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    The Surrender Tree: Poems of Cuba's Struggle for Freedom / El arbol de la rendicion: Poemas de la lucha de Cuba por su libertad

    by Margarita Engle


    Paperback

    (Bilingual edition: Spanish-English)

    $10.99
    $10.99

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    Customer Reviews

    • ISBN-13: 9780312608712
    • Publisher: Square Fish
    • Publication date: 03/16/2010
    • Edition description: Bilingual edition: Spanish-English
    • Pages: 384
    • Sales rank: 81,892
    • Product dimensions: 5.50(w) x 8.20(h) x 1.20(d)
    • Age Range: 12 - 17 Years

    Margarita Engle is a Cuban American poet, novelist, and journalist whose work has been published in many countries. She is the author of young adult nonfiction books and novels in verse including The Poet Slave of Cuba, Hurricane Dancers, The Firefly Letters, and Tropical Secrets. The Surrender Tree was a Newbery Honor Book. She lives in northern California.

    Reading Group Guide

    1. Why do you think the author chose to tell this story through

    poetry instead of prose?

    2. The book follows Rosa from childhood through adulthood.

    How have the wars changed her?

    3. Lieutenant Death says that his father corrected him when he

    called Rosa a witch-girl because if he adds girl, “she’ll think

    she’s human, like us.” How do you think this statement affected

    Lieutenant Death’s opinion of Rosa?

    4. We never learn Lieutenant Death’s real name. All of the other

    characters who speak have their real name as the character

    heading. How does this affect your opinion of the character?

    5. Rosa heals Lieutenant Death after he falls from a tree. Why

    does she help him? Why, even after her help, does he still

    want to kill her?

    6. Find a passage in the book that you enjoyed or felt a connection

    with. Discuss what it was about that passage that made

    it memorable for you.

    7. Who was your favorite character and why?

    8. What does the Surrender Tree represent to Rosa?

    9. Why does Rosa help anyone, no matter what side they fight

    for, free of charge?

    10. Silvia ends the book saying “Peace is not the paradise I

    imagined, but it is a chance to dream.” What do you think

    she means by this? What do you think the rest of her life

    will be like?

    11. Take an experience from your own life and write a few lines

    of poetry to tell the story.

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    It is 1896. Cuba has fought three wars for independence and still is not free. People have been rounded up in reconcentration camps with too little food and too much illness. Rosa is a nurse, but she dares not go to the camps. So she turns hidden caves into hospitals for those who know how to find her.

    Black, white, Cuban, Spanish—Rosa does her best for everyone. Yet who can heal a country so torn apart by war? Acclaimed poet Margarita Engle has created another breathtaking portrait of Cuba.

     

    The Surrender Tree is a 2009 Newbery Honor Book, the winner of the 2009 Pura Belpre Medal for Narrative and the 2009 Bank Street - Claudia Lewis Award, and a 2009 Bank Street - Best Children's Book of the Year.

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    School Library Journal
    Gr 9 Up- Often, popular knowledge of Cuba begins and ends with late-20th-century textbook fare: the Cuban Revolution, the Cuban Missile Crisis, and Fidel Castro. The Surrender Tree , however, transports readers to another, though no less tumultuous, era. Spanning the years 1850-1899, Engle's poems construct a narrative woven around the nation's Wars for Independence. The poems are told in alternating voices, though predominantly by Rosa, a "freed" slave and natural healer destined to a life on the lam in the island' s wild interior. Other narrators include Teniente Muerte , or Lieutenant Death, the son of a slave hunter turned ruthless soldier; José, Rosa's husband and partner in healing; and Silvia, an escapee from one of Cuba's reconcentration camps. The Surrender Tree is hauntingly beautiful, revealing pieces of Cuba's troubled past through the poetry of hidden moments such as the glimpse of a woman shuttling children through a cave roof for Rosa's care or the snapshot of runaway Chinese slaves catching a crocodile to eat. Though the narrative feels somewhat repetitive in its first third, one comes to realize it is merely symbolic of the unending cycle of war and the necessity for Rosa and other freed slaves to flee domesticity each time a new conflict begins. Aside from its considerable stand-alone merit, this book, when paired with Engle's The Poet Slave of Cuba: A Biography of Juan Francisco Manzano (Holt, 2006), delivers endless possibilities for discussion about poetry, colonialism, slavery, and American foreign policy.-Jill Heritage Maza, Greenwich High School, CT

    Kirkus Reviews
    Tales of political dissent can prove, at times, to be challenging reads for youngsters, but this fictionalized version of the Cuban struggle for independence from Spain may act as an entry to the form. The poems offer rich character portraits through concise, heightened language, and their order within the cycle provides suspense. Four characters tell the bulk of the story: Rosa, a child who grows up to be a nurse who heals the wounded, sick and starving with herbal medicine; her husband, Jose, who helps her move makeshift hospitals from cave to cave; Silvia, an orphaned girl who escapes a slave camp so that she may learn from Rosa; and Lieutenant Death, a hardened boy who grows up wanting only to kill Rosa and all others like her. Stretching from 1850 to 1899, these poems convey the fierce desire of the Cuban people to be free. Young readers will come away inspired by these portraits of courageous ordinary people. (author's note, historical note, chronology, references) (Fiction/poetry. 12+)
    From the Publisher
    * “Engle writes her new book in clear, short lines of stirring free verse. Caught by the compelling narrative voices, many readers will want to find out more.”—Booklist, starred review

    “A powerful narrative in free verse . . . haunting."—Horn Book

    “Hauntingly beautiful, revealing pieces of Cuba’s troubled past through the poetry of hidden moments.”—School Library Journal

    “Young readers will come away inspired by these portraits of courageous ordinary people.” —Kirkus Reviews

    “The poems are short but incredibly evocative.” —VOYA

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