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    The Outlaw Bible of American Poetry

    4.3 9

    by Alan Kaufman (Editor), S.A. Griffin (Editor)


    Paperback

    $24.99
    $24.99

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    • ISBN-13: 9781560252276
    • Publisher: Basic Books
    • Publication date: 10/28/1999
    • Pages: 736
    • Product dimensions: 6.00(w) x 9.00(h) x 2.00(d)

    Alan Kaufman is a writer-in-residence in The New York Public Library's Frederick Lewis Allen Room. In addition to the "Outlaw anthologies", The Outlaw Bible of American Poetry, The Outlaw Bible of American Literature (co-edited with Barney Rosset), The Outlaw Bible of American Essays, The Outlaw Bible of American Art his books include the novel Matches, the memoirs Jew Boy and Drunken Angel and the anthology The New Generation. His most recent book of poetry is Straight Jacket Elegies. Kaufman is the former dean of The Free University of San Francisco and has been a lecturer at The Academy of Art University in San Francisco. His essays on culture and politics have appeared in The Los Angeles Times, The Huffington Post, San Francisco Chronicle, Salon, McSweeneys and other publications.

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    From the Beat poetry of the '50s to the spoken word of today, The Outlaw Bible of American Poetry brings readers the words, visions, and extravagant lives of bohemians, beatniks, hippies, punks, and slackers. Like Donald Allen's epochal New American Poetry, The Outlaw Bible will serve as a primer for generational revolt and poetic expression, and is an enduring document of the visionary tradition of authenticity and nonconformity in literature. This exuberant manifesto includes lives of the poets, on-the-scene testimony, seminal underground articles never before collected, photographs of clubs and cafes, interviews, and, above all, the poems.

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    Library Journal
    The Beat sensibility is alive and ranting in this bulky, multigenerational anthology of work by those who follow the off-road literary paths of Whitman and Ginsberg. Id-driven, political, and sexually explicit, these poems speak in the vernacular of the street, touting oppositional art as a weapon against poverty, corporate capitalism, discrimination, and violence. The roster of poets has to be among the strangest gathered in one volume; progenitors like Kerouac, Baraka, diPrima, etc., are interleaved with youthful urban slammers and complemented by the likes of Tupac Shakur, Tom Waits, Richard Pryor, Karen Finley, Janis Joplin, Che Guevara, James Dean, and other pop icons. The spirit of the whole affair might best be summarized by Pedro Pietri's "Telephone booth number 542": "the only way/ i know how/ to wash dishes/ is by smashing them/ against the wall!" Though this collection holds some historical and documentary interest and a few harrowing moments courtesy of Sapphire and Gerry Gomez Pearlberg, many poems are by turns obvious, self-important, tedious, and indulgent--just like Open Mic Night down at the local tavern.--Fred Muratori, Cornell Univ. Lib., Ithaca, NY Copyright 2000 Cahners Business Information.\
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