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    The Story of Charlotte's Web: E. B. White's Eccentric Life in Nature and the Birth of an American Classic

    The Story of Charlotte's Web: E. B. White's Eccentric Life in Nature and the Birth of an American Classic

    3.7 19

    by Michael Sims


    eBook

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    Customer Reviews

      ISBN-13: 9780802778178
    • Publisher: Bloomsbury USA
    • Publication date: 06/07/2011
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 320
    • File size: 2 MB

    Michael Sims is the author of the acclaimed Apollo's Fire: A Day on Earth in Nature and Imagination, Adam's Navel: A Natural and Cultural History of the Human Form, and editor of the recent Dracula's Guest: A Connoisseur's Collection of Victorian Vampire Stories and The Penguin Book of Gaslight Crime He lives in western Pennsylvania.
    Michael Sims's six acclaimed non-fiction books include The Adventures of Henry Thoreau, The Story of Charlotte's Web, and Adam's Navel, and he edits the Connoisseur's Collection anthology series, which includes Dracula's Guest, The Dead Witness, The Phantom Coach, and the forthcoming Frankenstein Dreams. His writing has appeared in New Statesman, New York Times, Washington Post, and many other periodicals. He appears often on NPR, BBC, and other networks. He lives in Pennsylvania.

    michaelsimsbooks.com

    Table of Contents

    Introduction: Translating Yourself 1

    Part I Elwyn

    Chapter 1 Enchanted 9

    Chapter 2 Fear 19

    Chapter 3 Trustworthy 33

    Chapter 4 A Writing Fool 42

    Chapter 5 Liebesträum 55

    Part II Andy

    Chapter 6 Olympus 69

    Chapter 7 Interview with a Sparrow 86

    Chapter 8 Crazy 96

    Chapter 9 As Spiders Do 106

    Part III Charlotte

    Chapter 10 Dream Farm 127

    Chapter 11 The Mouse of Thought 143

    Chapter 12 Foreknowledge 157

    Chapter 13 Zuckerman's Barn 169

    Chapter 14 Spinningwork 175

    Chapter 15 Paean 189

    Chapter 16 Some Book 208

    Chapter 17 Completion 226

    Coda: After Charlotte 236

    Acknowledgments 245

    Abbreviations for Frequent Sources 249

    Notes 251

    Selected Bibliography and Further Reading 289

    Index 297

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    While composing what would become his most enduring and popular book, E. B. White obeyed that oft-repeated maxim: "Write what you know." Helpless pigs, silly geese, clever spiders, greedy rats-White knew all of these characters in the barns and stables where he spent his favorite hours as a child and adult. Painfully shy, "this boy," White once wrote of himself, "felt for animals a kinship he never felt for people." It's all the more impressive, therefore, how many people have felt a kinship with E. B. White.

    Michael Sims chronicles White's animal-rich childhood, his writing about urban nature for the New Yorker, his scientific research into how spiders spin webs and lay eggs, his friendship with his legendary editor, Ursula Nordstrom, the composition and publication of his masterpiece, and his ongoing quest to recapture an enchanted childhood.

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    Publishers Weekly
    In this spry biography of Elwyn Brooks White (1899-1985), Sims (Apollo's Fire) immerses himself in White's oeuvre and channels his lucid prose style. Juxtaposing details from White's essays and letters with his own research and sprinkling the text with White's gimlet-eyed quotations, Sims depicts the author (who lived in suburban Mount Vernon and summered in Maine) as a melancholy wunderkind. The deeply sensitive, meticulous White—"plagued by wild anxieties and indefinable nostalgia" all his life—grew up admiring naturalist writers like Ernest Thompson Seton, and contributing animal stories to St. Nicholas children's magazine. Sims breezes past White's college years, focusing instead on his introversion and romantic-washout status, while also devoting attention to his blossoming as a staff writer and cartoon-captioning whiz for Harold Ross' New Yorker. According to Sims, White drew inspiration from Don Marquis' anthropomorphic cockroach and cat, as well as from wife-to-be Katharine Angell, and fellow writer James Thurber. Not until his 50s, after years in the city and on his small Maine farm, did White utilize these formative influences for Charlotte's Web. Admirers of White's essays and luminous children's literature will be delighted by this amiable chronicle. 8p b&w insert. (June)
    From the Publisher
    Immensely charming” —Boston Globe

    “A fine stylist, Mr. Sims portrays these scenes with a beauty and an economy of language that would make the co-author of The Elements of Style proud.” —Wall Street Journal

    “Thorough...clear, direct and concise...a lovely and empathetic testament to E.B. White's vision.” —The Washington Post

    The Story of Charlotte's Web is a paean to a great work and a window into the uniquely gifted man who created it.” —Christian Science Monitor

    “Sims offers an affectionate homage to E.B. White” —Entertainment Weekly

    “An engaging, distilled, highly focused biography of White” —Salon

    “Built on revealing glimpses” —USA Today

    “A really lovely book” —Science Friday

    “Unpacks the appeal of Charlotte's Web” —Smithsonian

    “Goes back to Zuckerman's farm” —Vanity Fair

    “A pocket biography” —Chicago Sun-Times

    “Beautifully written and researched, the book is well worth anyone's time” —Monica Edinger, Huffington Post

    “An affectionate biography…Packed with the same kind of sensory detail its subject reveled in, this account is an honorable addition to the literature of letters.” —Kirkus Reviews

    Library Journal
    Sims (Adam's Navel: A Natural and Cultural History of the Human Form), as a droll observer of the natural world and editor of the annotated edition of one of E.B. White's formative influences, Don Marquis's Archy and Mehitabel, is uniquely qualified to write what is a biography of Charlotte's Web as much as it's a biography of White. White's childhood fascination with the world's smaller denizens and his literary career, including his storied history at The New Yorker, are traced by Sims to their climax in the germination of the plot for Charlotte's Web. Like Beatrix Potter, whose children's stories about anthropomorphized animals were written a half-century before, White consciously avoided moralizing and instead attempted naturalistic faithfulness. Although his children's books were extremely successful and tourists flocked unbidden to his Maine farm each year for his birthday, he longed for solitude throughout his life and felt the greatest connection with animals; Sims successfully argues that Charlotte's Web unintentionally became a "summary of what it felt like to be E.B. White." VERDICT Scholars of children's literature as well as fans—child and grown-up alike—of either White generally or Charlotte's Web in particular will enjoy this biblio-biography.—Megan Hodge, Randolph-Macon Coll. Lib., Ashland, VA
    Kirkus Reviews

    An affectionate biography examines the birth of an American classic.

    As the subtitle indicates, Sims (Apollo's Fire: A Day on Earth in Nature and Imagination, 2007, etc.) concentrates on White's lifelong love of the natural world. He loved the family stable, writes the author, and roamed the undeveloped places in and around Mount Vernon, N.Y., as well as reveling in the rustic beauty of the Belgrade Lakes in Maine, where his family summered. White's reading tastes revolved around the "true life" animal stories of Ernest Thompson Seton and his ilk, and he was also charmed by the antics of Don Marquis' Archy and Mehitabel. White began writing early, first keeping a diary and then joining the child contributors to St. Nicholas, among whom also numbered his future wife, Katharine Sergeant. Sims also traces White'sNew Yorkercareer, touching lightly on high points and drawing on his writings, both public and private, in which he often adopted the voices of animals. The author avoids the often-irritating tendency of literary biographers to foreshadow portentously from these early experiences, allowing readers to draw their own connections. His examination of the genesis and development ofCharlotte's Web—White worked desperately to nurse an ill pig back to health, knowing that if he was successful, he would end up killing it anyway—will thrill lovers of the novel. Sims quotes generously from White's working drafts, which were constantly in revision from the beginning. Descriptions of these pages offer both a fascinating insight into the writing process and crushing refutation of any claim that writing for children is easy.

    Packed with the same kind of sensory detail its subject reveled in, this account is an honorable addition to the literature of letters.

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