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    Wait for Me

    3.7 7

    by An Na


    Paperback

    (Reprint)

    $10.99
    $10.99

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    • ISBN-13: 9781481442435
    • Publisher: Atheneum/Caitlyn Dlouhy Books
    • Publication date: 09/12/2017
    • Edition description: Reprint
    • Pages: 208
    • Sales rank: 353,351
    • Product dimensions: 5.50(w) x 8.25(h) x 0.50(d)
    • Age Range: 12Years

    An Na was born in Korea and grew up in San Diego, California. A former middle school English and history teacher, she is the critically acclaimed author of The Fold, Wait for Me, the National Book Award finalist and Printz Award–winning novel A Step from Heaven, and The Place Between Breaths. She lives in Vermont.

    Read an Excerpt

    Wait for Me


  • I FOUND HER SLEEPING on the couch, her body curled to one side, her head lodged against the faded green armrest. I pushed her damp bangs off her forehead and whispered in her good ear. “Suna.”

    She stirred in her sleep, an arm flung up over her head. Her stuffed dog peeked out from under her neck.

    “Suna.” I dangled her hearing aid in front of her, letting it bump against her forehead. Her eyes remained closed. I gently shook her shoulder. “Suna, wake up.”

    Her eyes fluttered and then finally opened. She looked blankly into my face for a moment before a smile skimmed across her lips.

    “Hi, Uhn-nee,” she said and rubbed the sleep from her eyes using the back of her hand, fingers curled like a baby. If only she knew how young she looked when she did that, she would have stopped instantly. She was always protesting that she wasn’t a baby anymore, this sister of mine. Certainly a baby couldn’t start middle school. She had been certain that the summer would work magic. Make her grow in all the right places. And here it was the beginning of August and my old training bra was still in the dresser.

    Suna sat up and moved to one side so that I could sit down. I kicked out my legs to rest them on the coffee table and dropped the hearing aid into her lap. In a practiced gesture, Suna held her hair back with one hand and dropped her chin as she hooked the larger molded plastic amplifier behind her ear and inserted the smaller piece into the canal. She smoothed her hair back over her ear.

    “I’m going to chain you to your bed if you don’t stop sleepwalking,” I joked even as I thought seriously about taking her to the doctor at the clinic. The sleepwalking had been kind of funny at first, but when it didn’t stop, it started to freak me out. Sometimes if I caught her as she was getting out of bed, she seemed completely awake. Eyes open and everything.

    “Did Uhmma and Apa leave already?” Suna asked. She glanced behind her to the kitchen as though expecting them to be eating.

    “A long time ago,” I said and checked my watch. Seven a.m. “Come on.” I stood up. “It’s late. Uhmma’s gonna be pissed if we don’t hurry up.”

    A dry cleaning business set time by the rising sun. And there were never enough hands. With the business so slow the last few years, there wasn’t money to hire employees. Uhmma and Apa relied on us, and mostly me, to help out at every opportunity. Before school, after school, during vacations and summers.

    As Suna and I walked toward the car, I could almost see the tiny waves of heat trapped inside, ready to bake us alive. As soon as we opened the doors, the hot air poured out, pooling around our legs. Suna and I furiously rolled down the windows and adjusted the beach towels that kept the backs of our thighs from being scorched by the hot vinyl. I tossed my ponytail over one shoulder and jammed the key into the ignition.

    “Wait, Uhn-nee!” Suna shouted.

    I sighed and slouched in my seat. Suna closed her eyes and began to mutter, talking to the car she had named Sally. The white Nissan Sentra was older than God, but Suna believed it just needed some coaxing.

    “Okay,” Suna said after a minute.

    “Sally said she’d work for us today?” I asked and smiled.

    “I told her I’d wash her windows if she was good.” Suna quickly patted the burning-hot dashboard, then blew on her hand. She treated the car like a pet, rewarding it when everything ran smoothly, gently chiding when we had to take it in for service. It all started the day she learned that plants responded to music and talking. No matter how much I tried to reason with her, she continued talking to the car.

    I turned the ignition and held my breath. These last few days had been so odd. What with the Santa Ana winds starting up so early in the middle of summer instead of the fall, Suna sleepwalking, the washing machines breaking down. Everything felt off balance.

    Sally sputtered to life, her guttural engine barely catching. One more day. Already the sweat pooled behind my knees and trickled down my calves. I turned on the radio and eased out of the parking space, slowly driving over the three speed bumps that led out of the apartment complex, then turned onto the main street.

    El Cajon Boulevard. Six lanes of black asphalt stretching far into the horizon, shimmering with waves of heat. Strip malls lined up on either side with their garish painted signs. A song about summer came on. Something about soaking up the sun. What a joke. But I started to sing along. Loud as I could until Suna broke into laughter. It always amazed me how music could take me to another place. It didn’t matter if I was at church singing in the chorus about God or jamming to the radio or listening to my CDs. Even the most insipid song had something. A beat, a melody, that lone bass holding everything together. But when a song was right, when everything fell together, each note, each rise and dip of the voice filled me with a sense of yearning. A vastness. The sensation of flight seeping into my skin until I was skimming through the air, the music holding me aloft.

    Red light. Even this early on a summer day, the migrant workers stood on the corners, waiting for work. For a pickup truck to slow down and stop, a pale arm reaching out the window, motioning for two or three to hop in back. I didn’t understand how they could stand to be dressed in those plaid button-down long-sleeve shirts and jeans. Weren’t they dying in all those clothes? The light turned green and I sped past.

    I flipped on the right turn signal, eased the car into the parking lot of one of the strip malls. I could see Uhmma through the glass walls of the dry cleaners. She was at the front, looking through the cash register.

    “Damn.” I stepped on the brake. “What is she doing?”

    I turned the wheel too quickly, making Sally squeal in protest, and parked in the alley behind Uhmma and Apa’s van.

    Suna turned in her seat to look at me.

    I sat still for a moment and stared at the open back door of the dry cleaners. What were the chances? What was the worst Uhmma could do? There was plenty, but would she even know from looking at the receipts? I had been the only one to handle them since the beginning of summer. I cursed under my breath. I should have doctored them yesterday. It was too late now.

    “Come on,” I said, and Suna and I stepped out of the car and walked toward the dry cleaners. Even in this heat, walking into the store was like stepping from the clouds straight into hell.

  • What People are Saying About This

    From the Publisher

    She draws her characters completely from within their souls. . . .Gripping and engrossing. (Kirkus Reviews, starred review)

    Interviews

    When did you start writing?

    I started thinking about writing for children after I had finished college and was teaching full time. However, it wasn't until I entered my MFA program that the real writing began.

    What made you decide to write this book?

    It started with a very visual image of Mina and Ysrael on the hood of the car looking out over the sunset. While the image of the two lovers was familiar what caught my attention was the thought of the younger sister, Suna, inside the car watching her older sister fall in love.

    What would you like young readers to learn from Mina?

    To know and believe in yourself.

    Are any of the characters in Wait for Me? based on anyone in your "real" life?

    Some of the characters are composites from many different people, both real and fictional.

    What adjectives would you use to describe Wait for Me?

    Tender, loving.

    Who are some of your favorite authors?

    Ian McEwan, Sylvia Plath, Jacqueline Woodson, Kazuo Ishiguro, Lorrie Moore, Lois Lowry

    Have you started working on your next book? Can you give us a sneak peak?

    I'm currently at work on my third novel, but I don't like to talk about it until it's completely done.

    Is there anything else you'd like to tell readers?

    Thank you for listening to my stories.

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    A teen pretends to be a perfect daughter, but her reality is far darker, in this penetrating look at identity and finding yourself amidst parents’ dreams for you, by Printz Award–winning novelist An Na.

    Mina seems like the perfect daughter. Straight A student. Bound for Harvard. Helps out at her family’s dry cleaning store. Takes care of her hearing-impaired little sister. She is her parents’ pride and joy. From the outside, Mina is doing everything right. On the inside, Mina knows the truth. Her perfect-daughter life is a lie. And it isn’t until she meets someone to whom she cannot lie that she’s willing to consider what the truth might mean, and what it will cost. Because Ysrael, the young migrant worker who dreams of becoming a musician and who comes to work for her family, asks Mina the one question that scares her the most: What does she actually want?

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    Harvard bound, Honor Society president, straight-A student: Mina is the picture perfect daughter. Beneath all the superlatives, though, is an insecure teenager groping for her real identity. Told through the words of its Korean-American protagonist, An Na's Wait for Me captures the intensity of adolescent experience without false dramatization or sentimentality.
    Publishers Weekly
    Guest gives a sensitive, nuanced performance as Mina, the Korean-American teenager who resorts to lying and doctoring her report cards to live up to the expectations of her mother, whose dream is for Mina to attend Harvard. This spot-on reading conveys Mina's conflicting emotions: fear of being caught in her deception, guilt at knowing that her mother worked hard and sacrificed to give her opportunities, resentment at all the pressure her mother puts on her, and most of all, a deep-seated longing to break free and live her own life. Additionally, Guest is wonderful in the role of the mother, with her heavy Korean accent and bossy nature, and also Suna, Mina's childlike, hearing-impaired younger sister. Children of immigrants will find a kindred spirit in Mina, while most young listeners will relate to the eternal teenage conflict: trying to please parents while finding one's own identity. Ages 12-up. (June) Copyright 2006 Reed Business Information.
    VOYA - Leslie Carter
    Initially appearing to be another book about the constant battle between a mother and her teenage daughter, this one grows into a girl's struggle for her personal survival and for her understanding of love. Born into a Korean American family in a suburb of Los Angeles, Mina wearies over her mother's constant nagging about grades, SAT preparation, and Harvard. She knows that her grades have fallen because of her problems with math, but her mother's expectations will not allow for any failure or any goal short of being the best. Mina's solution to her battle with her mother is to lie and tell her that everything is fine. She also begins taking money from the till in her parents' dry cleaning shop with the idea of leaving home at the end of her senior year. When Ysreal is hired to help in the shop, Mina slowly begins to discover that she has found a soul mate. She opens her heart to him, and he wisely encourages her to tell her mother the truth. When he leaves for music school in San Francisco, Mina almost goes with him, but her love for her family draws her back to finally deal with everything that has pulled them apart. Although Mina's mother begins as a one-dimensional character, she becomes much more faceted when her background is revealed. Readers will immediately identify with Mina and her struggles at home. This book will especially resonate with girls who feel under too much pressure to excel.
    Children's Literature - Cynthia Hopp
    Mina tries her hardest to be the best possible child and student for her mother, but this means lying about her grades and covering up her misdeeds of stealing. During the summer before her senior year, everything seems to fall apart for Mina. She has to face all of her lies, and in the process, she finds herself falling in love with Ysrael, a young migrant worker who has come to help her parents run their business. Since Mina's mother only wants the best for her child, she forbids her to date until Mina graduates from high school and goes on to Harvard. Now Mina must face her skeletons, make her mother come to terms with her own skeletons, and decide how to choose between her sister, whom she protects, and her new love before summer ends. Mina comes to realize that she can only do so much before everything starts to crumble. An Na shows the true struggle of an adolescent with controlling parents who faces realistic problems. Mina is Asian-American, and as she negotiate the gaps between her two cultures, readers gain insight into cultural practices surrounding essentials such as child-rearing practices, money, and tradition.
    VOYA
    Mina's mother has her life planned out for her. After Mina graduates at the top of her class, she will leave the family's laundromat in California and attend Harvard. Mina, a seventeen-year-old Korean American, does not have the high grades that her mother thinks she does. Mina has doctored her report card with the help of Jonathon Kim, the son of a wealthy friend of the family. She does, however, have a plan: She has been stealing small amounts of cash from the register when she does the nightly receipts, and she intends to run away and live on her own after graduation. She feels responsible, however, for supporting her younger half-sister Suna, whom her mother treats poorly. While struggling to decide what she can do with her life, pretending to study for the SAT, and fending off Jonathon's amorous advances, Mina must hide her developing relationship with Ysrael, a Mexican teen who has come to work in their shop while Mina's stepfather recovers from a strained back. Events come to a head when the missing money is discovered. Ysrael is blamed and leaves for music school in San Francisco, and Mina finally stands up to her mother. This Printz award-winning author crafts a difficult book about a girl in a difficult situation. Mina and her sister share the telling of their story. Mina's chapters are in first person, and Suna's are in third. The flipping back and forth creates a distance from both characters. Mina is not particularly sympathetic. The convention of using quotation marks only when English is spoken makes it tough to distinguish Mina's thoughts from conversations in Korean where no quotes are used. Some teens might see themselves in Mina's struggle to free herself from hermother's control, but most will not bother struggling through the flowery language or the slow-moving story. VOYA CODES: 3Q 3P S (Readable without serious defects; Will appeal with pushing; Senior High, defined as grades 10 to 12). 2006, G.P. Putnam's Sons, 176p., Ages 15 to 18.
    —Timothy Capehart
    Jennifer Hanni
    Creating a dream-like state through language and point of view in Wait for Me, An Na tells the story of a Korean-American girl searching for her own dreams, while trying to live up to her mother's high aspirations of a Harvard education. While some of the language and situations may be culturally specific, all readers will connect with the fear, anger, desperation, passion, and struggle with parents Mina feels, as well as fall in love with Ysrael, the boy who flips her tormented world upside down, forcing her to decide exactly what she, and not her mother, wants. Wait for Me's chapters switch focus between the protagonist, older sister Mina, and her younger hearing-impaired sister Suna. Mina's chapters are written in first person, while Suna's are written in third person, creating an interesting dynamic of voice and point of view. This point of view floats readers outside reality into a world where truth, reality, and fantasy intertwine.
    School Library Journal
    Gr 8 Up-Mina has a lot to cope with during the summer before her senior year in high school in this novel by An Na (Putnam, 2006). Her Korean-American family needs her help in their small dry cleaning business, her hearing-impaired younger sister depends on her for the nurturing their mother doesn't offer, and she's getting unwanted physical attention from a longtime family friend. But most of all, Mina has promulgated some whopping lies about her academic prowess that has put her in several tight spots. She's led her mother to believe that she's head of the Honor Society and en route to Harvard when, in fact, Jonathan, a family friend, has covered for her and taught her about stealing from the family's business. Complicating matters is Mina's new love interest, Ysrael, a young man from Mexico who comes to work at the family's dry cleaners, who urges her to follow her dreams-and him. Kim Mai Guest provides compelling narration. This story is compact, highly textured, and sure to engage listeners.-Francisca Goldsmith, Berkley Public Library, CA Copyright 2006 Reed Business Information.
    Kirkus Reviews
    What defines success? For one immigrant Korean mother, it is nothing less than a Harvard education. Seventeen-year-old Mina has created a high-school life filled with the illusion of straight A's and a topnotch college preparatory program in order to meet the overwhelming demands and expectations of her controlling Uhmma. Aided by former boyfriend and fellow Korean Jonathan, Mina adds some cheating to her life of lying. Her younger, hearing-impaired sister Suna, viewed as "damaged" by Uhmma, and the forbidden love and realistic advice of new, Mexican boyfriend Ysrael, ultimately force a sense of accountability in Mina. In an open-ended and arresting conclusion, she begins to face the truth within herself. Once again Na has created a compelling drama riveted with emotional anguish. She draws her characters completely from within their souls, expressing the dreaded fear and doubt of protagonist Mina, which is brought on by the harshness and overbearing parental presumptions of Uhmma, and complicated by the loving responsibility for neglected and virtually abandoned sister, Suna. For Mina, success will depend on how she confronts her own desires, voices them to her rigid, insufferable mother and begins to live an honest life for herself. Gripping and engrossing. (Fiction. YA)
    From the Publisher
    She draws her characters completely from within their souls. . . .Gripping and engrossing. (Kirkus Reviews, starred review)

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