Ludmilla Petrushevskaya was born in 1938 in Moscow, where she still lives. She is the author of more than fifteen volumes of prose, including the New York Times bestseller There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby: Scary Fairy Tales, which won a World Fantasy Award and was one of New York magazine’s Ten Best Books of the Year and one of NPR’s Five Best Works of Foreign Fiction; There Once Lived a Girl Who Seduced Her Sister’s Husband, and He Hanged Himself: Love Stories; and There Once Lived a Mother Who Loved Her Children, Until They Moved Back In: Three Novellas About Family. A singular force in modern Russian fiction, she is also a playwright whose work has been staged by leading theater companies all over the world. In 2002 she received Russia’s most prestigious prize, The Triumph, for lifetime achievement.
From the Trade Paperback edition.
The Girl from the Metropol Hotel: Growing Up in Communist Russia
by Ludmilla Petrushevskaya, Anna Summers (Translator), Anna Summers (Introduction)
eBook
-
ISBN-13:
9781101993514
- Publisher: Temple Publications International, Inc.
- Publication date: 02/07/2017
- Sold by: Penguin Group
- Format: eBook
- Pages: 176
- Sales rank: 194,179
- File size: 18 MB
- Note: This product may take a few minutes to download.
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The prizewinning memoir of one of the world’s great writers, about coming of age and finding her voice amid the hardships of Stalinist Russia
Like a young Edith Piaf, wandering the streets singing for alms, and like Oliver Twist, living by his wits, Ludmilla Petrushevskaya grew up watchful and hungry, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation, made more acute by the awareness that her family of Bolshevik intellectuals, now reduced to waiting in bread lines, once lived large across the street from the Kremlin in the opulent Metropol Hotel. As she unravels the threads of her itinerant upbringing—of feigned orphandom, of sleeping in freight cars and beneath the kitchen tables of communal apartments, of the fugitive pleasures of scraps of food—we see, both in her remarkable lack of self-pity and in the more than two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged.
From the Trade Paperback edition.
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