Meera Syal is an acclaimed actress, comedian, playwright, producer, and novelist. She starred in David Hare's playBehind the Beautiful Forevers at the National Theatre in London. The author of two previous novels, Anita and Me andLife Isn't All Ha Ha Hee Hee, Syal is highly regarded for her funny, sharp, and provocative fiction. She was appointed Commander of the British Empire for Services to Drama and Literature in the British Government's 2015 Honours List.
Meera Syal, a British-born Indian, is a writer and actress. Her first novel, Anita and Me, won a Betty Trask award and was short-listed for the Guardian Fiction Prize. She lives in London.
The House of Hidden Mothers: A Novel
by Meera Syal
eBook
-
ISBN-13:
9780374714963
- Publisher: Farrar, Straus and Giroux
- Publication date: 06/14/2016
- Sold by: Macmillan
- Format: eBook
- Pages: 432
- File size: 559 KB
Available on NOOK devices and apps
Want a NOOK? Explore Now
Shyama, a forty-eight-year-old London divorcée, already has an unruly teenage daughter, but that doesn't stop her and her younger lover, Toby, from wanting a child together. Their relationship may look like a cliché, but despite the news from her doctor that she no longer has any viable eggs, Shyama's not ready to give up on their dream of having a baby. So they decide to find an Indian surrogate to carry their child, which is how they meet Mala, a young woman trapped in an oppressive marriage in a small Indian town from which she's desperate to escape. But as the pregnancy progresses, they discover that their simple arrangement may be far more complicated than it seems.
In The House of Hidden Mothers, Meera Syal, an acclaimed British actress and accomplished novelist, takes on the timely but underexplored issue of India's booming surrogacy industry. Western couples pay a young woman to have their child and then fly home with a baby, an easy narrative that ignores the complex emotions involved in carrying a child. Syal turns this phenomenon into a compelling, thoughtful novel already hailed in the UK as "rumbustious, confrontational and ultimately heartbreaking . . . Turn[s] the standard British-Asian displacement narrative on its head" (The Guardian). Compulsively readable and with a winning voice, The House of Hidden Mothers deftly explores subjects of age, class, and the divide between East and West.
Customers Who Bought This Item Also Bought
-
- Second Fiddle: A Novel
- by Mary Wesley
-
- The Delectable Mountains: or,…
- by Michael Malone
-
- Alexandrian Summer
- by Yitzhak Gormezano GorenYardenne GreenspanAndre Aciman
-
- The Foundling's War
- by Michel DéonJulian EvansYasmina KhadraHoward Curtis
-
- The Idea of Perfection
- by Kate Grenville
-
- Midnight Cactus
- by Bella Pollen
-
- Springtime: A Ghost Story
- by Michelle de Kretser
-
- Seeing Other People
- by Mike Gayle
-
- School for Love
- by Olivia ManningJane Smiley
-
- Ancestor Stones: A Novel
- by Aminatta Forna
-
- Prayers for the Living: A…
- by Alan CheuseTova Mirvis
-
- Home Fires: A Novel
- by Elizabeth Day
-
- Eden: A Novel
- by Yael HedayaJessica Cohen
-
- The Daughters: A Novel
- by Adrienne Celt
-
- Shakespeare's Kitchen:…
- by Lore Segal
-
- The Lady and the Unicorn: A…
- by Rumer Godden
-
- All Russians Love Birch Trees:…
- by Olga Grjasnowa
Recently Viewed
Shyama, daughter of Indian immigrants, is a successful London beauty salon owner and a woman of "a certain age" forty-eight, to be exact. She is divorced from an unfaithful husband and living with her nineteen-year-old daughter, Tara. Also present is Toby, Shyama's partner of some six years, a gentle man fourteen years her junior. Meanwhile, her elderly parents, Prem and Sita, once refugees from Partition who have scrimped and saved all their lives, live right next door. Shyama and Toby have been trying to have a baby for four years, and the novel opens in a Harley Street fertility specialist's office, where Shyama finally learns that she has no viable eggs and an "inhospitable womb." Pregnancy is impossible, and it's devastating news, especially to her, a self-made woman used to overcoming barriers. It's a grim truth, she reflects, that "[i]n an age where you could cougar your way around town with a wrinkle-free smile, inside you were not as old as you felt, but as old as you actually were." Not to be balked in her quest for a baby, Shyama seizes on the idea of employing a surrogate mother.
This will be Mala, a woman living in poverty in an Indian village. Unable to complete her education because of the death of her father, she is married to Ram, an ignorant boor whose family received what they considered an inadequate dowry. This shortcoming has given Ram license if license were needed to treat Mala like chattel; and when he learns of the riches to be obtained by renting out his wife's womb at one of India's many surrogacy clinics, he is determined to act on it. But it is Mala who takes charge, seeing surrogacy as power and an escape from her degrading existence.
The plan is for Shyama and Toby to travel to India and for Mala to be impregnated with a donor egg and Toby's sperm the idea being that the surrogate will have no substantive attachment to the baby. Mala will be housed at the clinic with the other gestating surrogates and, upon delivery, hand the baby over. Complexities of the plot, however, result in Shyama and Toby bringing Mala home to live with them during her or, as they think of it, their pregnancy. It does not make for a happy domestic scene. Tara is furious with her mother partly because she has been completely left out of her decision to have another baby and partly because of her mother's general high-handedness and, not to put too fine a point on it, self-absorption. Beyond that lies a more wounding circumstance: while Shyama is in India dealing with the clinic, Tara is sexually assaulted. Traumatized, she feels she cannot confide in anyone, most especially her mother, who is wrapped up with the pregnancy.
For their part, Shyama's parents are bewildered by the whole idea of their middle-aged daughter's determination to have baby, especially in this manner; but, in addition, they are in torment thanks to another strand of the story. They had allowed Prem's niece and her husband stay temporarily in the apartment they had bought with their hard-earned money for their longed-for retirement in New Delhi. It is one of the many examples in these pages of one person's generosity being taken as stupidity by the recipient. Fifteen years later, the couple are still there, refusing to move even though, in addition to his own apartment, Prem's brother owns two other apartments which he rents out. Prem could have recovered his apartment years ago simply by bribing the legal authorities as the present occupant is doing. But instead, honorable and peace-loving, he is in misery, as is his wife.
The novel is a cornucopia of vexed situations: the trials of an older woman–younger man relationship; the anguish of infertility; mother-daughter conflict; the many questions surrounding surrogacy; sexual assault in the Western world and in India; female infanticide ("to save their parents the price of a crippling dowry"); the plight of poor Indian women and the status of women in India in general; Western feelings of entitlement; cultural dissonance; legal corruption; and dispossession of émigrés. It is truly remarkable how Syal can bring so many big topics into the storyline without making the book seem less a novel than a primer in twenty-first-century global ethics. But along with these matters the novel delves deeply, often with rueful humor, into the main characters' inner lives: the petty envies, tyrannies, doubts, hopes, regrets, and bubbles of joy. Further, Syal's writing is highly visual, summoning up milieu and mind-set in scene after scene, as, for instance, in her depiction of Mala's journey to New Delhi, squashed in a crowded train carriage with Ram. Among their fellow passengers are:
A worn-out mother with three children, barely months between them: she must have popped them out like winter peas, thought Mala. Of course, the whole carriage knew why: the eldest two were girls . . . They were obviously the rehearsal for the third child, a boy, visibly plumper than his sisters, his skin gleaming with coconut oil and with kohl around his eyes to ward off the evil-thinkers, nestling in his mama's lap, prince of them all.In the end, everyone gets his or her lot in life straightened out, for better or worse, and in one case, rather too neatly or perhaps I should say happily. But The House of Hidden Mothers remains a most rewarding novel and, I would add, an ideal selection for a book club, as it lends itself to endless and expansive discussion.
Katherine A. Powers reviews books widely and has been a finalist for the Nona Balakian Citation for Excellence in Reviewing from the National Book Critics Circle. She is the editor of Suitable Accommodations: An Autobiographical Story of Family Life: The Letters of J. F. Powers, 1942–1963.
Reviewer: Katherine A. Powers
Syal (Life Isn’t All Ha Ha Hee Hee) tackles family drama and the new India in one fell swoop. Second-generation British Indian Shyama never really imagined she’d have another child after her first marriage ended in divorce. But now the 48-year-old salon owner and her much-younger boyfriend, Toby, are fixated on having a baby, much to the annoyance of Shyama’s college-aged daughter, Tara. When IVF treatments fail, the couple turns to surrogacy, an option that is much more affordable in India than elsewhere in the world. But Toby and Shyama’s pursuit of parenthood is complicated not only by Tara’s personal crises and the latest chapter in Shyama’s parents’ Dickensian legal battles over New Delhi real estate, but also by their ethically nebulous personal involvement with the surrogate mother, Mala. Narrated primarily from Shyama’s point of view, with occasional glimpses into other characters’ outlooks, this ambitious novel offers some interesting insights into India’s changing social climate, particularly its intersections with class and gender. But in trying to be a romance, an intergenerational saga, and political novel, it outreaches its grasp. Agent: Georgia Garrett, Rogers, Coleridge & White. (June)
In this emotion-stirring, multicultural, feminist novel, 48-year-old Indian American Shyama faces the realities of surrogate pregnancy when she and her younger lover decide to pursue this route of procreation, a way to bring forth a child and "help" (financially) a poor woman. Shyama's Indian parents are facing an ongoing real-estate struggle against the corruption of the Indian government, and her teenage daughter goes to India to join the civil rights movement. The current state of India's society is the backdrop to their personal dramas. Syal (Life Isn't All Ha Ha Hee Hee) depicts the harmful sexism that is ingrained in Indian culture and offers a panorama of diverse views: Western vs. Eastern; rich vs. poor; strong feminists vs. passive traditionalists; men who range from sexist to feminist. VERDICT With an absorbing modern family saga story line and sympathetic, compelling characters, Syal's novel trains a personal lens on ethical issues surrounding surrogacy and women's rights. An excellent book club choice. [See Prepub Alert, 11/30/15.]—Sonia Reppe, Stickney-Forest View P.L., IL
A woman longing for a child jumps headlong into the dramatic world of international surrogacy in Syal's third novel (Life Isn't All Ha Ha Hee Hee, 2000, etc.). Shyama, a 48-year-old British Indian divorcée, lives in London close to her aging immigrant parents, Prem and Sita, and her 19-year old daughter, Tara. After a series of unsuccessful fertility treatments with Toby, her 34-year-old partner, Shyama decides to bypass her "inhospitable womb" by hiring a surrogate mother in India, where the process is unregulated and cheap. Despite the reservations of her daughter and parents and Toby's ambivalence about having a child, Shyama and Toby make the journey to Delhi to find a surrogate through a clinic specializing in assisted reproductive technology. There they meet Mala, a young married woman eager to escape her limited circumstances. As Mala begins her pregnancy on behalf of Shyama and Toby, they become entangled in each others' lives in unexpected and inadvisable ways, turning what begins as a simple matter of supply and demand into something far more complicated. Alongside this drama, Prem and Sita's struggles with a property in India and Tara's increasing alienation and loneliness are woven together to create a multitextured story of desires, disappointments, and family bonds. The novel inhabits many points of view, including Shyama's, Toby's, Mala's, and Tara's, as well as those of more minor characters. These varying perspectives mostly add interest to the narrative, but at times, they feel redundant and unnecessary, a forgivable flaw, since Syal so skillfully uses this bicultural cast of characters to explore the dramatic complexities of transnational surrogacy. The many themes of this novel, including generational conflicts, cultural myopia, economic privilege, and gender politics, give readers plenty to think about. Somewhat overpopulated with characters and issues, but ultimately this hefty novel is a well-paced, enjoyable read.