Jane McCafferty is the author of the novel One Heart and two collections of stories, Thank You for the Music and Director of the World and Other Stories, which won the Drue Heinz Literature Prize. She is the recipient of an NEA award, the Great Lakes Colleges Association’s New Writers Award, and two Pushcart Prizes. She lives and works in Pittsburgh, Pennsylvania.
Thank You for the Music: Stories
eBook
$6.99
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ISBN-13:
9780062325501
- Publisher: HarperCollins Publishers
- Publication date: 10/08/2013
- Sold by: HARPERCOLLINS
- Format: eBook
- Pages: 224
- File size: 297 KB
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In 14 original stories, Jane McCafferty illuminates modern life weaving her love of music throughout the lives and stories of her characters. From two middle-aged strangers who meet in an empty baseball stadium during a rainstorm, to a 23-year-old man who brings his 62-year-old wife home to meet his parents, to a young couple who live next door to an unemployed clown and his wife, these stories are at one unexpected and enthralling.
This collection of short stories, linked by the theme of music, is a gorgeous follow-up to One Heart, award-winning writer Jane McCafferty’s critically acclaimed debut novel.
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Publishers Weekly
Like a favorite old mix tape, McCafferty's collection of 14 stories tugs at the heartstrings and illuminates life's pivotal moments. In "Family on Ice," a spunky X-ray technician longs for a divorced man who's smitten with their mutual friend; at a Christmas party, she-a self-proclaimed "third wheel"-finds quiet companionship with a self-proclaimed "family bum." In "Guiding Light," a young girl convinces her seemingly closed-minded mother (whose musical taste stops at Burt Bacharach) to let her take piano lessons with their new neighbor, "a mixture of a nun and an artsy-fartsy." Twenty-five-year-old Griffin shocks his parents by bringing home a 60-year-old veterinarian bride in "Berna's Place"; as his parents slowly warm up to Berna, they also begin to reassess their own marriage. Under the influence of loneliness (and some newly prescribed Paxil), the father in "Light of Lucy" contemplates shouting to a parking lot full of parents waiting for their children, "Do you not grasp that life could be more like the movies if only you got out of your stupid car and opened your heart?" Before long, he finds himself sharing the front seat with a vibrant woman who bears a striking resemblance to the late, great Lucille Ball. Though some character types seem a bit overplayed, McCafferty (One Heart) offers tales as down-to-earth as the Bruce Springsteen tunes that unite a lonely woman with a young boy from the other side of the tracks in "Dear Mr. Springsteen," and as irresistible as any pop song. Agent, Nicole Aragi. Author appearances in Pittsburgh, Pa.; Iowa City, Iowa; and Cleveland, Ohio. (Jan. 13) Copyright 2003 Reed Business Information.
Kirkus Reviews
Fourteen stories set in Pittsburgh describe the quiet griefs of everyday life: a second collection from McCafferty (Director of the World, 1992; One Heart, 1999). McCafferty's prose is better as portraiture than storytelling, and most of these tales are as much vignette as narrative. The beaten-down father of "Light of Lucy," for example, has a brief flight of fancy (involving Lucille Ball) while waiting in a parking lot for his daughter, but his story is little more than a sketch of a desperate man (divorced, depressed, unemployed) short on answers. Similarly, the narrator of "Brother to Brother" offers an interior monologue on the difficulty of life, addressed to a beloved elder brother who may, in fact, be already dead. The unhappy young couple who bicker pointlessly in "You Could Never Love the Clown I Love" are brought up short by an encounter with the older couple next door, a circus clown and his wife, who complain about the noise of their endless arguing, while the young couple of "So Long Marianne" seem perfectly happy and in love until the girl sees a child in her store and is thereby (possibly) reminded of some misfortune in her past. "Stadium Hearts" depicts the loneliness of an elderly philosophy professor who breaks into a baseball stadium to recall his dead wife and son and the ballgames he refused to take them to, there encountering the widow of a ballplayer who has also broken in to recall the past. "Dear Mr. Springsteen" is a fan letter to the Boss from a middle-aged Pittsburgh lady who tries to explain what an effect Springsteen's Rising album had on her and an inner-city boy she played it to, while the title story is a thank-you note from a troubled woman with anunhappy past to an old friend who helped her through a bad patch many years ago. Sharply observed but limited in scope: more by the way of background, or some other dramatic depth, could make such dim and shadowy characters worth caring for.