Take a walk through Harlem's Sugar Hill and meet all the amazing people who made this neighborhood legendary.
Publishers Weekly
11/25/2013
Christie’s handsome paintings of Harlem’s Sugar Hill neighborhood bring warmth to Weatherford’s catalogue of the African-American artists who lived there in the 1920s and ’30s. Weatherford’s bouncy verse establishes a backbeat (“Sugar Hill, Sugar Hill where life is sweet,/ And the ‘A’ train stops for the black elite”) as Christie (who collaborated with the author on Dear Mr. Rosenwald) paints small figures dwarfed by the iron girders of the elevated train line and old-fashioned, flat-roofed apartment buildings. Through uncurtained windows, readers see grandmothers and grandchildren in quiet sitting rooms and revelers dancing late into the night (“Where grand townhomes lend river views,/ and parties swing to jazz and blues”). Some of Sugar Hill’s illustrious residents may be new to readers (“Where Robeson puts down roots a while/ and Sonny Rollins hangs with Miles”); an author’s note and “who’s who” section provide more information. Tranquil scenes of sidewalk life—Lena Horne out strolling in a big hat, small groups gathered in front of store windows—commemorate a neighborhood whose residents were prosperous and secure. This portrait of a community of color that cherished its artists will inspire readers. Ages 5–8. (Feb.)
From the Publisher
"With spare text and minimalist illustrations, Weatherford and Christie pay fine tribue to the tradition of artistic expression that bloomed during the Harlem Renaissance. Each page turn reveals a luminary of the scene with just a single line of text that gracefully sums up his or her contribution." Booklist, February 1, 2014"Weatherford's words celebrate the people and neighborhood where black culture blossomed in the '20s and '30s. . .Christie's signature paintings--bold and simple--capture the excitement and energy of the place and time." School Library Journal, February 1, 2014
"Christie's handsome paintings of Harlem's Sugar Hill neighborhood bring warmth to Weatherford's catalogue of the African-American artists who lived there in the 1920s and '30s. . . This portrait of a community of color that cherished its artists will inspire readers." Publishers Weekly, November 22, 2013
"Weatherford's poetic, swinging textual rhythms meet Christie's artistic razzmatazz to create one hot picture book. . .A fine tribute to the local color of Sugar Hill, who have made America a better and more interesting country for almost a century." Starred Review, Kirkus Reviews, January 15, 2014
Children's Literature - Lois Rubin Gross
As Duke Ellington once musically directed, you take the A Train to get to the historical neighborhood of Sugar Hill in Harlem. Unlike the contemporary reputation of Harlem, either as a depressed or newly gentrified neighborhood, Sugar Hill is renowned for its place in the Harlem arts’ renaissance. In lyrical rhyme, author Weatherford praises the past of a neighborhood that gave birth to music (“Where Duke and Count plunk out new tunes”), literature (“Where Zora spins stories by the moon”), art (“Where Aaron Douglas births black art”), and political action (“Where DuBois outlines social tracts”). The minimalist, but brightly colored, illustrations reflect a time of energy and good feeling in this middle class and upwardly mobile African American neighborhood. The overall message of the book is one of a cultural and economic community that rose above the discrimination around it; an island of intellect and good feeling that gave birth to an explosive sense of black pride and accomplishment. The limited references to the residents of Sugar Hill (first names only are used) will mean little to young readers, but a glossary and brief history in the back matter will help in explaining the glory days of this fabled New York neighborhood to young readers. Certainly, this will be a wonderful addition to Black History collections and might inspire an investigation of the work and art of these fabled celebrities. Reviewer: Lois Rubin Gross; Ages 4 to 7.
School Library Journal
02/01/2014
Gr 2–4—This lyrical tribute to the New York City historic district so central to the Harlem Renaissance pays homage to such notable African Americans as Faith Ringgold, W. E. B. DuBois, Thurgood Marshall, Paul Robeson, and Miles Davis. "Sugar Hill, Sugar Hill where life is sweet/And the "A" train stops for the black elite.…Where Duke and Count plunk out new tunes/and Zora spins stories by the moon.…Where grown-ups lift the young ones high/and give them wings to touch the sky." Weatherford's words celebrate the people and the neighborhood where black culture blossomed in the '20s and '30s. Friendly, well-dressed neighbors dance and swing or discuss new ideas while children play stickball, visit the library, and are lifted up by their elders. Christie's signature paintings-bold and simple-capture the excitement and energy of the place and time. An author's note and "who's who" provide background information on the neighborhood and its accomplished inhabitants. Pair this perfect read-aloud introduction to the Harlem Renaissance with Bryan Collier's Uptown (Holt, 2000) to inspire students to write and illustrate their own neighborhood poems.—Barbara Auerbach, New York City Public Schools
Kirkus Reviews
★ 2013-12-18
Weatherford's poetic, swinging textual rhythms meet Christie's artistic razzmatazz to create one hot picture book. A historic and cultural tour of Harlem's famous neighborhood, the book drops names aplenty. Miles Davis, Lena Horne, Zora Neale Hurston, Thurgood Marshall and W.E.B. Du Bois, among others, all lived and thrived in this center of African-American life and art—a place that has also always nurtured black children into productive lives through the arts, literature, and the love and attention of caring adults. Sparsely detailed but action-packed, Christie's illustrations echo the lives of the star-studded cast of characters. Faith Ringgold's page, for instance, features the Brooklyn Bridge and a young girl who could just as easily be Cassie from Ringgold's Tar Beach (1991) as the young Ringgold herself. The backmatter offers biographical blurbs that emphasize the longitudinal impact this neighborhood has had on Harlem and on the nation; birthdates begin in 1868 (Du Bois) and end in the present with those who are still producing art today (Sonny Rollins, the "Saxophone Colossus," and Ringgold, both 82 years old at the time of this review). A fine tribute to the local color of Sugar Hill, who have made America a better and more interesting country for almost a century. (Informational picture book. 7-9)
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