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    This Life Is in Your Hands: One Dream, Sixty Acres, and a Family's Heartbreak

    3.6 29

    by Melissa Coleman


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    $15.99
    $15.99

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    • ISBN-13: 9780061958335
    • Publisher: HarperCollins Publishers
    • Publication date: 04/10/2012
    • Series: P.S. Series
    • Pages: 352
    • Sales rank: 216,421
    • Product dimensions: 5.32(w) x 7.80(h) x 0.86(d)

    As a freelance writer, Melissa Coleman has covered lifestyle, health, and travel. She lives in Freeport, Maine, with her husband and twin daughters.

    Read an Excerpt

    This Life Is In Your Hands

    One Dream, Sixty Acres, And A Family Undone
    By Melissa Coleman

    HarperCollins

    Copyright © 2011 Melissa Coleman
    All right reserved.

    ISBN: 978-0-06-195832-8


    Chapter One

    FOR THE FIRST nine years of my life, Greenwood Farm was my
    little house in the big woods, located as long ago and far away
    up the coast of Maine as it was from mainstream America. Five
    hours from Boston, three from Portland, along winding roads
    that became successively narrower from Belfast to Bucksport to
    Penobscot, until they finally turned to dirt. If you were a bird,
    you could shorten the trip at Camden by cutting over the scatterings
    of fir- pointed islands on Penobscot Bay— North Haven,
    Butter Island, Great Spruce Head, Deer Isle. Viewed from above,
    the islands formed bright constellations in the dark sky of water,
    a mirror of the universe leading you back in time.
    Just past Pond Island, you'd see the forested head of Cape
    Rosier reaching into the sea from the mainland and a sandy line
    of beach, beyond which a narrow road wound up through a
    berry field and disappeared into a dappled stretch of forest. A
    mile in, our land was surrounded by the cape's uniform blanket of
    fir, spruce, and the purple scrub of blueberry barrens.
    On a morning in early April of 1969, as my future parents
    were clearing brush under the bare crown of the ash tree next to
    their new home, two sparrows circled once, twice, then alighted
    on a branch to announce their arrival with a familiar melody of
    clicks and tweets. Surprised by the song, Mama raised her head
    to spot the diminutive brown birds with patches of white at the
    throat. "The white-throat," she exclaimed, an armload of brush
    resting on the pronounced swell of her belly. She'd always loved
    sparrows best—so joyous in their simplicity. "They mate for life
    and come back every year to the same place to build a nest," she
    added, having checked it in her Peterson's before.
    "A sure sign of spring," Papa replied, giving a low whistle
    through his teeth before returning with renewed vigor to his
    work. Easter would fall that Sunday, though they'd lost track of
    such dates by then—spring was a resurrection with or without a
    holiday.
    It was not the spring of hyacinth, lily of the valley, and drunken
    bumblebees, but the New England spring that comes just before
    mud season. The last pockets of snow melted away as rain fell
    from the sky in steady gray sheets, filling hollows and ruts with
    dark puddles. Ice crystals released their hold on soil that sank
    into a primordial muck.
    "Son of a gun," Papa said. "The ruts in the driveway are up
    to my knee." The white VW truck wallowed like a pig when he
    revved up and tried to drive through. Sometimes he made it,
    sometimes he didn't.
    "Looks like we'd be having the baby at home even if we didn't
    want to," he said after one unsuccessful attempt.
    Mama's belly was the perfect half round of the wooden bread-
    mixing bowl, a defined mound under her favorite anorak with
    the fur- trimmed hood. It appeared before her when she exited
    the outhouse and entered the door of the farmhouse. Her face
    was round too, glowing like the moon. Standing at the kitchen
    counter preparing lunch, she looked normal from behind, but
    when Papa came and put his arms around her, they could rest
    on the curve of her belly as his hands searched for the shape of
    a foot or leg.
    "There, Eliot, there again," Mama said. "Movement."
    His larger hand pressed next to hers, waiting for another kick.
    "Yes, I felt it," he said. "I really did that time."
    "It could be any day now," Mama said. She felt something
    changing inside, a slowing down and getting ready.
    Scientists say my waiting self could already hear the chirp
    of Mama's voice, the ha-has of Papa's laughter, the thump of
    feet and the click of Normie's dog's paws on the wooden floor
    of the farmhouse. There would have been the shush of sweeping,
    the crack- shatter of Papa chopping kindling, an explosion
    of firewood dropped into the bin, the crunch of gravel outside,
    goats bleating as they waited to be milked, water splashing at
    the spring. Most of all, I would have felt the constant sound of
    Mama's heart beating, a steady drumbeat on a rawhide surface,
    blood rushing through valves into arteries and capillaries, keeping
    me alive. A new home awaited, one Mama and Papa had
    worked hard to make safe from what they saw as the dangers of
    the outside world.
    SIX MONTHS EARLIER, on October 21, 1968, my parents had
    moved from Franconia College in New Hampshire to a make-
    shift camper on the sixty wooded acres Helen and Scott Nearing
    sold them for $2,000. There was no mail service, no telephone
    or electrical wires, no plumbing. All of that ended a mile down
    the road at the Nearings'. Mail was picked up at the post office,
    the one public building in Harborside, a tiny town located four
    miles from the homestead along the western side of Cape Rosier's
    coast. Calls were made fifteen minutes away on a pay phone at
    a store off the cape in Bucks Harbor, also home to the famous
    Condon's Garage, where Sal gets a spark plug as condolence for
    her lost tooth in the children's book One Morning in Maine.
    "Cape Rosier looks like the profile of a moose's head." Mama
    pointed out to Papa on the map. Holbrook Island and its neighbors
    to the north made the distinctive shape of horns above the dot for
    the town of Harborside, a round unnamed pond in the middle
    was the eye, the head of the cape was the nose, and the Breeze-
    mere Peninsula hung below like a chin under an open mouth. This
    moose head appeared to be almost an island, with only a thin
    neck holding it to the mainland. They laughed when they learned
    that the Indian name for the cape was Mose- ka- chick, which
    actually meant "moose's rump."
    Their sixty- some acres made a nostril in the moose's snout,
    about a mile from the ocean and two hundred feet in elevation
    above it. A dirt road wound up from Nearings' Cove to curve along
    the southern edge of the property before heading back out to the
    sea on the other side. Across the way were the undulating rock
    and scrub of a blueberry barren, and beyond that stretched the
    uninhabited head of the cape at the tip of the moose's nose.
    The site of my future home was only a rise in the forest
    surrounded by spruce and fir, a cluster of birch, and the large ash
    with its healthy crown of branches. "This seems like a good place
    to begin," Papa had said, standing beside the tree. "We'll have to
    start building right away before winter."
    "A home of our own, at last." Mama sighed, and that image
    alone soothed her. She felt a twinge in her stomach, like a feather
    stroking the inside, and hugged her expanding belly with her arms.
    She hadn't realized how homeless she'd been up until that point.
    While Mama's father was Harvard- educated and her mother
    descended from a passenger on the Mayflower, they never aspired
    to be part of wealthy Boston society or had the money to become
    so. Papa's parents, Skates and Skipper, though not rich, were in
    the Social Register and part of the beach, tennis, and country club
    circles of Rumson, New Jersey. "Fonsy people," Mama liked to
    joke with a blue- blood affectation. Young and in love, my parents
    hoped to make their way without concern for the Social Register
    and Harvard degrees and to leave behind their respective family
    affairs— shuffling off the shell of the past to grow a future of their
    own making.
    During the last two weeks of October, Papa shoveled out a hole
    eight feet deep, six feet wide, and ten feet long— where the root
    cellar would sit beneath the house— and laid the foundation with
    rot- resistant cedar posts. A self- taught carpenter and woodworker,
    Papa learned from odd jobs and projects, including renovating
    the interior of the hunting lodge where they lived in Franconia.
    Though he'd never actually built a home before, he had a book,
    Your Engineered House by Rex Roberts, that broke down the
    process into an easy- to- follow plan.
    He sketched a layout based on the blueprint in the book,
    eighteen by twenty feet, slightly longer than wide, with south- facing
    windows in the front. A shed roof rose from the back at an angle
    and extended past the face to provide an overhang for the front
    porch. Reverse board- and- batten construction would be used for
    the exterior siding, as Roberts suggested— meaning the inner
    wall studs made the seal beneath the exterior boards to save on
    wood. After the $2,000 for the land and other expenses, their
    $5,000 savings was dwindling quickly. Papa wished he could have
    cut and used the trees from the property, but there wasn't time to
    let the wood cure, so the lumber came from the local sawmill—
    cedar posts, planed pine boards, and two- by- fours. Regardless,
    they were able to keep the cost down to $680 to build the house
    we called home for the next ten years, at a time when the national
    average for a home in town was closer to $20,000.
    Papa's tools consisted of a handsaw, hammer, level,
    measuring tape and carpenter's square. On top of the foundation he
    laid the beams that supported the floor, then the corner and roof
    supports and wall studs. He nailed on the floorboards, roof, and
    walls, leaving breaks for windows. Rock wool insulation was un-
    rolled between the studs, and black tar paper served for exterior
    roofing. The easy part was that there were no electrical wires or
    plumbing to worry about, no refrigerator, washer, dryer, toilet,
    bath, or other appliances to buy. Food would be stored in the root
    cellar, accessed by a trapdoor from the kitchen, and the bath-
    room was an A- frame outhouse located in the woods at the edge
    of the clearing.
    As Papa worked on the house, Mama returned to Franconia
    with a trailer attached to the VW truck for the rest of their things.
    Noticeably pregnant, she managed to move the cast-iron cook-
    stove onto the trailer with the help of friends. Next she herded
    the goats and chickens into the back of the VW and drove the
    seven hours to the farm. The chickens lived in a coop next to the
    camper, and the goats ran free. Jimi Hendrix, Janis Joplin, and
    the Monkees drifted in from the outside world on the battery-
    powered transistor radio as Mama and Papa cooked over a
    portable Coleman stove and showered with a plastic bag of water
    hung from a nail to warm in the sun. The camper was cramped
    and cluttered, but they kept up the illusion that they were on an
    expedition and it was base camp.
    The first snow fell while Papa worked beneath the protection
    of the new roof. "We can't move in until it's done, otherwise
    we'll get used to it like this and never finish," he told Mama. The
    interior walls took shape, with planed pine boards nailed
    vertically from floor to ceiling over the insulation. To the front of the
    side door sat the wood cook stove, surrounded by an L- shaped
    counter with an embedded stainless steel sink, a ship's nautical
    water pump, and a water container below. A dining table made
    of varnished pine boards and crossed- log legs, with tree stumps
    for chairs, sat beneath the tall south- facing windows looking
    out under the overhanging roof. The far back corner walls were
    covered with bookshelves above built- in L- shaped benches that
    Mama would cover with maroon padded mats for a "sofa." In the
    corner behind the kitchen, a raised sleeping loft over closet
    storage formed the bedroom space. The only appliances were a
    galvanized grain mill clamped to the kitchen counter, the radio, and
    kerosene lanterns.
    On a walk along the coast with the goats, Mama found a piece
    of driftwood that she carved and painted with their names, "Eliot
    and Sue Coleman," and nailed to a post where the rutted path to
    the house left the public dirt road. By December 1, a little over a
    month after they started, Papa declared the house complete. As
    anticipated, the four- hundred- square- foot space felt like a
    mansion after the cramped camper, and the accumulating snow made
    its comforts all the more welcome.

    (Continues...)



    Excerpted from This Life Is In Your Hands by Melissa Coleman Copyright © 2011 by Melissa Coleman. Excerpted by permission of HarperCollins. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

    Table of Contents

    Prologue 1

    1 Family 7

    2 Livelihood 45

    3 Sustenance 69

    4 Seclusion 85

    5 Companions 101

    6 Water 125

    7 Tribe 149

    8 Paradise 187

    9 Bicentennial 221

    10 Loss 247

    11 Atonement 261

    12 Mercy 287

    Epilogue 317

    Acknowledgments 322

    List of Illustrations 324

    What People are Saying About This

    Heidi Julavits

    “Melissa Coleman’s enthralling account of ‘70s back-to-the-land living is an important cultural and emotional document: this is a story about surviving and, eventually, thriving amidst the shadows of loss.”

    Tom Perrotta

    “Lyrical and down-to-earth, wry and heartbreaking, This Life Is In Your Hands is a fascinating and powerful memoir. Melissa Coleman doesn’t just tell the story of her family’s brave experiment and private tragedy; she brings to life an important and underappreciated chapter of our recent history.”

    Ann Hood

    “With beautiful lyrical prose, Coleman shows us what life in a 1970s back-to-nature farm was like, and the dear price her family paid pursuing their dream.”

    Wally Lamb

    “Combine the sincerity of Walden with the poignancy of The Glass Castle, add dashes of the lush prose found in The Botany of Desire, and you get This Life Is in Your Hands…. I was engaged and deeply moved by this evocative tale of Paradise found then lost.”

    Peter Behrens

    “A dream, a family, a heartbreaking tragedy—and a book I could not put down. Melissa Coleman’s memoir of a back-to-the-land childhood is fresh, organic, and gorgeously written.”

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    “Lyrical and down-to-earth, wry and heartbreaking, This Life Is in Your Hands is a fascinating and powerful memoir. Melissa Coleman doesn’t just tell the story of her family’s brave experiment and private tragedy; she brings to life an important and underappreciated chapter of our recent history.” —Tom Perrotta 

    In a work of power and beauty reminiscent of Tobias Wolff, Jeannette Walls, and Dave Eggers, Melissa Coleman delivers a luminous, evocative childhood memoir exploring the hope and struggle behind her family's search for a sustainable lifestyle. With echoes of The Liars’ Club and Don’t Let’s Go to the Dogs Tonight, Coleman’s searing chronicle tells the true story of her upbringing on communes and sustainable farms along the rugged Maine coastline in the 1970’s, embedded within a moving, personal quest for truth that her experiences produced.

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    Lead Review "People Pick" - People Magazine
    "Coleman’s moving recounting never loses hope of redemption."
    Wally Lamb
    Combine the sincerity of Walden with the poignancy of The Glass Castle, add dashes of the lush prose found in The Botany of Desire, and you get This Life Is in Your Hands…. I was engaged and deeply moved by this evocative tale of Paradise found then lost.
    Tom Perrotta
    Lyrical and down-to-earth, wry and heartbreaking, This Life Is In Your Hands is a fascinating and powerful memoir. Melissa Coleman doesn’t just tell the story of her family’s brave experiment and private tragedy; she brings to life an important and underappreciated chapter of our recent history.
    Ann Hood
    With beautiful lyrical prose, Coleman shows us what life in a 1970s back-to-nature farm was like, and the dear price her family paid pursuing their dream.
    Heidi Julavits
    Melissa Coleman’s enthralling account of ‘70s back-to-the-land living is an important cultural and emotional document: this is a story about surviving and, eventually, thriving amidst the shadows of loss.
    Peter Behrens
    A dream, a family, a heartbreaking tragedy—and a book I could not put down. Melissa Coleman’s memoir of a back-to-the-land childhood is fresh, organic, and gorgeously written.
    Lead Review "People Pick" People
    Coleman’s moving recounting never loses hope of redemption.
    NPR.org
    [This] is a rare breed of book-a memoir that justifies its own existence; that feels like it needs to exist…. Coleman shows that without the essential ingredient of heart, any family-no matter how perfect and revolutionary it seems-is in danger of experiencing real loss.
    Los Angeles Times
    The Colemans and the Nearings . . . worked hard to create an alternative economy that is still growing in rural America. This memoir is evidence of their great sacrifices.
    Tuscon Citizen
    This uncompromising memoir is tender, nonjudgmental, and heartfelt.
    Grist Magazine
    An absorbing read that intelligently arrays the romanticism of living off the land against the emotional challenges of moving off the grid.
    New York Times Book Review
    Rendered with sublimity…. [Coleman] fluently describes the power of the natural world, familial love and heartbreak, grace after loss.
    New York Times Book Review
    Rendered with sublimity…. [Coleman] fluently describes the power of the natural world, familial love and heartbreak, grace after loss.
    Tuscon Citizen
    This uncompromising memoir is tender, nonjudgmental, and heartfelt.
    Los Angeles Times
    The Colemans and the Nearings . . . worked hard to create an alternative economy that is still growing in rural America. This memoir is evidence of their great sacrifices.
    Grist Magazine
    An absorbing read that intelligently arrays the romanticism of living off the land against the emotional challenges of moving off the grid.
    Washington Post
    A fascinating look at the roots of the organic movement as well as a cautionary tale about the limits of idealism and the importance of forgiveness.
    Cleveland Plain Dealer
    Her memoir is as wrenching as it is beautifully written.
    Star Tribune
    A beautifully rendered memoir about growing up in a unique environment fueled by experimental back-to-the-land living. . . . Coleman illuminates the beauty of growing up in a family culture that valued nature and freedom of expression, but also frankly exposes farming’s negative impact on her family.
    Janet Maslin
    Intense readability.... haunting power.... as well as lush, vivid atmosphere that is alluring in its own right.... [A] story so nuanced that it would be a disservice to reveal what was in store. If you want to know what happened, read it for yourself.
    People "People Pick"
    Coleman’s moving recounting never loses hope of redemption.
    Megan Mayhew Bergman
    Coleman's memoir is not one of trendy virtue, but of authenticity. There is no part-time artisanal cheesemaking here, no model trading Louboutins for Bean Boots. Her expressive prose and knowledge of farming techniques give vivid color to her family's alternative lifestyle and unusual milieu…In her reminiscence, readers will find a world rendered with sublimity, a fusion of beauty and domestic menace. She may fall short in her quest to articulate a prescriptive mode of living, but she fluently describes…the power of the natural world, familial love and heartbreak, grace after loss. Above all, she reminds us that the return to simplicity is often anything but simple.
    —The New York Times Book Review
    Library Journal - BookSmack!
    In 1968, Eliot and Sue Coleman moved to a parcel of 60 acres on the Maine coast and set up homesteading. Melissa was born into the house Eliot had just finished, and the young couple embarked upon their self-sustaining life, farming the land and selling fresh produce. As the enterprise burgeoned, tensions strained the family, but it adapted as best it could. When Melissa's three-year-old sister drowned in a pond, the family couldn't recover its already-tenuous bond.What I'm Telling My Friends Especially pertinent to those with an interest in self-sufficiency and the locavore movement, this book is packed with historical information beyond the family story. Ultimately, a complex tale of a noble pursuit with tragic consequences. — "Memoir Short Takes," Booksmack! 2/3/11
    Kirkus Reviews

    An earnest memoirist remembers her family and their hardscrabble organic-farm life in Maine

    During the enthusiasm of the 1960s, Coleman's parents chose to live as self-sufficient a life as possible, becoming evangelists of healthy, all-natural living. The family's farm was coaxed into fecundity with the efforts of a number of virile acolytes, who, when they were not tending the vegetable stand, enjoyed the natural unclothed life. Coleman's mother had babies, baked bread, did chores and kept a journal while her father supervised, spread manure and pronounced wise and generally trite aphorisms. Figuring largely in the tale were their neighbors and spiritual guides, Helen and Scott Nearing, the redoubtable counterculture back-to-the-landers. Learning from the Nearings, Coleman's father taught others the correct, macrobiotic lifestyle. The family's tenuous subsistence amid the roots and rocks was nourishing and rewarding, until the shocking drowning death of the author's 3-year-old sister, a heartbreaking event that led to the slow disintegration of the family. In this elegiac memory piece, the author describes her bucolic girlhood in languid, deliberately measured prose, and investigates the downward spiral that followed her sister's death.

    A verdant memory of a different American childhood and of an idyll that ended tragically.

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