Ji Xianlin (1911–2009) was born in the impoverished flatlands of Shandong Province, only weeks before the Qing government was overthrown, and educated in Germany in the 1930s. After the Second World War, he returned to China to co-chair the Eastern Languages Department at Peking University. A distinguished scholar of Sanskrit and Pali, Ji was best known as an influential essayist and public intellectual. The former Chinese premier Wen Jiabao paid visits to the author during his final years and made it known that he considered Ji a mentor.
Chenxin Jiang was born in Singapore and grew up in Hong Kong. Recent and forthcoming translations include a novel by Xiao Bai for HarperCollins and
one by Zsuzsanna Gahse for Dalkey Archive Press. She received the 2011 Susan Sontag Prize for Translation, as well as a PEN Translation Grant for her work on Ji Xianlin. Chenxin also translates from Italian and German. She studied comparative literature and creative writing at Princeton University.
Zha Jianying is a journalist and nonfiction writer. She is the author of two books in English, China Pop: How Soap Operas, Tabloids, and Bestsellers Are Transforming a Culture and Tide Players: The Movers and Shakers of a Rising China. Her work has appeared in a variety of publications, including The New Yorker, The New York Times, and Dushu. She divides her time between Beijing and New York City.
The Cowshed: Memories of the Chinese Cultural Revolution
by Ji Xianlin, Chenxin Jiang (Translator), Zha Jianying (Introduction)
eBook
-
ISBN-13:
9781590179277
- Publisher: New York Review Books
- Publication date: 03/08/2016
- Sold by: Penguin Random House Publisher Services
- Format: eBook
- Pages: 216
- Sales rank: 287,158
- File size: 2 MB
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The Chinese Cultural Revolution began in 1966 and led to a ten-year-long reign of Maoist terror throughout China, in which millions died or were sent to labor camps in the country or subjected to other forms of extreme discipline and humiliation. Ji Xianlin was one of them. The Cowshed is Ji’s harrowing account of his imprisonment in 1968 on the campus of Peking University and his subsequent disillusionment with the cult of Mao. As the campus spirals into a political frenzy, Ji, a professor of Eastern languages, is persecuted by lecturers and students from his own department. His home is raided, his most treasured possessions are destroyed, and Ji himself must endure hours of humiliation at brutal “struggle sessions.” He is forced to construct a cowshed (a makeshift prison for intellectuals who were labeled class enemies) in which he is then housed with other former colleagues. His eyewitness account of this excruciating experience is full of sharp irony, empathy, and remarkable insights into a central event in Chinese history.
In contemporary China, the Cultural Revolution remains a delicate topic, little discussed, but if a Chinese citizen has read one book on the subject, it is likely to be Ji’s memoir. When The Cowshed was published in China in 1998, it quickly became a bestseller. The Cultural Revolution had nearly disappeared from the collective memory. Prominent intellectuals rarely spoke openly about the revolution, and books on the subject were almost nonexistent. By the time of Ji’s death in 2009, little had changed, and despite its popularity, The Cowshed remains one of the only testimonies of its kind. As Zha Jianying writes in the introduction, “The book has sold well and stayed in print. But authorities also quietly took steps to restrict public discussion of the memoir, as its subject continues to be treated as sensitive. The present English edition, skillfully translated by Chenxin Jiang, is hence a welcome, valuable addition to the small body of work in this genre. It makes an important contribution to our understanding of that period.”
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Scarifying account of the Chinese Cultural Revolution. What brought about the revolution, apart from Mao's constantly stirring things up to keep friends and enemies alike off balance? Ji (1911-2009) doesn't profess to know, but he's irritated at those who do have the answers and won't release them: "I think their refusal," he writes, "runs contrary to the attitude of truth-seeking that a materialist should have." Whole worlds are encapsulated in that sentence, for the author remained until his death a supporter of the Communist state. That makes the events of June 1966 all the more incomprehensible to an outsider. It was then that he was branded a "reactionary capitalist academic authority" and initiated in a regime that in the months to come would involve questioning, haranguing, abuse, criticism, and self-criticism. The author allows that he had been the department head of an Asian languages program for 20 years, and given that the mob of Red Guards surrounding him wasn't likely to leave him in peace, he selected the label that fit him most closely. The Red Guards were thorough in the extreme; they accused him of being insufficiently ardent by virtue of the fact that his portrait of the Great Leader wasn't dusty. But Ji, never quite playing along—some degree of resistance, he later lets slip, was crucial to survival—replied that it wasn't dusty because he cherished it so much that he polished it constantly. It was off to the metaphorical cowshed all the same. A bestseller in China, this memoir calls attention to the tremendous injustices wrought in that anarchic time. Western readers may find themselves unsold by the author's too-frequent protestations that in recounting his tribulations, he means his former accusers and abusers no harm. Still, that seems a mere formula, for his pages seethe with grievance and reckoning. An ancillary but meaningful document of a time too little chronicled and now all but forgotten by younger Chinese people.