Fantastic Planet [Criterion Collection]

Director: Rene LaLoux

Overview

A French/Czech co-production, the dream-like La Planete Sauvage concerns the degradation of the Oms, human-like creatures on the futuristic planet Yagam. The Oms are kept as pets and beasts of burden by the Draggs, 39-foot beings who comprise Yagam's ruling class. The status quo is upset when Terr, one of the Oms, accidentally receives an education, whereupon he organizes the other Oms to demand equality with the Draggs. Based on Stefen Wul's novel Ems En Serie, Fantastic Planet was the winner of a 1973 Cannes Film Festival grand prize.

Product Details

Release Date:	06/21/2016
UPC:	0715515179218
Original Release:	1973
Rating:	PG
Source:	THE CRITERION COLLECTION, INC
Region Code:	1
Presentation:	[Wide Screen]
Sound:	[Dolby Digital Mono]
Language:	English
Time:	1:12:00
Sales rank:	12,676

Special Features

Les temps morts (1965) and Les escargots (1966), two early short films by director Ren? Laloux and illustrator Roland Topor; Laloux sauvage, a 2009 documentary on Laloux; Episode of the French television program Italiques from 1974 about Topor's work; Interview with Topor from 1973; Trailer

Cast & Crew

Performance Credits

Barry Bostwick	Terror
Marvin Miller	Voices
Olan Soule	Voices
Mark Gruner	Actor
Nora Heflin	Actor
Hal Smith	Actor
Janet Waldo	Actor
Monika Ramirez	Actor
Alain Goraguer	Composer
Alain Goragier	Composer

Technical Credits

Ren? Laloux

Steve Hayes

Roland Topor

Simon Damiani	Producer
Andre Valio-Cavaglione	Producer
Ren? Laloux	Screenwriter
Anatole Dauman	Producer
Steve Hayes	Screenwriter
Roland Topor	Screenwriter

Scene Index

Disc #1 -- Fantastic Planet
1. Opening Credits [1:39]
2. Tiwa And Terr [6:08]
3. Intelligent Animals [3:56]
4. Costumes [3:21]
5. "Terr Loves Tiwa. Repeat!" [2:45]
6. Infos [1:50]
7. Crystals [1:53]
8. Om Fights [2:15]
9. Back To The Omerie [2:36]
10. Terr Runs Away [5:22]
11. The Big Tree Oms [2:15]
12. Rituals [4:30]
13. The Hollow Bush Bandits [4:04]
14. The Big Tree Is Attacked [3:00]
15. "De-Om" [6:18]
16. "Draggs! Quiet!" [2:58]
17. Exodus [3:56]
18. The Abandoned Rocket Dump [5:12]
19. The Wild Planet [5:59]
20. End Credtis [2:05]

Menu

Disc #1 -- Fantastic Planet
Play The Movie
Chapters
Supplements
Laloux And Topor Short Films
Les Temps Morts (1965)
Les Escargots (1966)
Laloux Sauvage
Italiques: "Roland Topor"
Roland Topor
Trailer
Setup
Languages
Original French
English-Dubbed
Subtitles
Subtitles: On
Subtitles: Off

Editorial Reviews

Rarely has a titular adjective so accurately captured the experience of watching a movie as in Fantastic Planet. The film's alternate universe is both totally an element of fantasy, and fantastic in its vernacular sense: an absolute marvel to behold. Rene Laloux's animated French-language allegory takes trippiness to new levels of pure imagination, conjuring a planet where humans are both domesticated pet and outlaw nuisance to the native rulers. These rulers, the skyscraper-sized Traags, are blue humanoids with red eyes and vaguely aquatic features -- but who otherwise are pretty genial, intellectual beings. It's no coincidence we're supposed to see ourselves in them, but Fantastic Planet is no mere plea for us to trade places with the Earth creatures we so callously enslave and kill. Masterfully, Laloux's film also invites us to identify with the humans, whose spirit of determination inspires them to an against-all-odds uprising. But however many ways Fantastic Planet invites reflection, it's at least as interested in wowing its audiences with otherworldly technology, flora and fauna. The film pauses to flesh these out through atmospheric vignettes, featuring tall plants that whip the air aimlessly, intricate groves of multi-colored trees, small bulbous-eyed creatures that make clothing by foaming bubbles from their mouths, or giant winged beasts that scream in frightening bursts. (The sound design is a discussion in and of itself, consisting of excellently 1970s computerized beeps and boops, plus a soundtrack that could accompany a porn movie from that era, without that being the least bit silly). The Traags are a fully realized entity both familiar and unsettlingly foreign -- when their meditations carry them skyward in enclose bubbles, it's breathtaking. The one complaint is that the spell is broken slightly by the dispassionate and largely unnecessary narration of the lead character, reflecting on events after the fact, which tends to distance us from the bizarre immediacy of the story. Fantastic Planet is showing us so much, it doesn't need to tell us anything.