Get Free eBook Sample
Alan Sepinwall has been writing about television for close to twenty years. Formerly a TV critic for Newark's Star-Ledger (Tony Soprano's hometown paper), he currently writes the popular blog What's Alan Watching? on HitFix.com. Sepinwall's episode-by-episode approach to reviewing his favorite TV shows "changed the nature of television criticism," according to Slate, which called him "the acknowledged king of the form." He is the author of The Revolution Was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever (Touchstone, 2012), which the New York Times' Michiko Kakutani named one of her 10 Favorite Books of 2012. Matt Zoller Seitz is the author of the New York Times bestseller The Wes Anderson Collection (Abrams, 2013). He has been a journalist, critic, and filmmaker for nearly 25 years, and he has been nominated for the Pulitzer Prize in Criticism. He is the TV critic for New York Magazine and Vulture.com, where he writes about current and classic TV and recaps notable series, including Mad Men, Breaking Bad, and Homeland. He is also editor-in-chief and lead film critic of RogerEbert.com.
TV (The Book): Two Experts Pick the Greatest American Shows of All Time
eBook
$12.99
-
ISBN-13:
9781455588206
- Publisher: Grand Central Publishing
- Publication date: 09/06/2016
- Sold by: Hachette Digital, Inc.
- Format: eBook
- Sales rank: 261,020
- File size: 2 MB
Available on NOOK devices and apps
Want a NOOK? Explore Now
12.99
In Stock
Is The Wire better than Breaking Bad? Is Cheers better than Seinfeld? What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible?
For twenty years-since they shared a TV column at Tony Soprano's hometown newspaper-critics Alan Sepinwall and Matt Zoller Seitz have been debating these questions and many more, but it all ultimately boils down to this:
What's the greatest TV show ever?
That debate reaches an epic conclusion in TV (THE BOOK). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all- encompassing scoring system, they've created a Pantheon of top TV shows, each accompanied by essays delving into what made these shows great. From vintage classics like The Twilight Zone and I Love Lucy to modern masterpieces like Mad Men and Friday Night Lights, from huge hits like All in the Family and ER to short-lived favorites like Firefly and Freaks and Geeks, TV (THE BOOK) will bring the triumphs of the small screen together in one amazing compendium.
Sepinwall and Seitz's argument has ended. Now it's time for yours to begin!
Customers Who Bought This Item Also Bought
-
- The Daily Show (The Book): An…
- by Chris SmithJon Stewart
-
- Live From New York: The…
- by James Andrew MillerTom Shales
-
- The X-Files FAQ: All…
- by John Kenneth Muir
-
- A Star Is Found: Our…
- by Janet HirshensonJane JenkinsRachel Kranz
-
- Leonard Maltin's 151 Best…
- by Leonard Maltin
-
- Showgirls, Teen Wolves, and…
- by Michael Adams
-
- Hail, Hail, Euphoria!:…
- by Roy Blount Jr.
-
- Mary and Lou and Rhoda and Ted…
- by Jennifer Keishin Armstrong
-
- My Lunches with Orson:…
- by Peter Biskind
-
- The Millionaire and the Bard:…
- by Andrea Mays
-
- City of Nets: A Portrait of…
- by Otto Friedrich
-
- Silver Screen Fiend: Learning…
- by Patton Oswalt
-
- Allen Klein: The Man Who…
- by Fred Goodman
-
- Final Chapters: How Famous…
- by Jim Bernhard
-
- Route 66 Still Kicks: Driving…
- by Rick Antonson
-
- Ultimate Book of Card Games:…
- by Scott McNeely
Recently Viewed
![Joe Satriani [Ep]](http://prodimage.images-bn.com/mimages/0000000000000_p0_v0_s118x178.jpg)
Publishers Weekly
07/18/2016Two of today’s best writers on television, Sepinwall (The Revolution Was Televised) and Seitz (Mad Men Carousel), join forces to rank the 100 greatest series in TV history. Within defined parameters (American shows, narrative fiction, complete runs—with minimal exceptions), both authors use a 10-point scale to score across six criteria (innovation, influence, consistency, performance, storytelling, peak) in order to determine ranking. They also include essays for each selected show (some essays cover multiple shows) and synopses highlighting themes, strengths, and weaknesses instead of linear plot points (though plot spoilers are sometimes included). The authors write as both incisive cultural critics and enthusiastic fans. Their essays will no doubt inspire debate and the reading equivalent of binge watching, with readers promising themselves to put the book down after just one more essay, but finding the lure of the next too attractive. Sepinwall and Seitz also include lists of great shows still running (therefore ineligible); of random TV bests (theme songs, cliffhangers, mustaches, etc.); of shows that they esteem, but that didn’t make the cut; and of miniseries, made-for-TV movies, and filmed plays from TV’s early days. The result is a treasure trove for TV fans. Agent: Amy Williams, the Williams Company. (Sept.)
From the Publisher
"I hate Top Ten lists and am existentially opposed to numerically rating television shows, so this book is my worst nightmare! You should buy it anyway, because Alan and Matt are shrewd, witty, and insightful critics,even if they are wrong about Cheers being better than 30 Rock."—Emily Nussbaum, The New Yorker
"What fun to dive into a book that not only inspires but invites debate over your favorite TV shows. Which ones truly deserve to be in the Pantheon? Which ones did or didn't make the cut? Any book that celebrates everything from The Sopranos to Rocky and Bullwinkle gets my attention...and deserves yours."
—Leonard Maltin, film critic/ historian
"It's the Golden Age of TV, yes, but TV: THE BOOK shows we are also in the Golden Age of TV criticism. In the same way so many of us made Leonard Maltin's Movie Guide or Pauline Kael's or David Thomson's review collections our film bibles, readers will be poring over this magnificent volume for years to come. An essential, provocative, and irresistible tome from two of our greatest critics."
—Megan Abbott, bestselling author of The Fever and You Will Know Me
Library Journal
10/01/2016How does one choose the greatest American TV dramas and comedies of all time? Critics and authors Sepinwall (HitFix.com; The Revolution Was Televised) and Seitz (RogerEbert.com; Mad Men Carousel) attempt to do so in this compendium of their top 100 shows in history. They base their selection on a program's innovation, influence, consistency, acting, and storytelling, as well as the peak period of its run. Drawing from 60 years of programming, the authors conclude that The Simpsons, The Sopranos, The Wire, Cheers, and Breaking Bad are the best five shows. The subsequent list reflects their longtime knowledge of the TV industry and draws on the work they did together covering television for the Newark, NJ-based newspaper The Star-Ledger. They explain why each of the choices deserves to be included in this list, which they call "the Pantheon." All genres of dramas are considered, from police procedurals to sf to family-centered shows. Likewise, different types of comedies ranging from live-action sitcoms to sketch comedies to animated series are taken into account. Interspersed throughout the book are quirky "best of" lists, such as TV's greatest hairstyles, cars, spies, character names, teachers, and mustaches. VERDICT A fun read for TV fans and aspiring media critics alike.—Donna Marie Smith, Palm Beach Cty. Lib. Syst., FL
Kirkus Reviews
2016-07-04What should we watch?Prominent TV critics Sepinwall (The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever, 2012, etc.) and Seitz (The Wes Anderson Collection: The Grand Budapest Hotel, 2015, etc.) assemble a canon of the 100 greatest (American, narrative fiction) TV shows of all time. After an introductory chapter exhaustingly detailing their selection process—their attempt to definitively rank such classics as The Sopranos, Breaking Bad, and The Simpsons devolves into a Talmud-like complex tangle of historical, social, aesthetic, and personal considerations—the authors present their choices in a series of essays that concisely and insightfully identify each show’s distinctive virtues and place in the history of the medium. There is little here to inspire much argument; the authors’ choices are largely buttressed by conventional wisdom and critical consensus, though an emphasis on contemporary programming may raise a few eyebrows. Superlative lists—e.g., “Best Mustaches,” “Best Houses,” “Most Important Hairstyles,” “Most Awesome and/or Ridiculous Names”—add little to the reading experience, as they chiefly consist of titles presented without further comment, but appendices covering limited series and TV movies provide useful supplementary material. Only shows with completed runs were eligible: a chapter on currently produced shows that bear watching for future inclusion evidences the authors’ good taste (Broad City, Transparent), but again, their selections will ruffle no feathers. Perhaps the book’s most engaging chapter, “A Certain Regard,” which gathers programs not pantheon-worthy but liked by the authors “for some strange reason or another,” suggests a more interesting direction: critics at the top of their craft going out on a limb rather than affirming the commonly accepted classics. A well-reasoned and engaging—if ultimately unchallenging—summary of the best television has to offer.