Laurie Lico Albanese has published fiction, poetry, journalism, travel writing, creative nonfiction, and memoir. Her books include Blue Suburbia: Almost a Memoir, Lynelle by the Sea, and The Miracles of Prato, co-written with art historian Laura Morowitz. Laurie is married to a publishing executive and is the mother of two children. To learn more visit her at LaurieLicoAlbanese.com.
Stolen Beauty: A Novel
Paperback
(Reprint)
- ISBN-13: 9781501131998
- Publisher: Atria Books
- Publication date: 11/14/2017
- Edition description: Reprint
- Pages: 320
- Sales rank: 121,885
- Product dimensions: 5.30(w) x 8.20(h) x 0.80(d)
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“A powerful and important tale of love and war, art and family...I was transported.” —Allison Pataki, New York Times bestselling author
“Albanese artfully weaves Adele’s story with Maria’s harrowing life under the Nazis, but it’s hard to read Stolen Beauty without seeing ugly echoes in today’s headlines. Seven decades after World War II, have we learned nothing?” —USA TODAY
From the dawn of the twentieth century to the devastation of World War II, this exhilarating novel of love, war, art, and family gives voice to two extraordinary women and brings to life the true story behind the creation and near destruction of Gustav Klimt’s most remarkable paintings.
In the dazzling glitter of 1900 Vienna, Adele Bloch-Bauer—young, beautiful, brilliant, and Jewish—meets painter Gustav Klimt. Wealthy in everything but freedom, Adele embraces Klimt’s renegade genius as the two awaken to the erotic possibilities on the canvas and beyond. Though they enjoy a life where sex and art are just beginning to break through the façade of conventional society, the city is also exhibiting a disturbing increase in anti-Semitism, as political hatred foments in the shadows of Adele’s coffee house afternoons and cultural salons.
Nearly forty years later, Adele’s niece Maria Altmann is a newlywed when the Nazis invade Austria—and overnight, her beloved Vienna becomes a war zone. When her husband is arrested and her family is forced out of their home, Maria must summon the courage and resilience that is her aunt’s legacy if she is to survive and keep her family—and their history—alive.
Will Maria and her family escape the grip of Nazis’ grip? And what will become of the paintings that her aunt nearly sacrificed everything for?
Impeccably researched and a “must-read for fans of Kristin Hannah’s The Nightingale and Paula McLain’s Circling the Sun” (Christina Baker Kline, #1 New York Times bestselling author), Stolen Beauty intertwines the tales of two remarkable women across more than a hundred years. It juxtaposes passion and discovery against hatred and despair, and shines a light on our ability to love, to destroy, and above all, to endure.
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Maria Altmann was a "love-struck newlywed" when Adolf Hitler invaded Austria, and with her opening sentence, Albanese (The Miracles of Prato) draws readers into a world of glamour, art, intrigue, power and fear. Maria and opera singer husband Fritz soon learn their money and talent are of little use to the Third Reich, especially with Jewish blood in the family. Even more compelling is the interwoven story of Maria's aunt, Adele Bloch-Bauer, muse to artist Gustav Klimt and a woman ahead of her time in turn-of-the-century Vienna. Klimt's commissioned gold-leaf portrait of Adele is of high interest to the Nazis and will inspire Maria to find inner strength to survive the war and save her family's legacy. VERDICT In this complex yet utterly readable novel, historical characters are brought to life against the setting of a city on the verge of artistic greatness and societal collapse. Albanese treats thorny moral issues with clarity and depth. Fans of Philippa Gregory, Tracy Chevalier, and those who enjoyed the film Woman in Gold starring Helen Mirren won't be able to put it down.—Christine Barth, Scott Cty. Lib. Syst., IA
Two haute bourgeois Austrian-Jewish women see their world upended by fin de siècle libertinism, the onset of the Nazi regime, and the theft of all they hold most dear.Sparking off the same source material as the film Woman in Gold (2015), Albanese conjures the voices of Adele Bloch-Bauer and her niece Maria Altmann, whose lives overlapped briefly but whose biographies are forever conjoined by a work of art. Here, as in life, handsome, clever, and rich Adele is an intellectually famished, aspiring salon hostess whose tolerant husband, an uncultured but benevolent sugar-beet magnate, indulges her interest in the philosophical debates of the day (though the novel imposes no burden on readers to wrestle with them). She eventually persuades him to commission Gustav Klimt—monk-cloaked, lupine, and a notorious seducer with multiple illegitimate children—to do her portrait. It takes him three years to complete. While conscious of ugly talk rippling through the Ringstrasse—a failed and embittered applicant to Vienna's Art Academy, who will one day come to power in Germany, is glimpsed briefly at one of Adele's salon meetings—Adele is forced to pull back from their potentially scandalous relationship for reasons less social than private. By turns breathless and rueful at the memory of the erstwhile affair—"His gaze was intoxicating. I'm embarrassed to remember how little it took to keep me talking"—Adele will take up other causes and protégés. One is her young niece Maria, whose story commences in 1938 and makes for a gritty, suspenseful counterpoint (with a few historical liberties taken) to the lip-smacking linzer torte of Adele's bildungsroman. Less worldly than her aunt (who was long dead by the time Hitler comes to power), Maria is shocked when the Gestapo turns up at her home to oversee the transfer of Jewish property into Aryan hands. But she quickly readjusts her inner compass, proving wily and doughty in ways Aunt Adele would approve. Taking the lead from her husband—an amateur opera singer hooked on female adoration—she organizes their escape, not a hot-second too soon. Though given shorter shrift here than the romance/suspense plots, Maria's nervy and unprecedented campaign to seek restitution for her family's looted art collection—including the shimmering Klimt portrait of Adele hidden in plain sight in Vienna's most prestigious gallery—provides a satisfying coda: "The Nazis were inside my uncle's palais....If you're lucky, life teaches you to survive." Fans of romantic suspense with an art historical bent will appreciate the vigor of Albanese's reimagining of the family saga behind the masterpiece long regarded as Vienna's Mona Lisa.