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    Some Old Lover's Ghost

    Some Old Lover's Ghost

    5.0 4

    by Judith Lennox


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    $6.99

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      ISBN-13: 9780062228178
    • Publisher: HarperCollins Publishers
    • Publication date: 07/03/2012
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 480
    • File size: 2 MB

    Judith Lennox is the author of seventeen novels. She lives in Cambridgeshire, England with her husband and three sons.

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    After Toby had gone, I took the bouquet of flowers he had given me and flushed them one by one down the lavatory. Their petals floated on the surface of the water, smooth and pink and perfumed. Then I went to the dreary little room at the end of the corridor, and stared out of the window. It was raining, a dark, thin October drizzle that sheened the streets beyond the hospital. The television was on, but I didn't hear it. I heard only Toby's voice, saying, I don't think we should see so much of each other, Rebecca.

    I had been unable to stop myself whispering, 'Please, Toby. Not now.' I had seen him flinch. Then he had said, 'It just hasn't felt right for a while. But because of the baby—' and he had reddened, and looked away, and I had heard myself say coolly, 'Of course. If that's how you feel.' Anything rather than become an unwanted, burdensome, pitiable thing.

    I turned away from the window. EastEnders was on the television, and a very young girl in a shabby dressing gown was curled in front of it, smoking. She offered me a cigarette, and I accepted one, though I hadn't smoked since university. On the side of the packet was written a slogan, smoking can damage the health of your unborn child, but that didn't matter any more. My poor little half-formed child had been, like the flowers, disposed of. I lit the cigarette, and closed my eyes, and saw petals floating on the water, pink and foetus-shaped.

    After I was discharged from hospital I went back to my flat in Teddington. I rent the ground floor of one of the many Victorian villas that line the streets of west London. The rooms — kitchen, bathroom, and bedsitting room — had a dusty,unfamiliar look. There was a heap of letters by the front door, and the answerphone was blinking frantically. I disregarded both, and lay down on the bed, my coat wrapped around me.

    I thought of Toby. I had first met Toby Came eighteen months ago, in South Kensington. There had been a sudden heavy rain shower, I had had no raincoat, and when a gentleman had drawn level with me and offered to share his umbrella, I had thankfully accepted. I say 'gentleman', an old-fashioned term, because Toby had looked, to me, every inch the gentleman — Burberry and black city umbrella; short dark hair just touching his collar; old but expensive leather briefcase. I had guessed him to be around ten years older than me, and I had walked beside him, forgetting to dodge the puddles, hypnotized by his sudden smile and by the unmistakable interest in his eyes. When he suggested going for a drink to escape the rain, I accepted. By the time we parted, he had my name and telephone number. I had not expected him to phone, but he did, a few days later. I'd made him laugh, he explained. I was refreshing, different.

    Toby had been my adventure. He had come from another world, and I had believed that our relationship would transform me. And it had, for awhile. With Toby, I had lost weight, had worn smarter clothes, and had my long hair lightened. I had worn high heels and had not tripped over them, and I had bought expensive make-up, the sort that stays where you put it on. I had visited Toby's parents' house in Surrey, and had pretended that I was used to sofas whose cushions did not fray, and bathrooms with matching towels. Together we had visited Amsterdam, Paris, and Brussels; together we had dined in expensive restaurants and been invited to fashionable parties. He introduced me to his lawyer friends as 'Rebecca Bennett, the biographer'; they tended to look blank, which he noticed after a while. He suggested I write a novel; I explained that I needed the solidity of history. He proposed, late and drunk one glorious summer's night, that we try for a baby, and when, a couple of months later, I told him that I was pregnant, he toasted the infant with the best champagne, but did not suggest that we move in together. And when, several weeks after that, I began to lose our baby at a dull but important dinner party, he seemed put out that I had chosen such a time, -such a place.

    I had considered my remaking, which he had begun and I had colluded with, to be permanent. With one sentence — I don't think we should see so much of each other — he had reminded me of what I really was. My 'difference' had become tiresome or, worse, embarrassing. And I hadn't made him laugh for ages.

    In the days after I came home from hospital, I did not leave the flat. I drank cups of tea and ate, when I could be bothered to eat, the contents of ancient forgotten tins that gathered dust at the back of the kitchen cupboard. I neither answered the telephone nor opened the post. The dull ache in my belly, a memento of the miscarriage, slowly faded. The panicky feeling, the sense that everything was falling apart, persisted. I slept as much as I could, though my dreams were punctuated by nightmares.

    Then Jane turned up. Jane is my elder sister. She has two little boys aged one and three, and a cottage in Berkshire. A mild but persistent mutual envy has always been a part of our relationship. Jane hammered on the door until I opened it, then took one look at the frowsty squalor and at me, and said, 'Honestly, Becca, you are hopeless.' I burst into tears, and we hugged awkwardly, the products of a family not much given to displays of physical affection.

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    Combining the eloquence and compassion of great English storytellers such as Rosamunde Pilcher and Joanna Trollope with a keen sense for how we reconcile the present by connecting to our past, Judith Lennox comes to America with this international bestseller.

    Rebecca Bennett, thirty-one, financially strapped and reeling from a disastrous love affair, has just taken on the biggest project of her career: writing the biography of Dame Tilda Franklin, considered England's angel to needy children.

    Mining the past of this distinguished child welfare activist, Rebecca is amazed to discover a history riddled with the passion and pain of mysterious kin and unpredictable love. Delving further into Dame Tilda's life, Rebecca finds parallels with her own experience and begins to regard this woman as a soul mate. Soon a romance blossoms between Rebecca and Tilda's grandson, Patrick, and she is drawn even closer to the family. Yet, just as their relationship begins to grow, Rebecca uncovers a family secret that threatens to destroy her newfound love.

    Set against the stark beauty of the Fen country and peopled with memorable characters, Some Old Lover's Ghost is an addictive novel of tragedy, recovery, healing, and love that will raise you up and touch your heart.

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    Daily Mail
    "Judith Lennox's writing is so keenly honest it could sever heartstrings."
    Publishers Weekly - Publisher's Weekly
    Popular British writer Lennox (Footprints in the Sand) frames her romantic mystery, spanning a century's worth of family intrigue, adultery and betrayal, with a modern-day dilemma. London biographer-documentary filmmaker Rebecca Bennett is 31 years old, bright and ambitious, but after having been left abruptly by her selfish lover when she miscarries his child, she's devastated. Depressed, Rebecca almost turns down the chance to write the biography of Dame Tilda Franklin, an activist who devoted her life to saving orphaned or unwanted children. Rebecca knows that saints make for dull stories, and she's interested in the "skull beneath the skin." But Tilda reveals a wealth of skeletons in a long-locked closet and Rebecca is drawn to Tilda and to her handsome lawyer grandson, Patrick. Gradually, frail, elderly Tilda recounts her complicated early life; her mother was raped by wealthy Edward de Paveley, who connived to have her sent to an asylum, and Tilda was raised by a strange, vengeful aunt. Her first love, Daragh Canavan, marries de Paveley's legitimate daughter, but never stops loving Tilda, though Tilda weds journalist Max Franklin and has a family of her own. Decades later, as Rebecca is researching Tilda's story, a body is discovered, believed to be Daragh's. A mysterious caller accuses Tilda of murdering Daragh years ago, so Rebecca plunders the family history, chasing ghosts and rumors in hopes of revealing the truth. Little does she know she's in danger herself from an unexpected source. Believable characters and a tale rife with shocking scandals make for a chilling mystery, though at times the plot whips through historical eras and switches narrative voices with little warning. Readers may sympathize with Tilda's mother, whose life was ruined in 1914 by bearing a child out of wedlock, but will have a harder time understanding modern-day Rebecca, an emotional basket case who seems to make a habit of getting pregnant at the outset of her romances, and seems powerless in directing her life, despite her description as a worldly, enterprising career woman. Agent, Robin Straus. (Nov.) Copyright 1999 Cahners Business Information.
    Library Journal
    Readers of Rosamunde Pilcher and Angela Thirkell should enjoy this very entertaining novel, a contemporary tale that intermingles flashbacks to 1930s and 1940s Britain. Thirty-one-year-old Rebecca Bennett is still recovering from a disastrous affair when she is asked to write the biography of Dame Tilda Franklin, a highly regarded social activist who has devoted her life to rescuing children from appalling situations. As Rebecca becomes increasingly involved in her subject's extraordinary life, her research into the sinister disappearance of Tilda's first love decades ago strains her new relationship with Tilda's grandson, Patrick. The author effortlessly blends moments of suspense with pathos and humor (including one hysterical scene that anyone who has ever wished to take revenge on an old flame will appreciate). The shift between Tilda's past and Rebecca's present is never confusing or annoying, and both lives are equally interesting. This well-written and thoroughly enjoyable novel will have readers eagerly turning the pages until the end.--Elizabeth Mary Mellett, Brookline P.L., MA Copyright 1999 Cahners Business Information.
    Kirkus Reviews
    Precariously balanced somewhere between historical romance and contemporary fiction, this latest effort from Lennox (The Secret Years, 1995, etc.) casts an inviting spell, seducing the reader despite its rather predictable storyline. Devastated by the abandonment of her boyfriend (he gives her the heave-ho in the hospital, where she's recovering from a miscarriage), biographer Rebecca Bennett, 31, plunges into her latest assignment: the life of Dame Tilda Franklin, a Mother Teresa to England's orphaned children. Old yet razor-sharp, Tilda recounts her life, starting with her ignoble beginnings, as bastard child to Edward de Paveley and a servant at his estate. Tilda's mother was committed to an asylum for convenience, leaving Tilda to be raised by her vengeful aunt Sarah. When Tilda meets Daragh Canavan, the course of her life is forever altered. The handsome Irishman, in England to escape debts and build a fortune, falls in love with Tilda, who's swept away by his extraordinary charm. Through a series of Sarah-generated misunderstandings, Daragh marries heiress Jossy de Paveley, Tilda's unknown half-sister, propelling Tilda to London, where she builds a virtuous life during WWII, rescuing children from the Nazis. Tilda's children, both natural and rescued (including Daragh's petulant daughter), eventually force a wedge between her and her husband, Max, who's further unhinged by the horrors he witnessed as a wartime journalist. While uncovering a glorious past riddled with sadness, Rebecca falls in love with Tilda's grandson, Patrick, but becomes suspicious of his motivations: Is he truly in love, or is he distracting Rebecca from uncovering a catastrophic truth?—that Tildamay have murdered Daragh after the war. A now-pregnant Rebecca must either abandon her principles and the biography, or forge ahead alone. A sizable assemblage of well-honed characters. Despite some swooshy plot devices, a compelling and even at times suspenseful yarn.

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