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    The Uninvited Guests

    The Uninvited Guests

    3.1 71

    by Sadie Jones


    eBook

    $7.49
    $7.49

    Customer Reviews

      ISBN-13: 9780062116536
    • Publisher: HarperCollins Publishers
    • Publication date: 05/01/2012
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 288
    • Sales rank: 107,908
    • File size: 500 KB

    Sadie Jones is the author of five novels, including The Outcast, winner of the Costa First Novel Award in Great Britain and a finalist for the Orange Prize for Fiction and the Los Angeles TimesBook Prize/Art Seidenbaum Award for First Fiction; the enchanting, hard-hitting novel set on the island of Cyprus during the British occupation, Small Wars; her most successful, bestselling novel The Uninvited Guests, beloved of Ann Patchett and Jackie Winspear, among otherthe romantic novel set in London's glamorous theatre world, Fallout; and most recently, the highly acclaimed, bestselling novel, The Snakes. Sadie Jones lives in London.

     

    What People are Saying About This

    Mary Pols

    “Vividly atmospheric…niftily deceptive…a story of shattered snobbery, transformation of character and in the end a surprising and eerily beautiful portrait of compassion…A sublimely clever book.”

    Sarah Blake

    “What a delicious read! Like something written by a wicked Jane Austen,…I was captivated by its madcap nature and then, unprepared for the strange fruit that the story became.”

    Robin Vivimos

    “Delightful and unexpected…These well-imagined characters serve to raise stakes the reader cares about. They move beyond archetypes, becoming something unexpectedly rich and engaging.”

    Jacqueline Winspear

    “What opens as an amusing Edwardian country house tale soon becomes a sinister tragi-comedy of errors…in true Shakespearean fashion. Sadie Jones is a most talented and imaginative storyteller.”

    Philip Womack

    “A delightful, eerie novel…Jones expertly balances the whimsical and the strange, building things to a climax of abandon, terror and restitution…Engrossing, enjoyable.”

    Maureen Corrigan

    “…a delicious romp to read…Jones’ novel is as tightly constructed as one of those elaborate corsets that the Crawley women squeeze into to sashay around the drawing rooms at Downton.”

    Lev Grossman

    “Entertaining…Jones is a writer of admirable narrative energy…with a painfully accurate, almost Stoppardian ear for dialogue and a delightful streak of cruelty that flirts with…the gothic.”

    Maile Meloy

    “…THE UNINVITED GUESTS…defied my expectations. I saw none of it coming. I read it in one breathless sitting, and finished wanting to give it to everyone I know.”

    Ann Patchett

    “A brilliant novel…At once a shimmering comedy of manners and disturbing commentary on class…so well-written, so intricately plotted, that every page delivers some new astonishment.”

    Reading Group Guide

    1. What is the significance of the epigraph, from the satiric 18th-century masterpiece Don Juan by Lord Byron?

    2. The technique of the literary “tableau” was frequently employed by 18th-century novelists, by taking a painterly approach to describing a particular scene or set-piece that visually echoes a mood or theme in the wider novel. Can you find instances in which Jones has used such a device, and what do you think is their significance?

    3. Few clocks at Sterne appear to be in working order. Discuss the imagery associated with timekeeping in the novel.

    4. Like A Midsummer Night’s Dream, this novel includes several mixed-up pairings of potential lovers who must overcome a night of disarray and confusion in order to achieve romantic order. Discuss other ways in which this novel touches on the themes in Shakespeare’s quintessential romantic comedy.

    5. What is the significance of dreaming throughout the novel?

    6. This novel is set in the period immediately preceding the First World War, during a rapid period of change from which emerged the “Machine Age,” displacing servant and peasant classes. Discuss this setting in the context of class structures and technology in the novel.

    7. Discuss the imagery surrounding food, and the fantastic descriptions of food that Florence is preparing.

    8. Discuss the interdependency (and sometimes blurred distinctions) between humans and animals throughout the novel.

    9. What accounts for Florence’s transformation?

    10. Discuss the climactic scene involving Lady’s descent and the settling of the travellers near the end of the book. What did it all mean, in your opinion?

    11. This novel straddles many literary genres, from comedy to social satire to romance and horror. In your mind, which is the most apt descriptor of this novel? Do such distinctions matter?

    12. What do you think of the character Smudge? Will her neglect prove to be a hindrance or a help in life? And what do you think is the truth of her birth?

    13. Discuss the significance of the nature that surrounds the house, for instance the flowerbed in which Emerald weeps in the morning, and in which she later finds love amidst mud and rain.

    14. Jones wrote this book using a sweeping omniscient narrative technique, allowing us glimpses into the inner thoughts and experiences of each of the characters, even some unexpected ones. What did you think of this strategy? Could the story have been told without it?

    15. At the novel’s close, Jones places the word “Curtain” instead of “End.” Why do you think this is?

    16. Can you imagine this novel adapted to film? If so, which actors would you cast for the various roles?

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    “The opening pages read like an episode of Downton Abbey…But Jones has something more uncanny in mind, and when the party is interrupted by survivors of a nearby train wreck, the comedy of manners turns downright surreal…Jones’s effervescent writing keeps the course steady-even as her characters shed their civilized veneers.” — Ellen Shapiro, People magazine (four star review)

    A grand old manor house deep in the English countryside will open its doors to reveal the story of an unexpectedly dramatic day in the life of one eccentric, rather dysfunctional, and entirely unforgettable family. Set in the early years of the twentieth century, award-winning author Sadie Jones’s The Uninvited Guests is, in the words of Jacqueline Winspear, the New York Times bestselling author of the Maisie Dobbs mysteries A Lesson in Secrets and Elegy for Eddie, “a sinister tragi-comedy of errors, in which the dark underbelly of human nature is revealed in true Shakespearean fashion.”

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    Publishers Weekly
    Sterne, the English country house at the center of this remarkable dark comedy, is home to the Torringtons—mother Charlotte, a widow now married to Edward Swift; children Emerald, Clovis, and “Smudge”; and an assortment of faithful staff. Set sometime in the early part of the 20th century, somewhere in the north of England (the ambiguity is telling), the novel takes place over a single day, April 30. A celebration is underway for Emerald’s 20th birthday, and what appears to be a Wodehouseian comedy with a touch of Dodie Smith is derailed when a local train jumps its track, soon filling Sterne with stranded, shocked passengers. The “uninvited guests” are decidedly lower class and deliberately indistinct, but for one notable exception: Charlie Traversham-Beechers, who seems to know a good deal about the family, particularly Charlotte. Jones’s (Small Wars) characters are delightfully eccentric, the wit delightfully droll, and the prose simply delightful. But for all its charm, this is a serious book; it’s no coincidence that the new day dawning at its close is May Day, or International Workers’ Day, though Jones’s theme is less class warfare than the seemingly absolute divide between the classes. Agent: Stephanie Cabot, the Gernert Company. (May 1)
    New York Times Book Review
    "The author’s command of period archness tips its hat to a pantheon of social satirists: Luis Buñuel in cahoots with Oscar Wilde and Jane Austen. Jones’s caustic takedown of 1-percenter exceptionalism arrives like a divine gift to occupying party poopers everywhere."
    Washington Post
    "An enchanted new novel…[with] the sly, subversive dexterity of a Mozart opera or Shakespeare’s ‘A Midsummer Night’s Dream.’"
    Maureen Corrigan
    "…a delicious romp to read…Jones’ novel is as tightly constructed as one of those elaborate corsets that the Crawley women squeeze into to sashay around the drawing rooms at Downton."
    New York Times
    "Ms. Jones’s comedy of manners, which takes place over a single evening in 1912, gleefully exposes the family members’ snobbery… The author can’t resist harassing the Torringtons with the menace in the next room…"
    Christian Science Monitor
    "’Downton Abbey’ takes a turn for the supernatural in Sadie Jones’s stylishly eccentric comedy of manners THE UNINVITED GUESTS...Anglophiles who admire a biting sense of humor and a tinge of the Gothic, pull up a chair."
    Robin Vivimos
    "Delightful and unexpected…These well-imagined characters serve to raise stakes the reader cares about. They move beyond archetypes, becoming something unexpectedly rich and engaging."
    USA Today
    "Exhilaratingly strange and darkly funny…veers off in a wildly surprising direction, and the way it plays out is delightful, sexy, moving-even profound…Will haunt you-but happily."
    Martha Stewart Whole Living Magazine
    "Enthralling…An English countryside setting, an ever-twisting plot, and gorgeously precise writing add up to one delightful novel."
    Atlantic Monthly
    "Jones’ clever prose and bright tone heighten her characters and setting…she adroitly draws the layers of character that are exposed as shameful secrets come to light."
    Philip Womack
    "A delightful, eerie novel…Jones expertly balances the whimsical and the strange, building things to a climax of abandon, terror and restitution…Engrossing, enjoyable."
    Jacqueline Winspear
    "What opens as an amusing Edwardian country house tale soon becomes a sinister tragi-comedy of errors…in true Shakespearean fashion. Sadie Jones is a most talented and imaginative storyteller."
    Ann Patchett
    "A brilliant novel…At once a shimmering comedy of manners and disturbing commentary on class…so well-written, so intricately plotted, that every page delivers some new astonishment."
    Sarah Blake
    "What a delicious read! Like something written by a wicked Jane Austen,…I was captivated by its madcap nature and then, unprepared for the strange fruit that the story became."
    Maile Meloy
    "…THE UNINVITED GUESTS…defied my expectations. I saw none of it coming. I read it in one breathless sitting, and finished wanting to give it to everyone I know."
    Wall Street Journal
    "Delicious…comparisons with Downton Abbey will be both inevitable and fair."
    Mary Pols
    "Vividly atmospheric…niftily deceptive…a story of shattered snobbery, transformation of character and in the end a surprising and eerily beautiful portrait of compassion…A sublimely clever book."
    Lev Grossman
    "Entertaining…Jones is a writer of admirable narrative energy…with a painfully accurate, almost Stoppardian ear for dialogue and a delightful streak of cruelty that flirts with…the gothic."
    Ellen Shapiro
    "A comedy of manners that turns downright surreal…Jones’s effervescent writing keeps the course steady-even as her characters shed their civilized veneers."
    Kirkus Reviews
    Strange goings-on at an Edwardian country house. Jones (Small Wars, 2010, etc.) quickly establishes a tension-riddled scenario. Charlotte Torrington Swift is in danger of losing Sterne, the grand manor bought for her by her adoring first husband, who couldn't afford it and died leaving a pile of debts. Second husband Edward is off to Manchester to try and save Sterne—not that this wins him any favor from petulant Clovis and Emerald, who have never liked their stepfather. Edward will miss Emerald's 20th birthday party, to which childhood friends Patience and Ernest Sutton have been invited; spoiled but good-natured Emerald worries that the clever, unfashionable siblings will be rudely treated by her ill-tempered brother and their status-obsessed mother. Circumstances become even more unpromising with the arrival of survivors of a terrible crash on the nearby branch line, whom the Great Central Railway informs Charlotte will have to be hosted overnight. There's something very odd about these passengers, and odder still about Charlie Traversham-Beechers, another survivor and an old acquaintance of Charlotte's, though she's clearly alarmed to see him. Traversham-Beechers is invited to the awkward birthday dinner, while housekeeper Florence Trieves struggles to find food for his increasingly rowdy fellow passengers. He uses a self-invented game, Hinds and Hounds, to encourage the airing of everyone's unpleasant opinions about each other, and the game ends with Traversham-Beechers' ugly revelations about Charlotte's past. At this point, what seemed to be a savage comedy of manners takes a 90-degree turn and becomes a supernatural confection. There's no question about Jones' skill—the novel is cleverly constructed and written in smooth prose. It's quite a step down in ambition and moral seriousness, however, from her two previous novels. The nasty climax to Hinds and Hounds, obviously intended to make a statement about the human capacity for evil, has its impact muffled by the deliberately implausible happy ending, modeled on a Shakespearean romance. A peculiar change of pace for this gifted author.

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