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    Speak Rwanda: A Novel

    Speak Rwanda: A Novel

    5.0 1

    by Julian R. Pierce


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      ISBN-13: 9781466884793
    • Publisher: Picador
    • Publication date: 11/04/2014
    • Sold by: Macmillan
    • Format: eBook
    • Pages: 304
    • Sales rank: 235,830
    • File size: 322 KB

    Jullian Pierce, an American, has worked and traveled in Africa. He maintains close ties with friends and loved ones in Rwanda.

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    Chapter One

    IMMACULÉE MAKERI


    I Envy Hutu women one thing. They can eat meat. I must admit some of us Tutsi women do too, but it isn't right and my husband, also of a good clan, would be ashamed of me if I did. Even so, now, as I knead the sorghum dough, I can smell from the opposite hill the wind-driven smoky odor of meat cooking. Tonight the Hutu women over there will sink their teeth into strong-tasting red meat, while I sit here over sorghum porridge and beans. If I told those Hutu women that I, a Tutsi of good blood, envied them anything, what would they think? That I had gone mad? What would that nice Hutu girl think, the one who once bandaged my son's cut and smiles at me each time we meet on a path? She's pretty, if short and rounded in a Hutu way. What would she think of a Tutsi woman who admitted envy of a Hutu?

        But of course I would never admit such a thing. My husband is a cattle owner in Butare préfecture with standards to uphold, and I have seven children whose mother's reputation is important to them. My eldest son studies in France, the next at the national university in Butare, my girl of eighteen will marry within the year, then comes twelve-year-old Innocent, whom I nearly lost to fever in his infancy and so, secretly, is my favorite, and then the girl of seven, the boy of five. Two years ago, when I considered myself beyond childbearing, I was blessed with a baby boy who has been baptized by our Catholic priest and awarded a legal birth certificate by the government. For such children I must look and act the part of a Tutsi mother and wife,even if circumstances have changed terribly since I was a girl.

        I still love our rugo, our compound of five buildings on this most beautiful of hills overlooking the valleys of the most beautiful of lands, for everyone knows that Rwanda is God's country. It is said that if Imana walks elsewhere during the day, at night, always he returns here. But sometimes I wonder if he has forgotten the Tutsi, his chosen people, his favorite of favorites. In my grandmother's day a Tutsi woman like myself would never find anything to envy in a Hutu. The idea would not have occurred to her. She would have been too proud of her position to think of eating meat. I am ashamed of myself.

        And I am sorry for my husband, who has never reconciled himself to the loss of Tutsi power. After bringing in the cattle for the day, he drinks with his friends and often stumbles home drunk. I wish he could see things for what they are. After all, Imana and Jesus have preordained everything that happens. We must do our best and accept what fate gives us. That's what I try to explain to my good husband. I tell him almost every day that he's still a patron to Hutu clients, that he rents them his cattle so they can have milk and fertilizer for their fields, that the cattle will never be theirs. My husband is aware of being less than his father, who ruled his pastureland like a king. Each month my husband's father had his clients come bow to him when they paid for the use of his cattle.

        Now our former Tutsi king can't even visit his ancestral land. They say he lives the life of an outcast, corrupted by whites in a white country, and frolics in the warm sea with naked women. Does my husband envy him? My husband used to compare my beauty to the glory of his favorite cattle, almost as if he were a court poet, an umusizi, in the service of a Tutsi king. My husband used to say his friends envied him for the way I gave him good children. And it's true, I paid back in fertility his bride-price of cattle. He'd never have to consider the old saying that the worst thing known to man is to lack children to mourn him. Imana has taken care of our family and Jesus has too with the help of the White Fathers in their mission house.

        I was almost finished with the dough and getting the smell of cooked meat out of my nose when Innocent came in to ask for something. I shook my head and said nothing, because it's bad luck to speak while preparing sorghum dough. It's all right to speak while preparing maize but not sorghum dough. His eyes were bright while he panted and poked the air with his toy spear. He must have come from playing with the Hutu boy on the next hill. In the old days when we Tutsi were the warriors and they our servants, the Hutu would never touch a spear without permission. Now their children are teaching ours to be fierce. I gave Innocent a warning look that had him backing out of the house with downcast eyes. Later on, when the dough is finished, I will speak to him again about remembering the past. I don't want him to forget the splendor of our people when Imana brought them southward four hundred years ago and gave them these beautiful hills to rule as they pleased. But perhaps I'm asking too much of a twelve-year-old. Some people say the glory of our Tutsi past should be forgotten. They say it only makes things worse to remember. After all, thirty years ago many of our people left this country in fear, and for all these years the Hutu have been in charge. Or thought they were in charge. It is all so difficult to understand. When I see boys playing with toy spears and jabbing at one another with glee, I worry that someday their play will change to real violence. We have seen too much of it in our beautiful hills. A man dead by the side of the road, his throat cut with a panga as if he were a goat. Two brothers hacked down in their pastureland. Whole families murdered. A massacre of ten here, of fifty in a nearby sous-préfecture. Year after year the numbers grow. Confusion, accusations, and more hatred.

        I don't understand politics, but when my husband and his friends come here to drink, I overhear them talk about such things. They discuss the civil war that has been going on for almost four years now. Tutsi refugees from Uganda crossed the border and started it all, although they haven't got very far. From what I know they stay mostly in the north and hide in the mists of gorilla forests. All they do is come out for raids that annoy the government. Even so, my husband and his friends are proud of this little war, perhaps because it gives them hope for a Tutsi victory some day. Fortunately, my two eldest boys think more of education than they do of war, and Innocent has the cleverness of someone twice his age. But what of the five-year-old? Already he begs to go with Innocent when the boys play war. And the little fellow of two? These questions make me secretly hope that the Tutsi soldiers from Uganda will go back to that place and give up causing trouble here. Our country is so beautiful. These terraced musozi are planted in good crops by Hutu farmers, and Tutsi cattlemen like my husband make daily trips into pastureland with their longhorns. We all eat well, Tutsi and Hutu, and the smoke of our cooking fires mingles in the wonderful air breathed out of the divine mouth of Imana.

        But these are thoughts I keep to myself when my husband comes home. They say a hen mustn't crow when the rooster appears.

        It was late when it happened and all the children had eaten and gone to sleep, but my husband still hadn't, come home. He was drinking in a beer shop somewhere with his friends. So I sat under the electric, lightbulb and did some sewing on a new raffia basket. I like to do close, even work. I make complicated designs with dyes just to challenge myself. No change is possible after beginning with colored designs. I'm proud of my coiled work.

        There was a program of Ethiopian music on the radio that I was half listening to when a voice interrupted with an announcement. President Juvenal Habyarimana has died in a plane crash tonight under mysterious circumstances. I put down my awl. Some kind of missile had shot the plane down and all aboard were killed, including a French crew of three and the leader of Burundi.

        President Habyarimana dead. Who killed him? Tutsi? Hutu? Tutsi? Perhaps we Tutsi would be blamed for the death of a Hutu president.

        I looked at a Kenyan calendar pinned on the wall. Sixth of April, 1994. If this date was special in the mind of Imana, our lives would be changed by it. Six has often been a special number for me. I was married on the sixth day of the sixth month. Someone once told me that six was Imana's favorite number. But favorite could mean important, not good. So the sixth of April could mean the day when important bad things began for us all. I wanted my husband to come home, but surely the moon was going to be much higher before he staggered back into the rugo, full of banana beer and brave talk.

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    A powerful and profoundly moving novel of the civil war in Rwanda, told by men, women, and children on both sides


    Speak Rwanda by Julian R. Pierce marks the arrival of one of the most mesmerizing novels of the year. In vivid, sometimes horrifying, balanced, complex, and utterly believable chapters, it traces the linked lives of several characters--Hutu and Tutsi, soldiers and civilians, mothers, politicians, nurses, herdsmen, and orphaned children--as they try to survive one of the most violent and deeply disturbing acts of genocide since the Second World War. Through the course of the novel, some live and some die: by the end, the reader is fully involved in the lives of these people, and begins to see a faint glimmer of hope and the promise of peace.

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    Kristin Eliasberg
    ...Pierce, an American who has lived and worked in Africa, has bravely tackled a horrific subject and has written a novel that at its best is both informative and moving. —The New York Times Book Review
    Publishers Weekly - Publisher's Weekly
    Since 1994, several books of nonfiction, and now Pierce's debut novel, have tried to comprehend how an estimated one million Tutsi men, women and children came to be slaughtered by their Hutu neighbors in a chilling episode of modern genocide. Pierce, who has worked and traveled in Africa, divides his unbiased novel into the short internal narratives of 10 different figures from all sides of the conflict--Tutsis and Hutus, murderers and victims, refugees and good Samaritans--whose lives are threaded together by chance and violence. Characters include Silas Bagambiki, a local Hutu petty official who sees slaughter as a way to consolidate power; Augustin Makizimana, a foolish young Hutu who is drawn quickly and unthinkingly into committing atrocities; and Innocent Karangwa, a Tutsi boy who escapes Bagambiki's militia only to become an opportunistic war urchin in Rwanda's capital of Kigali. In the midst of this graphically violent history, a few characters are able to preserve their moral centers, among them Hutu nurse Agn s Mujawanaliya and the Tutsi Uganda-born guerrilla Capt. Stephen Mazimpaka, who, by falling in love with each other at the book's end, serve as an example of Rwanda's best hopes. Despite Pierce's painstaking depiction of small-scale politics and his plain-spoken and informative incorporation of local color, the flatness of his prose and the identical, unnuanced voices of the characters make it difficult for this well-intentioned novel to match up to such works of nonfiction as Philip Gourevitch's We Wish to Inform You That Tomorrow We Will Be Killed with Our Families. (Aug.) Copyright 1999 Cahners Business Information.
    KLIATT
    Speak Rwanda is told through the experiences of different people—soldiers and mothers, children and politicians, the hunters and the hunted. In this story, the Hutu and Tutsi people clash over long-standing cultural hatred of each other. Pierce uses these characters in this historical fiction to explain the reasons for the genocide that occurred in Rwanda. The action begins when the majority population—the Hutu people—decide to rise up against the Tutsi people. Young Hutu men become soldiers practically overnight, in order to kill the people they call "cockroaches." Meanwhile, the Tutsi must quickly decide to flee, or be slaughtered. The horrors of war and the reasons for it are seen through the eyes of a Hutu nurse willing to hide an injured Tutsi boy, a Hutu woman mistakenly killed as a Tutsi sympathizer, and a Hutu politician who looks forward to revenge against his enemies, yet dreams of marrying a woman who does not love him. What makes this novel so compelling is that each chapter is told from the viewpoint of a completely different character. The story is told chronologically, but the change of narrator enables the reader to see the same event in a new light. For example, one chapter about a massacre is told from the perspective of a soldier, but in another chapter, it is seen from the eyes of a boy who survives the attack. There are times when the shift from character to character may be a bit difficult for a reader to follow, but I feel Speak Rwanda is a strong story for Pierce's first novel. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 1999, St. Martin's/Picador, 292p, 21cm, 99-22079, $13.00. Ages 16 toadult. Reviewer: Janice Bees; Freelance Reviewer, Chicago, IL, March 2001 (Vol. 35 No. 2)
    Library Journal
    This heart-wrenching and exceptional first collection of linked stories powerfully captures the horror of the 1994 Rwandan genocide and gives an all-too-human face to the headlines. Ten characters--men, women, and children, Hutus and Tutsis, victims and murderers--tell their individual stories. From the first massacres and flight to refugee camps to a tentative peace and the struggle to return home, each witnesses the madness, sorrow, and faint hope of a nation drowning in centuries-old hate. Pierce's graphic accounts of atrocities are harrowing, as are his descriptions of life in camps filled with disease and starvation. He gives each character, even the despicable ones, a depth and uniqueness that balance the terror, creating a universal story of tragedy and survival. While recent events will spark interest, the strong story, involving characters, and good writing make this a novel that will last. Recommended for all libraries.--Ellen Flexman, Indianapolis-Marion Cty. P.L. Copyright 1999 Cahners Business Information.
    Kirkus Reviews
    A somewhat muted but well-informed fictional exploration of the genocide in Rwanda that left, by some estimates, at least 800,000 dead. Newcomer Pierce isn't interested so much in a litany of horrors as he is in getting at the causes, and at some understanding of how human beings can perpetrate such obscenities. He uses a half-dozen first-person narrators to re-create the events leading up to the period of genocidal frenzy during which the majority Hutu people turned on their old adversaries, the Tutsi, to settle scores. Several of Pierce's Hutu, including a power-hungry, small-time politician and a young thug, nurse a fierce hatred of the Tutsi, based on decades of tension between the two peoples, and it doesn't take much for them (urged on by national political figures) to enthusiastically support a genocidal campaign against the Tutsi and those Hutu suspected of favoring coexistence. Another narrator, a Tutsi woman, dies with most of her family in a graphically described slaughter at a Catholic church. One of her children, a boy, survives, and wanders the backroads of Rwanda, reduced to silence by the horrors (stacks of bodies, emptied villages, a river choked with thousands of corpses) that he witnesses. Pierce seems to place his hope for the future of Rwanda in the example of two his narrators, a young Hutu nurse who defies her people to save a Tutsi boy, and a Tutsi soldier who, after the Hutu army is driven out, resigns his commission to work with refugees from both tribes. The two become lovers, providing an example of a life free of the old tribal enmities. While the book offers a powerful portrait of a country coming unhinged, it may be that events in Rwanda were sounimaginably vicious that they can never be entirely explained. Pierce's characters sometimes seem more emblems than individuals, and there are times when the plot and the need to introduce facts and figures don't coalesce. Nonetheless, a heartfelt first effort, often quite moving and always instructive.

    From the Publisher
    "Fascinating, horrifying."—Arizona Daily Star

    "Written close to the bone . . . captures the Rwandan genocide in a way that will disturb and move its readers . . . [Pierce] opens our minds and breaks our hearts with his words."—Metrowest News

    "[A] a well-informed fiction exploration of the genocide of Rwanda . . . A heartfelt first effort, often quite moving and always instructive."—Kirkus Reviews

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