Susan Crandall is a critically acclaimed author of women’s fiction, romance, and suspense. She has written several award-winning novels including her first book, Back Roads, which won the RITA award for best first book, as well as Whistling Past the Graveyard, which won the SIBA 2014 Book Award for Fiction.
Whistling Past the Graveyard
eBook
$11.99
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ISBN-13:
9781476707730
- Publisher: Gallery Books
- Publication date: 07/02/2013
- Sold by: SIMON & SCHUSTER
- Format: eBook
- Pages: 320
- Sales rank: 14,905
- File size: 4 MB
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Whistling past the graveyard. That’s what Daddy called it when you did something to keep your mind off your most worstest fear. . . .
In the summer of 1963, nine-year-old Starla Claudelle runs away from her strict grandmother’s Mississippi home. Starla’s destination is Nashville, where her mother went to become a famous singer, abandoning Starla when she was three. Walking a lonely country road, Starla accepts a ride from Eula, a black woman traveling alone with a white baby. Now, on the road trip that will change her life forever, Starla sees for the first time life as it really is—as she reaches for a dream of how it could one day be.
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Library Journal
The child of teenage parents, nine-year-old Starla is being raised by fierce grandmother Mamie, who's worried that Starla will turn out like her no-good mother, off in Nashville trying to become a star. When Starla runs away, worried that she will be punished for an infraction, she's offered a ride by a black woman who's herself on the run. The result: Starla comes to understand what segregation looks like in the Deep South, circa 1963. From a RITA Award winner; another novel pushed at ALA Midwinter.Publishers Weekly
Known for her romantic suspense novels, Crandall takes a fumbling step into book club–style women’s fiction with a derivative, if well-intentioned, Civil Rights–era bildungsroman. Stubborn, sassy, nine-year-old Starla Jane Claudelle lives with her grandmother Mamie in smalltown Mississippi. Her father works on an oil rig and her mother has been absent since Starla was three, seeking her fortune as a singer in Nashville. After a series of misbehaviors, Starla runs away, fearing her grandmother’s discipline and hoping for a reunion with her mother. Along the way, she meets Eula, an African-American woman who has taken custody of a white baby, much to her abusive, alcoholic husband’s dismay. Starla and Eula soon find themselves on the run together, dodging one-dimensional racists and receiving assistance from wise and accepting African-Americans. Starla’s fiery independence makes her a likeable narrator, which compensates somewhat for the underdeveloped adult characters and unbelievable plot points. While Starla’s story lacks the elegance of The Secret Life of Bees or the emotional intensity of The Dry Grass of August, fans of simple feel-good coming-of-age tales set in the 1960s such as Saving CeeCee Honeycutt will enjoy the ride. Agent: Jennifer Schober, Spencerhill. (July)Working Mother Magazine
This coming-of-age story is a must for fans of Kathryn Stockett’s The Help or Harper Lee’s classic To Kill a Mockingbird.”Coffee and Crackers
"Inspiring... told with honesty."Shape Magazine
A luminous portrait of courage and the bonds of friendship, this coming of age story is as endearing and spirited as they come.BookReporter.com
"WHISTLING PAST THE GRAVEYARD is a multi-layered saga that can be enjoyed by teens and adults alike. It has a cinematic quality that will make readers wish for a screen version. And you can’t say better than that."Shelf Awareness
"A delightfully complex story about defying the odds to find the gifts we have tucked inside us."Teacher's Choice
"I would recommend this book to those who enjoyed Secret Life of Bees,The Help, and Saving CeeCee Honeycutt."The Chicago Tribune - Liz Smith
"This is a work of imagination in the mind of a 9-year-old child that might remind you of Harper Lee's To Kill a Mockingbird or Kathryn Stockett's The Help... It's a real winner!"Wilmington Star News
"Worth the hype. Whistling will remind readers of favorite Southern novels, from The Secret Life of Bees to The Help.... [Crandall] is a deft stylist who handles Starla’s first-person dialect with ease."New York Times bestselling author Karen White
"A coming-of-age story as well as a luminous portrait of courage and the bonds of friendship. . . Susan Crandall tells young Starla’s story with pitch-perfect tone, evoking 1963 Mississippi and its struggles with a deft hand. I laughed and cried at Starla’s keen observances of life and family and the sometimes blurred edges of justice. Like Harper Lee’s To Kill a Mockingbird and Kathryn Stockett’s The Help, Whistling Past the Graveyard is destined to become a classic.Booklist - Mary Ellen Quinn
It’s not easy to keep such a young narrator convincing for more than 300 pages... Readers will take to Starla and be caught up in her story.From the Publisher
"Starla's fiery independence makes her a likable narrator." - Publishers Weekly"It's not easy to keep such a young narrator convincing for more than 300 pages... Readers will take to Starla and be caught up in her story." - Booklist
"A coming-of-age story as well as a luminous portrait of courage and the bonds of friendship... Susan Crandall tells young Starla's story with pitch-perfect tone, evoking 1963 Mississippi and its struggles with a deft hand. I laughed and cried at Starla's keen observances of life and family and the sometimes blurred edges of justice. Like Harper Lee's To Kill a Mockingbird and Kathryn Stockett's The Help, Whistling Past the Graveyard is destined to become a classic." - Karen White, New York Times bestselling author
New York Timesbestselling author - Karen White
"A coming-of-age story as well as a luminous portrait of courage and the bonds of friendship. . . Susan Crandall tells young Starla’s story with pitch-perfect tone, evoking 1963 Mississippi and its struggles with a deft hand. I laughed and cried at Starla’s keen observances of life and family and the sometimes blurred edges of justice. Like Harper Lee’s To Kill a Mockingbird and Kathryn Stockett’s The Help, Whistling Past the Graveyard is destined to become a classic.”"Kirkus Reviews
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old. Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla's dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla's convinced that her mother's now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla's anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she's not Eula's only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn't intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla's journey, and it's this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color. Young Starla is an endearing character whose spirited observations propel this nicely crafted story.