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    The Wood Beyond the World

    3.0 2

    by William Morris


    Paperback

    $5.95
    $5.95

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    • ISBN-13: 9789386780492
    • Publisher: Alpha Editions
    • Publication date: 10/27/2017
    • Pages: 142
    • Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

    William Morris (24 March 1834-3 October 1896) was an English artist, writer, and socialist. He was a member of the Pre-Raphaelite Brotherhood and one of the principal founders of the British Arts and Crafts movement, a pioneer of the socialist movement in Britain, and a writer of poetry and fiction. He is perhaps best known as a designer of wallpaper and patterned fabrics.

    Table of Contents

    Acknowledgements
    Introduction
    William Morris: A Brief Chronology
    A Note on the Text

    The Wood Beyond the World

    Appendix A: Morris and Medieval Narrative

    1. From Morris’s and A.J.Wyatt’s Translation of Beowulf (1895)
    2. From Morris’s and Eírikr Magnússon’s Translation of The Story of the Volsungs and Niblungs (1870)
    3. From Malory’s Morte D’Arthur (1471)

    Appendix B: Morris and Socialism

    1. “The Socialist Ideal: Art” (1891)
    2. “How I Became a Socialist” (1894)

    Appendix C: Works by Morris’s Contemporaries

    1. From Karl Marx, Das Kapital (1867)
    2. From John Ruskin, Pre-Raphaelitism (1851)
    3. From Robert Buchanan, “The Fleshly School of Poetry: Mr. D.G. Rossetti” (1871)
    4. William Hurrell Mallock, “How to Make a Modern Pre-Raphaelite Poem” (1872)
    5. From May Morris, The Collected Works of William Morris (1913)

    Selected Bibliography

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    Facsimile edition of a superbly illustrated medieval adventure fantasy from the legendary Kelmscott Press. One of the first novels to combine reality and the supernatural, which inspired Tolkien, C. S. Lewis, others.

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    From the Publisher
    Robert Boenig's meticulously edited, beautifully annotated edition of William Morris’s late prose romance, The Wood Beyond the World, will satisfy any teacher or reader wanting to learn more about Morris’s preoccupations at the end of his life. Boenig’s introduction alone makes the edition necessary reading. The supplementary materials, ranging from Morris’s work on a translation of Beowulf to his essay on ‘The Socialist Ideal: Art,’ and works by contemporaries such as Marx, Ruskin, and Mallock, expand richly the ways in which this edition may be used.” — Barry Qualls, Rutgers University

    “The first new scholarly edition in thirty years, and an admirable achievement.” — Robert Clark, University of East Anglia

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