When Dorothy triumphed over the Wicked Witch of the West in L. Frank Baum's classic tale, we heard only her side of the story. But what about her arch-nemesis, the mysterious witch? Where did she come from? How did she become so wicked? And what is the true nature of evil?
Gregory Maguire creates a fantasy world so rich and vivid that we will never look at Oz the same way again. Wicked is about a land where animals talk and strive to be treated like first-class citizens, Munchkinlanders seek the comfort of middle-class stability and the Tin Man becomes a victim of domestic violence. And then there is the little green-skinned girl named Elphaba, who will grow up to be the infamous Wicked Witch of the West, a smart, prickly and misunderstood creature who challenges all our preconceived notions about the nature of good and evil.
Newsday
Listen up, Munchkins. Stop your singing, stop the dancing. The Wicked Witch is no longer dead. But not to worry. Gregory Maguire's shrewdly imagined and beautifully written first novel, "Wicked: The Life and Times of the Wicked Witch of the West," not only revives her but re-envisions and redeems her for our times.
Lloyd Alexander
A magnificent work, a genuine tour de force.
Los Angeles Times
It's a staggering feat of wordcraft, made no less so by the fact that its boundaries were set decades ago by somebody else. Maguire's larger triumph here is twofold: First, in Elphaba, he has created (re-created? renovated?) one of the great heroines in fantasy literature: a fiery, passionate, unforgettable and ultimately tragic figure. Second, Wicked is the best fantasy novel of ideas I've read since Mervyn Peake's Gormenghast or Frank Herbert's Dune. Would that all books with this much innate consumer appeal were also this good. And vice versa.
USA Today
An outstanding work of imagination.
Times-Picayune
Children - children of all ages, as Maguire reminds us in this splendid novel - need witches. Gregory Maguire has taken this figure of childhood fantasy and given her a sensual and powerful nature that will stir adult hearts with fear and longing all over again. It's a brilliant trick - and a remarkable treat.
Commercial Appeal
It is to [Maguire's] everlasting credit that he has succeeded so admirably that his book stands as an independent and inspired whole; it is also very close to being an instant classic.... Maguire has hit a home run his first time at bat. That Wicked is a first novel is remarkable because it is so fully realized, so rich and involving. It is the most seamless interweaving of fantasy and reality since John Crowley's peerless Little, Big, written in poetic language as graceful as a Ray Boldger tap-dance.
John Updike
Amazing novel.
The New Yorker
Boston Phoenix
Wicked is a punch allegory that alludes to everything from Nazi Germany to Nixon's America. It's delightfully over-the-top at times, mixing serious metafiction with subtle humor and even (gasp) witch sex.
New York Newsday
Gregory Maguire's shrewdly imagine first novel... is part fantasy thriller, part psychological study, part political cautionary tale. It's all fascinating. And it's impossible to deny the magic of Gregory Maguire's prose.
Publisher's Weekly
Maguire combines puckish humor and bracing pessimism in this fantastical meditation on good and evil, God and free will, which should...captivate devotees of fantasy.
New Orleans Times-Picayune
Children children of all ages, as Maguire reminds us in this splendid novel need witches. Gregory Maguire has taken this figure of childhood fantasy and given her a sensual and powerful nature that will stir adult hearts with fear and longing all over again. It's a brilliant trick and a remarkable treat.
Memphis Commercial Appeal
It is to [Maguire's] everlasting credit that he has succeeded so admirably that his book stands as an independent and inspired whole; it is also very close to being an instant classic.... Maguire has hit a home run his first time at bat. That Wicked is a first novel is remarkable because it is so fully realized, so rich and involving. It is the most seamless interweaving of fantasy and reality since John Crowley's peerless Little, Big, written in poetic language as graceful as a Ray Boldger tap-dance.
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