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    Reconciliation for the Dead

    Reconciliation for the Dead

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    by Paul E. Hardisty


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      ISBN-13: 9781495627897
    • Publisher: Orenda Books
    • Publication date: 05/01/2017
    • Series: Claymore Straker Series
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 450
    • File size: 884 KB

    Canadian by birth, Paul E. Hardisty has spent 25 years working all over the world as an engineer, hydrologist and environmental scientist. He is currently a university professor and director of Australia's national land, water, ecosystems and climate adaptation research programs. The first book in the Claymore Straker series, The Abrupt Physics of Dying, was shortlisted for the CWA John Creasy (New Blood) Dagger, and was followed by The Evolution of Fear.

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    Reconciliation for the Dead


    By Paul E. Hardisty

    Orenda Books

    Copyright © 2017 Paul E. Hardisty
    All rights reserved.
    ISBN: 978-1-4956-2789-7



    CHAPTER 1

    No Longer Knowing


    Fifteen Years Earlier: 22nd June 1981, Latitude 16° 53'S; Longitude 18° 27'E, Southern Angola


    Claymore Straker looked down the sight of his South African Armscor-made R4 assault rifle at the target and waited for the signal to open fire.

    For almost a year after leaving school to enlist, the targets had been paper. The silhouette of a black man, head and torso, but lacking dimension. Or rather, as he had now started to understand, lacking many dimensions. Blood and pain – surely. Hope and fear – always. But more specifically, the 5.56 mm perforations now wept blood rather than sunlight. The hollow-point rounds flowered not into wood, but through the exquisite machinery of life, a whole universe of pain exploding inside a single body – infinity contained within something perilously finite.

    Just into his twenty-first year, Claymore Straker lay prone in the short, dry grass and listened to the sound of his own heart. Just beyond the tree line, framed in the pulsing pin and wedge of his gunsight, the silhouette of a man's head moved through the underbrush. He could see the distinctive FAPLA cap, the man's shoulders patched with sweat, the barrel of his rifle catching the sunlight. The enemy soldier slowed, turned, stopped, sniffed the air. Opal eyes set in skin black as fresh-blasted anthracite. At a hundred metres – less – it was an easy shot.

    Sweat tracked across Clay's forehead, bit his eyes. The target blurred. He blinked away the tears and brought the man's chest back into focus. And for those few moments they shared the world, killer and victim tethered by all that was yet to be realised, the rehearsed choreography of aim and fire, the elegant ballistics of destruction. The morning air was kinetic with the hum of a trillion insects. Airbursts of cumulus drifted over the land like a year of promised tomorrows, each instant coming hard and relentless like a heartbeat. Now. And now. And above it all, the African sky spread whole and perfect and blue, an eternal witness.

    A mosquito settled on the stretched thenar of Clay's trigger hand, that web of flesh between thumb and forefinger. The insect paused, raised its thorax, perched a moment amidst a forest of hairs. It looked so fragile, transparent there in the sun, its inner structure revealed in x-ray complexity. He watched it flex its body then raise its proboscis. For a half-stalled moment it hovered there, above the surface of his skin, and then lanced into his hand. He felt the prick, the penetration, the pulsing injection of anaesthetic and anti-coagulant, and then the simultaneous reversal of flow, the hungry sucking as the insect started to fill itself with his blood. Clay filled his sights with his target's torso, caressed the trigger with the palp of his finger as the insect completed its violation.

    Come on.

    Blood pumping. Here. There.

    Come on.

    The mosquito, heavy with blood, thorax swollen crimson, pulled out.

    What are we waiting for?

    He is twenty, with a bullet. Too young to know that this might be the moment he takes his final breath. To know that today's date might be the one they print in his one-line obituary in the local paper. To understand that the last time he had done something – walked in the mountains, kissed a girl, swam or sang or dreamed or loved – could be the last time he ever would. Unable yet to comprehend that, after he was gone, the world would go on exactly as if he had never existed.

    It was a hell of a thing.

    The signal. Open fire.

    Clay exhaled as he'd been taught and squeezed the trigger. The detonation slamming through his body. The lurch of the rifle in his hands. The bullet hurtling to its target. Ejected brass spinning away. Bullets shredding the tree line, scything the grass. Hell unleashed. Hades, here. Right here.

    The target was gone. He had no idea if he'd hit it. Shouting coming from his right, a glimpse of someone moving forwards at a crouch. His platoon commander. Muzzle flashes, off to the left. Rounds coming in. That sound of mortality shooting into the base of his skull, little mouthfuls of the sound barrier snapping shut all around him.

    Clay aimed at one of the muzzle flashes, squeezed off five quick rounds, rolled left, tried to steady himself, fired again. His heart hammered in his chest, adrenaline punching through him, wild as a teenage drunk. A round whipped past his head, so close he could feel it on his cheek. A lover's caress. Jesus in Heaven.

    He looked left. A face gleaming with sweat, streaked with dirt. Blue eyes wide, staring at him; perfect white teeth, huge grin. Kruger, the new kid, two weeks in, changing mags. A little older than Clay, just twenty-one, but so inestimably younger. As if a decade had been crammed into six months. A lifetime.

    'Did you see that?' Kruger yelled over the roar. 'Fokken nailed the kaffir.'

    Clay banged off the last three rounds of his mag, changed out. 'Shut up and focus,' he yelled, the new kid so like Clay had been when he'd first gone over, so eager to please, so committed to the cause they were fighting for, to everything their fathers and politicians had told them this was about. It was the difference between believing – as Kruger did now – and no longer knowing what you believed.

    And now they were up and moving through the grass, forwards through the smoke: Liutenant Van Boxmeer – Crowbar as everyone called him – their platoon commander, shouting them ahead, leading as always, almost to the trees; Kruger on Clay's left; Eben on his right, sprinting across the open ground towards the trees.

    They'd been choppered into Angola early that morning; three platoons of parabats – South African paratroopers – sent to rescue a UNITA detachment that had been surrounded and was under threat of being wiped out. A call had come in from the very top, and they'd been scrambled to help. UNITA, União Nacional para a Independência Total de Angola – South Africa's ally in the struggle against communism in Southern Africa – were fighting the rival MPLA, the Movimento Popular de Libertação de Angola, and its military wing FAPLA, Forças Armadas Populares de Libertação de Angola, for control of the country. UNITA and MPLA were once united in their struggle to liberate Angola from Portugal. But when that was achieved in 1975, they split along ideological lines: MPLA supported by the Soviet Union and its allies; UNITA by South Africa and, some said, America. That was what they had been told by the Colonel of the battalion, anyway. The Soviets were pouring weapons and equipment into FAPLA, bolstering it with tens of thousands of troops from Cuba, East Germany and the Soviet Union itself, transforming FAPLA from a lightly armed guerrilla force into a legitimate army. As a consequence, things were not going well for UNITA, and it was up to them to do everything they could to help. South Africa was in mortal danger of being overrun by the communists; their whole way of life was threatened. This was the front line; this was where they had to make their stand. Everything they held dear – their families, their womenfolk, their homes and farms – all would be taken, enslaved, destroyed if they were not successful. It was life or death.

    Clay remembered the day he left for active service, waiting at the train station, his duffel bag over his shoulder, his mother in tears on the platform, his father strong, proud. That was the word he'd used. Proud. He'd taken Clay's hand in his, looked him in the eyes, and said it: I'm proud of you, son. Do your duty. It was just like in the books he'd read about the Second World War. And he had felt proud, righteous too, excited. He couldn't quite believe it was happening to him. That he could be so lucky. He was going to war.

    That was the way he remembered it, anyway.

    Clay reached the trees – scrub mopane – Kruger and Eben still right and left, on line. They stopped, dropped to one knee. It was the middle of the dry season, everything withered and brown. Crowbar was about twenty metres ahead, standing beside the body of a dead FAPLA fighter, the radio handset pushed up to his ear, Steyn, his radio operator, crouching next to him. By now the shooting had stopped.

    'What's happening?' said Kruger.

    Eben smiled at him. 'That, young private, is a question for which there is no answer, now or ever.'

    The kid frowned.

    Eben took off his bush hat, ran his hand through the straw of his hair. 'And the reason, kid, is that no one knows. The sooner you accept that, the better it will be. For all of us. Read Descartes.'

    Clay glanced over at Eben and smiled. Another dose of the clean truth from Eben Barstow, philosopher. That's what he called it. The clean truth.

    Kruger looked at Eben with eyes wide. 'Read?' he said.

    Eben shook his head.

    Crowbar was up now, facing them. He looked left and right a moment, as if connecting with each of them individually. And then quick, precise hand signals: hostiles ahead, this way, through the trees, two hundred metres. And then he was off, moving through the scrub, the radio operator scrambling to keep up.

    Kruger looked like he was going to shit himself. Maybe he already had.

    'Here we go, kid,' said Eben, pulling his hat back on. 'Stay with us. Keep low. You'll be fine.'

    And then they were moving through the trees, everything underfoot snapping and cracking so loud as to be heard a hundred miles away, a herd of buffalo crashing towards the guns.

    The first mortar round hurtled in before they'd gone fifty metres.

    It landed long, the concussion wave pushing them forwards like a shove in the back. They upped the pace, crashing through the underbrush, half blind, mortar rounds falling closer behind, the wind at their backs, smoke drifting over them. Clay's foot hit something: a log, a root. Something smashed into his stomach, doubling him over, collapsing his diaphragm. He fell crashing into a tangle of bush, rolled over, gasped for breath. And then, moments later, a flash, a kick in the side of the head, clumps of earth and bits of wood raining down on him. Muffled sounds coming to him now, dull thuds deep in his chest, felt rather than heard, and then scattered pops, like the sound of summer raindrops on a steel roof, fat and sporadic; and something else – was it voices?

    He tried to breathe. Sand and dead leaves choked his mouth, covered his face. He spat, tearing the dirt from his eyes. A dull ache crept through his chest. He moved his hands over his body, checking the most important places first. But he was intact, unhurt. Jesus. He lay there a moment, a strange symphony warbling in his head. He opened his eyes. Slowly, his vision cleared. He was alone.

    Smoke enveloped him, the smell of burning vegetation, cordite. He pushed himself to his knees and groped for his R4. He found it half buried, pulled it free and staggered to his feet. The sounds of gunfire came clearer now, somewhere up ahead. He checked the R4's action, released the mag, blew the dust free, reinserted it, sighted. The foresight was covered in a tangle of roots. Shit. He flipped on the safety, inspected the muzzle. The barrel was clogged with dirt. He must have spiked the muzzle into the ground when he fell, driven the butt into his stomach. Stupid. Unacceptable.

    Ahead, the grind of Valk 2's MAG somewhere on the right, the bitter crack of AK47s. Smoke swirling around him, a flicker of orange flame. The bush was alight. He stumbled away from the flames, moved towards the sounds of battle, staggering half blind through the smoke. There was no way his R4 could be fired without disassembling and cleaning it. He felt like a rookie. Crowbar would have a fit.

    By the time he reached Eben and the others, the fight was over. It hadn't lasted long. Valk 3 had caught most of the FAPLA fighters in enfilade at the far end of the airstrip, turned their flank and rolled them up against Valk 5. It was a good kill, Crowbar said. And Valk 5 had taken no casualties. One man wounded in Valk 3, pretty seriously they said: AK round through the chest, collapsed lung. Casevac on the way. They counted sixteen enemy bodies.

    Crowbar told them to dig in, prepare for a counterattack, while he went to meet up with the UNITA doffs they'd just rescued. The platoon formed a wide perimeter around the northern length of the airstrip and linked in on both flanks with Valk 3 and Valk 2. Their holes were farther apart than they would have liked, but it would have to do. After all, they were parabats – South African paratroopers – the best of the best. That's what they'd been taught. Here, platoons were called Valk; Afrikaans for hawk. Death from above. Best body count ratio in Angola.

    Once the holes were dug and the OPs set, they collected the FAPLA dead, piling the bodies in a heap at the end of the airstrip. A few of the parabats sliced off ears and fingers as trophies, took photos. Behind them, the trees blazed, grey anvils of smoke billowing skywards. Clay stood a long time and watched the forest burn.

    'Once more ejected from the breach,' said Eben, staring out at the blaze.

    Clay looked at his friend, at the streaks of dirt on his face, the sweat beading his bare chest. 'Where's Kruger?'

    Eben glanced left and right. 'I thought he was with you.'

    'I got knocked down before we got fifty metres. Never saw anyone till it was all over. Never fired a shot.' He showed Eben his R4.

    'I never took you for a pacifist, bru.' Eben jutted his chin towards the pile of corpses. 'You must be very disappointed to have missed out.'

    Clay gazed at the bodies, the way the limbs entwined, embraced, the way the mouths gaped, dark with flies. This was their work, the accounting of it. He wondered what he felt about it. 'I better get this cleaned, or the old man will kill me,' he said.

    Eben nodded. 'I'll go find Kruger. No telling what trouble that kid will get himself into.'

    Clay nodded and went back to his hole. All down the line, the other members of the platoon were digging in, sweating under the Ovamboland sun. He dug for a while and was fishing in his pack for his cleaning kit when Eben jogged up, out of breath.

    'Can't find Kruger anywhere, bru. No one's seen him.'

    'He's got to be around somewhere. Crowbar said no casualties. Did you check the other Valk?'

    'Not yet.'

    Clay shouldered his R4. 'Let's go find Crowbar. Maybe he's with him.'

    They found Liutenant Van Boxmeer towards the western end of the airstrip, radioman at his side. He was arguing with a black Angolan UNITA officer dressed in a green jungle-pattern uniform and a tan beret. The officer wore reflective aviator Ray-Bans and carried a pair of nickel-plated .45 calibre 1911s strapped across his chest. Beyond, a couple of dozen UNITA fighters, ragged and stunned, slouched around a complex of sandbagged bunkers. As Clay and Eben approached, the two men lowered their voices.

    Clay and Eben saluted.

    Crowbar looked them both square in the eyes, nodded.

    'Kruger's missing, my Liutenant,' said Eben in Afrikaans.

    Crowbar looked up at the sky. 'When was he seen last?'

    'Just before the advance through the trees,' said Clay.

    Crowbar's gaze drifted to the muzzle of Clay's R4. Clay could feel himself burn.

    'Find him,' said Crowbar. 'But do it fast. FAPLA pulled back, but they're still out there. Mister Mbdele here figures we can expect a counterattack before nightfall.'

    'Colonel,' said the UNITA officer.

    'What?' said Crowbar.

    'I am Colonel Mbdele.' He spoke Afrikaans with a strong Portuguese accent. His voice was stretched, shaky.

    'Your mam must be so proud,' said Crowbar.

    Eben smirked.

    The Colonel whipped off his sunglasses and glared at Eben. The thyroid domes of his eyes bulged out from his face, the cornea flexing out over fully dilated pupils so that the blood-veined whites seemed to pulse with each beat of his heart. 'Control your ... your men, Liutenant,' he shouted, reaching for the grip of one of his handguns. A huge diamond solitaire sparked in his right earlobe. His face shone with sweat. 'We have work here. Important work.'

    Crowbar glanced down at the man's hand, shaking on the grip of his still-holstered pistol. 'What work would that be, exactly, Colonel?' he said, jutting his chin towards the FAPLA men lounging outside the bunker.

    As the Colonel turned his head to look, Crowbar slipped his fighting knife from its point-up sheath behind his right hip.

    Mbdele was facing them again, his nickel-plated handgun now halfway out of its holster, trembling in his sweat-soaked hand. The metal gleamed in the sun. Crowbar had closed the gap between them and now stood within striking distance of the UNITA officer, knife blade up against his wrist, where Mbdele couldn't see it.

    'FAPLA will attack soon,' shouted Mbdele, his voice cracking, his eyes pivoting in their sockets. He waved his free hand back towards the bunker. 'This position must be defended. At all costs.'

    Crowbar was poised, free hand up in front of him now, palm open, inches from Mbdele's pistol hand, the knife at his side, still hidden. Clay held his breath.


    (Continues...)

    Excerpted from Reconciliation for the Dead by Paul E. Hardisty. Copyright © 2017 Paul E. Hardisty. Excerpted by permission of Orenda Books.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

    Table of Contents

    Contents

    Title Page,
    Glossary,
    Epigraph,
    Dedication,
    Map,
    Prologue,
    Part I,
    1. No Longer Knowing,
    2. Death Rhumba Psychosis,
    3. Won't Get Out of Here Alive,
    4. Damaged Neurochemistry,
    5. Toronto Maple Leafs,
    Part II,
    6. 1-Mil,
    7. Life Set to Music,
    8. So Much He Could Not See,
    9. Men and Boys,
    10. The Way He'd Remember It,
    11. Enemies and Friends Alike,
    12. Looking Straight into Him,
    13. Benguela Sky,
    Part III,
    14. Even Up the Scorecard,
    15. Mathematics,
    16. No Illusion Come,
    17. Survive This,
    18. The Final Accounting,
    19. And Quiet Came,
    20. Easier Than Living,
    21. All You Can Do,
    22. Drowning,
    Part IV,
    23. Straight to the Heart,
    24. Animals,
    25. A Part of Who He Was,
    26. Presumption of Superiority,
    27. The Vast Improbability of Life,
    28. This Forgotten History,
    29. Structure and Function,
    30. Going To Die Anyway,
    31. Just Like You,
    32.,
    33. A Distant Port,
    Part V,
    34. Suicide Continent,
    35. Anything Other Than a Human Being,
    36. That Periphery of Darkness,
    37. Heavenward,
    38. Nothing Here Is Yours,
    39. You Could Show Me How,
    40. 117 Days,
    41. Orders,
    42. Live Your Life,
    Epilogue,
    Historical Note,
    Acknowledgments,
    About the Author,
    Copyright,

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    Fresh from events in Yemen and Cyprus, vigilante justice-seeker Claymore Straker returns to South Africa, seeking absolution for the sins of his past. Over four days, he testifies to Desmond Tutu's newly established Truth and Reconciliation Commission, recounting the shattering events that led to his dishonorable discharge and exile, 15 years earlier. It was 1980. The height of the Cold War. Clay is a young paratrooper in the South African Army, fighting in Angola against the Communist insurgency that threatens to topple the White Apartheid regime. On a patrol deep inside Angola, Clay, and his best friend, Eben Barstow, find themselves enmeshed in a tangled conspiracy that threatens everything they have been taught to believe about war, and the sacrifices that they, and their brothers in arms, are expected to make. Witness and unwitting accomplice to an act of shocking brutality, Clay changes allegiance and finds himself labelled a deserter and accused of high treason, setting him on a journey into the dark, twisted heart of institutionalized hatred, from which no one will emerge unscathed.

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    Publishers Weekly
    ★ 10/09/2017
    Based on actual events, Hardisty’s searing third Claymore Straker thriller (after The Evolution of Fear), a tale of racial hatred, greed, and corruption, might break the reader’s heart—or tear it out. In 1996, Clay returns from exile to South Africa, where he testifies before Desmond Tutu’s newly formed Truth and Reconciliation Commission in the hope of being granted amnesty for alleged war crimes. Flash back to 1981, when Clay was a 21-year-old South African paratrooper fighting communist forces in Angola’s civil war. Clay and his best friend, Eben Barstow, witness and are forced to participate in torture, massacres of humans and animals, and warped medical experiments. In transcripts of his trial, Clay, who was suffering from delusions and other mental illnesses at the time he was dishonorably discharged from the army, asserts that the truth must be told. He testifies not only to seek forgiveness but to speak for the dead for whom he feels that he and his country are responsible, unforgettably personifying South Africa’s troubled history. The writing can be disturbingly graphic but it also at times achieves the level of genuine poetry. (Dec.)
    From the Publisher

    "A solid, meaty thriller—Hardisty is a fine writer and Straker is a great lead character." —Lee Child

    "Hardisty doesn't put a foot wrong in this forceful, evocative thriller . . . the author's deep knowledge of the settings never slows down the non-stop action, with distant echoes of a more-moral minded Jack Reacher or Jason Bourne." —Maxim Jakubowski

    “The writing . . . at times achieves the level of genuine poetry.” —Publishers Weekly

    “Highly recommended . . . the powerfully drawn scenes and conflicts linger in my mind.” —Kingdom Books Mysteries Reviews

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