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    See Also Murder: A Marjorie Trumaine Mystery

    See Also Murder: A Marjorie Trumaine Mystery

    by Larry D. Sweazy


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    $11.99

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      ISBN-13: 9781633880078
    • Publisher: Prometheus Books
    • Publication date: 05/05/2015
    • Sold by: Penguin Random House Publisher Services
    • Format: eBook
    • Pages: 253
    • Sales rank: 416,773
    • File size: 425 KB

    Larry D. Sweazy is the author of Vengeance at Sundown, The Gila Wars, The Coyote Tracker, The Devil's Bones, The Cougar's Prey, The Badger's Revenge, The Scorpion Trail, and The Rattlesnake Season. He won the WWA Spur award for Best Short Fiction in 2005 and for Best Paperback Original in 2013, and the 2011 and 2012 Will Rogers Medallion Award for Western Fiction for the Josiah Wolfe series. He was nominated for a Derringer award in 2007, and was a finalist in the Best Books of Indiana literary competition in 2010, and won in 2011 for The Scorpion Trail. He has published over sixty nonfiction articles and short stories, which have appeared in Ellery Queen's Mystery Magazine; The Adventure of the Missing Detective: And 25 of the Year's Finest Crime and Mystery Stories!; Boys' Life; Hardboiled; Amazon Shorts, and several other publications and anthologies. He is member of ITW (International Thriller Writers), WWA (Western Writers of America), and WF (Western Fictioneers).


    From the Trade Paperback edition.

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    See Also Murder

    A Marjorie Trumaine Mystery


    By Larry D. Sweazy

    Prometheus Books

    Copyright © 2015 Larry D. Sweazy
    All rights reserved.
    ISBN: 978-1-63388-007-8


    CHAPTER 1

    July 1964


    I saw a plume of dust through the window over my desk, and something told me trouble was heading my way. We weren't expecting anyone—not that we got much company, and it was too far past planting season for it to be the new county extension agent coming to introduce himself.

    I carefully marked the page proof I'd been staring at for an hour, put the lid on my shoe box full of index cards, and gave a thought to running a brush through my hair but decided I didn't have time.

    Even from half a mile away, I recognized Sheriff Hilo Jenkins' battered pickup truck.

    Hilo had seen me in worse shape than I was at the moment, and I knew this wasn't a social call or him checking in on Hank. The sheriff normally reserved those visits for Sundays, after church and a long nap. It tore Hilo up to see my husband bedridden, a tiny shell of the man he was before the accident, but Hilo always came anyway—rain, shine, or subzero temperatures. Sometimes, I thought, just to fill me in on the latest gossip circulating around town; to remind me that I was still alive and that there was more to my life than nursing Hank the best I could and writing indexes for books nobody in North Dakota would probably ever read.

    I took my reading glasses off, stood up, stared at the pile of papers on my desk, the stack of blank index cards next to my Underwood typewriter, then at the pile of books on the floor, overflowing from the shelves. I was in the midst of writing an index to The Forgotten Tribe of Africa and the Myth of Headhunter Civilizations by Sir Nigel Preston. I forced a smile. How odd was it that a farmer's wife in North Dakota would be responsible for such an important part of a book about headhunters? Life, I had decided not too long after Hank's accident, sure takes some funny turns.

    With a chill rising up my spine, even though it was midsummer, I slid out of my book-filled office—a spare bedroom that was once reserved for a child who never came—as quietly as I could.

    I peeked in on Hank. I could see his chest rising and falling. He slept peacefully, taking his afternoon nap. Nightmares were reserved for the middle of the night.

    By the time I got to the front porch, Hilo was stepping out of his truck.

    Our dog, Shep, a six-year-old border collie, didn't bother to bark at Hilo's truck. The dog knew the sound of the sheriff's engine from a mile away. Instead, Shep circled around Hilo, trying his best to herd him along to get a reward for a job well done. Shep was a good farm dog, more Hank's than mine since the two of them had spent more time together, but Shep and I had come to an agreeable understanding since the change of our fates. We'd had to rely on each other more than we ever had; he needed to obey me as well as he had obeyed Hank. And for the most part, he did.

    The sky was crystal clear, blue as a freshly polished sapphire. No clouds, a little breeze, songbirds celebrating in the distance. It was about as perfect a summer day as you could ask for. Perfect weather was a rare gem.

    "Hey there, Marjorie." Hilo nodded and doffed his hat quickly, exposing a bald head with a few wiry white hairs poking out on the sides. Hilo had been the sheriff of Stark County for nearly thirty years.

    "I would have made some lemonade had I known you were coming," I said, stopping at the edge of the porch.

    "Sorry to barge in on you. How's Hank?"

    "The same." To most everyone else, except Hilo, I always responded that Hank was getting better every day. My lie comforted them, made them feel useful. I always smiled and looked into their eyes a little longer than necessary, so they wouldn't press further. It worked about a quarter of the time.

    Early in grouse season last year, Hank had slipped. The shotgun he was carrying had the safety off. He tumbled forward and the gun went off, spraying his face with bird shot, blinding him in both eyes. The blast stunned him but didn't knock him out. He staggered forward and slipped again, this time into a gopher hole. Unable to catch himself, he fell backward.

    The fall was the worst part of the accident. Hank fell on a huge rock, fracturing a vertebra and snapping his spine. He couldn't move or see and he was alone, a trifecta of bad luck. It was only by pure chance that Hilo Jenkins found him before he died.

    I had gotten worried and called Hilo. We met at Hank's truck and, with a few other deputies, started looking for him. I was grateful that I wasn't the one who found him. I could never have gotten that image out of my mind. Not that I hadn't seen some awful things since ... but that was the end of one way of life and the beginning of another.

    The gloom in our house seemed to extend to the rest of the world a month later when President Kennedy was shot in Dallas. I was sitting in the hospital room when Walter Cronkite made the announcement and wiped a tear from his eye. I was cried out by then. For us, the accident was the end of Hank how I knew him, how I could love him, replaced by a different Hank. One that preferred dying to living. He'd begged for death to take him a million times since our fateful day, since waking to find his life so altered, but the Grim Reaper had been stubborn, deaf to Hank's pleas and my guilt-ridden prayers. If there was a bright spot to the accident, it was the fact that Hank couldn't remember a thing about the fall, the pain, or the fear. His memory, like the rest of his body, had been perforated by holes that had yet to heal—and might never heal, as far as the doctors were concerned.

    Hilo nodded again, his gaze lowered to the ground. "You got a minute to sit and talk, Marjorie?" There was a quiver in his voice that I'd never heard before. Not even on the day of Hank's accident.

    "Sure," I said, not moving. "Is something the matter?"

    "Why don't we just sit, Marjorie," Hilo said. He dug into his pocket, tossed Shep a treat, and nodded his head hard to the right, signaling the dog to leave him alone.

    Shep was more a reader of people, hand motions and such, than a dog who obeyed words. Another sign that he was Hank's dog and not mine. Words were all Shep and I had. Hank used hand signals to communicate with the dog. I had never paid close enough attention to learn them all.

    Shep took the treat, eased to the bottom of the steps after a quick pat on his thick-coated, black-and-white head, lay down, and enjoyed Hilo's gift of a half-dollar-sized bone from last night's round steak.

    "I can put some coffee on," I said. Hilo was making me nervous.

    "No, that's fine. Mighty nice of you, Marjorie, but really, I can't stay long. I just have a question or two for you. This is police business I'm here for."

    Unsettled by the sheriff's surprise call and uneasiness, I shook my head and sat down on the wicker settee Hank had built for me on our first wedding anniversary. We'd watched many a sunset from that spot. It seemed like so long ago—when everything was fresh and new.

    Hilo leaned against the house a few inches from the front door. A sliver of white paint peeled off the frame and floated to the floor. "There isn't an easy way to tell you this, but we found Erik Knudsen dead this morning."

    I felt the air leave my chest. That was the last thing I expected to come out of Hilo's mouth. "An accident ?" I wasn't sure where the words came from. An automatic response.

    Hilo shook his head no. "Lida, too. They were murdered sometime during the night."

    Before I could catch my breath, I asked how. It was the same question I'd asked when Hilo came to tell me he'd found Hank in the shape he was in.

    You got accustomed to tragedy on the plains, isolated like we were. The Knudsens' farm was the next one over, ten minutes as the crow flies. Dickinson was a half-an-hour drive for us in the summer, two hours in the winter, if not more. There was usually no time to flower anything up. I had learned how to get to the point quickly from my father. Some people found it to be an annoying trait, and I'd embarrassed myself on more than one occasion by opening my mouth before I thought things through, but I just couldn't help myself. I suppose I didn't want to change. Didn't see any reason to smooth things over since I spent most of my time with my nose buried in page proofs, writing indexes, tending to Hank, and seeing to the farm the best I could.

    "You sure you want to hear this?" Hilo asked. He peered inside the open door, hoping, I suppose, to catch a glimpse of Hank sleeping.

    "I'll hear it sooner or later. I'd rather hear it from you so the facts'll be straight."

    I gripped the arm of the settee, fending off the urge to run and put a chicken in the oven. Then I chastised myself for running through a list of ingredients, for making sure I had enough of everything in my cupboard to deliver the comfort of a daily meal. I'd always made lists. They helped me stay organized, focused in chaos. I supposed that was one of the reasons I took to writing indexes as easily as I had. Lists came to me as naturally as breathing.

    I searched for a way to relieve my own fear and discomfort. I was as human as everyone else was, and I wasn't sure how I felt about Hilo's revelation at that moment.

    "All right," he said. "They had their throats slit while they were asleep in bed. No sign of a struggle. Probably didn't know what happened. They had the window open, so we figure whoever did it slipped in and out unseen."

    "Peter and Jaeger?"

    "Asleep in their own beds. Didn't hear a thing. Thought it was odd when their mother wasn't up cooking breakfast, so they went in and checked on them."

    "And they found them." I closed my eyes. The chicken didn't seem to matter any longer.

    Every memory I held dear of the Knudsens flooded my mind, and overflowed silently out of my eyes. I wiped away my tears as Hilo nodded and looked away, out over the empty paddock that reached toward the Knudsens' farm. Purple Martins dived and careened over it, feeding on mosquitoes and other insects.

    Shep looked up, finished with the treat, content to lie on the ground and watch over the farm. There was concern in the dog's amber colored eyes. Usually those eyes were focused, certain of their task, but now, the dog looked like he understood every word Hilo was saying. That didn't surprise me a bit. I'd seen that look in Shep's eyes before.

    "They called me right away" Hilo continued. "I guess those boys are orphans now." He looked down sadly and kicked an imaginary bit of dust off the porch.

    Hilo Jenkins knew more about injustice and the meanness human beings could inflict on one another than I ever would, but it was easy to see that he was shaken to the bone by what he'd found on his plate of duties this morning. I knew him well enough to know that sooner or later he was going to get angry—mad as hell—that there was a murderer wandering around loose in his county.

    Someone had set an edge of uncertainty on every human being within a hundred-mile radius, had taken peace and comfort away with an act that destroyed, and had brought terror to Stark County under Hilo Jenkins' watch. He took things like that personal.

    We were simple, hardworking people. Not murderers—killers who used sharp knives and evil ways to resolve their problems. At least that was the way it had been before the Knudsens met a death that no one could have ever imagined.


    (Continues...)

    Excerpted from See Also Murder by Larry D. Sweazy. Copyright © 2015 Larry D. Sweazy. Excerpted by permission of Prometheus Books.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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    1964—Life on the North Dakota farm hasn’t always been easy for Marjorie Trumaine. She has begun working as a professional indexer to help with the bills—which have only gotten worse since the accident that left her husband, Hank, blind and paralyzed. When her nearest neighbors are murdered in their beds, though, Marjorie suddenly has to deal with new and terrifying problems.

    Sheriff Hilo Jenkins brings her a strange amulet, found clutched in the hand of her murdered neighbor, and asks her to quietly find out what it is. Marjorie uses all the skills she has developed as an indexer to research the amulet and look into the murders, but as she closes in on the killer, and people around her continue to die, she realizes that the murderer is also closing in on her.


    From the Trade Paperback edition.

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    Publishers Weekly
    ★ 03/02/2015
    Set in 1964, this terrific first in a projected series opener from Sweazy (The Devil’s Bones) introduces Marjorie Trumaine, a farm wife and book indexer in Dickinson, N.Dak. Indexing keeps Marjorie’s life afloat. A voracious reader and list maker, she also provides care for her beloved husband, Hank, after a hunting accident left him blind and paralyzed. Noting that “Mother and Father were stiff-upper-lip kind of people,” she shoulders her burdens and struggles to suppress her occasional lustful thoughts about a local deputy. She’s horrified when Sheriff Hilo Jenkins tells her that someone has slit the throats of her neighbors Erik and Lida Knudsen, and she’s not happy when Hilo asks her to research a strange copper amulet found in Erik’s dead hand. As more people die, Marjorie becomes increasingly convinced she’ll never feel safe again. The characters are superbly drawn, and the prairie—its flatness, winds, and critters—is an evocative character in its own right. Sweazy is also an author of western fiction and has won the WWA Spur Award for best short fiction. Agent: Cherry Weiner, Cherry Weiner Literary Agency. (May)
    From the Publisher
    A dark, complex mystery with well-developed characters deeply rooted in their small-town rural setting. Larry D. Sweazy gives mystery readers a rich, satisfying read.”
     
    —KAT MARTIN, New York Times-bestselling author of Against the Wind
     
    See Also Murder is a riveting and expertly crafted story about the toll a series of murders takes on a salt-of-the-earth North Dakota farming community in 1964. The book is populated by a rich cast of three-dimensional characters, each of whom is affected not only by the crimes that take place but also by the harsh and relentless wear and tear of the weather and the lingering aftereffects of the Second World War. And who better to save the day than Sweazy's protagonist, Marjorie Trumaine, a gritty, thoughtful, and determined freelance book indexer who is just as comfortable using her considerable mind as she is the .22 she dutifully carries when danger lurks? I couldn't put this book down. It's one of the best mysteries I've read in a long time, and I look forward to more in this engaging and powerful series.”
     
    —DAVID BELL, award-winning and bestselling author of Somebody I Used to Know
     
    “For a mystery to work, we must be engaged in time, place, and people. See Also Murder does this in spades. Sweazy has a created a new, relatable, and endearing  hero in Marjorie Trumaine, the indexer who becomes a detective, and by writing in her voice, a voice of the prairie, demonstrates again that he is as fine a genre writer as exists.  But Sweazy goes further. By taking us to the isolated plains of the Midwest during the 1960s, he has found his own perfect backdrop for murder. Like Raymond Chandler’s Los Angeles or Elmore Leonard’s Detroit, Larry Sweazy can claim the Dakotas as his own, with every approaching lone car a threat, and every silhouette on the horizon a possible killer. In See Also Murder, [he] shows us his landscape brilliantly, and proves that miles of open nothing can be as dark and dangerous as a rain-soaked back alley.” 
     
    —C. COURTNEY JOYNER, author of Shotgun
     
    See Also Murder begins as a deceptively quiet work but is quick to snare the unsuspecting reader with powerful writing and a precise sense of place. Confident, stark descriptions whistle through these haunting pages, borne on unrelenting prairie winds that strip deceptions and leave little hidden. Here is that rare combination of artistic use of language and crackerjack storytelling in a mystery filled with moments of bold, sudden revelation. Equally impressive are reflective passages of admiration for everyday beauty appreciated by unlikely heroic protagonist, farm wife, and indexer Marjorie Trumaine, even in the midst of unexpected brutal circumstances. Sweazy’s powerful mystery will guide the reader wide-eyed into the wee hours, savoring the task of picking at the tight weave of crime within. The only disappointment comes in waiting for a second book in what is sure to be a long-lived series.”
     
    —MATTHEW P. MAYO, Spur Award-winning author of Tucker’s Reckoning
    Library Journal
    04/01/2015
    In the first installment of a new series from Sweazy (The Devil's Bones), Marjorie Trumaine is just trying to make ends meet as the primary breadwinner in rural North Dakota in 1964. She works as a freelance book indexer after an accident left her husband, Hank, severely disabled. Marjorie is shocked when the local sheriff tells her that their neighbors were found with their throats slit. As the bodies pile up, Marjorie decides to try her hand at sleuthing and unmask the killer—or be killed herself.
    Kirkus Reviews
    2015-02-12
    A North Dakota farm wife-turned-indexer who's cared for her husband ever since an accident left him unable to take care himself takes on still another job—amateur sleuth—when someone begins cutting her neighbors' throats.It's 1964. Ever since a freak accident with his shotgun left Hank Trumaine blind and disabled, he's been wholly dependent on his wife, Marjorie, who ekes out some income by indexing books for far-off H.P. Howard and Sons, and their friends and neighbors for his care. Things take an abrupt turn for the worse when Dickinson Sheriff Hilo Jenkins tells Marjorie that her neighbors Erik and Lida Knudsen have had their throats slit, leaving their college-age sons, Peter and Jaeger, suddenly orphaned. The day after Jenkins asks Marjorie to help him learn more about a mysterious amulet clutched in Erik Knudsen's dead hand brings an even bigger shock: the sheriff's wife, Ardith Jenkins, disappears from Hank's side, where she'd been helping Marjorie, and turns up behind the Trumaine barn with her own throat cut. Nor will she be the last casualty. Sweazy (The Devil's Bones, 2012, etc.) establishes a quiet atmosphere that's somehow never broken by the horrific series of murders. There's not much of a small-town feel to the proceedings, though the tale is sensitive to the rhythms of the Trumaine farm. Nor is there any detection to speak of: after carefully researching the amulet's significance, Marjorie leaps to a conclusion—"It's just a gut feeling," she says—and identifies the wrong suspect. A distinctive bonus, however, is that Marjorie, an indexer to the tips of her fingers, includes a draft index to her own first case. That's got to be unique in the annals of the genre.

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