A glorious, sweeping novel of desire, ambition, and the thirst for knowledge, from the # 1 New York Times bestselling author of Eat, Pray, Love and Committed
In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittakera poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry’s brilliant daughter, Alma (who inherits both her father’s money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma’s research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite directioninto the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artistbut what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life.
Exquisitely researched and told at a galloping pace, The Signature of All Things soars across the globefrom London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, whoborn in the Age of Enlightenment, but living well into the Industrial Revolutionbears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas. Written in the bold, questing spirit of that singular time, Gilbert’s wise, deep, and spellbinding tale is certain to capture the hearts and minds of readers.
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To offer a 500-page novel about an undersexed female botanist living and working in Philadelphia in the mid-1800s is an audacious undertaking for any author but The Signature of All Things comes from Elizabeth Gilbert, a National Book Award finalist and mega-selling memoirist whose Eat, Pray, Love and Committed made her personal journey of spiritual discovery an international sensation. So the ambitious scale and subject of this novel may not surprise many readers.
Though in this book's setting and narrative style, Gilbert reaches out to Victorian novelists like George Eliot as obvious models, The Signature of All Things in many ways resembles her personable and compulsively readable memoirs. Our heroine, Alma Whittaker, is omniscient and chatty, with plenty of asides. "Then quite suddenly, absolutely out of nowhere, Alma was run over by a horse. Or that was what it felt like." We first see Alma through the lens of her father, a self- made Englishman whose petty theft as a child allowed him to sail the wide seas, and make a successful career importing exotic plants to America.
"She was her father's daughter. It was said of her from the beginning." Therefore, Alma is brusque and unfortunately, not very attractive. She is content to study mosses ("bryology" for the uninitiated) and publish several academic papers on the subject, no small feat for a woman of her time. Eventually after trials and explorations that take her to the far side of the world she even anticipates one of the greatest scientific theories of the age, though the triumph remains almost entirely personal.
However devoted to her research, Alma, like George Eliot's Dororthea, has a passionate nature, but she is unlucky in love she fancies her research partner, but he ends up married to her bimbo best friend which is not to say this book is without its steamy scenes. Thanks to the discovery of "Cum Grano Salis," a book on the joys of sex, in Henry's expansive library, Alma locks herself into the library's binding closet to masturbate for the first time. When finished, she thinks, "I shall have to do this again." Spoken like a true scientist.
Though this novel veers into far-fetched, even kooky territory in its second half, we continue to root for our heroine. Alma marries a younger man, an eccentric orchid illustrator named Ambrose Pike. He tells her of the work of Jacob Boehme, "a sixteenth century cobbler from Germany who had mystical visions about plants...who believed in 'the signature of all things'...namely that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth." For most women, Ambrose's strange philosophy might have been a red flag. But Alma, a forty-eight-year-old virgin botanist, mistakes it for passion.
Sadly, the marriage is sexless and, for Alma, an utter failure. Her former governess Hanneke de Groot tells Alma, "We all fall prey to nonsense at times, child, and sometimes we are fool enough to even love it." She ships Ambrose off to Tahiti to work in her father's vanilla plantation out of embarrassment. When he dies there under mysterious circumstances, she follows in his footsteps, hoping to uncover the truth about Ambrose's rejection of her. The Tahitian interlude, though it includes an entertainingly motley crew of characters, seems a bit out of character for Alma, who defines herself based on self-reliance. But how many epic sagas have you read with a female protagonist that feature almost no romance whatsoever? Perhaps Alma's obsession with her dead husband and her desperate need to "fornicate at last, to put a man's member inside her mouth" is Gilbert's way of acknowledging that even the most independent-minded of women still seek romantic and sexual experience, if not fulfillment, in their lives.
Eventually Alma finds her way to Amsterdam, where she rekindles her relationship with her mother's Dutch family and becomes master of mosses at the Botanical Garden. Her journey does not end with the typical, "reader, I married him" format. Instead, the two men that enter her life are none other than Charles Darwin and Alfred Russel Wallace. Upon striking up a friendship with Wallace, Alma looks back on her life. "Darwin would belong to history, yes, but Alma had Wallace.... Then, Wallace too, would be gone. But for now, at least he was aware of her. She was known." In the end, Alma finds happiness doing what she has always loved not with a romantic partner but as part of a far-flung community of intellectual equals. Audacious indeed.
Jessica Ferri is a writer living in Brooklyn. Her work has appeared at The New Yorker's Book Bench, NPR,The Economist, The Daily Beast, Time Out New York, Bookforum, and more. Find her at www.jessicaferri.com. Reviewer: Jessica Ferri
The New York Times Book Review - Barbara Kingsolver
…the prose is modern and accessible, leaning on plot rather than language to draw readers in. Gilbert has established herself as a straight-up storyteller who dares us into adventures of worldly discovery, and this novel stands as a winning next act. The Signature of All Things is a bracing homage to the many natures of genius and the inevitable progress of ideas, in a world that reveals its best truths to the uncommonly patient minds.
The New York Times - Janet Maslin
…many [readers] will be drawn to Alma's vigor, resilience and moxie and excited by her love of knowledge, not to mention her attunement to the erotica of the botanical world. The Signature of All Things is one of those rewardingly fact-packed books that make readers feel bold and smart by osmosis. Alma commits her life to ceaseless study, but reading this vibrant, hot-blooded book about her takes no work at all.
Publishers Weekly
After 13 years as a memoirist, Elizabeth Gilbert (Eat, Pray, Love) has returned to fiction, and clearly she’s reveling in all its pleasures and possibilities. The Signature of All Things is a big, old-fashioned story that spans continents and a century. It has an omniscient narrator who can deploy (never heavy-handedly) a significant amount of research into the interconnected fields of late 18th- and early 19th-century botany, botanical drawing, spiritual inquiry, exploration, and, eventually, the development of the theory of evolution. The story begins with Henry Whittaker, at first poor on the fringes of England’s Kew Gardens, but in the end the richest man in Philadelphia. In more detail, the story follows Henry’s daughter, Alma. Born in 1800, Alma learns Latin and Greek, understands the natural world, and reads everything in sight. Despite her wealth and education, Alma is a woman, and a plain one at that, two facts that circumscribe her opportunities. Resigned to spinsterhood, ashamed and tormented by her erotic desires, Alma finds a late-in-life soul mate in Ambrose Pike, a talented botanical illustrator and spiritualist. Characters crisscross the world to make money, to learn, and, in Alma’s case, to understand not just science but herself and her complicated relationship with Ambrose. Eventually Alma, who studies moss, enters into the most important scientific discussions of the time. Alma is a prodigy, but Gilbert doesn’t cheat: her life is unlikely but not impossible, and for readers traveling with Henry from England to the Andes to Philadelphia, and then with Alma from Philadelphia to Tahiti to Holland, there is much pleasure in this unhurried, sympathetic, intelligent novel by an author confident in her material and her form. Agent: Sarah Chalfant, the Wylie Agency. (Oct. 1)
Library Journal
10/01/2013
Born in 1800 to an early American capitalist who built a pharmaceutical empire from nothing, Alma Whittaker is given opportunities not enjoyed by her peers. A plain, private young woman, Alma devotes her time to the development of her mind and the study of the natural world. Life passes quietly, measuredly; botany and the family business fill her time, with little to disrupt the contented nature of things. Until middle age, when Alma falls in love—with Ambrose Pike, an artist and dreamer, a man who opens her mind and her world to things that cannot be measured with a ruler or seen through a microscope. Feeling more alive than ever, Alma basks in the joyous chaos her life has become. But when her husband dies unexpectedly, Alma takes to the seas, traveling the world, seeking answers, and finding that the truth was there inside her all along. VERDICT Gilbert's (Stern Men) first novel in 13 years gets off to a strong, compelling start but loses its way midpoint; awkward plot points make the second half seem at times like another book entirely. With that caveat, readers who loved Gilbert's smash memoir Eat, Pray, Love will likely enjoy this 19th-century take; those whose taste runs to female-centric historical fiction may want to check this one out as well. [See Prepub Alert, 4/1/13.]—Leigh Wright, Bridgewater, NJ
Kirkus Reviews
Gilbert's sweeping saga of Henry Whittaker and his daughter Alma offers an allegory for the great, rampant heart of the 19th century. All guile, audacity and intelligence, Whittaker, born in a dirt-floored hovel to a Kew Garden arborist, comes under the tutelage of the celebrated Sir Joseph Banks. Banks employs Whittaker to gather botany samples from exotic climes. Even after discovering chinchona--quinine's source--in Peru, Henry's snubbed for nomination to the Royal Society of Fellows by Banks. Instead, Henry trades cultivation secrets to the Dutch and earns riches in Java growing chinchona. Henry marries Beatrix van Devender, daughter of Holland's renowned Hortus Botanicus' curator. They move to Philadelphia, build an estate and birth Alma in 1800. Gilbert's descriptions of Henry's childhood, expeditions and life at the luxurious White Acre estate are superb. The dense, descriptive writing seems lifted from pages written two centuries past, yet it's laced with spare ironical touches and elegant phrasing--a hummingbird, "a jeweled missile, it seemed, fired from a tiny cannon." Characters leap into life, visible and vibrant: Henry--"unrivaled arborist, a ruthless merchant, and a brilliant innovator"--a metaphor for the Industrial Revolution. Raised with Dutch discipline and immersed in intellectual salons, Alma--botany explorations paralleling 19th-century natural philosophers becoming true scientists--develops a "Theory of Competitive Alteration" in near concurrence with Darwin and Wallace. There's stoic Beatrix, wife and mother; saintly Prudence, Alma's adopted sister; devoted Hanneke de Groot, housekeeper and confidante; silent, forbidding Dick Yancey, Henry's ruthless factotum; and Ambrose Pike, mystical, half-crazed artist. Alma, tall, ungainly, "ginger of hair, florid of skin, small of mouth, wide of brow, abundant of nose," and yet thoroughly sensual, marries Ambrose, learning too late he intends marriage blanc, an unconsummated union. Multiple narrative threads weave seamlessly into a saga reminiscent of T. C. Boyle's Water Music, with Alma following Ambrose to Tahiti and then returning alone to prosper at Hortus Botanicus, thinking herself "the most fortunate woman who ever lived." A brilliant exercise of intellect and imagination.
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