Non Pratt is the author of the acclaimed Trouble and Remix. After graduating from Trinity College Cambridge, she became a book editor at Usborne, working on the bestselling Sticker Dolly Dressing and Things to Make and Do series. She lives in London with her husband and small(ish) child and writes full time. Find her on Twitter @NonPratt.
Trouble
by Non Pratt
Paperback
(Reprint)
- ISBN-13: 9781442497733
- Publisher: Simon & Schuster Books For Young Readers
- Publication date: 08/04/2015
- Edition description: Reprint
- Pages: 400
- Product dimensions: 5.50(w) x 8.20(h) x 3.70(d)
- Lexile: 790L (what's this?)
- Age Range: 14Years
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In this dazzling debut novel, a pregnant teen learns the meaning of friendship—from the boy who pretends to be her baby’s father.
When the entire high school finds out that Hannah Shepard is pregnant via her ex-best friend, she has a full-on meltdown in her backyard. The one witness (besides the rest of the world): Aaron Tyler, a transfer student and the only boy who doesn’t seem to want to get into Hannah’s pants. Confused and scared, Hannah needs someone to be on her side. Wishing to make up for his own past mistakes, Aaron does the unthinkable and offers to pretend to be the father of Hannah’s unborn baby. Even more unbelievable, Hannah hears herself saying “yes.”
Told in alternating perspectives between Hannah and Aaron, Trouble is the story of two teenagers helping each other to move forward in the wake of tragedy and devastating choices. As you read about their year of loss, regret, and hope, you’ll remember your first, real best friend—and how they were like a first love.
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Alternating narratives explore the private motivations of two teens brought together by crisis and the pair's developing friendship.Fifteen, pregnant and desperate to avoid revealing the father's identity, Hannah is eager to allow Aaron, the new guy at school, to pose as the baby's daddy. Readers may expect Hannah's narrative to focus on her fears about becoming a mother when she is still emotionally and financially dependent on her own parents. Instead, she almost exclusively considers her immediate situation: her fears about revealing that a drunken, consensual one-night stand with someone she should not have slept with resulted in her pregnancy and her hopes that he will eventually embrace her decision to keep the baby (an unlikely scenario). It's possible that Hannah's lack of concern about her post-pregnancy future reflects her immaturity, but it also allows readers to ignore the very difficult situations that Hannah and her family will face after the baby is born. Glossing over the harsh realities of teen pregnancy and parenthood at times invalidates the novel's authenticity. Aaron's narrative, however, with his paralyzing grief and self-recriminations about his role in a friend's death, provides a plausible explanation of why he would agree to his role in Hannah's rather outlandish deception.Ultimately, the uneven alternating storylines fail to allow either the characters or their friendship to fully develop. (Fiction. 14-18)
Gr 9 Up—Fifteen-year-old British teen Hannah is not an ambitious student and spends a lot of time partying at the park in the evenings. She soon discovers that she is pregnant. She knows who the father is, but neither readers nor any of her friends know his identity. Fellow student, Aaron, is haunted by demons of his own, and for reasons that are initially unclear, decides to help Hannah continue to mask the father's identity by claiming paternity. The novel traces the development of their relationship while navigating the issues of teen pregnancy. Character motivations, including Hannah's initial promiscuousness, become clear as the story progresses. Told in alternating viewpoints, Hannah and Aaron slowly reveal themselves to each other and develop a deep bond. While adults might be uncomfortable with the purely positive outcome, the story speaks to the teen experience and doesn't get bogged down in the slut-shaming that books with more negative outcomes reinforce. Occasionally the voices of the two protagonists can be difficult to identify. Astute observers will note that the cover art and design is reminiscent of the iconic cover of J. D. Salinger's Catcher in the Rye. Though this book does not approach Salinger's mastery, it is still worth adding to teen collections.—Kristin Anderson, Columbus Metropolitan Library System, OH
Alternating narratives explore the private motivations of two teens brought together by crisis and the pair's developing friendship.Fifteen, pregnant and desperate to avoid revealing the father's identity, Hannah is eager to allow Aaron, the new guy at school, to pose as the baby's daddy. Readers may expect Hannah's narrative to focus on her fears about becoming a mother when she is still emotionally and financially dependent on her own parents. Instead, she almost exclusively considers her immediate situation: her fears about revealing that a drunken, consensual one-night stand with someone she should not have slept with resulted in her pregnancy and her hopes that he will eventually embrace her decision to keep the baby (an unlikely scenario). It's possible that Hannah's lack of concern about her post-pregnancy future reflects her immaturity, but it also allows readers to ignore the very difficult situations that Hannah and her family will face after the baby is born. Glossing over the harsh realities of teen pregnancy and parenthood at times invalidates the novel's authenticity. Aaron's narrative, however, with his paralyzing grief and self-recriminations about his role in a friend's death, provides a plausible explanation of why he would agree to his role in Hannah's rather outlandish deception.Ultimately, the uneven alternating storylines fail to allow either the characters or their friendship to fully develop. (Fiction. 14-18)