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    The Wind in the Willows

    The Wind in the Willows

    4.2 144

    by Kenneth Grahame


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      ISBN-13: 9781497672079
    • Publisher: Open Road Media Teen & Tween
    • Publication date: 09/23/2014
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 236
    • Sales rank: 369,588
    • File size: 834 KB
    • Age Range: 8 - 12 Years

    Kenneth Grahame (1859–1932) was a Scottish writer best known as the author of The Wind in the Willows. He spent much of his childhood along the water, first on Loch Fyne in Scotland and then along the River Thames in a small village in southern England. It was here that his love for boating grew—a passion reflected in one of the most famous passages of The Wind in the Willows: “Believe me, my young friend, there is nothing—absolutely nothing—half so much worth doing as simply messing about in boats.”

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    The Wind in the Willows


    By Kenneth Grahame

    OPEN ROAD INTEGRATED MEDIA

    Copyright © 2014 Open Road Integrated Media, Inc.
    All rights reserved.
    ISBN: 978-1-4976-7207-9



    CHAPTER 1

    THE RIVER BANK


    The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said 'Bother!' and 'O blow!' and also 'Hang spring-cleaning!' and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel that answered in his case to the gavelled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, 'Up we go! Up we go!' till at last, pop! His snout came out into the sunlight, and he found himself rolling in the warm grass of a great meadow.

    'This is fine!' he said to himself. 'This is better than whitewashing!' The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side.

    'Hold up!' said an elderly rabbit at the gap. 'Sixpence for the privilege of passing by the private road!' He was bowled over in an instant by the impatient and contemptuous Mole, who trotted along the side of the hedge chaffing the other rabbits as they peeped hurriedly from their holes to see what the row was about. 'Onion-sauce! Onion-sauce!' he remarked jeeringly, and was gone before they could think of a thoroughly satisfactory reply. Then they all started grumbling at each other. 'How stupid you are! Why didn't you tell him—' 'Well, why didn't you say—' 'You might have reminded him—' and so on, in the usual way; but, of course, it was then much too late, as is always the case.

    It all seemed too good to be true. Hither and thither through the meadows he rambled busily, along the hedgerows, across the copses, finding everywhere birds building, flowers budding, leaves thrusting—everything happy, and progressive, and occupied. And instead of having an uneasy conscience pricking him and whispering 'whitewash!' he somehow could only feel how jolly it was to be the only idle dog among all these busy citizens. After all, the best part of a holiday is perhaps not so much to be resting yourself, as to see all the other fellows busy working.

    He thought his happiness was complete when, as he meandered aimlessly along, suddenly he stood by the edge of a full-fed river. Never in his life had he seen a river before—this sleek, sinuous, full-bodied animal, chasing and chuckling, gripping things with a gurgle and leaving them with a laugh, to fling itself on fresh playmates that shook themselves free, and were caught and held again. All was a-shake and a-shiver—glints and gleams and sparkles, rustle and swirl, chatter and bubble. The Mole was bewitched, entranced, fascinated. By the side of the river he trotted as one trots, when very small, by the side of a man who holds one spell-bound by exciting stories; and when tired at last, he sat on the bank, while the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.

    As he sat on the grass and looked across the river, a dark hole in the bank opposite, just above the water's edge, caught his eye, and dreamily he fell to considering what a nice snug dwelling- place it would make for an animal with few wants and fond of a bijou riverside residence, above flood level and remote from noise and dust. As he gazed, something bright and small seemed to twinkle down in the heart of it, vanished, then twinkled once more like a tiny star. But it could hardly be a star in such an unlikely situation; and it was too glittering and small for a glow-worm. Then, as he looked, it winked at him, and so declared itself to be an eye; and a small face began gradually to grow up round it, like a frame round a picture.

    A brown little face, with whiskers.

    A grave round face, with the same twinkle in its eye that had first attracted his notice.

    Small neat ears and thick silky hair.

    It was the Water Rat!

    Then the two animals stood and regarded each other cautiously.

    'Hullo, Mole!' said the Water Rat.

    'Hullo, Rat!' said the Mole.

    'Would you like to come over?' enquired the Rat presently.

    'Oh, its all very well to talk,' said the Mole, rather pettishly, he being new to a river and riverside life and its ways.

    The Rat said nothing, but stooped and unfastened a rope and hauled on it; then lightly stepped into a little boat which the Mole had not observed. It was painted blue outside and white within, and was just the size for two animals; and the Mole's whole heart went out to it at once, even though he did not yet fully understand its uses.

    The Rat sculled smartly across and made fast. Then he held up his forepaw as the Mole stepped gingerly down. 'Lean on that!' he said. 'Now then, step lively!' and the Mole to his surprise and rapture found himself actually seated in the stern of a real boat.

    'This has been a wonderful day!' said he, as the Rat shoved off and took to the sculls again. 'Do you know, I've never been in a boat before in all my life.'

    'What?' cried the Rat, open-mouthed: 'Never been in a—you never—well I—what have you been doing, then?'

    'Is it so nice as all that?' asked the Mole shyly, though he was quite prepared to believe it as he leant back in his seat and surveyed the cushions, the oars, the rowlocks, and all the fascinating fittings, and felt the boat sway lightly under him.

    'Nice? It's the only thing,' said the Water Rat solemnly, as he leant forward for his stroke. 'Believe me, my young friend, there is nothing—absolute nothing—half so much worth doing as simply messing about in boats. Simply messing,' he went on dreamily: 'messing—about—in—boats; messing—'

    'Look ahead, Rat!' cried the Mole suddenly.

    It was too late. The boat struck the bank full tilt. The dreamer, the joyous oarsman, lay on his back at the bottom of the boat, his heels in the air.

    '—about in boats—or with boats,' the Rat went on composedly, picking himself up with a pleasant laugh. 'In or out of 'em, it doesn't matter. Nothing seems really to matter, that's the charm of it. Whether you get away, or whether you don't; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you're always busy, and you never do anything in particular; and when you've done it there's always something else to do, and you can do it if you like, but you'd much better not. Look here! If you've really nothing else on hand this morning, supposing we drop down the river together, and have a long day of it?'

    The Mole waggled his toes from sheer happiness, spread his chest with a sigh of full contentment, and leaned back blissfully into the soft cushions. 'What a day I'm having!' he said. 'Let us start at once!'

    'Hold hard a minute, then!' said the Rat. He looped the painter through a ring in his landing- stage, climbed up into his hole above, and after a short interval reappeared staggering under a fat, wicker luncheon-basket.

    'Shove that under your feet,' he observed to the Mole, as he passed it down into the boat. Then he untied the painter and took the sculls again.

    'What's inside it?' asked the Mole, wriggling with curiosity.

    'There's cold chicken inside it,' replied the Rat briefly; 'cold tongue cold ham cold beef pickled gherkins salad French rolls cress sandwiches potted meat ginger beer lemonade soda water—'

    'O stop, stop,' cried the Mole in ecstacies: 'This is too much!'

    'Do you really think so?' enquired the Rat seriously. 'It's only what I always take on these little excursions; and the other animals are always telling me that I'm a mean beast and cut it very fine!'

    The Mole never heard a word he was saying. Absorbed in the new life he was entering upon, intoxicated with the sparkle, the ripple, the scents and the sounds and the sunlight, he trailed a paw in the water and dreamed long waking dreams. The Water Rat, like the good little fellow he was, sculled steadily on and forebore to disturb him.

    'I like your clothes awfully, old chap,' he remarked after some half an hour or so had passed. 'I'm going to get a black velvet smoking-suit myself some day, as soon as I can afford it.'

    'I beg your pardon,' said the Mole, pulling himself together with an effort. 'You must think me very rude; but all this is so new to me. So—this—is—a—River!'

    'The River,' corrected the Rat.

    'And you really live by the river? What a jolly life!'

    'By it and with it and on it and in it,' said the Rat. 'It's brother and sister to me, and aunts, and company, and food and drink, and (naturally) washing. It's my world, and I don't want any other. What it hasn't got is not worth having, and what it doesn't know is not worth knowing. Lord! the times we've had together! Whether in winter or summer, spring or autumn, it's always got its fun and its excitements. When the floods are on in February, and my cellars and basement are brimming with drink that's no good to me, and the brown water runs by my best bedroom window; or again when it all drops away and, shows patches of mud that smells like plum-cake, and the rushes and weed clog the channels, and I can potter about dry shod over most of the bed of it and find fresh food to eat, and things careless people have dropped out of boats!'

    'But isn't it a bit dull at times?' the Mole ventured to ask. 'Just you and the river, and no one else to pass a word with?'

    'No one else to—well, I mustn't be hard on you,' said the Rat with forbearance. 'You're new to it, and of course you don't know. The bank is so crowded nowadays that many people are moving away altogether: O no, it isn't what it used to be, at all. Otters, kingfishers, dabchicks, moorhens, all of them about all day long and always wanting you to do something—as if a fellow had no business of his own to attend to!'

    'What lies over there' asked the Mole, waving a paw towards a background of woodland that darkly framed the water-meadows on one side of the river.

    'That? O, that's just the Wild Wood,' said the Rat shortly. 'We don't go there very much, we river-bankers.'

    'Aren't they—aren't they very nice people in there?' said the Mole, a trifle nervously.

    'W-e-ll,' replied the Rat, 'let me see. The squirrels are all right. And the rabbits—some of 'em, but rabbits are a mixed lot. And then there's Badger, of course. He lives right in the heart of it; wouldn't live anywhere else, either, if you paid him to do it. Dear old Badger! Nobody interferes with him. They'd better not,' he added significantly.

    'Why, who should interfere with him?' asked the Mole.

    'Well, of course—there—are others,' explained the Rat in a hesitating sort of way.

    'Weasels—and stoats—and foxes—and so on. They're all right in a way—I'm very good friends with them—pass the time of day when we meet, and all that—but they break out sometimes, there's no denying it, and then—well, you can't really trust them, and that's the fact.'

    The Mole knew well that it is quite against animal-etiquette to dwell on possible trouble ahead, or even to allude to it; so he dropped the subject.

    'And beyond the Wild Wood again?' he asked: 'Where it's all blue and dim, and one sees what may be hills or perhaps they mayn't, and something like the smoke of towns, or is it only cloud- drift?'

    'Beyond the Wild Wood comes the Wide World,' said the Rat. 'And that's something that doesn't matter, either to you or me. I've never been there, and I'm never going, nor you either, if you've got any sense at all. Don't ever refer to it again, please. Now then! Here's our backwater at last, where we're going to lunch.'

    Leaving the main stream, they now passed into what seemed at first sight like a little land-locked lake. Green turf sloped down to either edge, brown snaky tree-roots gleamed below the surface of the quiet water, while ahead of them the silvery shoulder and foamy tumble of a weir, arm-in-arm with a restless dripping mill-wheel, that held up in its turn a grey-gabled mill-house, filled the air with a soothing murmur of sound, dull and smothery, yet with little clear voices speaking up cheerfully out of it at intervals. It was so very beautiful that the Mole could only hold up both forepaws and gasp, 'O my! O my! O my!'

    The Rat brought the boat alongside the bank, made her fast, helped the still awkward Mole safely ashore, and swung out the luncheon-basket. The Mole begged as a favour to be allowed to unpack it all by himself; and the Rat was very pleased to indulge him, and to sprawl at full length on the grass and rest, while his excited friend shook out the table-cloth and spread it, took out all the mysterious packets one by one and arranged their contents in due order, still gasping, 'O my! O my!' at each fresh revelation. When all was ready, the Rat said, 'Now, pitch in, old fellow!' and the Mole was indeed very glad to obey, for he had started his spring-cleaning at a very early hour that morning, as people will do, and had not paused for bite or sup; and he had been through a very great deal since that distant time which now seemed so many days ago.

    'What are you looking at?' said the Rat presently, when the edge of their hunger was somewhat dulled, and the Mole's eyes were able to wander off the table-cloth a little.

    'I am looking,' said the Mole, 'at a streak of bubbles that I see travelling along the surface of the water. That is a thing that strikes me as funny.'

    'Bubbles? Oho!' said the Rat, and chirruped cheerily in an inviting sort of way.

    A broad glistening muzzle showed itself above the edge of the bank, and the Otter hauled himself out and shook the water from his coat.

    'Greedy beggars!' he observed, making for the provender. 'Why didn't you invite me, Ratty?'

    'This was an impromptu affair,' explained the Rat. 'By the way—my friend Mr. Mole.'

    'Proud, I'm sure,' said the Otter, and the two animals were friends forthwith.

    'Such a rumpus everywhere!' continued the Otter. 'All the world seems out on the river to-day. I came up this backwater to try and get a moment's peace, and then stumble upon you fellows!—At least—I beg pardon—I don't exactly mean that, you know.'

    There was a rustle behind them, proceeding from a hedge wherein last year's leaves still clung thick, and a stripy head, with high shoulders behind it, peered forth on them.

    'Come on, old Badger!' shouted the Rat.

    The Badger trotted forward a pace or two; then grunted, 'H'm! Company,' and turned his back and disappeared from view.

    'That's just the sort of fellow he is!' observed the disappointed Rat. 'Simply hates Society! Now we shan't see any more of him to-day. Well, tell us, who's out on the river?'

    'Toad's out, for one,' replied the Otter. 'In his brand-new wager-boat; new togs, new everything!'

    The two animals looked at each other and laughed.

    'Once, it was nothing but sailing,' said the Rat, 'Then he tired of that and took to punting. Nothing would please him but to punt all day and every day, and a nice mess he made of it. Last year it was house-boating, and we all had to go and stay with him in his house-boat, and pretend we liked it. He was going to spend the rest of his life in a house-boat. It's all the same, whatever he takes up; he gets tired of it, and starts on something fresh.'

    'Such a good fellow, too,' remarked the Otter reflectively: 'But no stability—especially in a boat!'

    From where they sat they could get a glimpse of the main stream across the island that separated them; and just then a wager-boat flashed into view, the rower—a short, stout figure—splashing badly and rolling a good deal, but working his hardest. The Rat stood up and hailed him, but Toad—for it was he—shook his head and settled sternly to his work.

    'He'll be out of the boat in a minute if he rolls like that,' said the Rat, sitting down again.

    'Of course he will,' chuckled the Otter. 'Did I ever tell you that good story about Toad and the lock-keeper? It happened this way. Toad ...'

    An errant May-fly swerved unsteadily athwart the current in the intoxicated fashion affected by young bloods of May-flies seeing life. A swirl of water and a 'cloop!' and the May-fly was visible no more.

    Neither was the Otter.


    (Continues...)

    Excerpted from The Wind in the Willows by Kenneth Grahame. Copyright © 2014 Open Road Integrated Media, Inc.. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

    Table of Contents

    Contents

    I. THE RIVER BANK,
    II. THE OPEN ROAD,
    III. THE WILD WOOD,
    IV. MR. BADGER,
    V. DULCE DOMUM,
    VI. MR. TOAD,
    VII. THE PIPER AT THE GATES OF DAWN,
    VIII. TOAD'S ADVENTURES,
    IX. WAYFARERS ALL,
    X. THE FURTHER ADVENTURES OF TOAD,
    XI. 'LIKE SUMMER TEMPESTS CAME HIS TEARS',
    XII. THE RETURN OF ULYSSES,

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    The classic story of Mole, Rat, Toad, Badger and the wonderful adventures they share

    As spring begins to bloom across the countryside, so too does Mole’s desire to leave his underground home and venture into the wilds above. His journey delivers him to the banks of a river—the first Mole has ever seen—and to the blue-and-white boat captained by Rat. Their camaraderie sparked, Mole and Rat continue into the Wild Wood, meeting up with the cantankerous Badger and the impulsive Toad. No stranger to calamity, Toad and his reckless habits—including a tendency toward spectacular car crashes—will get the four friends into heaps of trouble, but their steadfast loyalty to one another always sees them through.

    The Wind in the Willows is a charming, unforgettable ode to friendship and one of the most cherished children’s stories of all time.

    This ebook has been professionally proofread to ensure accuracy and readability on all devices.

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    From the Publisher
    It is what I call a Household Book . . . a book which everybody in the household loves, and quotes continually ever afterwards; a book which is read aloud to every new guest.”—A. A. Milne
    Children's Literature - Lois Rubin Gross
    Some books are classics for a short time, limited by characterization or the technology they feature (think the original UNIVAC computer in A Wrinkle in Time). And some books are classic and ageless. So it is with Kenneth Grahame's fantasy of small, anthropomorphized woodland creatures having great adventures against the background of Victorian England. The book has gone through numerous incarnations with famous illustrators including Bransom, Rackham, and Hague. There are annotated versions and abridged versions. Most people meet Mr. Toad of Toad Hall when a beloved teacher makes the book the subject of special, shared reading time in first grade. However, David Roberts' gift-intended tome creates an abridged version with illustrations suitable for a younger group of readers. His digital drawings of Toad, Mole, and Badger have whimsical personalities that will reach out to young readers. The characters appear frequently throughout the text, rather than the few, scattered drawings in older versions. Color saturated pages bring the Wild Wood, Toad Hall, and the riverbank vividly to life. Toad dressed as a runaway washerwoman is a delight, as is a page of Christmas caroling mice with lovely long tails and nearly textured red scarves. The historically cumbersome chapter about the god, Pan, is deleted, but Roberts has made a point of secreting images of Pan in his illustrations throughout the book. If you are looking for classic representations of this timeless book or, heaven forbid, the Disney version, this is not it. This is a rendition with a contemporary feel that will introduce the beloved characters to an extended audience, and the elegant language of the original Grahame story is not sacrificed. The final rendition of Mole and Toad literally walking into the sunset with arms wrapped around each other is a fitting close to a delightful and colorful escapade. Reviewer: Lois Rubin Gross
    School Library Journal
    01/01/2014
    Gr 1–4—Grahame's early-20th-century classic is enhanced by lovely watercolor illustrations that provide a contemporary and packed-with-charisma accompaniment. The anthropomorphized characters, all fashionably turned out in Edwardian costume, are vivified with expressive facial features and twinkling eyes. Detailed settings range from Ratty's cozy and colorfully decorated waterside home to the elegant grandeur of Toad Hall to Mole's understated tunnel-shaped abode. The beautifully composed outdoor scenes sparkle with season-appropriate hues: a springtime rowing jaunt down a sunlit river is framed by trailing willow trees, and a wintertime excursion into the Wild Wood is evoked with lavender skies, intertwined tree barks in swirling grays, and an overlay of heavy white snowflakes. In addition to the geometric drawings that embellish each chapter title, designs made from bold shapes and bright constrasting colors appear throughout, adding an Art Deco flair. Ranging from small vignettes to full-bleed double pages, the artwork embellishes almost every spread, engaging independent readers and reeling in younger listeners with entertaining antics, gentle humor, and genial affection.—Joy Fleishhacker, School Library Journal
    Kirkus Reviews
    2013-08-15
    Many famous artists have interpreted the antics and adventures of Mole, Ratty, Toad and Badger. Roberts takes a decidedly modern approach in this gift edition sure to appeal to another generation of readers. From the glimmer of silver-foiled lettering on the front cover to the full-color illustrations liberally dispersed throughout, readers of all ages can fully immerse themselves in Grahame's settings. Images executed in watercolor, ink, pen and pencil perfectly convey the postures of a distraught Mole or a momentarily contrite Toad, while the backgrounds impress with a range of seasons and circumstances. Washes of a dominant color are given fine details and highlights with touches of contrasting color, as when cool, frosty blues give way to a circle of white that glows around a young mouse choir, all snuggled in their vibrant orange-red scarves, as they sing carols. Humor abounds. Giggles will erupt at the picture of Toad alarmed and upside down, with the birds at the bottom of the page and the grassy bank slanting at the top. The variety of full-page, double-page and spot illustrations keeps the experience lively. Although purists may quibble at the omission of the chapter "The Piper at the Gates of Dawn," those new to the book will not miss it (but may inquire who the mischievous boy--the Greek god Pan--is that appears on a few pages). All told, an elegantly designed volume ready to take its rightful place on any child's bookshelf. (Fantasy. All ages)

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