RACHEL SEIFFERT's first novel, The Dark Room, was short-listed for the Booker Prize, won the Los Angeles Times First Fiction Prize, and was the basis for the acclaimed motion picture Lore. She was one of Granta’s Best of Young British Novelists in 2003; in 2004, Field Study, her collection of short stories, received an award from PEN Inter-national. Her second novel, Afterwards, was long-listed for the 2007 Orange Prize, and in 2011 she received the E. M. Forster Award from the American Academy of Arts and Letters. Her books have been published in eighteen languages. Formerly of Glasgow, she now lives in London with her family.
The Walk Home
eBook
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ISBN-13:
9780307908827
- Publisher: Knopf Doubleday Publishing Group
- Publication date: 07/08/2014
- Series: Vintage International
- Sold by: Random House
- Format: eBook
- Pages: 288
- Sales rank: 415,558
- File size: 2 MB
Available on NOOK devices and apps
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Stevie comes from a long line of people who have cut and run. Just like he has.
Only he’s not so sure he was right to go. He’s been to London, taught himself to get by, and now he’s working as a laborer not so far from his childhood home in Glasgow. But Stevie hasn’t told his family—what’s left of them—that he’s back. Not yet.
He’s also not far from his uncle Eric, another one who left—for love this time. Stevie’s toughened himself up against that emotion. And as for his mother, Lindsey . . . well, she ran her whole life. From her father and Ireland, from her husband, and eventually from Stevie, too.
Moving between Stevie’s contemporary Glaswegian life and the story of his parents when they were young, The Walk Home is a powerful novel about the risk of love, and the madness and betrayals that can split a family. Without your past, who are you? Where does it leave you when you go against your family, turn your back on your home; when you defy the world you grew up in? If you cut your ties, will you cut yourself adrift? Yearning to belong exerts a powerful draw, and Stevie knows there are still people waiting for him to walk home.
An extraordinarily deft and humane writer, Rachel Seiffert tells us the truth about love and about hope.
This eBook edition includes a Reading Group Guide.
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A family's land is destroyed by revolutionaries in early 1900s Ireland, which sets off a series of betrayals, fractured relationships, and broken hearts passed from generation to generation in Seiffert's third novel (after the Orange Prize-longlisted Afterwards). Papa Robert is a pious Protestant who flees to Scotland once his family's home is burned. He rejects his son Eric, who is gifted yet mentally ill, after Eric marries a Catholic. Robert's painfully shy grandson, Graham, finds camaraderie in a political marching band and marries a girl who has also fled her splintered life in Ireland. As their son Stevie grows up, his parents grow apart, and his mother eventually leaves. Stevie's hurt is so great that he leaves the family as well, working with builders from Poland who have come to the UK to earn a living, reluctantly leaving their own families behind. Although the story shifts back and forth in time, common themes run deep in this novel: people need one another desperately, yet their shared legacy of pain prevents any real healing. VERDICT For readers who enjoy rocky emotional journeys and who also have some understanding of the history of Ireland's political troubles. [See Prepub Alert, 1/10/14.]—Susanne Wells, Indianapolis P.L.
Seiffert, author of the Booker-shortlisted The Dark Room, turns to her former hometown, Glasgow, for this thought-provoking novel. As in her previous works, Seiffert illuminates historical and political issues through harrowing personal dramas. The story opens “now, or thereabouts,” as construction foreman Jozef dreams of finally earning enough money on his current building project to allow him to return to Gdansk, Poland, where he hopes to convince his estranged wife to make another go of their marriage. The Polish workers don’t understand young Glasgow native Stevie’s presence on their work crew, but neither do they question it, especially after he uses his skills as a burglar to retrieve supplies belonging to the crew that a former employer has locked away. A second narrative strand, beginning in the early 1990s and eventually intersecting with the present-day story, reveals Stevie’s troubled upbringing in Glasgow. His parents, Eric and Brenda, both from Irish Protestant backgrounds, fell out over Eric’s involvement with a hardline anti-Catholic group. Throughout, Seiffert questions whether it’s possible to transcend a legacy of conflict without escaping your background altogether, and considers what life feels like when the concept of “home” is far from safe or simple. Agent: Toby Eady, Toby Eady Associates (U.K.). (July)
“Against a backdrop of religious and political divisions, Seiffert’s even prose is melodious.” —The New Yorker
“Intelligent and sophisticated.” —The Times (London)
“Seiffert continues to go from strength to strength. . . . As flinty and gritty as its characters and their vernacular. . . . Seiffert’s tragedy grips while it disturbs and its emotional punch makes it worth persevering until her bitter end.” —Minneapolis Star Tribune
“A sort of fictional reportage illuminating the life and work of those invisibly holding our cities together. . . . Glimpses into the new Glasgow bring both the book and the city to life.” —Financial Times
“A brave, beautiful novel.” —The Guardian (London)
“Seiffert’s ear for speech patterns seems as excellent as you’d expect from a novelist brought up bilingually. . . . [She has a] finely tuned sense of the idea of home in all its seductiveness and fragility. . . . Written with great skill and control.” —Sydney Morning Herald
“The Walk Home may take place in Glasgow, but it is universal in its narrative pursuit. And the sparse emotion of the story’s ending will leave a crack in even the most impassive of hearts.” —Toronto Star
“Riveting. . . . Further proof of Seiffert’s enviable talents as a writer. . . . While the conflict in which her characters are trapped might be ugly, the men and women are captivating.” —The Daily Telegraph (London)
“Deftly drawn and perceptively observed.” —Daily Mail (London)
“An engrossing domestic drama. . . . Seiffert’s writing is both tightly controlled and almost orchestral in its sweep. You feel every emotion deeply. . . . A rare novel.” —Irish Independent
“Exquisitely pared down prose by a writer who really feels for her characters and the tainted lives they are living.” —The Herald (Scotland)
“Deeply moving. . . . As heart-breaking as it is heart-warming, this delicate and powerful novel will stay with you long after the final page.” —Irish Examiner
“Full of intelligence, heart and compassion. . . . A tale of the urban working classes; where they draw their strengths from, their history and where they find dignity. . . . Seiffert has a superb ear for language.” —Scotland on Sunday
“Thought-provoking. . . . Seiffert illuminates historical and political issues through harrowing personal drama.” —Publishers Weekly
“Energetic, persuasive and lively . . . Seiffert’s brio and talent are once again amply on display.” —Kirkus Reviews
The resolutely quiet and somber third novel from Seiffert, who came to prominence in literary Britain in 2001 with her first novel, the Booker-shortlisted The Dark Room, takes place in Glasgow and moves back and forth between two time frames: "Now, or thereabouts" and the early 1990s.The central figure in the present-tense sections is Stevie, a native Glaswegian who has returned from self-imposed exile to his home city to work as a laborer alongside Polish-immigrant construction workers but who has not let his family know. The novel centers on the vexed and ever vexing—inescapable—shadow of the Irish Troubles. Stevie is the displaced child of a displaced child; his mother fled Ireland to get away from the familial and cultural legacy of strife and violence, and when, years later, her husband, Graham, a lifelong member of a marching band, finds himself more and more tempted by the radical politics of some of his bandmates (they have links to Belfast paramilitaries) and decides to join them in marching in the Protestant Orange Walk in Glasgow, she disappears again—and Stevie decamps soon after.Seiffert's use of the Glasgow dialect is simultaneously the biggest stumbling block (for an American reader) and the novel's greatest distinction and triumph; the book is most energetic, persuasive and lively in its sections of dialogue and can seem a bit flat and muted elsewhere, though Seiffert's brio and talent are once again amply on display.