The Yellow Birds by Kevin Powers, Hardcover

The Washington Post

Throughout The Yellow Birds, amid the gore and the terror and the boredom, you can hear notes of Powers's work as a poet…More than a little of that rich language would risk turning the novel florid, but Powers rarely oversteps. In the best sections, he moves gracefully between spare, factual description of the soldiers' work to simple, hard-won reflections on the meaning of war…His lacerating honesty never feels false or fails to shock…
—Ron Charles

The New York Times Book Review

…a first novel as compact and powerful as a footlocker full of ammo…the fractured structure replicates the book's themes. Like a chase scene made up of sentences that run on and on and ultimately leave readers breathless, or like a concert description that stops and starts, that swings and sways, that makes us stamp our feet and clap our hands—the nonlinear design of Powers's novel is a beautifully brutal example of style matching content. War destroys. It doesn't just rip through bone and muscle, stone and steel; it fragments the mind as a fist to a mirror might create thousands of bloodied, glittering shards…Kevin Powers has something to say, something deeply moving about the frailty of man and the brutality of war, and we should all lean closer and listen.
—Benjamin Percy

The New York Times

…a remarkable first novel, one that stands with Tim O'Brien's enduring Vietnam book, The Things They Carried, as a classic of contemporary war fiction. The Yellow Birds is brilliantly observed and deeply affecting: at once a freshly imagined story about a soldier's coming of age, a harrowing tale about the friendship of two young men trying to stay alive on the battlefield in Iraq, and a philosophical parable about the loss of innocence and the uses of memory. Its depiction of war has the surreal kick of Mr. O'Brien's 1978 novel, Going After Cacciato, and a poetic pointillism distinctly its own; they combine to sear images into the reader's mind with unusual power.
—Michiko Kakutani

Publishers Weekly

This moving debut from Powers (a former Army machine gunner) is a study of combat, guilt, and friendship forged under fire. Pvt. John Bartle, 21, and Pvt. Daniel Murphy, 18, meet at Fort Dix, N.J., where Bartle is assigned to watch over Murphy. The duo is deployed to Iraq, and the novel alternates between the men’s war zone experiences and Bartle’s life after returning home. Early on, it emerges that Murphy has been killed; Bartle is haunted by guilt, and the details of Murphy’s death surface slowly. Powers writes gripping battle scenes, and his portrait of male friendship, while cheerless, is deeply felt. As a poet, the author’s prose is ambitious, which sets his treatment of the theme apart—as in this musing from Bartle: “though it’s hard to get close to saying what the heart is, it must at least be that which rushes to spill out of those parentheses which were the beginning and end of my war.” The sparse scene where Bartle finally recounts Murphy’s fate is masterful and Powers’s style and story are haunting. (Sept.)

Los Angeles Times

"The Yellow Birds might just be the first American literary masterpiece produced by the Iraq war."

TIME

"An elegiac, sober, and haunting coming-of-age war story."

The New Yorker

"An exquisite excavation of the war's moral and psychological wreckage. Powers evokes the peculiar smell and feel of the war better than any journalist."

G.Q.

An unusually spare and lyrical war story....The characters are sketched with as much heart as economy...Like the Iraq heat, which 'had the surprising effect of reducing one to tears in an instant,' The Yellow Birds skulks along, detached and undemanding, until all of a sudden you turn a page and find yourself weeping.

Men's Journal

"Veteran Kevin Powers's searing debut novel brings the Iraq War home in compelling detail....The Yellow Birds is luminous...an indispensable portrait of the Iraq War and its impact of those who fought it."

Tom Wolfe

"The All Quiet on the Western Front of America's Arab wars."

Ann Patchett

"The Yellow Birds is harrowing, inexplicably beautiful, and utterly, urgently necessary."

Michiko Kakutani - The New York Times

"A remarkable first novel...The Yellow Birds is brilliantly observed and deeply affecting: at once a freshly imagined bildungsroman about a soldier's coming of age, a harrowing story about the friendship of two young men trying to stay alive on the battlefield in Iraq, and a philosophical parable about the loss of innocence and the uses of memory...Extraordinary."

Alice Sebold

"This is a novel I've been waiting for. The Yellow Birds is born from experience and rendered with compassion and intelligence."

Colm Toibin

"Kevin Powers' The Yellow Birds is written with an intensity which is deeply compelling; every moment, every memory, every object, every move, are conjured up with a fierce and exact concentration and sense of truth. The music of his prose has an exquisite mixture of control and then release which mirrors the action of the book, and the psychological and physical pressures under which the characters are placed."

Philipp Meyer

"Compelling, brilliantly written, and heart-breakingly true, The Yellow Birds belongs in the same category as Tim O'Brien's The Things They Carried and Norman Mailer's The Naked and the Dead. Thus far the definitive novel of our long wars in the Middle East; this book is certain to be read and taught for generations to come."

Chris Cleave

"Reading The Yellow Birds I became certain that I was in the presence of a text that will win plaudits, become a classic, and hold future narratives of the war to a higher standard....a superb literary achievement."

Daniel Woodrell

"Kevin Powers has delivered an exceptional novel from the war in Iraq, written in clean, evocative prose, lyric and graphic, in assured rhythms, a story for today and tomorrow and the next."

Anthony Swofford

"Powers has created a powerful work of art that captures the complexity and life altering realities of combat service. This book will endure. Read it and then put it way up on that high rare shelf alongside Ernest Hemingway and Tim O'Brien."

Robert Olen Butler

"We haven't just been waiting for a great novel to come out of the Iraq War, our 21^st century Vietnam; we have also been waiting for something more important, a work of art that illuminates our flawed and complex and striving humanity behind all such wars. At last we have both in Kevin Powers' The Yellow Birds."

Hilary Mantel

"Remarkable for its intensity of both feeling and expression. In this book about death, every line is a defiant assertion of the power of beauty to revivify, whether beauty shows itself in nature or (later) in art. Graves, Owen, and Sassoon would have recognised this war and the strange poetry it has bred."

Edna O'Brien

"In the great tradition of Hemingway and Tim O'Brien, Kevin Powers's exquisitely written The Yellow Birds draws us in to the combat zones of Iraq: the watch, the wait ("Stay alive, Stay alert"), the bungle, the slaughter, and the irreparable aftermath."

From the Publisher

"The All Quiet on the Western Front of America's Arab wars."—Tom Wolfe

"The Yellow Birds is harrowing, inexplicably beautiful, and utterly, urgently necessary."—Ann Patchett

"This is a novel I've been waiting for. The Yellow Birds is born from experience and rendered with compassion and intelligence."—Alice Sebold

"A novel about the poetry and the pity of war...Powers writes with a rawness that brings the sights and smells as well as the trauma and decay of war home to the reader."—Kirkus

"Kevin Powers has delivered an exceptional novel from the war in Iraq, written in clean, evocative prose, lyric and graphic, in assured rhythms, a story for today and tomorrow and the next."—Daniel Woodrell

"Thoughtful and analytical, the novel resonates as an accurate and deeply felt portrayal of the effects of post-combat syndrome as experienced by soldiers in the disorienting war in Iraq. "—Library Journal, starred review

"This moving debut from Powers (a former Army machine gunner) is a study of combat, guilt, and friendship forged under fire....Powers's style and story are haunting."—Publisher's Weekly, starred review

Darren Reidy

"The first great Iraq War novel."

Alan Cheuse

"Darkly beautiful....How to tell a true war story if you're more a poet than a novelist? Tell it as a poet would. Tell it as Kevin Powers does."

"An unusually spare and lyrical war story....The characters are sketched with as much heart as economy...Like the Iraq heat, which 'had the surprising effect of reducing one to tears in an instant,' The Yellow Birds skulks along, detached and undemanding, until all of a sudden you turn a page and find yourself weeping."

Michiko Kakutani

Benjamin Percy

"A first novel as compact and powerful as a footlocker full of ammo....Kevin Powers has something to say, something deeply moving about the frailty of man and the brutality of war, and we should all lean closer and listen."

Ron Charles

"A novel of grit, grace, and blood by an Iraq war veteran....Kevin Powers moves gracefully between spare, factual description of the soldiers' work to simple, hard-won reflections on the meaning of war."

Library Journal

This first novel by Powers traces the story of a young soldier named John Bartle and his friend Murph during fighting in northern Iraq in 2005. Sterling, the tough sergeant of their platoon, has informally assigned Bartle the job of watching over Murph, who is young, small, and not much of a soldier, and Bartle had also promised Murph's mother that he would take care of him. As the horrors of war escalate, all the soldiers seem to lose their grip, and Murph finally snaps, leaving the compound and forcing Bartle and Sterling to search for him through the nightmarish landscape of a ravaged city. Alternating with this plot is the story of Bartle's life after his return home, as he attempts to piece together his friend's fate and come to grips with it. VERDICT Thoughtful and analytical, the novel resonates as an accurate and deeply felt portrayal of the effects of post-combat syndrome as experienced by soldiers in the disorienting war in Iraq. While the battle scenes are effectively dramatized, the main character's inner turmoil is the focal point of this well-done novel. [See Prepub Alert, 3/22/12.]—Jim Coan, SUNY at Oneonta

Kirkus Reviews

A novel about the poetry and the pity of war. The title comes from an Army marching chant that expresses a violence that is as surprising as it is casual. Pvt. John Bartle's life becomes linked to that of Pvt. Daniel Murphy when they're both assigned to Fort Dix before a deployment to Iraq. Murph has just turned 18, but at 21, Bartle is infinitely more aged. In a rash statement, one that foreshadows ominous things to come, Bartle promises Murph's mother that he'll look out for him and "bring him home to you." The irascible Sgt. Sterling overhears this promise and cautions Bartle he shouldn't have said anything so impulsive and ill-advised. In Iraq nine months later, the two friends go on missions that seem pointless in theory but that are dangerous in fact. They quickly develop an apparent indifference and callousness to the death and destruction around them, but this indifference exemplifies an emotional distance necessary for their psychological survival. As the war intensifies in Nineveh province, they witness and participate in the usual horrors that many soldiers in war are exposed to. As a result of his experiences, Murph starts to act strangely, becoming more isolated and withdrawn until he finally snaps. Eventually he, too, becomes a victim of the war, and Bartle goes home to face the consequences of a coverup in which he'd participated. Powers writes with a rawness that brings the sights and smells as well as the trauma and decay of war home to the reader.

The Yellow Birds

Hardcover

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