LARA VAPNYAR moved from Moscow to Brooklyn in 1994 and now lives in New York City with her family. Still Here is her third novel.
Still Here: A Novel
by Lara Vapnyar
Hardcover
- ISBN-13: 9781101905524
- Publisher: Random House Publishing Group
- Publication date: 08/02/2016
- Pages: 320
- Product dimensions: 6.10(w) x 9.40(h) x 1.20(d)
.
A profound and dazzlingly entertaining novel from the writer Louis Menand calls "Jane Austen with a Russian soul"
In her warm, absorbing and keenly observed new novel, Lara Vapnyar follows the intertwined lives of four immigrants in New York City as they grapple with love and tumult, the challenges of a new home, and the absurdities of the digital age.
Vica, Vadik, Sergey and Regina met in Russia in their school days, but remained in touch and now have very different American lives. Sergey cycles through jobs as an analyst, hoping his idea for an app will finally bring him success. His wife Vica, a medical technician struggling to keep her family afloat, hungers for a better life. Sergey’s former girlfriend Regina, once a famous translator is married to a wealthy startup owner, spends her days at home grieving over a recent loss. Sergey’s best friend Vadik, a programmer ever in search of perfection, keeps trying on different women and different neighborhoods, all while pining for the one who got away.
As Sergey develops his app—calling it "Virtual Grave," a program to preserve a person's online presence after death—a formidable debate begins in the group, spurring questions about the changing perception of death in the modern world and the future of our virtual selves. How do our online personas define us in our daily lives, and what will they say about us when we're gone?
— New York Times Book Review, 100 Notable Books of 2016
Customers Who Bought This Item Also Bought
-
- Bitter Bronx: Thirteen Stories
- by Jerome Charyn
-
- The Scent of Pine: A Novel
- by Lara Vapnyar
-
- The Glorious Heresies: A Novel
- by Marie Bloedorn
-
- If I Knew You Were Going To Be…
- by Judy Chicurel
-
- Harvard Square: A Novel
- by Andre Aciman
-
- Mathilda Savitch: A Novel
- by Victor Lodato
-
- Don't Let My Baby Do Rodeo
- by Boris Fishman
Recently Viewed
When Vica, a Russian immigrant, brings her son to take an entrance exam for an elite Manhattan high school, she observes the other parents: “You could easily divide them into two categories: Susan Sontag types and Outer Borough types.” Such discernments reflect Vapnyar’s (Memoirs of a Muse) hilarious and weighty insights as she explores familiar yet endlessly fascinating territory: the banalities of American life through the lens of Russians who may not think coming to the U.S. was actually the best choice. In this novel, Vica, who was a promising medical student in Moscow but now works as a sonogram technician, is one of four main characters. Her husband, Sergey, who has been “steadily losing his looks for the last year or two,” is fixated on creating an app he hopes will make him rich and redeem his general mediocrity. The app, a potential gold mine, as well as the inherent loneliness of social media, is a powerful theme throughout the book, as Vapnyar writes convincingly about technology’s impact on her characters, offering a brilliant critique of it. As Vica and Sergey’s marriage unravels, the book also explores their friendship with two other Russians: Vadik, a lonesome computer programmer, and Regina, who had been a highly sought-after translator in Russia but whose American life has left her despondent and watching lots of TV. The novel provides a lively view of a group of friends navigating their early 40s, juggling mistakes of their past and trying to remain hopeful about the future. Once again, Vapnyar illustrates her incredible ability to create rich and entertaining narratives. Agent: Lynn Nesbit, Janklow & Nesbit Associates. (Aug.)
“Still Here is flat-out wonderful, the work of a generous imagination that overflows with stories, some humorous, others heartbreaking, all resonant. The novel is timely in its trenchant dissection of technology and post-recession America, yet classic in its evocation of love and death, ambition and identity, families and friendships forged and broken. Lara Vapnyar’s quartet of Russian strivers are so luminous on the page, they continued to glow in my mind well past the final sentence." Anthony Marra, New York Times bestselling author of The Tsar of Love and Techno and A Constellation of Vital Phenomena
"...minutely observed, razor funny and wholly wonderful." New York Times Book Review
“A brisk and amusing reboot of the familiar immigrant tale...think ‘Friends’ with a heavy Russian accent.” Wall Street Journal
"[Still Here] provides a lively view of a group of friends navigating their early 40s, juggling mistakes of their past and trying to remain hopeful about the future. Once again, Vapnyar illustrates her incredible ability to create rich and entertaining narratives." Publishers Weekly (starred review)
"[A] piercing novel about the absurdities of the digital age, Still Here is also the finest kind of comedy of manners, as much a snapshot of how we live now as were the 19th-century novels of Anthony Trollope and George Eliot.” BookPage
Praise for Lara Vapnyar's Previous Works:
The Scent of Pine:
"[With] a buoyant wit, a sharp-edged Russian melancholy, a fascination with outsiders who long to be insiders and a blunt reckoning with the costs of that transition for those who achieve it. This slender but provocative novel advances those concerns, skillfully questioning the notion that age brings wisdom, at least in matters of the heart." New York Times Book Review
"Ms. Vapnyar has shown herself to be exquisitely sensitive to the shifting vagaries of emotion, particularly happiness...Enchanting." New York Times
"Sharply observed, darkly humorous, and sexy, Vapnyar weaves her tale of mid-life crisis and coming-of-age like a modern-day, Russian Scheherazade."Tatjana Soli New York Times bestselling author of The Lotus Eaters
"[Vapnyar has] an impressive gift, not just of language, but of insight into the human condition."The Boston Globe
"[Vapnyar's] wistful and waggish account of disappointments in friendship, sex, and love is closer in spirit to Anton Chekhov, who, remaining in Russia, captured the universal melancholy of human mortality." Christian Science Monitor
There Are Jews in My House:
"A remarkable collection...Eerie in its simplicity, stunning in its scope. Through her tender, insightful writing, Vapnyar's characters, battered by history and each other, emerge from the long Soviet night oddly radiant and whole." Gary Shteyngart
"Lara Vapnyar is Jane Austen with a Russian soul. The blend of coolness and pathos in these perfect stories is uncanny." Louis Menand
“Prepare yourself for radiance.”–New York Observer
"These finely etched stories glow with the life-giving force of language newly acquired." Time Out New York
"Shot through with coolly rendered details of exquisite beauty...Relish this small gem and hope for more." --San Francisco Chronicle
"Superbly written tales that continue the tradition of Russian realism.... One feels that a season is changing and the future has arrived." Washington Times
"Vapnyar's ambition, purity of prose, and gift for concentrated emotion make this collection a standoutand the first move in what promises to be a long and interesting career." Hartford Courant
"A feat of linguistic achievement. Not only is [Vapnyar's] prose stark and carved in its fresh foreignness, but her stories have the quality of memoir, which lends a naturalness to her subjects.... You must read these stories or have them read to you." Los Angeles Times
"Beautifully wrought tales...Nuanced and deftly written...Superb." --Baltimore Sun
"There Are Jews in My House has an exciting flawlessness, like a perfectly cut stone.... This book should become one of those slender classics, beloved especially among those who thrill to find the old-fashioned short story made so richly and authentically new." O: The Oprah Magazine
"Vapnyar draws an indelible portrait of the land she left behind. . . . [She] conjures a country that is both alluring and oppressive and induces longing and dismay in equal parts." The New York Times Book Review
"Richly written...[Vapnyar's] gift is capturing zigzag lives, alternate realities, the messy imperfection of people as they struggle to find a path." Miami Herald
"Vapnyar's sensitive descriptions of Russian life here and abroad make her a writer to watch." Dallas Morning News
“Powerful . . . Vapnyar seems to be establishing her own more expansive freedom.”—The New York Times
“Stealthily engrossing, graceful prose . . . This lovely collection very effectively captures the small moments that tell what it is to be human.” —Minneapolis Star Tribune
"Reading the stories in There Are Jews in My House is a bit like what it might have been like to look over Tolstoy's shoulder while he examined a blade of grass, then another. In Vapnyar's fiction, details jut, simple and bright, until they pose a world." Chicago Tribune
Broccoli and Other Tales of Food and Love:
"Poignant, piquant, and mischievously amusing." Wall Street Journal
"Elegant...In these stories, food has the power to define characters, propel plots, cause riots, and even commit manslaughter." New York Times
"The comedy of these amusing character studies would, perhaps, have delighted Chekhov.... With Vapnyar, we're seeing the weird and wonderful development of a sophisticated artist." San Francisco Chronicle
"Charming...The stories come alive, inviting the reader to explore the kitchen tables and anxious stomachs of the characters." New York Observer
Memoirs of a Muse:
“Beautifully observant and funny. . . . It's already easy to identify that Vapnyar touch, and to fall under its spell.”—Entertainment Weekly
“So good, so consistently fresh, funny, and surprising, that every sentence is a pleasure.” –San Francisco Chronicle
“[Vapnyar] is clearly a talented writer, possessed of an ample humor and insight and a humane sensibility.”–The New York Times Book Review
“Hilarious . . . [Vapnyar’s] eye for the absurd remains sharp . . . An immensely talented storyteller.”–Vogue
Vapnyar's intriguing third novel (The Scent of Pine; Memoirs of a Muse) follows four school friends from Moscow who all immigrated to New York City. Sergey and Vica are unhappily married, mostly owing to his lack of success as an analyst, and his obsession with developing a strange new app. "Virtual Grave" would allow users to continue to communicate with loved ones who have passed on via their social media personas. We also hear from Sergey's best friend Vadik and ex-girlfriend Regina. Regina married a rich American, Bob, who works with Vadik, a programmer; she spends a lot of time alone in her luxury apartment before a trip back to Russia changes her life. Vadik cycles through girlfriends he meets online and documents his thoughts on Twitter and Tumblr. While the affairs of these four characters are not exactly riveting, the small, well-chosen details and eerily accurate descriptions of their Internet habits carry the narrative. VERDICT An intriguing take on the immigrant experience in New York from those who "made it" and those who didn't. Recommended for fans of Russian literature, novels about our digital lives, or modern literary New York writers such as Emma Straub. [See Prepub Alert, 3/1/16.]—Kate Gray, Boston P.L., MA
An exploration of life, death, and social media from the author of The Scent of Pine (2014) and Memoirs of a Muse (2006). Sergey, Vica, Vadik, and Regina are all Russian émigrés living in New York, and all are dissatisfied with the people they've become. Sergey keeps losing his job as a financial analyst. Vica put medical school on hold so that Sergey could start his—now permanently stalled—career. Vadik is a successful computer programmer, but his romantic life peaked on his first day in Manhattan. And Regina gave up her work as a literary translator when she married an American tech entrepreneur; now she spends her days binge-watching vintage sitcoms in her Tribeca apartment. For each of them, technology plays a role in the disconnect between the selves they imagine and the selves they actually achieve. This is especially true of Sergey, who's convinced that Virtual Grave, his idea for an app that will allow the dead to live on via Twitter and Facebook, is going to rescue him from his disastrous career in finance. Vapnyar is a shrewd writer, and her characters are sharp observers. As she shifts from one point of view to the next, each member of this quartet makes up—in some degree—for the blind spots of the others. But these characters often get lost in their own back stories, which means that pages and pages pass in which the narrative stands still. Then the story leaps ahead between chapters; much of the major action happens offstage. These stylistic choices make some sense. The distance between Moscow and New York doesn't sever the past from the present, and a carefully constructed social media presence can obscure as much as it reveals. Nevertheless, some readers may be frustrated by the uneven pacing, and the happy ending for all feels forced. Definitely smart, fairly entertaining, but not likely to expand the author's audience.