From the Publisher
Beyond the end of Robinson Crusoe is a new world of fiction. Even though it did not know itself to be a ‘novel,’ and even though there were books that we might now call ‘novels’ published before it, Robinson Crusoe has made itself into a prototype . . . Perhaps because of all the novels that we have read . . . the novelty of Defoe’s fiction is the more striking when we return to it. Here it is, at the beginning of things, with its final word reaching out into the future.” –from the Introduction by John Mullan
Robinson Crusoe / Edition 2
- ISBN: 0393964523
- ISBN-13: 9780393964523
- Edition: Second Edition
- Pub. date: 12/17/1993
- Publisher: Norton, W. W. & Company, Inc.
Paperback
15.62
Out Of Stock
The Second Edition of the Norton Critical Edition of Robinson Crusoe is based on the Shakespeare Head Press reprint of the first edition copy in the British Museum, with the "errata" listed by Defoe’s publisher, William Taylor, incorporated into the text.
Michael Shinagel has collated the reprint with all six authorized editions published by Taylor in 1719 to achieve a text that is faithful to Defoe's original edition. Annotations assist the reader with obscure words and idioms, biblical references, and nautical terms.
"Contexts" helps the reader understand the novel’s historical and religious significance. Included are four contemporary accounts of marooned men, Defoe’s autobiographical passages on the novel’s allegorical foundation, and aspects of the Puritan emblematic tradition essential for understanding the novel’s religious aspects.
"Eighteenth-and Nineteenth-Century Opinions" is a comprehensive study of early estimations by prominent literary and political figures, including Alexander Pope, Jean-Jacques Rousseau, Samuel Johnson, Samuel Taylor Coleridge, William Wordsworth, Edgar Allen Poe, Thomas Babington Macaulay, Charles Dickens, Karl Marx, and John Stuart Mill.
"Twentieth-Century Criticism" is a collection of fourteen essays (five of them new to the Second Edition) that presents a variety of perspectives on Robinson Crusoe by Virginia Woolf, Ian Watt, Eric Berne, Maximillian E. Novak, Frank Budgen, James Joyce, George A. Starr, J. Paul Hunter, James Sutherland, John J. Richetti, Leopold Damrosch, Jr., John Bender, Michael McKeon, and Carol Houlihan Flynn.
A Chronology of Defoe’s life and work and an updated Selected Bibliography are also included.
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EBOOK COMMENTARY
Beyond the end of Robinson Crusoe is a new world of fiction. Even though it did not know itself to be a ‘novel,’ and even though there were books that we might now call ‘novels’ published before it, Robinson Crusoe has made itself into a prototype . . . Perhaps because of all the novels that we have read . . . the novelty of Defoe’s fiction is the more striking when we return to it. Here it is, at the beginning of things, with its final word reaching out into the future.” –from the Introduction by John MullanOscar Kenshur Indiana University
"This edition greatly enriches the reader's appreciation of Robinson Crusoe both as a classic that transcends its historical origins and as a text that reflects a specific historical context. In each role, the novel can be viewed from many perspectives, ranging from those embodied in other writings by Defoe and his contemporaries to later ideas about psychology, economics, religion, and post-colonialism, and the introduction and appendices give the reader access to an extraordinarily copious array of these perspectives. The introduction, moreover, goes well beyond compiling viewpoints: while elegantly marshaling information, Evan R. Davis also contests received opinion and offers fresh insights. This is an extremely useful edition for students, general readers, and even those already well-acquainted with Defoe." Maximillian E. Novak University of California
"Evan Davis has done an excellent job of bringing together many of the strands of thought that Defoe put into The Life and Strange Surprizing Adventures of Robinson Crusoe—his interests in travel, economics, religion, and the experience of solitude—and putting them into an attractive format. Professor Davis supplies examples of texts on related topics such as solitude, cannibalism, and castaway narratives, along with a group of wonderful illustrations, including a large number of Crusoe and Friday, showing everything from the sympathetic and helpful Crusoe to Crusoe the colonialist and exploiter. These are well chosen to make points about the ways in which Crusoe fits into the interests of post-colonial criticism. Professor Davis is also very good in his introduction on the ambiguity with which Crusoe treats Friday. Is he a friend, a servant, or a slave? Or all three? This will be a useful and indeed an exciting text for students at all levels."Kirkus Reviews
A labored retelling of the classic survival tale in graphic format, heavily glossed and capped with multiple value-added mini-essays.
Along with capturing neither the original's melodrama nor the stranded Crusoe's MacGyver-esque ingenuity in making do, Graham's version quickly waxes tedious thanks to forced inclusion of minor details and paraphrased rather than directly quoted dialogue in an artificially antiquated style ("You Friday. Me Master"). Frequent superscript numbers lead to often-superfluous footnotes: "Crusoe, a European, assumes that he is superior to other races. This attitude was usual at the time when the story was written." Shoehorned into monotonous rows of small panels, the art battles for real estate with both dialogue balloons and boxed present-tense descriptions of what's going on (the pictures themselves being rarely self-explanatory). Seven pages of closing matter cover topics from Defoe's checkered career to stage and film versions of his masterpiece—and even feature an index for the convenience of assignment-driven readers.
At best, a poor substitute for Cliffs Notes and like slacker fare.(Graphic novel. 11-14)