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    Qigong Teachings of a Taoist Immortal: The Eight Essential Exercises of Master Li Ching-yun

    Qigong Teachings of a Taoist Immortal: The Eight Essential Exercises of Master Li Ching-yun

    by Stuart Alve Olson


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      ISBN-13: 9781594776526
    • Publisher: Inner Traditions/Bear & Company
    • Publication date: 01/01/2002
    • Sold by: SIMON & SCHUSTER
    • Format: eBook
    • Pages: 192
    • File size: 6 MB

    Stuart Alve Olson currently teaches Eight Brocade Qigong, Taoist meditation, and I T'ai Chi. He has studied under numerous Taoist masters including Chan Master Hsuan Hua, Feng Shui Master Professor Lin, Dharma Master Cheng Yi, and T'ai Chi Ch'uan Master T.T. Liang. He is the author of Tai Chi According to the I Ching, Imagination Becomes Reality, and Cultivating the Ch'i. He lives in the San Francisco Bay Area.
    Stuart Alve Olson has been a practicing Taoist for over 30 years and has studied with the famous Taoist master T. T. Liang (1900-2002). He lectures throughout the world and lives in the San Francisco Bay Area.

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    THE SECOND BROCADE
    Shake the Heavenly Pillar

    This chapter, like the preceding, begins with my translation of the instructions, commentary, and correct method that were included in the Kao Lin engraving. Following the original text are Li Ching-yun's commentary and my comments, and finally my instructions for practicing the Second Brocade.

    The Original Text

    Gently shake the Heavenly Pillar.

    Sway the head left and right while gazing at the shoulders. Do so alternately in conjunction with the movements, twenty-four times. It is necessary to first grasp the hands firmly.
    The correct method: First, grasp the hands firmly. Alternately turn the head left and right, gazing toward the shoulders when following the movements of the head, twenty-four times.

    Li Ching-yun's Commentary

    Author's Comments
    Note the position of the hands and head in the drawing. The hands are not closed into fists, rather the right hand is placed on top of the left palm, and the head is tilted upward and away from the left shoulder. This is another example of the variant meanings of "grasp the hands firmly."
    In this brocade, the hands should be held in the t'ai chi knot. When gazing toward the left side, the right hand grasps the left thumb and the left hand covers the back of the right hand. When gazing to the right side, the positioning is exactly the opposite (see the photographs).
    For further information, refer to the book Tibetan Yoga and Secret Doctrines by W. Y. Evans-Wentz. In the section on producing psychic heat, the Nine Bellowslike Breathing exercise is very similar to this exercise of Shake the Heavenly Pillar.

    [Li ching-yun's voice] The Heavenly Pillar is the spinal column and the connective neck bone. To gently shake (to wave to and fro) means to sway the shoulders. Gently shake the Heavenly Pillar means to crick and move the neck. Properly, the neck is cricked to the left and right sides along with a gazing procedure. The two shoulders are followed by the gaze when swaying. The left and right sides are counted separately, with each side being performed twenty-four times, and collectively forty-eight times.
    This cricking of the neck, swaying of the shoulders, and gazing in accordance with the movements in effect remove the fire of the heart and eliminate any invasions or disturbances of external malignant spirits.

    Author's Comments
    The Heavenly Pillar is a Taoist metaphor for the spinal column and connective neck bone. The first character (representing wei) of this section of the text normally translates as "subtle" or "secretly." Following Li Ching-yun's lead, I consider it best to translate this as "gently."
    Note that under the "Concluding Exercises" at the end of part 2, there is also the instruction to shake the shoulders, which, however, is distinct from this exercise. I bring this up because many Eight Brocades texts, in both English and Chinese, do not differentiate between these two methods.

    Author's Instructions
    Using the t'ai chi knot method, shake the Heavenly Pillar twenty-four times, gazing first to the left twelve times and then to the right twelve times.
    With the legs crossed, grasp the hands firmly using the t'ai chi knot (right hand grasping left-hand thumb) and place the bottom edge of the right palm on the right thigh, near the hip, and with the Tiger's Mouth cavity (hu k'o)--the indentation formed at the base of the thumb and index finger--facing upward. Place the tongue against the roof of the mouth.
    Begin to gently shake the Heavenly Pillar by turning the right shoulder, spine, and head toward the left. Inhale while turning and direct the eyes to the top of the left shoulder, then continue by gazing up and back as far as possible, stretching and twisting the spine smoothly, gradually, and in conjunction with natural breathing. Simultaneously, the right hand is pressed into the right thigh and the left-hand thumb joint is pressing down on the right-hand Tiger's Mouth cavity. Then exhale and bring the gaze back down to the shoulder and then to the front. Repeat this twelve times. 

    [PHOTOS FOR 2ND BROCADE HERE--the following are captions and labels for the exercise photos]
    Shaking the Heavenly Pillar toward the left
    Right hand presses into right thigh
    Eyes gaze upward and to the left
    Shaking the Heavenly Pillar toward the right
    Eyes gaze upward and to the right
    Left hand presses into left thigh

    Next, perform the exercise from the right, or opposite, side: the left hand grasps the right thumb and presses down on the left thigh, while the thumb joint of the right hand presses into the left-hand Tiger's Mouth and the eyes gaze up and over the right shoulder. Again, perform the movements twelve times.
    This brocade is good for strengthening the spine and exercising the eyes, and increasing the blood flow to the waist, legs, and hands.

    This brocade stimulates the spleen.

    Table of Contents


    Acknowledgments

    Introduction


    Part 1
    The Development of Qigong
    Taoist Longevity Practices and the Three Treasures
    Taoist Longevity practices
    Arts of Nourishing Life
    Abdominal Breathing
    The Three Treasures
    Ching
    Qi
    Shen

    Part 2
    The Eight Brocades--The Physical Practice
    The Traditional Method, with Commentaries
    Author's Introduction to the Eight Brocades
    The Development of the Eight Brocades
    Practicing and Finding a Teacher
    Li Ching-yun
    Li Ching-yun's Introduction to the Original Text of the Eight Brocades
    The Methods of the Eight Diagram Active Kung
    Secrets of the Eight Brocades
    The First Brocade: The Heavenly Drum
    The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    The Second Brocade: Shake the Heavenly Pillar
    The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    The Third Brocade: The Red Dragon Stirs the Sea
    The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    The Fourth Brocade: Rub the Court of the Kidneys
    The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    The Fifth Brocade: The Single Pass Windlass
    The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    The Sixth Brocade: The Double Pass Windlass
    The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    The Seventh Brocade: Supporting Heaven
    The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    The Eighth Brocade: Grasping with Hooks
    The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    Concluding Exercises and Comments
    Concluding Exercises: The Original Text
    Li Ching-yun's Commentary
    Author's Instructions
    Concluding Comments
    Appendix to Part 2: Summary of Instructions

    Part 3
    The Lesser Heavenly Circuit--The Spiritual Practice
    Three Interrelated Techniques
    Author's Introduction to the Lesser Heavenly Circuit
    Development of the Lesser Heavenly Circuit
    The First Regime: Externally Patting the Eight Subtle Meridians and
    Twelve Cavities
    The Eight Subtle Meridians
    The Twelve Cavities--Methods for Self-Massage
    The Second Regime: Internally Opening the Eight Subtle Qi Cavities
    The Eight Subtle Qi Cavities
    The Third Regime: The Lesser Heavenly Circuit


    Appendix to Part 3: Summary of Instructions

    Suggested Reading

    About the Author

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    The first English translation of Master Li Ching-yun's teachings on the Eight Brocades, the central practice of qigong.

    • Explains the physical and spiritual benefits of the Eight Brocades and offers step-by-step instructions for this powerful sequence of postures.

    • 85 illustrations highlight the postures and philosophies.

    • Author's commentary provides insight and depth to the original translation.

    Throughout history Taoists have promoted the development and restoration of the Three Treasures-- body, breath, and spirit--through the gentle practice of qigong. At the center of the qigong practice are the Eight Brocades, a series of postures that developed during the 3,000-year Taoist quest for longevity and vitality. Now qigong expert Stuart Olson translates into English Master Li Ching-yun's treasured teachings on the Eight Brocades. One of the most famous qigong masters of this century, Master Li Ching-yun is reliably chronicled to have lived more than 250 years, during which he practiced the Eight Brocades on a daily basis. His longevity and personal endorsements attest to and validate the Eight Brocades as the quintessence of Taoist health and qigong practices.

    With Master Li Ching-yun's original teachings as a guide, Stuart Olson presents an authentic yet accessible approach to this unique practice. Each exercise is accompanied by original text from Master Li, step-by-step instructions for each posture, illustrations of the positions, and insights on theory and practice. Because the Eight Brocades are the foundation of all qigong, this book provides valuable advice for all practitioners, regardless of the style they practice or the depth of their experience.

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