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    The Sasquatch Hunter's Almanac: A Novel

    The Sasquatch Hunter's Almanac: A Novel

    4.0 2

    by Sharma Shields


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    $9.99

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      ISBN-13: 9781627792004
    • Publisher: Holt, Henry & Company, Inc.
    • Publication date: 01/27/2015
    • Sold by: Macmillan
    • Format: eBook
    • Pages: 400
    • Sales rank: 128,523
    • File size: 1 MB



    Sharma Shields
    holds an MFA from the University of Montana. She is the author of the short story collection Favorite Monster, winner of the 2011 Autumn House Fiction Prize, and her work has appeared in such literary journals as Kenyon Review and Iowa Review and has garnered numerous awards, including the Tim McGinnis Award for Humor. Shields has worked in independent bookstores and public libraries throughout Washington State and now lives in Spokane with her husband and children.



    Sharma Shields
    holds an MFA from the University of Montana. She is the author of the short story collection Favorite Monster, winner of the 2011 Autumn House Fiction Prize, and her work has appeared in such literary journals as Kenyon Review and Iowa Review and has garnered numerous awards, including the Tim McGinnis Award for Humor. Shields has worked in independent bookstores and public libraries throughout Washington State and now lives in Spokane with her husband and children.

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    Read an Excerpt

    1943

    The Handsome Guest

    Eli Roebuck lived with his parents, Greg and Agnes, in a tiny cabin near Stateline. Greg arranged a little rock border right where the line ran so that Eli could stand with one foot in Idaho and one foot in Washington and sense through the soles of his boots the difference between the two.

    Washington sap smelled sweeter. The soil was softer and less rocky. Idaho earth baked and hardened and stank like eggs. Or so Eli imagined. In reality, the environment was seamless, dry white-pine forest littered with decomposing needles and loose rock, and, above, a hawk wheeling in the beryl blue sky. In the winter, snow fell and transformed the uneven terrain into a smooth white plain. Then it melted and the world returned to him as it had always been: faded brown and faded green, jagged and inviting.

    Other children hated living here. They wanted to be in Lilac City or Seattle or even Boise, where there were large toy stores and more cars than animals in the streets. Eli liked it here. He liked his house, he liked the forest, and he liked his parents. He was a happy kid.

    Eli's mother was not so happy. She was a slight young woman with a delicate brow and a low, serious voice. She rarely smiled. Eli had once heard his father say to her, "I don't know what makes you happy, Agnes. I wish I knew. I wish you'd tell me." Eli wished she'd tell him, too, but she ignored most of what Eli's dad said.

    Like Eli, she was happiest when outdoors. She disappeared for long walks in the forest, following the finespun deer paths to areas where Eli was forbidden. If Eli ran after her and took up her hand, hoping to accompany her, she shook him gently away. She wanted to be alone, she said, to collect her thoughts. Eli pictured her kneeling on the forest floor, gathering her thoughts—glowing amber orbs—to her breast. Too in love with her to argue, he gave her anything she wanted, even her freedom. Sometimes she left Eli alone for hours, not coming home until just before dinner.

    Eli would pace the front yard, scared, near tears; he would watch the forest until she limped into view. She always returned, tired but radiant, apologetic and affectionate. She would take up Eli's hand and hurry inside to make supper. They would work side by side, Eli giddy with relief, singing songs and chatting amiably, until Eli's dad called to them from the foyer. Then her mood would darken, a shift as unsurprising as the sunset.

    Eli wondered: What did she do in the forest? What was it there that made her so happy?

    He awoke one morning and his mother washed his face and ears and combed his hair and put him in his Sunday best. She forbade him to go outside, because, she explained, she wanted him to meet someone very dear to her. Eli's father had left for work hours ago, when it was still cool and dark. Already the day's heat was pushing into the house.

    "Who is it?" Eli said. "Is it a friend of Dad's?"

    Agnes leaned over her hand mirror, pinching her cheekbones. "It's a stranger, darling. You'll see. He's very interesting. The most interesting man I've ever met. You'll like him."

    Eli helped Agnes with the broom and the dustpan, careful not to dirty his clothes. Something savory baked in the oven. The house grew hotter yet and groaned.

    Finally the visitor arrived. Hearing the knock, Agnes raced to the door and swept it open.

    There stood her guest, "the most interesting man."

    Eli tried not to stare. He did not see a man at all. What he saw was an enormous ape crushed into a filthy pin-striped suit. He remembered a book from school about exotic beasts, the giant apes who lived in the savage countries of the world, and the guest resembled those creatures: deep hooded brow, small blank eyes, thin-lipped mouth like a long pink gash. And the hair! The guest was so hairy that Eli was unsure of the color of his skin: Beneath the thick brown fur, his flesh—tough and charred, like strips of dried deer meat—appeared red in some places, purple in others. The guest even smelled of hair, badly, like a musty bearskin rug singed with a lit match.

    Eli was horrified and delighted.

    Remembering his manners, he stepped to the side and said politely, "Please, sir, come in."

    The guest's small, round eyes raked over Eli. He cleared his throat and lumbered into the room, swinging his powerful arms. Well, Eli thought, he walks like a man, even if he doesn't exactly look like one. But then Eli noticed the guest's wide, shoeless feet, two hairy sleds that moved noiselessly over the wooden floorboards as though through a soft snow.

    "Do you want some tea?" his mother asked. "It's scalding hot, just the way you like it."

    The guest spoke. The noise startled Eli, a short sentence of senseless bleats and hoots. Agnes responded as if she understood. She handed over the teacup, and the guest handled it clumsily before dropping it, with a roar of annoyance, onto the floor. Eli hurried to clean up the mess himself. He didn't even wince when a piece of china stuck him in the index finger. His mom offered her guest the teapot instead, and he drank greedily from its spout. Eli watched in sick fascination.

    "What's your name?" Eli asked, gazing up at the hairy beast as he gulped and slobbered.

    "Eli," his mother said. "It's rude to stare. This is Mr. Krantz. He's a dear friend. What do you think of the house, Mr. Krantz?"

    Mr. Krantz was about to toss the empty teapot on the floor, but Eli—always a quick boy—reached up on tiptoe to take it from him.

    "Here, Mr. Krantz," he said kindly. "Let me help you."

    Mr. Krantz released the pot. He briefly patted Eli's head, and the impact made Eli's teeth clatter.

    "I'm happy you've met my son," Eli's mom said to Mr. Krantz. "I can tell Eli likes you. He admires strong men."

    Eli had never stated this aloud, but he supposed his mother was right; there was much to admire about Mr. Krantz. For one: his immensity. He was easily the largest person Eli had ever seen, over seven feet tall, and three or four times heavier than Eli's own dad. Second: his hairiness. He was as furry and sleek as a grizzly bear. Last: his unpredictability. Eli found unpredictability the most alluring trait of all. Now, for instance, Mr. Krantz was fondling a houseplant. If Eli so much as sneezed in a houseplant's direction, his mother scowled, but she watched Mr. Krantz patiently as he broke a leaf and then held it up to his nose, sniffing it.

    Mr. Krantz held the ruined leaf out toward Eli, like it was a gift.

    "Hydrangea," Eli said, touching its edge.

    Mr. Krantz put the leaf in his mouth.

    "Poor thing!" Eli's mom said. "You're famished. I made biscuits. The ones I've brought you before, Mr. Krantz. Drenched in butter."

    She hurried to the kitchen, humming. Eli smiled. Here was another reason to like Mr. Krantz. He clearly made his mother very happy.

    Mr. Krantz abandoned the plant and moved to the piano, where he rested one of his long bowed hands on the keys and then leapt in surprise at the tinny noise they imparted. Astonished, then curious, he leaned over the keyboard and poked at it softly with one rough yellow talon. Plonk. Plonk. Plonk. He bared his teeth in delight and hopped up and down for a moment, looking over at Eli for encouragement (which the boy gave by means of a friendly nod), and then he began to bang away at the keyboard enthusiastically, hooting in time with the music. Eli jumped up and down, too, clapping his hands. What a funny sort of man was Mr. Krantz! So funny, in fact, that as he waggled and spun to the music, the button of his ill-fitting pants burst open. Underneath, he wore nothing at all. No underdrawers! For one awkward moment, Eli glimpsed the lopsided bulging serpent of Mr. Krantz's penis. That, too, was impressive. It dwarfed even his father's, which Eli had always before assumed, with a sort of horrified reverence, was the Longest Penis in the World. Well, apparently not. Mr. Krantz put Eli's dad to shame in that category, too, and in the category of Having Fun.

    This was something he had heard his mother say—a funny thing coming from her, as she herself was always so stern and serious. "Oh, your father," she'd said to Eli. "He doesn't know how to have fun."

    Eli had gone along with her. A stick in the mud. Right you are. Sure.

    Privately, Eli disagreed. It was true: His father was a hardworking man, juggling three jobs at a time. He worked on the weekends for the telephone companies, stringing up telephone wires. He worked as a ranch hand, too, down at old Haywood Anderson's farm. And after long days of hammering barbed wire and repairing irrigation ditches, he walked to town most nights to bartend at a flea trap called the Tin Hut. His plan was to own the bar outright one day, and so he worked and scrimped and saved.

    "One day it will be a fancy place," he told his son. "Exclusive. You'll have to wear silk pants to get in there."

    But when his dad wasn't working, he was home. And those times, to Eli, were the best times. Despite his mom's accusations, Eli loved his dad. They played cards together, rummy and blackjack and King's Corner (which remained Eli's favorite, despite his dad's insistence that it was a child's game), and they went on walks, his dad pointing out wildlife and good trees for climbing. Sometimes he came home with a tractor from the ranch or a lawn mower, and he would let Eli drive or push them. If he came home with a horse, he would let Eli ride until he could hardly walk. When they went hunting together, he let Eli hold his new rifle, let him aim and fire (he had yet to kill anything, though his dad's shot was always dead-on). When Dad was home, Mom was absent. She was on one of her epic strolls, or she remained in the kitchen, baking or cooking soups. "Come play," Eli would beg, but she would always refuse.

    One day his father brought home a new phonograph, and Eli watched in amused disbelief as his parents threaded their limbs together and waltzed haphazardly across the living room floor, bumping into the table and chairs and sofa, laughing and singing. But that was a long time ago, a year or more. There had been little contact between his parents since, aside from the sad comments they made about each other to Eli. Things like, He's no fun and She wants fancy things.

    You're wrong, Eli wanted to say but didn't. He's fun! She doesn't care for fancy things at all! Eli wished they would say nice things about each other. He wished, right now, that they would speak to each other with the same easy tone his mother used with Mr. Krantz.

    Mr. Krantz had noticed his burst fly and fumbled with the button hopelessly. He gave Eli an embarrassed shrug. Eli put up one finger and then went racing into his parents' bedroom. He plucked from the bureau the longest belt he could find and returned to Mr. Krantz, presenting it with a triumphant flourish.

    Mr. Krantz smiled at Eli with his broad ape mouth. He held the belt to his chest for a moment and then wrapped it tautly about his waist. He had to force a new hole through the leather to fasten it, but it worked well enough, and Eli felt proud of himself. He was an excellent host. Mr. Krantz spun in a circle for Eli and grinned. Eli applauded.

    It was funny to see his dad's slick, oiled belt encircling the filthy fabric of Mr. Krantz's suit. It looked as though Mr. Krantz had rolled in the mud on his way to their house. Where, Eli wondered, did Mr. Krantz buy his clothes? He looked silly in clothes. He kept pulling at the sleeves and elbows and legs, obviously uncomfortable. And those wide flat feet! Eli's gaze kept falling to them. He wished he could touch them. They would be hot against his fingers, furry and powerful and new.

    Eli's mom returned to the living room, holding the good silver tray perpendicular to her chest. It bore a pile of lovely golden biscuits. Eli's mouth watered. In their hurry to prepare for Mr. Krantz, they had forgotten about Eli's breakfast. He went to grab a biscuit, but his mother shifted the tray away from him.

    "These are for Mr. Krantz," she said sharply.

    "I only want one," Eli insisted, and then flushed, embarrassed by his own rudeness.

    Mr. Krantz stopped his piano-playing and his funny little dance and approached the tray. He drooled onto his dirty lapel.

    "These are for Mr. Krantz," she said again. She placed the tray down on the coffee table with an inviting smile at her guest and took an athletic step backward, perhaps anticipating what Mr. Krantz would do next.

    He lunged, batting the tray's steaming baked goods with those monstrous yellow and purple hands of his, scattering many of the biscuits onto the floor but managing to shovel several of them into his mouth at once. How he ate! They must have been very hot, Eli guessed, listening to Mr. Krantz's loud, staccato whimpering, but how tasty they must have been, too, for he moaned happily, licking his lips with a long, menacing tongue. Eli watched sadly as Mr. Krantz devoured every morsel; he even crouched doglike on the floor and lapped up the fallen soldiers. Eli looked up at Agnes, sure that she would disapprove of Mr. Krantz's barbaric behavior, but she only gazed at her guest affectionately, as one might gaze at a favorite pet or, Eli realized, with a sudden maturity that had so far always eluded him, an adored sweetheart. This was not the look of a woman disgusted. She was transported, elevated. She was maniacally content.

    "I have a piano lesson in an hour," Eli said loudly.

    Agnes waved him aside. By then his dad would be home, she said, and he could walk Eli to his lesson.

    Eli frowned. "But you always take me."

    His voice was so whiny. The voice of a much smaller boy. He hated himself for it, and then he hated his mom for it, and then, very briefly, he hated Mr. Krantz.

    But Mr. Krantz was back on his feet now, swiping at his chest and arms, releasing small crumbs so that they drifted snowlike onto the Oriental carpet. Eli waited for him to drop back down into a crouch and lick up every last tiny remnant, but Mr. Krantz withheld himself, staring longingly at the crumbs but seeming to remember that he was a guest, or maybe simply feeling that his immense hunger had, however temporarily, been satisfied. He looked up at Eli's face, his expression apologetic now. He gestured at the empty tray.

    "It's okay, Mr. Krantz," Eli lied. "I'm not hungry, anyway."

    Mr. Krantz ruffled Eli's hair and then lifted his gaze to the face of the woman watching him. Eli's mom had grown very still, standing before Mr. Krantz like a blossomed flower, her face open and shining. Seeing her, Mr. Krantz's eyes gleamed with a new hunger. Crazily so. Eli, uncomfortable, reached for his mother's skirt and tugged.

    She dropped to his side. She wrapped her arms around him and kissed his face.

    "Oh, my baby," she said to him. "How I'll miss you."

    "Miss me? My piano lesson is only an hour. I'll be home for stew."

    His mother blinked at him heavily, as if she were fighting sleep, and then she drew him fast to her breast. She smelled of Palmolive and cake batter. Eli would never forget the warmth of her smell.

    "I do love you," she said. "Never doubt it, sweetheart."

    Eli wavered, confused. She went to the closet and retrieved a packed suitcase. She groaned lifting it, and Mr. Krantz came forward to take it from her.

    "Mr. Krantz," she said bravely, straightening and extending her hand. "I'm ready."

    Mr. Krantz swallowed up her hand with his free one. They went out the door together, the woman lean and pale and barely breathing, the other hairy and dark and panting like a dog in heat. Like Mr. Krantz, Agnes was barefoot. Their feet pressed into the mud of the yard, winding toward the forest. Large prints, small prints; monstrous feet, dainty feet; heaviness, freedom.

    His mother did not turn toward him again, but Mr. Krantz turned as he reached the small line of stones parting Washington State from Idaho. The guest sorrowed for him, Eli could see. It was Mr. Krantz's attempt at an apology.

    Eli panicked.

    "Come back," Eli called after them. "You can't leave!"

    Mr. Krantz put an enormous hand on the small of Agnes's back. She lowered her head. They hastened into the woods together, extinguished by the trees.

    Eli hated Mr. Krantz then. He was not a man at all but an animal. Like an animal, he took what he wanted, regardless of who suffered for it. He was just the same as a bear or a cougar or any other woodland predator.

    But, then, what did that make Eli's mother? Who was she?

    Woman. Mom. Animal. Wife.

    Maybe just nothing, Eli thought. Maybe she wants to be nothing. And he wished he could make her nothing, too.

    He considered following them. The sun slanted down and baked the footprints into place. He thought of his dad. He returned to the house, the door smacking shut behind him. The room smelled of biscuits, of simmering stew. Eli sat on the sofa and folded his hands in his lap. He furrowed his tiny brow.

    He would wait for his dad. He would go to his piano lesson.

    Most important, he would think up a better story than the one he had just witnessed.

    His dad was a practical man.

    He would not believe a word of it.

    Copyright © 2015 by Sharma Shields

     

    Table of Contents

    The Handsome Guest (1943) 3

    The Bottomless Pit (1945) 15

    S'cwene'y'ti (1955) 35

    The Funnel, the Hourglass, the Window (1959) 49

    The Patchwork Cap (1970) 63

    The Study Habits of Dedicated Creatures (1972) 91

    Living Large in the Electric City (1974) 107

    All's Well 124

    Stay Down 146

    Snare Trap (1978) 155

    The Mountain (1980) 171

    Release the Dogs (1982) 185

    Storybook (1990) 203

    People of the Street (1994) 239

    That Will Teach You (2003) 257

    The Glue Factories (2004) 267

    Antidote (2005) 291

    Removal 302

    Produce the Monster (2006) 315

    Ghost Story 342

    Life Sickness (Afterlife) 363

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    A dark, fantastical, multi-generational tale about a family whose patriarch is consumed by the hunt for the mythical, elusive sasquatch he encountered in his youth

    Eli Roebuck was nine years old when his mother walked off into the woods with "Mr. Krantz," a large, strange, hairy man who may or may not be a sasquatch. What Eli knows for certain is that his mother went willingly, leaving her only son behind. For the rest of his life, Eli is obsessed with the hunt for the bizarre creature his mother chose over him, and we watch it affect every relationship he has in his long life--with his father, with both of his wives, his children, grandchildren, and colleagues. We follow all of the Roebuck family members, witnessing through each of them the painful, isolating effects of Eli's maniacal hunt, and find that each Roebuck is battling a monster of his or her own, sometimes literally. The magical world Shields has created is one of unicorns and lake monsters, ghosts and reincarnations, tricksters and hexes. At times charming, as when young Eli meets the eccentric, extraordinary Mr. Krantz, and downright horrifying at others, The Sasquatch Hunter's Almanac is boldly imaginative throughout, and proves to be a devastatingly real portrait of the demons that we as human beings all face.

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    Publishers Weekly
    10/13/2014
    Shields’s collection of stories, Favorite Monster, playfully demonstrated the full psychological and dramatic potential of the supernatural tale. The same flashes of dark wit are on display in her first novel, which unfortunately doesn’t sustain the haunting energy of its opening scenes set on the Idaho-Washington border. Agnes Roebuck introduces her young son, Eli, to Mr. Krantz, the gigantic, uncouth “hominid” who smells like a “musty bearskin rug singed with a lit match” and for whom she will soon leave her family. The lovers disappear into the woods, leaving only a set of footprints and causing Eli to develop a lifelong obsession with feet big and small. After becoming a successful podiatrist, Eli increasingly devotes more time to hunting Sasquatches (Mr. Krantz in particular) and less to his family, whose members have their own brushes with the supernatural—lake monsters, tentacled shopkeepers, and unicorns. Shields generally deploys these fantastical elements without falling into full-fledged whimsy, but the magical flourishes distract from the central contest between Eli, a man of “nearly hairless pallor,” and his hirsute rival. Moreover, as it lurches from eerie moments of psychological horror to satirical scenes like a nonagenarian attending a “Zoophilia Support Group,” the novel’s tone proves as hard to pin down as the elusive creature at its center. (Jan.)
    From the Publisher
    "A story that easily qualifies as one of the most wonderfully weird debuts of the new year . . .At heart it’s a family saga, and a cautionary tale about frailties—greed, mania, ego, anger—that make us much too human. A-"—Entertainment Weekly

    "Shields’s engaging, surreal tale is equal parts David Lynch and Harry and the Hendersons." —Marie Claire

    "Magic realism abounds in this coming-of-age story about battling monsters, real and symbolic." —Most Anticipated Books of 2015, Entertainment Weekly

    "Spooky and whimsical . . . Roebuck’s search for the monster turns into an examination of what is wild—and potentially monstrous—within us all."—VanityFair.com

    "Shields’s audacious bundling of so many characters and their accompanying plights into one supernaturally tinged story results in a veritable reading roller coaster — peaks and valleys of psychological terror, allegorical whimsy, satire and gross-out humor flash by in dizzying turn."—The Seattle Times

    "[An] expansive new novel…In a style that’s darkly comic, spellbinding and at times quite creepy." —Seattle Magazine

    "On this clever, absurdist magic-carpet ride of Eli's long-running search for Mr. Krantz (and his mom), Shields introduces a hole with no bottom (where Eli's dog, Mother, is buried), Eli's two wives, his daughters, unicorns that bleed silver blood, lake monsters and more. A lesser writer would lose control of all this, but Shields proves her acuity with a smart narrative, great characters and an ending to die for." —Tom Lavoie, Shelf Awareness (starred review)

    "A hell of a book . . . A mosaic, a narrative game of spin the bottle that accrues meaning by focusing on one perspective at a time" —The Stranger

    "Shields has written a monster of a book about monsters . . . The Sasquatch Hunter's Almanac spans more than 60 years and four generations over the course of 383 pages of storytelling that warps reality and rewards those willing to believe in its magic." —Inlander

    "Shields is capable of the best kind of magic realism: unexplained, unexpected, totally convincing…It must also be said that Shields perfectly captures the tenor of the scientifically-inclined cryptozoologist…The claims, analysis, and internal debates of contemporary Sasquatch-searchers are all perfectly characterized and dramatized without seeming didactic…The Sasquatch Hunter’s Almanac is concerned with what it means to be human, how we build and break our allegiances to others, what we are capable of living through and imagining we have. After all, imagination, like the Sasquatch, may be shorn, mostly-tamed, and shoe-horned into society, but why would you want it that way? As Sheilds’s novel shows us, we see best from the fringes. You just have to be willing to go there."—National Post

    "Moments of enchantment…Ambitious in scope…When Shields matter-of-factly sees life from Mr. Krantz's point of view, the effect is close to magical."—The Oregonian

    "Worth the suspension of disbelief."—BookPage

    "This debut novel chronicles the life of a man obsessed by a childhood encounter with the mythical creature, which may be related to the disappearance of his mother. Just shut up – you had me at ‘sasquatch.’"—Globe and Mail, 50 most anticipated books of 2015

    "A whimsical and weird meditation on fairy tales, myths and obsessions, Shields tells the story of a boy who watches his mother run off with a Sasquatch named Mr. Krantz. The boy grows up into a dedicated cryptozoologist who wants to prove Bigfoot is real. How weird? On page 5, we meet a Sasquatch dressed in an ill-fitting pinstripe suit. Swoon."—The Spokesman-Review, Best books of 2014

    "Imagine a mash up of Moby-Dick and Kafka's Metamorphosis (with a hearty dash of Twin Peaks thrown in), and you'll begin to get an idea of what Shields's ambitious tale of disenchantment sets out to do." —Kirkus

    "Sparkling…Eli’s quest is not unlike Ahab’s, and Shields writes with piercing insight about the monsters that keep us from connecting with one another in this funny and wise first novel."—Booklist

    "Imaginative, unpredictable, and endearing."—Library Journal

    "The Sasquatch Hunter's Almanac is deeply strange and strangely moving. Like Kafka's The Metamorphosis, it demands and rewards surrender."—Richard Russo

    "What a wonderful world Sharma Shields has created in The Sasquatch Hunter's Almanac, this epic of Northwest weirdness, this tense, funny tale of obsession, this terrific introduction to her fierce and inventive talent."—Jess Walter, author of Beautiful Ruins

    "I’ve never read a stranger and more beautiful meditation on familial love and guilt than this novel. Plus, baby-snatching eagles, sea monsters, sasquatches, unicorns, octopus grandmas, and ghosts. Sharma Shields is my favorite weirdo in American letters."—J. Robert Lennon, author of Familiar and See You in Paradise

    "This novel hunted me, tore out my heart, and left it by the side of a dark fairy-tale road. The Sasquatch Hunter's Almanac is the most startling and beautiful book I've read all year."—Kate Bernheimer, author of How a Mother Weaned Her Girl from Fairy Tales

    "With her trademark mix of humor and darkness, Sharma Shields weaves one man's childhood trauma into a weird and wonderful fairytale. Brimming with flesh-and-blood characters, deft prose, and astonishing insights into love and family, The Sasquatch Hunter's Almanac is a novel you'll retain like a beautiful memory; you'll run your fingers over it whenever you pass your bookshelf. Truly a tour de force."—Diana Spechler, author of Who by Fire and Skinny

     

    Entertainment Weekly

    A story that easily qualifies as one of the most wonderfully weird debuts of the new year . . .At heart it's a family saga, and a cautionary tale about frailties--greed, mania, ego, anger--that make us much too human. A-
    Marie Claire

    Shields's engaging, surreal tale is equal parts David Lynch and Harry and the Hendersons.
    Entertainment Weekly Most Anticipated Books of 2015

    "Magic realism abounds in this coming-of-age story about battling monsters, real and symbolic."
    VanityFair.com

    "Spooky and whimsical . . . Roebuck's search for the monster turns into an examination of what is wild--and potentially monstrous--within us all."
    The Seattle Times

    Shields's audacious bundling of so many characters and their accompanying plights into one supernaturally tinged story results in a veritable reading roller coaster -- peaks and valleys of psychological terror, allegorical whimsy, satire and gross-out humor flash by in dizzying turn.
    Seattle Magazine

    "[An] expansive new novel…In a style that's darkly comic, spellbinding and at times quite creepy."
    Shelf Awareness (starred review) Tom Lavoie

    "On this clever, absurdist magic-carpet ride of Eli's long-running search for Mr. Krantz (and his mom), Shields introduces a hole with no bottom (where Eli's dog, Mother, is buried), Eli's two wives, his daughters, unicorns that bleed silver blood, lake monsters and more. A lesser writer would lose control of all this, but Shields proves her acuity with a smart narrative, great characters and an ending to die for."
    The Stranger

    A hell of a book . . . A mosaic, a narrative game of spin the bottle that accrues meaning by focusing on one perspective at a time
    Inlander

    "Shields has written a monster of a book about monsters . . . The Sasquatch Hunter's Almanac spans more than 60 years and four generations over the course of 383 pages of storytelling that warps reality and rewards those willing to believe in its magic."
    National Post

    "Shields is capable of the best kind of magic realism: unexplained, unexpected, totally convincing…It must also be said that Shields perfectly captures the tenor of the scientifically-inclined cryptozoologist…The claims, analysis, and internal debates of contemporary Sasquatch-searchers are all perfectly characterized and dramatized without seeming didactic…The Sasquatch Hunter's Almanac is concerned with what it means to be human, how we build and break our allegiances to others, what we are capable of living through and imagining we have. After all, imagination, like the Sasquatch, may be shorn, mostly-tamed, and shoe-horned into society, but why would you want it that way? As Sheilds's novel shows us, we see best from the fringes. You just have to be willing to go there."
    The Oregonian

    Moments of enchantment…Ambitious in scope…When Shields matter-of-factly sees life from Mr. Krantz's point of view, the effect is close to magical.
    BookPage

    "Worth the suspension of disbelief."
    50 most anticipated books of 2015 Globe and Mail

    "This debut novel chronicles the life of a man obsessed by a childhood encounter with the mythical creature, which may be related to the disappearance of his mother. Just shut up - you had me at 'sasquatch.'"
    Best books of 2014 The Spokesman-Review

    A whimsical and weird meditation on fairy tales, myths and obsessions, Shields tells the story of a boy who watches his mother run off with a Sasquatch named Mr. Krantz. The boy grows up into a dedicated cryptozoologist who wants to prove Bigfoot is real. How weird? On page 5, we meet a Sasquatch dressed in an ill-fitting pinstripe suit. Swoon.
    Booklist

    Sparkling…Eli's quest is not unlike Ahab's, and Shields writes with piercing insight about the monsters that keep us from connecting with one another in this funny and wise first novel.
    Richard Russo

    "The Sasquatch Hunter's Almanac is deeply strange and strangely moving. Like Kafka's The Metamorphosis, it demands and rewards surrender."
    author of Beautiful Ruins Jess Walter

    What a wonderful world Sharma Shields has created in?The Sasquatch Hunter's Almanac, this epic of Northwest?weirdness,?this tense, funny tale of obsession, this terrific introduction to her fierce and inventive talent.
    author of Familiar and See You in Paradise J. Robert Lennon

    "I've never read a stranger and more beautiful meditation on familial love and guilt than this novel. Plus, baby-snatching eagles, sea monsters, sasquatches, unicorns, octopus grandmas, and ghosts. Sharma Shields is my favorite weirdo in American letters."
    author of How a Mother Weaned Her Girl from Fairy Kate Bernheimer

    This novel hunted me, tore out my heart, and left it by the side of a dark fairy-tale road. The Sasquatch Hunter's Almanac is the most startling and beautiful book I've read all year.
    author of Who by Fire and Skinny Diana Spechler

    With her trademark mix of humor and darkness, Sharma Shields weaves one man's childhood trauma into a weird and wonderful fairytale. Brimming with flesh-and-blood characters, deft prose, and astonishing insights into love and family, The Sasquatch Hunter's Almanac is a novel you'll retain like a beautiful memory; you'll run your fingers over it whenever you pass your bookshelf. Truly a tour de force.
    San Francisco Chronicle

    Bizarre, quirky, wonderful. Shields' characters inhabit a world where the protagonist's mother elopes with a sasquatch and, while that's a tad unreal, the strange life occurrences and relationships that develop are somehow believable and wise.
    Washington Post

    An interesting novel about childhood abandonment, teenage rebellion, first and second marriages, and the chaos that love wreaks on families -- human subjects that, in the case of this novel, revolve around an unusual version of Sasquatch, with a cyclone of extracurricular supernaturalia thrown in, including unicorns, ghosts and other paranormal creatures of Shields's own invention that genuinely tingle the spine...Worth reading for its sheer weirdness.
    The Vancouver Sun

    The Sasquatch Hunter's Almanac thrills and satisfies on a variety of levels. It will surprise readers at every turn, formally and as a narrative, and will serve as a glimmering reminder of worlds around us unseen and beckoning. In its closing pages, the novel comes together with a powerful, surprising inevitability, like a hand closing around ones heart and squeezing. It's an unforgettable, utterly unique novel, and one well-deserving of your attention.
    Kirkus Reviews
    2014-11-05
    Obsession, love and monsters combine to create a new set of family values in short story writer Shields' (Favorite Monster, 2012) quirky first novel.Born and raised on the borderline between two states, Idaho and Washington, Eli Roebuck spends the rest of his life, and maybe even beyond, straddling two worlds. Obsessed with tracking down the elusive, hairy hominid—endearingly referred to as Mr. Krantz—who may be the Sasquatch and who wooed his disaffected mother away from her home and son in favor of life in the deep woods, Eli's search colors every relationship and area of his life. Shields' phantasmagoric and episodic tale chronicles Eli's and his family's near encounters with Mr. Krantz and close encounters with less-benign creatures including lake monsters, half-human puppies and bird-women over the course of at least 60 years. The porous border between the worlds of the mundane and the monsters is not as straight as the border between Idaho and Washington, and at times, elements of one almost completely obscure the elements of the other, as when Eli's painstakingly crafted "life-sized" model of Mr. Krantz wreaks havoc upon a small-town parade and terrifies rather than edifies. A sly humor permeates many of Shields' characterizations, but the pathos of the Roebuck-ian search is never obscured by it. A monster who undergoes laser hair treatments in the pursuit of love? Unicorns who bleed silver blood? Ape mothers and tentacled grandmas who complain about work conditions in the afterlife? Shields manages to utilize this mysterious and creepy cast of characters in surprisingly affecting ways to aid Eli on his quest. Imagine a mashup of Moby-Dick and Kakfa's Metamorphosis (with a hearty dash of Twin Peaks thrown in), and you'll begin to get an idea of what Shields' ambitious tale of disenchantment sets out to do.

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