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    Samuel Johnson: Selected Writings

    Samuel Johnson: Selected Writings

    by Samuel Johnson, Peter Martin (Editor)


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      ISBN-13: 9780674054073
    • Publisher: Harvard University Press
    • Publication date: 09/30/2009
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 536
    • File size: 619 KB

    Peter Martin has taught English literature on both sides of the Atlantic and is the author of A Life of James Boswell.

    Table of Contents

    Contents Note on the Text Introduction Part I: Periodical Essays (1750–1760) Morality, Behavior, and Psychology Society and Manners Biography Autobiography Literature and Authorship Death Politics Part II: Excerpts from the Preface to A Dictionary of the English Language (1755) Part III: Rasselas, Prince of Abyssinia (1759) Part IV: Preface to the Plays of William Shakespeare (1765) Part V: Excerpts from Lives of the Poets Cowley Milton Pope Collins Savage Notes Bibliography

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    Thanks to Boswell's monumental biography of Samuel Johnson, we remember Dr. Johnson today as a great wit and conversationalist, the rationalist epitome and the sage of the Enlightenment. But in Johnson's own day, he was best known as an essayist, critic, and lexicographer. At the center of this collection are the periodical essays from the Rambler, Adventurer, and Idler. Together, these works - allied in their literary, social, and moral concerns - are the ones that continue to speak urgently to readers today.

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    Weekly Standard - Barton Swaim
    Peter Martin, who joined the crowded ranks of Johnson's biographers last year, has given us a fair representation of [his] works here...Harvard Press deserves lavish praise for producing a handsome, well-made edition.
    Choice - C. S. Vilmar
    This handsome book, with its fine printing and striking cover, commemorates the 2009 tercentennial of Johnson's birth by introducing uninitiated readers to the most accessible of his writing, Martin satisfies this aim well, producing a title that serves as a companion to his Samuel Johnson: A Biography.
    New York Review of Books - Andrew O'Hagan
    We see in [Johnson's] essays the tiny brushwork of brilliant self-portraiture; we hear the rhythm of moral seriousness, the sound of contemplation as it engages with the questions of how to live and how to manage in the face of death. But most of all we feel the reach of an author--a writer attempting to reach past self-doubt, poverty, cant, and orthodoxy, in order to assert the power of individual authorship and free thinking in the face of more nebulous authorities. Samuel Johnson may have failed often enough to be personable, but he nevertheless freed subjectivity...and brought both dignity and self-sufficiency to the writing game, allowing authors to be who they chose to be, unshackled from patronage and the requirement to please great men. We see it in his essays and we see it again in his Lives of the Poets: a writer's writer, beckoning individual creative power out of the mire of dependency, making the work answerable only to high standards of excellence stringently applied.
    Weekly Standard
    Peter Martin, who joined the crowded ranks of Johnson's biographers last year, has given us a fair representation of [his] works here...Harvard Press deserves lavish praise for producing a handsome, well-made edition.
    — Barton Swaim
    Choice
    This handsome book, with its fine printing and striking cover, commemorates the 2009 tercentennial of Johnson's birth by introducing uninitiated readers to the most accessible of his writing, Martin satisfies this aim well, producing a title that serves as a companion to his Samuel Johnson: A Biography.
    — C. S. Vilmar
    New York Review of Books
    We see in [Johnson's] essays the tiny brushwork of brilliant self-portraiture; we hear the rhythm of moral seriousness, the sound of contemplation as it engages with the questions of how to live and how to manage in the face of death. But most of all we feel the reach of an author—a writer attempting to reach past self-doubt, poverty, cant, and orthodoxy, in order to assert the power of individual authorship and free thinking in the face of more nebulous authorities. Samuel Johnson may have failed often enough to be personable, but he nevertheless freed subjectivity...and brought both dignity and self-sufficiency to the writing game, allowing authors to be who they chose to be, unshackled from patronage and the requirement to please great men. We see it in his essays and we see it again in his Lives of the Poets: a writer's writer, beckoning individual creative power out of the mire of dependency, making the work answerable only to high standards of excellence stringently applied.
    — Andrew O'Hagan

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