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    Rides of the Midway: A Novel

    Rides of the Midway: A Novel

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    by Lee Durkee


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      ISBN-13: 9780393342420
    • Publisher: Norton, W. W. & Company, Inc.
    • Publication date: 06/27/2011
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 320
    • Sales rank: 256,199
    • File size: 1 MB

    Lee Durkee was born in Hawaii, raised in Mississippi, and now lives in Vermont.

    Read an Excerpt



    Chapter One


    NOEL'S FATHER, WHEN LAST SEEN, had boarded a ride called the Black Dragon on the final evening of the Great Mississippi Fair, which in a matter of hours and direction would transform itself into the Great Louisiana Fair or the Great Tennessee Fair or the Great Alabama Fair. Though Noel was never positive he could remember his father, he would always remember the Black Dragon because it kept coming back with the fair every year and it was rumored to have once killed a boy by decapitating him. At night, streamlined with hundreds of small clear bulbs, it resembled a polished black octopus, the spinning cockpits slingshotting toward earth, the tentacles engraved with a fierce red calligraphy. In later years it would return to town disguised under bright shades of metal-flake enamel and bearing various demonic aliases and blasting the latest heavy-metal soundtracks, but Noel always recognized the Black Dragon on sight and rode it dozens of times. As he got older he rode it drunk and stoned and once he rode it with a Polaroid of a naked woman in his back pocket.

        He was failing first grade when his father was declared MIA. This prompted his mother to explain, "That means he's dead somewhere in Vietnam, but they don't know where yet. His bones always were hard to find."

        Noel stared into the lined pages of a Blue Horse notebook he had been drawing pictures in, while his mother, a tall attractive woman fond of props and postures, rolled a wineglass filled with grape juice against her bottom lip. Before leaving the room, she knelt to where he sat on the rug and inserted a black andwhite photograph into his notebook.

        It took Noel a moment to recognize her inside the photograph. Hiding a cigarette behind her back—the feathery smoke gave it away—his mother wore a white headband, a black dress, and stood wide-shouldered and thin-waisted and torpedo-breasted, listing into a man who, slim and tall, wore a baggy dark suit that seemed in wanting of a hat, a cigar, and a machine gun. Only his mother's shocked expression accounted for the whereabouts of the man's right hand. It was an old photograph with serrated edges, and someone had put out a cigarette on the man's heart. Because of this, it was difficult to separate his expression—the half sneer, the sun-slitted eyes—from the ridged wound melted through his chest that Noel now held up to the light and fit his eye to, as if to a keyhole, as if to the future.

        At ten he played Little League for the Standard Oil Red Sox. One spring Sunday while trying to score off a triple, Noel shattered the collarbone of the opposing catcher. The catcher had to be carried off the field, the ball still clutched in his fist. Noel had been called out. He tried explaining this fact to his mother after the game while she paraded him past the grandstands. Her hair had been dyed blond the day before, actually more yellow, and she wore it in a short-banged fashion she called a butch. During the drive home Noel kept putting his red baseball cap on her, and she kept brushing it off and saying stop that. Suddenly she hit the brakes, and the white station wagon drifted into a familiar yard. For a moment they sat silent in the car while she adjusted the studious look on her face. Then, apologetically, she shrugged and suggested they have quick look inside. "Just hello and goodbye," she promised over Noel's protests.

        Aunt Carol, the family spinster and one of his mother's five sisters, had a beagle name Archie that she pampered like an only child. Her front door had been left wide open that afternoon. They entered the house and called out hello and walked into the kitchen and there they found both Archie and Aunt Carol in a bad way. The beagle, its eyes sealed shut, was heaving away on a blue nylon blanket while Aunt Carol, wearing a pink bathrobe and no makeup, her hair bound in blue curlers, circumnavigated the blanket and remained frighteningly unaware of their presence, as if she were an apparition already passed into the spirit world awaiting the arrival of her dog.

        Still in cleats and the red and blue uniform, Noel guided his aunt outside to the Rambler and placed her in the front seat then got into the back. While they waited, a wave of rain hammered over the car and vanished down the length of hood. His mother, who had been on the phone, tied a clear plastic bonnet over her hair then started across the yard carrying Archie. She placed the dog, a wet corpse for all purposes, upon Noel's lap in the back seat. Noel stiffened, shot out his limbs, and right at that moment a strange coincidence took place, one that would impress his born-again relatives far more than it would impress Noel himself. At the moment Archie touched Noel's lap, the beagle roused itself and seemed indisputably cured. Within minutes Archie was caroming about the yard sniffing out tennis balls. Archie even chased their station wagon when they finally left.

        In the sideview mirror, the beagle faltered into a neighbor's yard. Noel turned and half accusingly asked his mother, "How'd you know to stop the car?"


    * * *


    Noel's stepfather bore an uncanny resemblance to Billy Graham, one he cultivated by sweeping back his hair in the same high-banged fashion. Roger had even assumed some of Billy's mannerisms, such as stabbing at the air in front of him with steepled hands. The house fell silent only during Billy Graham Crusade Specials when Roger required Noel, Matt, and their younger half-brother Ben to huddle before the TV and shut up. Roger had also installed a rotation system of grace. Before supper—which had become supper, no longer dinner—the three brothers took turns saying bless this food to our use and thus to Thy service.

        Noel launched out of grace and into the play-by-play of how he had tried to take home off his triple. Matt and Ben listened with the reverence due an older brother who had broken someone's collarbone. But just as Noel was lowering his head to spear the catcher, Roger interrupted to ask, "Noel, isn't tomorrow the day your class goes to that zoo?"

        Noel ignored the question the same way he had ignored the third-base coach, who had signaled him to stop. Noel had not wanted to stop. He wanted a homer. So he kept digging and rammed his helmet into the catcher, spearing him just above the chest protector. Then, after untangling himself, Noel had limped to the dugout through the loudest applause he had ever heard. "Ya killed him, Weatherspoon!" someone cheered from inside the dugout. That had caused Noel to stop and turn around. The catcher, sprawled facedown over home plate, had yet to move.

        Noel did not get this far into the story before Roger interrupted him again.

        "Noel. Did you hear me ask you a direct question?"

        Noel said yes sir his class was going to the zoo. "And I haven't had any trouble breathing, not for weeks, ask Mom if you don't believe me."

        Instead Roger said pass the salt. While sprinkling it over his spaghetti, he recalled, "We spent over a hundred dollars on those allergy tests. I think it's assumed we're going to heed the results."

        Matt made a clown's crying face at his older brother.

        "But I'm allergic to the whole planet," Noel protested.

        "No, what you're allergic to, the main thing," Roger clarified, "is animal dander. Which is why we are not going to get a dog, Ben. And why we are certainly not going to get a snake, Matt. And knowing what we know, I'm wondering why we're even entertaining the notion of letting Noel go to that zoo tomorrow, especially since the last time he went there—correct me if I'm wrong—he had another asthma attack."

        "I tested positive to grass, that don't stop me from having to weed your garden all the time."

        "That's because your mother and I want you to grow up normal."

        "He is normal," Alise said.

        Roger picked up his fork, the fork he used to eat french fries and pizza; at breakfast he poured ketchup over his scrambled eggs.

        "What's so normal about failing first grade?" he asked.

        "Normal boys sometimes fail first grade. Then they study harder the next year and pass it, like Noel did."

        "Going to the zoo is normal."

        "He's not allergic to snakes."

        Roger jabbed the fork at Matt, who was wearing a white T-shirt with a snotty collar. "Matthew," he said. "I don't want to hear one more word about snakes come out of your mouth for the rest of your life, understand?"

        The phone began to ring, but no one dared answer it, not during supper. It rang a dozen times. Only after it had stopped did the family resume eating their spaghetti, everybody except Noel, who tipped back his chair and started over, "Okay, I'm rounding second, right? And Coach is waving his arms like crazy, yelling for me to stop. But I don't wanna stop...."


    * * *


    A bright slew of candy-coated pills awaited Noel at the breakfast table. Sometimes his mother arranged these pills in a cross shape, sometimes in a happy face, sometimes in the V-pattern of migrating geese. After everyone else had left the table, Noel handed her the permission slip. She widened her green eyes upon the purple mimeograph then scribbled her name boyishly at the bottom. "Don't breathe a word," she warned. Noel stood, but she touched his wrist. "Noel, there's something we need to discuss. It has to do with that boy. Ross Altman."

        "Who?"

        "The boy that got in your way, the one with the mask on. He had some kind of seizure after yesterday's game. They don't know what's wrong with him yet, but whatever it is, it's not your fault, okay? They can't get Ross to wake up. He's in a coma."

        "In a what?"

        "A coma. That means the doctors have to figure out a way to make him wake up."

        "Is he gonna die?"

        "No. Well, nobody knows yet. It's possible, I suppose."

        Noel nodded and folded away the permission slip. As he started to leave the table, Alise said, "Wait. First let's find you some more blue pills. For the zoo. Just in case." Rummaging through the pill drawer, she murmured, "I don't know why I'm letting you go. I hate that place. Those poor beasts. Sometimes I think burning that zoo to the ground would be a pure Christian act." She tucked some blue pills into his shirt pocket and found two other pills already there, white nubs that had survived the wash. She dropped these into the disposal and while fanning her fingers under the spigot said, "Never mind. I didn't say that."

        Kamper Park reeked of lost enthusiasm. It had survived two decades as an abomination of a small-town zoo where somnambulant animals huddled in cramped wet cages. Through the steel bars monkeys stared at the pine trees. The lion's tongue lagged out while it blinked and blinked at the boys who tried to rally it with their own roars and bared teeth. Eventually the boys took to pelting the lion with peanuts. Only the baboons had enough gumption to return fire—flinging pawfuls of shit between the bars at the boys. The llamas would not spit, though there were signs promising they would if annoyed. A mangy brown bear paced in its sleep, whisking an inch away from the bars at each turn.

        After the zoo, the class brown-bagged lunch in a pavilion beside a playground containing a military tank and a red caboose. For this occasion each child had been allowed to bring one bag of candy. Noel had selected a jumbo sack of bubblegum cigarettes, each one wrapped in paper tinged red at one end. When blown into, the cigarettes would issue a few puffs of powdered-sugar smoke. They looked real, and everybody wanted one. Noel started the bidding at a quarter each. And although he cleared over six dollars that day, he did not care so much about the money. He cared about the power he felt, jacking up the price, denying a customer, slipping a freebie to a friend or a pretty girl.

        When the rain started, the kids were herded under the pavilion. They crowded the rail nearest the street and posed with their cigarettes and timed their measured puffs to coincide with traffic. Some cars slowed, others honked, then a dirt-brown Buick jerked to the shoulder of the road and a man in a brown overcoat stepped outside and walked to the back of the car and leaned against it. He cocked one leg backward onto the fender and studied the pavilion.

        "Look!" a girl cried out. "It's Billy Graham!"


    * * *


    That afternoon Alise took Noel to the clinic for his weekly allergy shots, three in his left arm, two in his throwing arm. Doc Martin broke off the needles with his thumb and gave Noel the syringes to play with. Halfway home, Noel had an attack. Alise got him home and propped him up in a makeshift bed she created by pushing Roger's recliner up against an easy chair. After using up the last of his inhaler, Noel sat bolt upright and began to rock. And that's how Roger found things when he arrived home from his security job at Pine Belt Airport. Roger was wearing his blue jumpsuit, and he had a rolled newspaper clamped under the same arm that toted a silver lunch pail. He stopped just inside the door, as if tactically absorbing the scene, but before he could say one word he was sent to the pharmacy for a new inhaler.

        Noel used this reprieve to confess that he had been spotted at the zoo. Alise took in the news resiliently and then walked into the kitchen. She opened the freezer, said goddamnit into it, then let the door squeak shut.

        The highlight of the ensuing argument was his mother screaming, "I will not have you following my children around like a spy in the dark!" Noel was recuperating on the back porch and pretending to read Durango Street, which was about this black kid who carried a switchblade harmonica. Noel had read the book a dozen times. Late at night, unable to sleep because of the synthetic adrenaline in his asthma medications, he would slip out of bed and wield that switchblade harmonica in imaginary gang fights until his chest seized up and he had to crawl back under the sheets, sipping from his inhaler and pretending to be bleeding to death in some ghetto alleyway.

        Roger came out onto the porch and squatted beside Noel's rocking chair so that they shared the same backyard view: pecan and eucalyptus tree, budding garden, tall pine trees along the property edge. They stayed quiet until Roger reached up to steady the rocking chair and commented, "I suppose you think it makes a difference them being candy cigarettes." He raised a stop-sign palm. "Let me tell you a little story, Noel. Something you might find useful. Today, driving by that zoo, when I saw you under that wooden thing, I didn't recognize you, not at first. You ever have that happen, where you don't recognize somebody you know, and it's like, for those few seconds before you recognize them, it's like you're seeing them, really seeing that person, for the first time?"

        "No sir."

        "And it's like you can see their entire future."

        "Yes sir."

        "In this case I wouldn't call it a pleasant experience."

        "No sir."

        "Cut that out."

        "Cut what out?"

        "The yes-sir, no-sir crap."

        "But you said always call you sir."

        Roger exhaled wearily then continued, "You going to the zoo today, that was your mom's fault, not yours. I'm not punishing you for that." He steepled his hands, flexed the fingers. "But I was right about your asthma, wasn't I?"

        "It wasn't the zoo, it was the allergy shots did it."

        "Noel, be reasonable. Nobody's allergic to allergy shots."

        "I am. I'm allergic to everything."

        "No. Not everything. But you are allergic to that zoo. And when a man's wrong, he steps up and admits it."

        "When was the last time you did?"

        "Did what?"

        "Admitted you was wrong."

        Roger explained that he was not the one on trial here. A muddy hummingbird dive-bombed wasps off the juice feeder. When Noel reopened his paperback, Roger stated, "And another thing. Your mom and I, we're worried that you use those inhalers too much. We're considering taking them away from you."

        Noel closed the book on his hand. Very carefully he stated, "But if you do that, I won't be able to play baseball."

        "Baseball's not everything."

        "It is to me."

        "Well, what else can we do, Noel? Your hands shake—look at them. You can't sit still in class. Can't concentrate. That's what your teachers say. You've got bags under your eyes, like an old man does. You went through that last whiffer in two weeks. They're supposed to last you two months."

        Noel banged the back of his skull against the headboard of the chair. Then he did it again, harder.

        "Two months, that's what Doc Martin said. And now, to top it all off, you're out smoking cigarettes."

        "Candy cigarettes."

        "That's not the point—quit hitting your head, please—the point is ..." He started rocking Noel's chair like a cradle, but Noel anchored the chair backward by stiffening his legs. "It's like this, Noel. Every time you use that inhaler, you know what it does?"

        "It lets me breathe."

        "It speeds up your heart." He lowered his hands onto Noel's knee. "It speeds up your heart."

        "So?"

        "So! Think about that. A heart's only going to beat so many times—correct?"

        "I guess."

        "No guessing to it. It's a scientific fact. A heart is only going to beat a given number of times. So what you're doing, Noel, every time you use that thing, you're wasting heartbeats. You're shortening your life." Roger stood with a groan. Trying to sound jocular, he added, "Mom says pork chops in five minutes. And no, you're not getting off the hook, you're going to Aunt Paula's with the rest of us after supper."

        Roger started inside, but Noel said, "Mom said you were going by the hospital today."

        Roger ran his tongue around the inside of his mouth. He said, "That was none of your fault what happened. Boy was born that way. Something on the brain. It woulda happened sooner or later, even if you hadn't creamed him."

        "He's dead, isn't he?"

        "No. Not dead, not alive. Somewhere in the in between. They've got machines breathing for him. Which ain't right, if you ask me."

        Noel asked if Ross was going to get better. It felt strange to call him by his first name.

        Roger shook his head and said no, probably he wasn't. "If he was just a little more brain-dead then they could take him off those machines. Way it is, though, they got to leave him running. Like a car with the keys locked inside it. That's what the law says."

        At supper, the family joined hands beneath the dining table, their arms forming an upside down crown. Roger said, "Matt, if you would," and Matt lowered his face and piped, "Good food, good meat, good God, let's eat." An occult silence ensued. Outside, setting behind pine trees and gray clouds, the sun became a full moon and filled the dining room with the fuzzy consistency of a newspaper photo. Ben, his head barely showing above his plate, blinked his brown cow eyes at his two older half-brothers. Noel had sunk into laughing convulsions so severe they rippled through the crown of arms; Matt stared crucified into his own lap, refusing to cry out even though Roger was caving Matt's palm in lengthwise. Finally Roger rebowed his head.

        "Ben," he said, "if you would."

    (Continues...)

    Echo Burning

    By Lee Child

    G. P. Putnam's Sons

    Copyright © 2001 Lee Child. All rights reserved.

    What People are Saying About This

    Dale Ray Phillips

    A beautiful whirlwind of a novel, one whose sentences make you want to uncork some wine and toast Lee Durkee.
    — (Dale Ray Phillips, author of My People's Waltz)

    Donald Hays

    Riveting. Powerfully and honestly, Durkee gives us the real and the surreal....It's a hell of a performance.
    — (Donald Hays, editor of Stories: Contemporary Southern Short Fiction)

    Lewis Nordan

    What an exciting new voice we have in Lee Durkee! Every sentence...bristles with joy and danger and surprise.
    — (Lewis Nordan, author of Boy with Loaded Gun: A Memoir)

    Pinckney Benedict

    This book gave me the heebie-jeebies, and almost nothing gives me the heebie-jeebies these days. It's a damn good novel.
    — (Pinckney Benedict, author of Dogs of God)

    Lee K. Abbott

    A marvelously rich book—thick with life, dark-humored as a night in the Funhouse, smart as the guy who guesses your weight.
    — (Lee K. Abbott, author of Living After Midnight)

    Shelby Hearon

    A memorable first novel, its darkness lit by wisdom.
    — (Shelby Hearon, author of Ella in Bloom)

    Stephen Dobyns

    A wonderful debut. Lee Durkee is a marvelously inventive writer.... a joy to read.
    — (Stephen Dobyns, author of The Church of Dead Girls)

    George Saunders

    A work of manic brilliance.
    — (George Saunders, author of Pastoralia)

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    "With this eruptive debut novel, Durkee...has just kicked in the door of Southern literature."—Salon.com

    Meet Mississippi teenager Noel Weatherspoon: ghost-seeing insomniac, endearing dopehead, wanna-be erotic photographer, and possible Baptist faith healer. Noel, who prefers The Exorcist to Ecclesiastes, must navigate a world of Bible-thumpers, born-again Christians, and a stepfather who bears an uncanny resemblance to Billy Graham. Darkly comic and lyrically moving, Rides of the Midway introduces a formidable new talent in contemporary fiction.

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    Polly Paddock
    Noel Weatherspoon is a young man haunted: by his father's disappearance in Vietnam, and by the Little League catcher he ran into - and knocked into a coma - while sliding into home at age 10.

    Now Noel is in his teens. The comatose boy still lies tethered to machines in a hospital bed, where his sister tries to communicate with him through a Ouija board. "H-E-W-A-S-O-U-T," the plastic puck spells out beneath the boy's withered fingers.

    Noel, meanwhile, finds the catcher inhabiting his troubled dreams, along with the specter of his father boarding a midway ride called the Black Dragon shortly before vanishing into Southeast Asia.

    "His bones always were hard to find," Noel's mother offers by way of wry explanation. It's not much for a boy to go on.

    Rides of the Midway, set in Hattiesburg, Miss., in the 1970s, is a darkly funny, deftly written coming-of-age story by Mississippi-raised writer Lee Durkee.

    Durkee, whose stories have appeared in such publications as Harper's and the New England Review, now lives in Vermont. But in this sharp, unexpectedly touching debut novel, it's clear that he hasn't lost his sense of the South - where Bible-thumpers excoriate "The Exorcist," where Lynyrd Skynyrd rules and where an amiable young misfit like Noel Weatherspoon finds his path through life marked by unanticipated twists and turns.

    Durkee's story - fueled with manic energy and sardonic humor - is reminiscent of the work of John Irving and Lewis Nordan, with a dash of Harry Crews thrown in for good measure.

    As Noel moves shakily through his teens, he dabbles briefly in religion (his strait-laced stepfather even looks like Billy Graham, and his relatives run the gamut from born-again Pentecostals to "jaw-set Methodists"). But Noel's mother shoos the relatives away, confiding in her son that "good Christians bore the pants off me."

    Soon it's clear that she has little cause for worry, at least on that count. For Noel has quickly moved from God to pornography, from candy cigarettes to marijuana, from teaching his younger brothers baseball to turning them on to drugs.

    As the novel unfolds, we follow Noel from an unforgettable sexual encounter with a watermelon (shades of "Portnoy's Complaint") to a hilariously dreadful petting session with the preacher's daughter and a wanton involvement with a girl who "appeared torn between death and disco."

    He goes from high school to junior college, but not much changes, even after he stumbles into a liaison with an older woman. For Noel, growing up is pretty much a matter of learning to survive amid disaster - even if much of the disaster is self-induced.

    Durkee's writing is inventive, sure-footed, brimming with droll wit and sometimes surreal images.

    Occasionally you stumble upon one that stops you in your tracks: the drive-in theater catching fire during a showing of "The Exorcist," for example. "The movie kept playingeven after the entire screen was solidly ablaze, a wall of fire," Durkee writes. "Images played like holographs inside the flames until the screen collapsed backward."

    Noel's life is spinning out of control, and he knows it. But he has a moment of understanding, "however fleetingly, that not even pain was permanent, that life was long and contained possibilities unimaginable."

    And even when a tragic death draws Noel home from junior college, that realization sustains him. As he drives away from the funeral - throwing stolen red hymnals out the car window - Noel is able to lose "himself in the pureness of acceleration, in the shallow grace of not being the one left behind."

    Quite a debut, this Rides of the Midway. Look out, Nordan, Crews and company - another manic Southern novelist has entered the competition. Durkee
    RealCities RealBooks
    Time Magazine
    Mississippi-raised author Lee Durkee portrays his hero's feckless dissolution with considerable comic flair and a sharp eye for regional manners, good and bad. There isn't much profundity on display here, but readers will finish the book feeling they've been treated to quite a ride.
    Paul Gray
    Durkee portrays his hero's feckless dissolution with considerable comic flair and a sharp eye for regional manners.
    Adrienne Miller
    Mercifully unsentimental(and quite funny) . . . A gripping, hallucinatory, and very grave first novel.
    Jonathan Miles
    With this eruptive debut novel, Lee has just kicked in the door of Southern literature.
    Mark Rozzo
    Horrifically comic . . . masterly . . . a vivid personification of that classic adolescent territory between responsibility and freedom.
    Salon.com
    With this eruptive debut novel, Durkee...has just kicked in the door of Southern literature.
    New York Times Book Review
    [A] deft and funny first novel....Dark and exhilarating.
    Time Out New York
    [A] raucous tour through this scorched landscape of faith....sentences so beautiful that you stop to read them twice.
    Los Angeles Times Book Review
    [An] exceptional first novel.
    Matthew Flamm
    Durkee balances humor with emotion through a tone that is detached without being patronizing. . . . Suitably dark and exhilarating.
    Marjorie Preston
    This is dark poetry, dementia with a smile, and unbelievably good storytelling.
    Publishers Weekly - Publisher's Weekly
    Not many people have the misfortune of being able to point to one pivotal, disastrous moment in their lives. It's all downhill for asthmatic 10-year-old Noel Weatherspoon after he scores an inside-the-park homer by slamming into catcher Ross Altman and knocking him out cold in Durkee's sharp and engaging first novel. Noel's stubbornness could have made him a hero on the field, but with Ross in a permanent coma, he instead comes out looking like the bad guy and is scarred for life--as a teenager he drinks, smokes, drugs and slums his way through Mississippi schools. The one thing that Noel can't shake is religion, specifically his Baptist upbringing, the disapproval of his strict Methodist cousins and the persistence of born-again friends. Moreover, Noel seems to have psychic powers, seen alternately as blessing and curse. His mother, Alise, goes pretty easy on him, especially because his stepfather--who bears an eerie resemblance to Billy Graham--is the one who always catches him getting into trouble. Noel Sr. is presumed dead in Vietnam; the boy's last image of his father is of him boarding a perilous carnival ride, an apt metaphor for Noel's substance-induced highs and consequent lows. Noel's younger brother, Matt, is a hellion-in-waiting; conversely, their stepbrother, Ben, is a wise little angel who likes everyone and is loved in return. All of the characters are remarkably realized, their quirks and mannerisms so true that it's especially heartbreaking when tragedy strikes, as it inevitably must. Durkee's darkly humorous debut sorrowfully and sincerely portrays a boy's self-damnation. In the tradition of Anne Tyler, this promising first-timer has taken great care to resurrect smalltown living in the '70s and '80s without a hint of sentimentality. (Feb.) Copyright 2000 Cahners Business Information.
    KLIATT
    Noel Weatherspoon experiences ordinary and extraordinary psychological traumas as he grows from boyhood to youth to the cusp of manhood in Mississippi. His natural father most likely died in Vietnam and his mother has remarried a rigid Baptist. As a Little Leaguer, Noel precipitates, through neither malice nor carelessness, an opposing player's lapse into a coma. Many months later, he finds himself in the boy's hospital room, apparently having just turned off the equipment that stands between the patient and pronounceable death. In middle school, Noel first discovers illicit drugs and then a true friend, Tim. Tim's single mother provides Noel with his first opportunity for sexual fantasy. Soon, Noel's younger brother is surpassing him on the ball field and, by high school, Noel's life seems to revolve around failed sexual encounters with girls his own age, underage drinking, and his stepfather's demonization of him. Junior college brings little respite, until finally catharsis is reached, after the death of his youngest brother. Durkee's prose is smooth and picturesque, his characters genuine and even sympathetic in spite of their onerous qualities. The grim realities of Noel's life—and his grim perception of life generally—conspire to make this a depressing reading experience. However, it is artful and insightful as well as bleak. Older teens who are intrigued by complex characters will fall right into these covers. Category: Paperback Fiction. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2001, Norton, 316p., , Berkeley, CA
    John Freeman
    Rides of the Midway, Lee Durkee's assured, richly imagines debut novel, is a raucous tour throught this scorched landscape of faith...Durkee handles his protagonist's odyssey with grace and style, crafting sentences so beautiful that you stop to read them twice.
    Times Out New York

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