Lee Durkee was born in Hawaii, raised in Mississippi, and now lives in Vermont.
Rides of the Midway: A Novel
by Lee Durkee
eBook
$13.49$21.95
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ISBN-13:
9780393342420
- Publisher: Norton, W. W. & Company, Inc.
- Publication date: 06/27/2011
- Sold by: Barnes & Noble
- Format: eBook
- Pages: 320
- Sales rank: 256,199
- File size: 1 MB
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"With this eruptive debut novel, Durkee...has just kicked in the door of Southern literature."—Salon.com
Meet Mississippi teenager Noel Weatherspoon: ghost-seeing insomniac, endearing dopehead, wanna-be erotic photographer, and possible Baptist faith healer. Noel, who prefers The Exorcist to Ecclesiastes, must navigate a world of Bible-thumpers, born-again Christians, and a stepfather who bears an uncanny resemblance to Billy Graham. Darkly comic and lyrically moving, Rides of the Midway introduces a formidable new talent in contemporary fiction.Customers Who Bought This Item Also Bought
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Polly Paddock
Noel Weatherspoon is a young man haunted: by his father's disappearance in Vietnam, and by the Little League catcher he ran into - and knocked into a coma - while sliding into home at age 10.
Now Noel is in his teens. The comatose boy still lies tethered to machines in a hospital bed, where his sister tries to communicate with him through a Ouija board. "H-E-W-A-S-O-U-T," the plastic puck spells out beneath the boy's withered fingers.
Noel, meanwhile, finds the catcher inhabiting his troubled dreams, along with the specter of his father boarding a midway ride called the Black Dragon shortly before vanishing into Southeast Asia.
"His bones always were hard to find," Noel's mother offers by way of wry explanation. It's not much for a boy to go on.
Rides of the Midway, set in Hattiesburg, Miss., in the 1970s, is a darkly funny, deftly written coming-of-age story by Mississippi-raised writer Lee Durkee.
Durkee, whose stories have appeared in such publications as Harper's and the New England Review, now lives in Vermont. But in this sharp, unexpectedly touching debut novel, it's clear that he hasn't lost his sense of the South - where Bible-thumpers excoriate "The Exorcist," where Lynyrd Skynyrd rules and where an amiable young misfit like Noel Weatherspoon finds his path through life marked by unanticipated twists and turns.
Durkee's story - fueled with manic energy and sardonic humor - is reminiscent of the work of John Irving and Lewis Nordan, with a dash of Harry Crews thrown in for good measure.
As Noel moves shakily through his teens, he dabbles briefly in religion (his strait-laced stepfather even looks like Billy Graham, and his relatives run the gamut from born-again Pentecostals to "jaw-set Methodists"). But Noel's mother shoos the relatives away, confiding in her son that "good Christians bore the pants off me."
Soon it's clear that she has little cause for worry, at least on that count. For Noel has quickly moved from God to pornography, from candy cigarettes to marijuana, from teaching his younger brothers baseball to turning them on to drugs.
As the novel unfolds, we follow Noel from an unforgettable sexual encounter with a watermelon (shades of "Portnoy's Complaint") to a hilariously dreadful petting session with the preacher's daughter and a wanton involvement with a girl who "appeared torn between death and disco."
He goes from high school to junior college, but not much changes, even after he stumbles into a liaison with an older woman. For Noel, growing up is pretty much a matter of learning to survive amid disaster - even if much of the disaster is self-induced.
Durkee's writing is inventive, sure-footed, brimming with droll wit and sometimes surreal images.
Occasionally you stumble upon one that stops you in your tracks: the drive-in theater catching fire during a showing of "The Exorcist," for example. "The movie kept playingeven after the entire screen was solidly ablaze, a wall of fire," Durkee writes. "Images played like holographs inside the flames until the screen collapsed backward."
Noel's life is spinning out of control, and he knows it. But he has a moment of understanding, "however fleetingly, that not even pain was permanent, that life was long and contained possibilities unimaginable."
And even when a tragic death draws Noel home from junior college, that realization sustains him. As he drives away from the funeral - throwing stolen red hymnals out the car window - Noel is able to lose "himself in the pureness of acceleration, in the shallow grace of not being the one left behind."
Quite a debut, this Rides of the Midway. Look out, Nordan, Crews and company - another manic Southern novelist has entered the competition. Durkee
RealCities RealBooks
Time Magazine
Mississippi-raised author Lee Durkee portrays his hero's feckless dissolution with considerable comic flair and a sharp eye for regional manners, good and
bad. There isn't much profundity on display here, but readers will finish the book feeling they've been treated to quite a ride.Paul Gray
Durkee portrays his hero's feckless dissolution with considerable comic flair and a sharp eye for regional manners.
Adrienne Miller
Mercifully unsentimental(and quite funny) . . . A gripping, hallucinatory, and very grave first novel.
Jonathan Miles
With this eruptive debut novel, Lee has just kicked in the door of Southern literature.
Mark Rozzo
Horrifically comic . . . masterly . . . a vivid personification of that classic adolescent territory between responsibility and freedom.
Salon.com
With this eruptive debut novel, Durkee...has just kicked in the door of Southern literature.
New York Times Book Review
[A] deft and funny first novel....Dark and exhilarating.
Time Out New York
[A] raucous tour through this scorched landscape of faith....sentences so beautiful that you stop to read them twice.
Los Angeles Times Book Review
[An] exceptional first novel.
Matthew Flamm
Durkee balances humor with emotion through a tone that is detached without being patronizing. . . . Suitably dark and exhilarating.
Marjorie Preston
This is dark poetry, dementia with a smile, and unbelievably good storytelling.
Publishers Weekly - Publisher's Weekly
Not many people have the misfortune of being able to point to one pivotal, disastrous moment in their lives. It's all downhill for asthmatic 10-year-old Noel Weatherspoon after he scores an inside-the-park homer by slamming into catcher Ross Altman and knocking him out cold in Durkee's sharp and engaging first novel. Noel's stubbornness could have made him a hero on the field, but with Ross in a permanent coma, he instead comes out looking like the bad guy and is scarred for life--as a teenager he drinks, smokes, drugs and slums his way through Mississippi schools. The one thing that Noel can't shake is religion, specifically his Baptist upbringing, the disapproval of his strict Methodist cousins and the persistence of born-again friends. Moreover, Noel seems to have psychic powers, seen alternately as blessing and curse. His mother, Alise, goes pretty easy on him, especially because his stepfather--who bears an eerie resemblance to Billy Graham--is the one who always catches him getting into trouble. Noel Sr. is presumed dead in Vietnam; the boy's last image of his father is of him boarding a perilous carnival ride, an apt metaphor for Noel's substance-induced highs and consequent lows. Noel's younger brother, Matt, is a hellion-in-waiting; conversely, their stepbrother, Ben, is a wise little angel who likes everyone and is loved in return. All of the characters are remarkably realized, their quirks and mannerisms so true that it's especially heartbreaking when tragedy strikes, as it inevitably must. Durkee's darkly humorous debut sorrowfully and sincerely portrays a boy's self-damnation. In the tradition of Anne Tyler, this promising first-timer has taken great care to resurrect smalltown living in the '70s and '80s without a hint of sentimentality. (Feb.) Copyright 2000 Cahners Business Information.
KLIATT
Noel Weatherspoon experiences ordinary and extraordinary psychological traumas as he grows from boyhood to youth to the cusp of manhood in Mississippi. His natural father most likely died in Vietnam and his mother has remarried a rigid Baptist. As a Little Leaguer, Noel precipitates, through neither malice nor carelessness, an opposing player's lapse into a coma. Many months later, he finds himself in the boy's hospital room, apparently having just turned off the equipment that stands between the patient and pronounceable death. In middle school, Noel first discovers illicit drugs and then a true friend, Tim. Tim's single mother provides Noel with his first opportunity for sexual fantasy. Soon, Noel's younger brother is surpassing him on the ball field and, by high school, Noel's life seems to revolve around failed sexual encounters with girls his own age, underage drinking, and his stepfather's demonization of him. Junior college brings little respite, until finally catharsis is reached, after the death of his youngest brother. Durkee's prose is smooth and picturesque, his characters genuine and even sympathetic in spite of their onerous qualities. The grim realities of Noel's life—and his grim perception of life generally—conspire to make this a depressing reading experience. However, it is artful and insightful as well as bleak. Older teens who are intrigued by complex characters will fall right into these covers. Category: Paperback Fiction. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2001, Norton, 316p., , Berkeley, CA
John Freeman
Rides of the Midway, Lee Durkee's assured, richly imagines debut novel, is a raucous tour throught this scorched landscape of faith...Durkee handles his protagonist's odyssey with grace and style, crafting sentences so beautiful that you stop to read them twice.Times Out New York