Christopher Buckley is a novelist, essayist, humorist, critic, magazine editor and memoirist. His books include Thank You for Smoking, The Judge Hunter, and The Relic Master. He worked as a merchant seaman and White House speechwriter. He has written for many newspapers and magazines and has lectured in over seventy cities around the world. He was awarded the Thurber Prize for American Humor and the Washington Irving Medal for Literary Excellence.
The Relic Master: A Novel
Paperback
(Reprint)
- ISBN-13: 9781501125768
- Publisher: Simon & Schuster
- Publication date: 10/25/2016
- Edition description: Reprint
- Pages: 400
- Sales rank: 135,289
- Product dimensions: 5.50(w) x 8.30(h) x 1.10(d)
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Christopher Buckley’s “hilarious, bawdy, and irreverent frolic of a tale” about a sixteenth-century relic hunter and the artist Albrecht Dürer who conspire to fabricate Christ’s burial shroud reads “like Indiana Jones gone medieval” (USA TODAY).
The year is 1517. Dismas is a relic hunter who procures “authentic” religious relics for wealthy and influential clients. His two most important patrons are Frederick the Wise and soon-to-be Cardinal Albrecht of Mainz. While Frederick is drawn to the recent writing of Martin Luther, Albrecht pursues the financial and political benefits of religion and seeks to buy a cardinalship through the selling of indulgences. When Albrecht’s demands for grander relics increase, Dismas and his artist friend Dürer fabricate a shroud to sell to the unsuspecting noble. Unfortunately Dürer’s reckless pride exposes the trickery, so Albrecht puts Dismas and Dürer in the custody of four mercenaries and sends them all to steal Christ’s burial cloth (the Shroud of Chambéry), Europe’s most celebrated artifact. On their journey to Savoy where the Shroud will be displayed, they battle a lustful count and are joined by a beautiful female apothecary. It is only when they reach their destination they realize they are not alone in their intentions to acquire a relic of dubious legitimacy.
“A rollicking good time, Christopher Buckley has transported his signature wit and irreverence from the Beltway to sixteenth-century Europe in The Relic Master” (GQ). This epic quest, “as rascally and convivial as any that Mr. Buckley has written” (The Wall Street Journal), is filled with fascinating details about art, religion, politics, and science; Vatican intrigue; and Buckley’s signature wit “holds the reader till the very last page” (The New York Times Book Review).
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For his latest comic novel, Buckley (Thank You for Smoking) turns his satiric eye from the political present to the dramatic Holy Roman Empire in 1517. Dismas, ex-mercenary, plies his trade as a buyer of religious artifacts for his two primary patrons: Frederick, Elector of Saxony, and the ambitious Archbishop of Mainz. Egged on by his good friend, painter Albrecht Durer, Dismas tries to sell the despised archbishop a fake shroud of Christ. But when the deception is uncovered, Dismas is forced to do penance by stealing the real shroud of Christ from the Duke of Savoy, who lives in Chambery. Accompanied by Durer and a small band of mercenaries, Dismas heads for Chambery, stopping along the way to rescue an apothecary's daughter who's accused of being a witch. Disguised as pilgrims, Dismas and his band are granted an audience with the duke, which brings them one step closer to the shroud. But complications in the form of Signore Caraffa, the Machiavellian henchman to Lorenzo de' Medici, stand in their way. This historical novel is part Monty Python and part Ocean's 11. The clever narrative is filled with laugh-out-loud one-liners but, amazingly, doesn't stint on the suspense as Dismas tries to play all the angles to get his hands on the shroud. Through the cheeky humor, the author gives readers a very real sense of the early 16th century, when science and superstition held equal sway, and a man was always a swordsbreadth away from a horrible death. (Dec.)
Buckley, who's been called "the funniest writer in the English language" by Tom Wolfe and has a Thurber Prize for American Humor to prove it, offers a boisterous tale of 16th-century relic hunting that should have broad appeal. It's 1517, and Dismas has been supplying relics to two key patrons, Frederick the Wise, Elector of Saxony, and the venal Cardinal Albrecht of Mainz. With the cardinal ever more demanding, Dismas leans on his friend Albrecht Dürer to help create a convincing shroud. Alas, Dürer is a bit of a braggart, and the two friends are soon caught out and sent to steal something deemed authentic—Christ's burial cloth, the Shroud of Chambéry, which is Europe's most important artifact. Soon they learn that they aren't the only ones after the cloth.
A writer known for his satires of Washington, D.C., takes aim at religion in 16th-century Europe, where a relics trader is forced to steal one of Catholicism's most coveted objects. Buckley (But Enough About You, 2014, etc.) roams far from his usual inside-the-Beltway turf while tilting at earlier establishment types in this comic historical novel, his 16th book. In the year 1517, Dismas is the Relic Master at the high end of the holy-bone trade for two competing collectors, Frederick of Saxony and Albrecht of Mainz. When Dismas learns that his nest egg has been smashed by a Bernie Madoff precursor, he agrees to a scheme that depends on Albrecht's envy of Frederick's larger collection. But Dismas and his partner in crime, the German painter Dürer, are caught trying to pull the linen over Albrecht's eyes with a fake shroud—Christ's burial cloth—and the result is a penance compelling Dismas to steal the "real" shroud, "the most closely guarded relic in Christendom." What ensues might be pitched Hollywood-style as The Princess Bride meets Ocean's XIII. Dismas, Dürer, and three German mercenaries navigate a string of mishaps and brothels and rescue a beautiful damsel only to find themselves competing with another shroud thief. Buckley finds easy targets with the rampant abuses in relics, which make money off the laity's guilt and gullibility. Dismas has heard of a dozen foreskins from the infant Jesus and enough arrows from the perforation of St. Sebastian "to supply the entire Roman army." The writer also works in the contemporaneous rise of Martin Luther and the campaign he was able to wage against such abuses under the curious protection of Frederick, the great relic collector. With torture and swordplay, there's more (lowercase) gore than Washington generally offers and more fun than most readers might expect even from twisted history.