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    Soft Summer Blood

    Soft Summer Blood

    by Peter Helton


    eBook

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    Customer Reviews

    Born in Germany, Peter Helton now lives in Bath, Somerset. He has a Fine Art degree, and paints and exhibits regularly in London, Cornwall and Bath, writing in his spare time. As well as the Chris Honeysett mystery series, he is the author of the DI Liam McLusky series.

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    ‘Any sign of a struggle? That mess in the hall?’ They had walked past the shards of a broken Chinese figurine on the hall floor when they came in. ‘Inside the house only that broken statue thing in the hall. That had stood on the little rococo table and had always been in danger of being knocked over, according to Mrs Longmaid. And she is glad it finally was. Her words, not mine. The studio out the back is a total mess, though.’ ‘The bullet?’ ‘We’ve recovered two bullets, one of them missed. But you won’t like them, inspector. One went right through the man’s brain and hit the inside wall of the safe, then the back before it was spent. The other one missed the victim, caromed round the inside of the safe. ’ He held up the evidence bag with the projectiles inside. ‘Both extremely deformed.’ McLusky managed not to swear as he glared at it. ‘But we’ll be able to tell if it came from the same gun?’ ‘I wouldn’t bet on it.’ ‘Damn it.’ McLusky would however have bet that the SOCO enjoyed delivering bad news. His unglamorous job was to scrape stuff off floors and walls and pack it off to a forensic lab somewhere, and he didn’t have to worry about apprehending criminals. In fact, the more crime there was the more scenes of crime to visit and the safer his job. McLusky’s career, what there was of it, depended on getting results. ‘Who found the body?’ ‘Mrs Longmaid.’ ‘You spoke to her? How did she seem?’ ‘I only spoke to her about the statuette in the hall. She was drinking. I thought she was already quite plastered.’ ‘For want of a better word.’ ‘Sorry, sir.’ ‘No, no, plastered will do.’ McLusky squeezed out of the room. ‘No sign of forced entry anywhere,’ he said as he descended the stairs with Austin. ‘The killer charmed his/her way in or was known to him,’ Austin speculated. ‘Or married to him.’ ‘True.’ ‘And you don’t have to charm your way in with a gun in your hand. You open the door to someone pointing a .38 at you, what do you say?’ ‘Not today, thank you.’ ‘Exactly.’ They found Jennifer Longmaid in the sitting room which had already been gone over by scene of crime officers who had by now moved on to the painting studio. Looking at her McLusky thought that both the superintendent and the SOCO team leader had a point. Mrs Longmaid had indeed been drinking though probably not to drown her grief; she had drunk the better part of a bottle of vintage champagne. At first glance she seemed to be sprawled on a sofa in her underwear but she was in fact wearing a very insubstantial black silk dress and a pair of patterned black tights. She had kicked off one high-heeled shoe and was balancing the other on one toe. She let it drop when the officers entered the room and pulled her legs under her. ‘That outfit doesn’t suit you, inspector, it makes you look like a sanitation worker. And I loath the sound it makes when you move. I don’t suppose you’ll join me in a glass of champagne? I opened a bottle of the good stuff.’ From the armchair in which he had sat down all McLusky could read of the label was the name Alfred Gratien. He disliked champagne and the only champagne house he recognised was Bollinger. ‘I realize this must be a difficult time for you and I’m sorry to have to bother you with questions . . .’ ‘No bother at all.’ She lifted both glass and eyes towards the ceiling. ‘I’m not grief-stricken. Shocked? Yes. Outraged at the violation of my home? Definitely. But not wracked with grief. Of course it may hit me later but I doubt it somehow.’ She drained her glass and leant forward to replenish it from the bottle on the coffee table which afforded McLusky a look down her dress. Since he was clearly meant to look he did and confirmed to himself that Mrs Longmaid wore no bra. ‘Was it you who found the body?’ ‘Yup.’ ‘Would you mind going through the events for me?’ Jennifer Longmaid’s account was brief. She had been shopping for clothes in Bath. On her return to the house she had found the broken statuette in the hall. She had called her husband’s name and when she received no answer looked for him in the studio. It was a shambles. Back at the house she had found her husband’s body in his study.

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    A seemingly open-and-shut case becomes increasingly complicated for Detective Inspector Liam McLusky in this intriguing police procedural.

    It all seemed so simple: a murder; an obvious suspect; a shaky alibi: DI McLusky never had it so good. Until a second killing challenges all his earlier assumptions. With every new piece of evidence McLusky brings to light, the case becomes more complicated. Does it have its roots in a disappearance eighteen years earlier, or is it firmly based in the present?

    Meanwhile, DI Kat Fairfield and DS Jack Sorbie are tasked with finding the daughter of a prominent Italian politician, who has disappeared while on a student exchange programme at Bristol University. Neither is overjoyed to be lumbered with a routine missing person’s case while McLusky heads a high-profile murder investigation. Until they find a dead body of their own…

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    Publishers Weekly
    02/15/2016
    It’s never business as usual for Liam McLusky, as shown by Helton’s complex fourth outing for the Bristol, England, detective inspector (after 2014’s A Good Way to Go). McLusky investigates the murder of an elderly man who was content to ignore much of the 21st century, particularly its technology. The case appears straightforward until a second murder changes the picture. Meanwhile, Det. Sgt. Jack Sorbie and other officers get reluctantly involved in the thankless task of searching for an Italian official’s daughter who has disappeared from her known haunts. Through it all, McLusky barrels his way through, ignoring some of the rules and skating thinly over others. In addition, he worries about passing his upcoming mandated physical fitness exam. He’s not the sort of copper to take well to an environment in which the talking heads from the social sciences overrule the search for criminals. Alas, a key character first appears late in the story. Readers trying to solve the case before McLusky may feel cheated. (Apr.)
    J Hakola
    "There's plenty of police action to keep it interesting, the murders are tied to revenge and money, and the ending is shocking. Mr. Helton doesn't hold back anything."
    A Milton
    "For those of you that enjoy a good British Police Procedural mystery, I recommend that you pick this one up. I’m interested to see where the next case takes DI McLusky."
    Kirkus Reviews
    2016-01-20
    DI Liam McLusky (A Good Way to Go, 2015, etc.) tracks a serial killer whose motive is just a bit obscure. McLusky has a lot on his plate besides the cholesterol-filled eggs, bacon, and blood pudding that have him dreading his upcoming annual physical. But as he tries to make his peace with healthy options at the Albany Road police station's canteen, he and his bagman, DS James "Jane" Austin, find themselves up against a real doozy of a murder. Someone shoots wealthy Charles Mendenhall in the neck, and he bleeds to death on the grounds of Woodlea House, his antiques-filled country estate. His son and heir, David, is the obvious suspect, but as McLusky tries to nail him, a strange thing happens: someone starts attacking Mendenhall's closest friends. First, antiques dealer Nicholas Longmaid is shot to death at Stanmore House, his country estate. McLusky fears that genial Leonidas Poulimenos, friend to both Longmaid and Mendenhall, will be next, so he cautiously accepts the Greek businessman's offer of a weekend stay at Rosslyn Crag, his country house in Cornwall. McLusky hopes to snoop around Port Isaac, where the three friends witnessed a boating accident that drowned Ben Kahn, the fourth of their painting group. He also hopes that a trip to Cornwall will ease his reconciliation with Laura, his estranged girlfriend. Instead, someone burns the spacious home to the ground, costing Laura her laptop with a semester's research on it and plunging McLusky into an investigation that's clearly more complex than it seemed. Helton's complications are more inventive than his resolution, as he leads McLusky down a labyrinthine path to a fairly pedestrian solution.

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