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    World Music: A Very Short Introduction

    World Music: A Very Short Introduction

    by Philip V. Bohlman


    eBook

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    Philip V. Bohlman, Professor of Music and Jewish Studies at the University of Chicago, has taught and published from an exceptionally broad range of topics in today's world musics: folk and ethnic music in the USA; the musics of European minorities and refugees; the Middle East and South Asia; the ideological and political dimensions of music in nationalism and racism. He is the 1997 recipient of the Royal Music Academy's Dent Medal, and Bohlman has written, edited, or co-edited seventeen books.

    Table of Contents

    Prefacexi
    List of illustrationsxix
    Mapsxx
    1In the beginning...myth and meaning in world music1
    2The West and the world23
    3Between myth and history47
    4Music of the folk64
    5Music of the nations88
    6Diaspora111
    7Colonial musics, post-colonial worlds, and the globalization of world music130
    References151
    Further reading157
    Listening161
    Index165

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    World music' emerged as an invention of the West from encounters with other cultures. This book draws readers into a remarkable range of these historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. WorldMusic is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians - such as Bob Marley, Bartok, and Nusrat Fateh Ali Khan - and attempts to account for worldmusic's growing presence and popularity at the beginning of the twenty-first century.

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