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    The Chapel of Bones (Knights Templar Mysteries 18): An engrossing and intriguing medieval mystery

    The Chapel of Bones (Knights Templar Mysteries 18): An engrossing and intriguing medieval mystery

    by Michael Jecks

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      ISBN-13: 9781472219794
    • Publisher: Headline Book Publishing, Limited
    • Publication date: 02/27/2014
    • Sold by: Hachette Digital, Inc.
    • Format: eBook
    • Sales rank: 108,898
    • File size: 2 MB

    Ivan Brady is Distinguished Teaching Professor and chair of anthropology at the State University of New York at Oswego. A former president of the Society for Humanistic Anthropology, his special interests include Mexican and Pacific Island ethnography, ethnopoetics, semiotics, and the philosophy of science. He is the editor of Anthropological Poetics (1991), and his poetry has appeared in numerous books and journals.

    Table of Contents


    Chapter 1 Preface
    Chapter 2 I. Gateway
    Chapter 3 Alone on the Bayou
    Chapter 4 Sea Cream
    Chapter 5 Escultura Coral (Watercolor)
    Chapter 6 Diving in Desecheo
    Chapter 7 II. Mythics
    Chapter 8 They Knew Places Where
    Chapter 9 Fale Tapu
    Chapter 10 The Spring
    Chapter 11 Fire Knees (Or, Not Eating Raoul)
    Chapter 12 Gilbertese Warrior
    Chapter 13 When You Were Here
    Chapter 14 Foot Queries
    Chapter 15 Predator
    Chapter 16 Jaguar
    Chapter 17 Spot of the Cat
    Chapter 18 Archaeology?
    Chapter 19 Yellowmouth Moon
    Chapter 20 Some Moon (Watercolor)
    Chapter 21 Translated Text
    Chapter 22 Wiccan Moon Water
    Chapter 23 Sulphur
    Chapter 24 A Gift of the Journey
    Chapter 25 III. History in Pieces
    Chapter 26 The Passing of Monica Harmon
    Chapter 27 Midnight Swim
    Chapter 28 Letter from Laurie
    Chapter 29 Island Chains
    Chapter 30 The Equation
    Chapter 31 Journal Entry
    Chapter 32 Hukulika Island
    Chapter 33 Proem for the Queen of Spain
    Chapter 34 Para Donde Vas
    Chapter 35 Sunstone (Watercolor)
    Chapter 36 Shipwreck
    Chapter 37 Dead Painting
    Chapter 38 IV. Shades of Science
    Chapter 39 Darwin's Reef (Watercolor)
    Chapter 40 The Time at Darwin's Reef
    Chapter 41 Dolphins in the Desert
    Chapter 42 The Cage of Air
    Chapter 43 The Shape of Time
    Chapter 44 Fresh Wind
    Chapter 45 Cannibal-ism
    Chapter 46 Behaviorism
    Chapter 47 Memory Sweep
    Chapter 48 V. Self and Other
    Chapter 49 Port of Call
    Chapter 50 Resistance Failed
    Chapter 51 Fieldwork Pastiche
    Chapter 52 Border Work
    Chapter 53 Combate Beach
    Chapter 54 Pueblo Canyon
    Chapter 55 Dance Plan (Watercolor)
    Chapter 56 Bones of the Moon
    Chapter 57 The Visitor
    Chapter 58 Waterfront Dream
    Chapter 59 VI. Semiotica
    Chapter 60 Tattoo
    Chapter 61 Mojave Codes
    Chapter 62 Tahitian Flower
    Chapter 63 Tramp Steamer
    Chapter 64 Festival
    Chapter 65 Nosferatu Rising
    Chapter 66 Killing Death
    Chapter 67 My Friend Henry
    Chapter 68 St. Patrick's Day
    Chapter 69 Show Me a Sign
    Chapter 70 Torn Shawl
    Chapter 71 Pipers
    Chapter 72 Deep Ideas
    Chapter 73 The Place List
    Chapter 74 The Date List
    Chapter 75 Notes on the Author / Notes on the Artist

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    The Time at Darwin's Reef is primarily a book of storytelling through mixed genres—verse, prose, and painting. Brady's work is designed to draw out key dimensions of the poetics of anthropology and history embedded in creative writing—in the mix and on the margins of verse and prose, painting and writing, fiction and fact—to revisit the sometimes academically resistant idea that there is more than one way to say (and therefore to see) things. This is a poetic exploration of themes encountered in the academy's attempts to explicate reality, including travel through various cultures, times, and circumstances. The goal of this unique book is both analytic and aesthetic. It is also humanistic: a commentary on the human condition, of being and not being in a cross-cultural world. It will be of immediate interest to poets and writers who wish to explore anthropological poetics, to ethnographers and teachers of ethnographic method, and to instructors and students in creative and experimental writing.

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