter." Miles decides to help her find him, but his quest becomes less selfless when the circus master kidnaps his beloved teddy bear, which Little only recently brought to life. At the Palace, the adventurers discover the charlatan the Great Cortado, who hypnotizes the masses and "sucks the laughter out of their souls" their laughter can be reinstated with a serum that Cortado makes a fortune dispensing. Berkeley weaves painterly details into his depiction of this night-shaded Big Top world, where danger can be imagined around every corner. But he also injects an ample measure of humor to keep the darkness at bay. Ages 8-12. (Aug.) Copyright 2006 Reed Business Information.
    Children's Literature - Cindy L. Carolan
    Everyone loves the circus. Well, maybe not everyone, and maybe not every circus. Young Miles Wednesday, who has lived in a large barrel since escaping the nasty county orphanage (for the seventh time), awakens in the middle of the night to see a creepy circus, unlike any other (starting with its name, the Circus Oscuro), setting up. Shortly thereafter he comes face to face with a mammoth tiger and his wild and mysterious journey begins. Along the way he takes under his wing a young escapee from the circus, Little, an otherworldly ethereal girl. Many delightful and despicable characters are also introduced. The author employs a witty and wonderful start to each chapter following the first one; "Miles Wednesday, bruised, bemused and bearless..." "Lady Partridge, book-bound, dragon-gowned..." and "Miles Wednesday, filthy, front-rowed and (shhh!) antidoted...", to name a few examples. Readers will identify with Miles' deep connection to his lumpy old stuffed bear, Tangerine, that was left with him at the orphanage. An unexpected twist at the end of the book is that the story is not tied up neatly, giving this intriguing new fantasy novel a dose of reality, while possibly setting the stage for the next book. The Irish born author is fairly new to writing, having been a freelance illustrator all over the world for over twenty years. This is his first novel and is equally beguiling for girls or boys. It would make a welcome addition to a home or school library. Highly recommended. "The Wednesday Tales No. 1."
    VOYA - Christina Fairman
    The hero of this story is eleven-year-old Miles Wednesday, an orphan whose curiosity is piqued when the mysterious Circus Oscura rolls into town. Why is there a painting of a leering, black-lipped clown on the main wagon? What is in the cage that sits suspiciously apart from the rest of the crew? And who-or what-is behind an intimidating yet helpful five-hundred-pound tiger who can actually talk to him? These questions lead Miles into a world of fantasy and deception, where a variety of unique characters help him to discover the evil that lurks behind the circus and its crowning attraction, the Palace of Laughter. A surprising revelation about his parents at the end of the tale sets the stage for a sequel. Overall this book is a satisfactory addition to the "orphan fantasy" genre. It is not as witty as Measle and the Wrathmonk (HarperCollins, 2004/VOYA April 2004) or as engrossing as A Series of Unfortunate Events, but it holds its own as a well-conceived story. The only significant flaw is that the first half of the book is distinctly more lyrical than the second half, which occasionally sags under a story of gang violence that has little significance to the overall plot. A tightening of this section would have greatly improved the flow of the story. Middle readers will likely overlook this problem, however, to enjoy a creative tale of survival.
    School Library Journal
    Gr 4-7-When the mysterious Circus Oscuro arrives in the dead of night, Miles Wednesday, a runaway orphan living in a barrel, is the only person in the town of Larde to witness the event. Later that same night, he is approached by a tiger who claims he can "smell the circus" in Miles. Thus begins a chain of events that introduces the boy to a winged waif named Little, a captive of the circus's sinister ringmaster. Upon Little's escape, the two set out to rescue her friend from the Palace of Laughter, which seems to be far more dangerous and horrible than the name implies. Berkeley's first foray into writing is mostly successful; the story is filled with captivating and ingenious descriptive passages. While the author's habit of introducing Miles at the beginning of nearly every chapter (with definitions such as "clean-shirted and cat-surrounded" and "dawn-chilled and hungry") does tend to get stale, the lively plot and colorful supporting cast are enough to hold readers' attention. Try displaying this book alongside classic whimsical tales such as Norton Juster's The Phantom Tollbooth (Knopf, 1961) or the work of Roald Dahl to create interest.-Christi Voth, Parker Library, CO Copyright 2006 Reed Business Information.

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