Kenneth Grahame (1859-1932) was born in Edinburgh, Scotland. When he was not yet five, his mother died of scarlet fever, after which he was sent to his maternal grandmother's house at Cookham Dean near the Thames. His father virtually abandoned his children to relatives, and Kenneth was sent to boarding school in Oxford at the age of nine. Disappointed of his dream of going on to university, he was instead given a job as a clerk in the Bank of England, where ultimately he became Secretary. He achieved fame as a writer with his recollections of childhood, The Golden Age and Dream Days published in 1895 and 1898. The Wind in the Willows, turned down by several publishers as a poor sequel to the earlier books, began as a bedtime story told to his only child, Alistar, whose tragic death at twenty was so great a sorrow that he and his wife lived in eccentric seclusion thereafter. In a life of much sadness it seems that all he found pleasurable in this world he put into the best-loved children's book of all time.
The Wind in the Willows
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Since its first publication in 1908, generations of adults and children have cherished Kenneth Grahame’s classic, The Wind in the Willows.
In this entrancing, lyrical world of gurgling rivers and whispering reeds live four of the wisest, wittiest, noblest, and most lovable creatures in all literature—Rat, Mole, Badger, and Toad of Toad Hall. Like true adventurers, they glory in life’s simplest pleasures and natural wonders. But it is Toad, cocky and irrepressible in his goggles and overcoat, whose passion for motorcars represents the free and fearless spirit in all of us; just as it’s Toad’s downfall that inspires the others to test Grahame’s most precious theme—the miracle of loyalty and friendship.
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From the Publisher
It is what I call a Household Book . . . a book which everybody in the household loves, and quotes continually ever afterwards; a book which is read aloud to every new guest.”—A. A. MilneChildren's Literature - Lois Rubin Gross
Some books are classics for a short time, limited by characterization or the technology they feature (think the original UNIVAC computer in A Wrinkle in Time). And some books are classic and ageless. So it is with Kenneth Grahame's fantasy of small, anthropomorphized woodland creatures having great adventures against the background of Victorian England. The book has gone through numerous incarnations with famous illustrators including Bransom, Rackham, and Hague. There are annotated versions and abridged versions. Most people meet Mr. Toad of Toad Hall when a beloved teacher makes the book the subject of special, shared reading time in first grade. However, David Roberts' gift-intended tome creates an abridged version with illustrations suitable for a younger group of readers. His digital drawings of Toad, Mole, and Badger have whimsical personalities that will reach out to young readers. The characters appear frequently throughout the text, rather than the few, scattered drawings in older versions. Color saturated pages bring the Wild Wood, Toad Hall, and the riverbank vividly to life. Toad dressed as a runaway washerwoman is a delight, as is a page of Christmas caroling mice with lovely long tails and nearly textured red scarves. The historically cumbersome chapter about the god, Pan, is deleted, but Roberts has made a point of secreting images of Pan in his illustrations throughout the book. If you are looking for classic representations of this timeless book or, heaven forbid, the Disney version, this is not it. This is a rendition with a contemporary feel that will introduce the beloved characters to an extended audience, and the elegant language of the original Grahame story is not sacrificed. The final rendition of Mole and Toad literally walking into the sunset with arms wrapped around each other is a fitting close to a delightful and colorful escapade. Reviewer: Lois Rubin GrossSchool Library Journal
01/01/2014Gr 1–4—Grahame's early-20th-century classic is enhanced by lovely watercolor illustrations that provide a contemporary and packed-with-charisma accompaniment. The anthropomorphized characters, all fashionably turned out in Edwardian costume, are vivified with expressive facial features and twinkling eyes. Detailed settings range from Ratty's cozy and colorfully decorated waterside home to the elegant grandeur of Toad Hall to Mole's understated tunnel-shaped abode. The beautifully composed outdoor scenes sparkle with season-appropriate hues: a springtime rowing jaunt down a sunlit river is framed by trailing willow trees, and a wintertime excursion into the Wild Wood is evoked with lavender skies, intertwined tree barks in swirling grays, and an overlay of heavy white snowflakes. In addition to the geometric drawings that embellish each chapter title, designs made from bold shapes and bright constrasting colors appear throughout, adding an Art Deco flair. Ranging from small vignettes to full-bleed double pages, the artwork embellishes almost every spread, engaging independent readers and reeling in younger listeners with entertaining antics, gentle humor, and genial affection.—Joy Fleishhacker, School Library Journal
Kirkus Reviews
2013-08-15Many famous artists have interpreted the antics and adventures of Mole, Ratty, Toad and Badger. Roberts takes a decidedly modern approach in this gift edition sure to appeal to another generation of readers. From the glimmer of silver-foiled lettering on the front cover to the full-color illustrations liberally dispersed throughout, readers of all ages can fully immerse themselves in Grahame's settings. Images executed in watercolor, ink, pen and pencil perfectly convey the postures of a distraught Mole or a momentarily contrite Toad, while the backgrounds impress with a range of seasons and circumstances. Washes of a dominant color are given fine details and highlights with touches of contrasting color, as when cool, frosty blues give way to a circle of white that glows around a young mouse choir, all snuggled in their vibrant orange-red scarves, as they sing carols. Humor abounds. Giggles will erupt at the picture of Toad alarmed and upside down, with the birds at the bottom of the page and the grassy bank slanting at the top. The variety of full-page, double-page and spot illustrations keeps the experience lively. Although purists may quibble at the omission of the chapter "The Piper at the Gates of Dawn," those new to the book will not miss it (but may inquire who the mischievous boy--the Greek god Pan--is that appears on a few pages). All told, an elegantly designed volume ready to take its rightful place on any child's bookshelf. (Fantasy. All ages)