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    The Center of Everything: A Novel

    4.0 92

    by Laura Moriarty


    Paperback

    (Reprint)

    $14.99
    $14.99

    Temporarily Out of Stock Online

    Customer Reviews

    • ISBN-13: 9780786888450
    • Publisher: Hachette Books
    • Publication date: 07/28/2004
    • Edition description: Reprint
    • Pages: 352
    • Product dimensions: 5.10(w) x 7.80(h) x 1.00(d)
    • Age Range: 13 - 18 Years

    Laura Moriarty received her master's degree from the University of Kansas and was awarded the George Bennett Fellowship for Creative Writing at Phillips Exeter Academy. She is the author of The Center of Everything. She lives in Lawrence, Kansas.

    Brief Biography

    Hometown:
    Maine
    Date of Birth:
    December 24, 1979
    Place of Birth:
    Honolulu, Hawaii
    Education:
    B.S.W., University of Kansas, 1993; M.A. in English, University of Kansas, 2000

    Read an Excerpt

    I look out my window, down at the yellow rectangles whizzing under us in the middle of the highway. There is nothing but fields of wheat on each side of the road, their feathery tops swirling in the heat. Last year, Ms. Fairchild read some of "My Antonia" to us. She said she wanted us to see Kansas and Nebraska the way it is in the book, beautiful, a breadbasket that feeds many people. She said Kansas is beautiful if you look at it the right way, and that we shouldn't believe anything other people try to say about it. "The abundance of it," she said, spreading her arms in her Wednesday dress, as if she were holding something large.

    I like living in Kansas, not just because of the wheat, but because it's right in the center. If you look at a map of the world, the United States is usually right inthe middle, and Kansas is inthe middle of that. So right here where we are, maybe this very stretch of highway we are driving on, is the exact center of the whole world, what everything spirals out from.

    Reading Group Guide

    Our Book Club Recommendation
    Set in a stifling small town in Kansas against the backdrop of the Reagan era, Laura Moriarty’s The Center of Everything is the story of one young woman’s struggle to make sense of the world around her. Evelyn Bucknow, the insightful narrator of this novel, excels in school and loves to find the right answers. But outside the classroom, in her mixed-up, chaotic world, the right answers are not always easy to find, and her moving search makes this the perfect choice for a book club.

    Evelyn’s is a world populated by people without safety nets: Her proud single mother is out of work, all but estranged from her deeply religious family, and involved with a married man; Evelyn's defender and first love is Travis, the troubled, angry boy next door, abandoned by his father. But the shabby apartment complex she lives in is seemingly built on such circumstances, home to cast-off lovers, children, and cats. Although Evelyn seeks to draw clear boundaries -- between right and wrong, between what she has been given and what may never be -- her mother's pregnancy blurs the lines between parent and child. Evelyn is left not only to raise herself but to make sense of the sneers of her neighbors and her grandmother’s fanatically religious friends.

    Book groups will notice that the novel's themes extend beyond Evelyn's story into the lives of other characters and the very atmosphere of the story. Her newborn brother is afflicted with physical and mental handicaps, and many readers will find common ground in Evelyn's mother’s small triumphs and heartbreaking challenges as she helps her infant son encounter the world. Travis, meanwhile, must make his own discoveries as he learns that the choices he makes can change his life permanently. Finally, the novel's setting in Reagan-era America provokes much broader discussions of history in the context of this small town -- from the activities of Oliver North to a battle between a biology teacher and fundamentalists who want to keep evolution out of the curriculum.

    In The Center of Everything, Evelyn comes to understand the importance of perspective, in both science and in life, and the uncertainty that is part of existence. Moriarty's novel invites readers to examine their own choices and discuss how a change in point of view might, indeed, alter their world's center. Elise Vogel

    Discussion Questions from the Publisher

    1. Who is narrating? What historic or other signposts are available to the reader so that the story can be located in time and place? To whom or what does the title refer?

    2. What do you think of Evelyn, Tina, and Eileen? What about Tina's father? What kind of people are they? What do they look like? What is Sam's role in the family and in the story? Share your impressions of other characters that stand out, and why.

    3. When do you learn the narrator's name? What is going on in the story when this occurs? What, if any, is the significance of the scene where the narrator's name is revealed? When do you learn the narrator's name? What is going on in the story when this occurs? What, if any, is the significance of the scene where the narrator's name is revealed?

    4. How does Moriarty use language to reflect the experiences and thoughts of the characters? Examine and discuss whether or not Evelyn's thoughts and spoken words are reflective of a child's point of view, and why. Share some examples that you find effective and/or moving.

    5. How do Evelyn's feelings about her mother affect your feelings about Tina? Explore whether or not you are sympathetic or disgusted by Tina, and why. At the end of Chapter 11, why does Evelyn not wipe her mother's kiss off of her forehead? Share some examples of how Moriarty brings out the mother/daughter relationship and whether or not you can relate to it, and why.

    6. Why do you believe Tina doesn't speak to her father? How do you respond when you learn that he told the family that a "little horse" is coming to dinner? Discuss this scene, and its implications. Consider how such a small phrase can reveal so much.

    7. The car that doesn't shift is one of the many symbols Moriarty uses. What is its symbolism? Share some of the other symbols used throughout the story and how they are utilized.

    8. Discuss the whole school milieu that Moriarty evokes in The Center of Everything. What are the roles of friendship pins and particular pieces of clothing in the lives of grade-school kids? What are your memories and experiences of these years? Share whether or not you think Moriarty successfully conveys these school experiences, and why.

    9. Discuss the use of religion as a recurring theme throughout the book. As a storytelling device, what purpose does it serve? Why would a man as "religious" as Tina's father shun his daughter and be so unforgiving? How does Eileen live her beliefs? How does religion affect Evelyn? What happens at the church meeting with the healer? Why do people believe in healers? Share whether or not Tina comes to believe in some sort of religion, and why.

    10. Why does Moriarty use the struggle between evolution and creationism in the story? What makes it particularly useful here? Why do people have this debate? Examine whether or not the characters' positions ring true, and why. What would you say to those who have different beliefs than yours?

    11. Do you believe Deena's pregnancy is motivated by Travis' change of plans? Should Evelyn have shared this Deena? What position does Evelyn put herself in by doing this?

    12. How does the car accident that kills Traci affect Evelyn? What motivates Evelyn to initially keep Traci's belongings hidden? Examine the significance and possible symbolism of Evelyn hanging onto Traci's clothes and locket into high school, and what they represent to Evelyn after Traci's death.

    13. Discuss the underlining theme throughout the novel of being chosen or not being chosen.

    14. Discuss Moriarty's use of foreshadowing throughout The Center of Everything. How does it influence your reading?

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    Now in paperback, Laura Moriarty's breakthrough novel of growing up and growing wise.

    Critics and readers everywhere stood up and took notice when Laura Moriarty's captivating debut novel hit the stores in June '03. Janet Maslin of the New York Times praised The Center of Everything as "warm" and "beguiling." USA Today compared the scrappy yet tenderhearted Evelyn Bucknow to Scout Finch in To Kill a Mockingbird. It garnered extensive national attention; from Entertainment Weekly to the Boston Globe and the San Francisco Chronicle, the press raved about the wisdom and poignancy of Moriarty's writing. The Book-of-the-Month Club snatched it up as a Main Selection, as did the Literary Guild. It was a USA Today Summer Reading Pick, a BookSense Top 10 Pick, and a BN.com book club feature title. And still, months after The Center of Everything's original publication date, reviews and features of the book continue to run nationwide.

    With a reading group guide bound into the book and a stellar hardcover publication behind it, the paperback edition of The Center of Everything is poised to explode onto the scene again, and Evelyn Bucknow is ready to steal more hearts than ever.

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    USA Today
    It's not easy to build a novel around a personality, but Moriarty does it well. — Anne Stephenson
    The New York Times
    Laura Moriarty's debut novel has the makings of something wearily familiar: the Midwestern mother-daughter coming-of-age story, featuring at least one episode in which Mom leaves home looking like a movie star but winds up collapsing in tears. Happily, Ms. Moriarty's artful, enveloping book is a lot more interesting than its genre initially suggests. It traces not only stormy adolescence, but also the essential stages of Evelyn's moral and intellectual evolution. — Janet Maslin
    A sweet, often comic series of tender moments spun from real-life battles.
    Christina Schwartz
    This impressive debut is a marvelously satisfying story . . . Moriarty eschews tough questions . . . competing loves and loyalties of adolescence.
    Chicago Tribune
    Graceful and poignant.
    Time Out New York
    Moriarty creates empathetic, engaging characters and situations.
    San Diego Union Tribune
    Teriffic…. Moriarty has steady confidence…expertly wringing poignancy from…young lives…. A deeply satisfying novel.
    Denver Post & Rocky Mountain Ne
    Lively and endearing… complete tour of…conflicts between mother and daughter, as well as between the narrator's hopes and dreams.
    Elle Magazine
    Intelligent and charming debut novel.
    Seattle Post-Intelligencer
    Moriarty's enchanting novel passes too quickly.
    Publishers Weekly
    For 10-year-old Evelyn Bucknow, there really is no place like home. On all the world maps she's ever seen, the United States has been smack dab in the middle, with Kansas in the middle of that. "I feel so lucky to live here, right in the center," she proclaims, in Moriarty's wonderfully down-to-earth debut. Dazzled by visions of Ronald Reagan on the television, the twinkle in his eye and his contention that "God put America between two oceans on purpose," Evelyn's youthful optimism is shaken by her young single mother Tina's inability to take control of her life. As Tina falls for her married boss, who gives her a car (his contribution to the trickle-down theory) but leaves her pregnant and shattered, Evelyn grows closer to her neighbor, a curly-haired scamp named Travis (who has eyes only for Evelyn's stunning friend, Deena) and her Bible-thumping grandmother, a regular listener to Jerry Falwell's radio show. As a teenager, she is influenced by a couple of liberal-minded teachers, one an emigre from New York and the other an introverted biology instructor intent on teaching evolution, but she never cuts her family ties. With renewed faith in her scatterbrained but endearing mother and with college on the horizon, she begins to find her place in the social and political spectrum and to appreciate the vastness of a world that just might extend beyond the Sunflower State. Moriarty deftly treads the line between adolescence and adulthood, and insecurity and self-assurance, offering a moving portrait of life in blue-collar middle America. BOMC and Literary Guild main selection; author tour. (July 2) Forecast: First novels are usually a hard sell, but this one has already been chosen as a BOMC and Literary Guild main selection; backed by major ad promo, Moriarity's debut should see robust numbers. Copyright 2003 Reed Business Information.
    Library Journal
    Evelyn Bucknow's world has been quite small up till now. She and her mother live in Treeline Colonies, a collection of cramped apartments teetering on the edge of a highway in the middle of Kansas. Her grandmother visits every week, smelling of cigarettes and bearing gifts, including stories about God and Wichita, where she lives with her husband, the grandfather Evelyn has never met and the father her mother no longer speaks to. But she is getting older, and luckily she takes the reader along as she enters a widening world of new friends, cruel enemies, fresh pain, and Travis Rowley, "thief, breaker of locks, my own dark avenger and first true love." This world is a place of hard knocks and little self-pity, especially for the charming and prescient Evelyn. Moriarty builds an addictive and moving portrait of this poor, Midwestern girl in the Eighties, reminiscent of Dolores in Wally Lamb's She's Come Undone, so well realized that one forgets it is fiction and so infectious that one never wants to put it down, even after turning to the last page. Essential for fiction collections.-Rachel Collins, "Library Journal" Copyright 2003 Reed Business Information.
    School Library Journal
    Adult/High School-Evelyn Bucknow, 10 years old at the start of this novel, lives with her single mother. Struggling to make ends meet, Tina is a loving, if sometimes absentminded, parent. Won over by the seemingly kind attention of her married boss, she has an affair that leaves her pregnant and in dire financial straits when she is fired from her job. Evelyn narrates the story, and readers witness her growing maturity in the face of circumstances that are beyond her control. With dawning awareness and increasing resentment, she sees that her mother's poor choices are creating havoc in their lives. Evelyn is determined to avoid the same mistakes and use her intelligence to get out of the cycle of poverty that is so much a part of her youth. YAs will enjoy this engrossing novel and connect to the authentic and changing voice Moriarity gives Evelyn as she grows into adulthood. Her thoughts and feelings ring true to the angst and insecurity that are often associated with adolescence. Readers, along with the protagonist, feel sympathy and understanding for human failings.-Julie Dasso, Fairfax County Public Library, VA Copyright 2003 Reed Business Information.
    Kirkus Reviews
    A pleasantly wry, spunky debut, set in the Reagan era, about a fatherless girl who uses her brains as the way out of her mother's hopeless welfare state. Ten-year-old Evelyn Bucknow, plain but brainy, has learned something about the inequities of the world from her less-than-privileged, conservative vantage point in Kerrville, Kansas. Her Vietnam vet grandfather has disowned Evelyn's mother, Tina, for her early sins and still considers her a "whore." Evelyn's grandmother, Eileen, is an Evangelical Reaganite who doesn't believe Tina will make it to heaven. And Evelyn's own fourth-grade classmates rub in her state of impecunious fatherlessness. Yet Evelyn is at the top of her class, winning the science prize over the town's rich girl because our heroine plays by the rules. And even when her first love and neighbor, handsome kleptomaniac Travis Rowley, falls ungratefully for Evelyn's beautiful new friend Deena, Evelyn resists the entrapments of failure that the welfare state seems to expect of her. Much as in another recent storyteller clashing with a dim-bulbed mom (Stephanie Rosenfeld's Massachusetts, California, Timbuktu, p. 638), Evelyn finds her wits sharpened by adversity and by her mother's ill planning-in this case, her getting pregnant by a kind but married boss, who skips town. Still, when it seems the new baby's retardation is the demonstration of God's just deserts, Evelyn finds strength-and Moriarty pumps literary vigor into her narrative-by reversing a reader's expectations. Evelyn's voice is a lone, steely cry against the chorus of small-town righteousness for which President Reagan's TV speeches form the background noise. And while Moriarty is no fancy prose stylist, shelistens carefully to the speech of her characters, and Evelyn and Tina's voices, especially, ring true without sounding dopey or sentimental. Among the plethora of first novels tracking preteen daughters of sorry single mothers, Moriarty's gutsy opener is hard not to like.

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