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    The Yoga of Breath: A Step-by-Step Guide to Pranayama

    The Yoga of Breath: A Step-by-Step Guide to Pranayama

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    by Richard Rosen, Rodney Yee (Foreword by)


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      ISBN-13: 9780834825789
    • Publisher: Shambhala
    • Publication date: 08/13/2002
    • Sold by: Penguin Random House Publisher Services
    • Format: eBook
    • Pages: 320
    • Sales rank: 405,556
    • File size: 3 MB

    Richard Rosen is a graduate of the Iyengar Institute of San Francisco and has been teaching yoga since 1987. He is a contributing editor at Yoga Journal magazine and director of and one of the principal teachers at the Piedmont Yoga Studio (cofounded by Rodney Yee), in Oakland, California. Many of Rosen’s practice instructions and technical teachings are posted on the Piedmont Yoga Studio website, www.piedmontyoga.com.

    Read an Excerpt

    From
    Chapter 1: The Yoga of Breathing


    All
    life is yoga.—Sri Aurobindo,
    The
    Synthesis of Yoga


    Yoga

    The
    classical or literary language of India is Sanskrit. The word itself means
    "well or completely formed, perfected." Sanskrit is indeed a
    beautiful and highly evocative language. Many of its words remind me of a
    Russian doll, which opens up to reveal a smaller doll inside, and which in its
    turn opens to reveal an even smaller doll, and so on and on until the littlest
    doll is exposed. Even though I don't know the language well, 1 can find my way
    around in a Sanskrit-English dictionary. I like to look up words in the yoga
    lexicon and pull them apart to see what's inside. This often gives me new
    insights into my practice. We'll be unraveling Sanskrit words as we go through
    this guide. Your practice will be enriched by the hidden meanings in this
    perfect language.

    Let's
    start with a word that may already be familiar to you—the Sanskrit verb
    yuj,
    which
    means to "yoke" or "harness." It's a relic of an age, many
    thousands of years ago, when Indian warriors rode into battle in chariots.
    These wagons typically carried an archer and his driver or charioteer and were
    drawn by two horses, which had the reputation of being rather ferocious.
    "At his deep neigh," sings one old hymn about the cry of a warhorse,
    "like the thunder of heaven / the foemen tremble in fear." It was the
    charioteer's task to hitch these barely tamed beasts to the chariot, no small
    feat in the days before the invention of the yoke. He needed both extraordinary
    bravery and skill, and as a consequence, his position was highly esteemed.

    In
    the everyday language, yuj assumed the sense of "unite, connect, add,
    bring together," as well as—since the occupation of yoking or harnessing
    implied that the charioteer had learned a particular technique that got the
    chariot up and running—"make ready, prepare, set to work, employ,
    apply." Two notions, then, of a desired end and its means are conveyed by
    the verb yuj and its several derivatives, including the masculine noun yoga.

    The
    practice of yoga is very old. There were surely contemporaries of our
    charioteer who were engaged in some form of yoga, though it probably didn't
    exactly resemble what we call yoga today. In general, yoga has four goals:

    1. Regeneration
    or health, and the end of suffering

    2. Skillful
    action

    3. Integration
    or self-knowledge

    4. Liberation

    In
    much of the sacred literature of India, liberation (moksha) is explained as the
    yoking or joining of the embodied soul (jiva-atman) to the Great Self
    (parama-atman). Both yoke and join, by the way, are cognate with yuj and yoga.
    This is a pointed allusion to the charioteer, his horses, and the chariot. One
    of the most famous parables in the Upanishads recalls and plays upon this root
    meaning:


    Know
    thou the soul (atman, self) as riding in a chariot,

    The
    body as the chariot.

    Know
    thou the intellect (buddhi) as the chariot-driver,

    And
    the mind (manas) as the reins.

    The
    senses (indriya), they say, are the horses;

    The
    objects of sense, what they range over.

    He
    who has not understanding,

    Whose
    mind is not constantly held firm—

    His
    senses are uncontrolled, Like the vicious horses of a chariot-driver.

    He,
    however, who has the understanding of a chariot-driver,

    A
    man who reins in his mind—He reaches the end of his journey,

    The
    highest place of Vishnu.

    Yoking
    is accomplished in a wide variety of ways, depending on which school of yoga
    you follow. In
    The
    Shambhala Encyclopedia of Yoga,
    the
    scholar Georg Feuerstein catalogues nearly forty different schools of yoga
    suitable for different personalities or temperaments. Six schools are generally
    considered principal: classical or raja (royal), hatha (forceful), mantra
    (hymn), jnana (wisdom), bhakti (devotion), and karma (selfless action). It
    seems fitting that a word so closely associated with the meaning of union can
    embrace so many disparate schools.

    While
    this union of the embodied self and the Great Self (paramaatman or brahman) is
    usually the stated goal of yoga practice, it's not always the case. The most
    prominent exception is the classical school of Patanjali, known as Raja-Yoga.
    Patanjali doesn't recognize a Great Self, though he does acknowledge a deity
    called the Lord (Ishvara), considered a special self (purusha-vishesha) among
    an infinite number regular selves (purusha). Patanjali defines classical yoga
    as the "restriction of the fluctuations of consciousness (Yoga-Sutra
    1.2)," which suggests the strenuous and risky job of harnessing itself, of
    bringing the skittish thoughts and rearing emotions under control.

    However
    the supreme attainment is imagined, whether as a blissful merging with the
    Great Self or the quelling of the vicious horses of consciousness and nature,
    yogis emphasize both practice and study, especially study of sacred texts and
    self-study (svadhyaya, literally "going into one's own self").
    Practice has two poles—an active pole that entails intense and persistent
    exertion (abhyasa) and a passive one that encourages what yoga tradition calls
    samatva, an attitude of evenness or equanimity toward the world. Yoga practice
    is a balancing act between doing and not-doing: we must somehow exhibit all the
    prowess of the charioteer in mastering his horses and yet remain the same
    whether in success or failure.



    Table of Contents

    Foreword
    by Rodney Yee

    vii

    Acknowledgments
    xi

    Colloquy
    of the Vital Breaths

    (Prana-Samvada) xiii

    Introduction: Lions,
    Elephants, Tigers

    1

    PART
    ONE: Clarification

    1. The
    Yoga of Breathing 13

    2.
    Shining Forth 21

    3.
    Obstacles and Helpers (Antaraya and Pari-karman) 38

    4. Props
    48

    5.
    Practice Tips 58

    6.
    Pranayama Journal 64

    PART
    TWO: Cooperation

    7. The
    Witness (Sakshin) 71

    8. Corpse:
    Introduction to Shavasana
    77
    9. Mapping
    the "Gross Body" in Corpse
    85
    10. Quieting
    the Sense Organs in Corpse
    108
    11. Qualities
    of the Breath: Time, Texture, Space, and Rest 122

    12.
    Unusual Breathing 134

    PART
    THREE: Comprehension

    13.
    Reclining Supports 153

    14. Posture
    (Asana)
    161
    15. Chair
    Seat 190

    16. Traditional
    Seats
    201

    PART
    FOUR: Completion

    17.
    Tools (Upaya) 219

    18.
    Conqueror's Breath (Ujjayi Pranayama) 236

    19.
    Against-the-Grain Breath (Viloma Pranayama) 247

    20.
    Locks and Retention (Bandha and Kumbhaka) 254

    Appendix
    1: Practice Schedule Outline 271

    Appendix
    2: Breathing with a Friend 280

    Appendix
    3: Yoga Props 289

    Notes
    291

    Glossary
    297

    Recommended
    Reading

    301

    Index
    of Practices

    303


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    For several thousand years, yogis have drawn on the powerful practice of pranayama, a technique of controlling the breath to maximize prana or life energy. Pranayama has been practiced to rejuvenate the body and as a means of self-study and self-transformation. While most yoga practitioners today focus on asanas, or body postures, a growing number of people are learning the complementary practice of pranayama to deepen and enrich their practice.

    The Yoga of Breath is a guide to learning the fundamentals of pranayama and incorporating them into an existing yoga practice. Rosen's approach is easy to follow with step-by-step descriptions of breath and body awareness exercises accompanied by clear illustrations. The book also covers the history and philosophy of pranayama, offers useful practice tips, and teaches readers how to use props to enhance the exercises.

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    From the Publisher
    "Richard Rosen's new book The Yoga of Breath is a welcome addition to the few pranayama literature issued in the past decade or so; it will help dedicated yogis keep their spiritual instruments properly strung and finely tuned."—Yoga Journal

    "Richard Rosen has written a beautiful and substantial work on pranayama. It is at once modern and classical. Brilliantly engaging and accessible, it is a guide to practice that can become a companion for life. I recommend it unequivocally to students and teachers alike."—Patricia Walden, cofounder of the B. K. S. Iyengar Yoga Studio

    "Pranayama is a vitally important part of traditional Hatha-Yoga. Richard Rosen has rendered a most valuable yeoman service by making this widely neglected practice accessible to Western practitioners. I highly recommend this work."—George Feuerstein, Ph.D., author of The Shambhala Guide to Yoga

    "Richard Rosen acts as our pranayama tour guide by honestly sharing his own travels, both inward and outward. And he has done it the way all great teachers do: He points to the map and then makes sure we go on our own journey and don't just keep looking at his finger. The Yoga of Breath shows us how to find time, how to work with our mind, cultivate patience, experience more spaciousness, and be playful—all that by breathing in and breathing out. I'm inspired!"—Cyndi Lee, director of the Om Yoga Center

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