Anna Sewell was born in Great Yarmouth, Norfolk, England, on March 30, 1820. Brought up in a strict Quaker family, Anna developed a strong interest in horses as a young girl. But a crippling bone disease and a fall in 1834 left her an invalid for most of her life. By her mid-thirties she was severely lame and could only get around in a pony cart, and characteristically she would never use a whip on the animal. In 1871, she was told she had eighteen months to live, and by the end of that year, she had begun her book, Black Beauty, hoping it might make people a little kinder to their faithful horses. Although she was seriously ill, she lived long enough to finish her book and see it published in 1877. On April 25, 1878, she died at her home in Old Catton near Norwich, England. Black Beauty, an enormous success from its first appearance, was soon adopted by the Society for Prevention of Cruelty to Animals and used to improve the conditions of horses everywhere.
Black Beauty
by Anna Sewell, Lucy Grealy (Afterword), Monty Roberts (Introduction)
Paperback
- ISBN-13: 9780451531742
- Publisher: Penguin Publishing Group
- Publication date: 01/04/2011
- Pages: 240
- Sales rank: 217,962
- Product dimensions: 4.20(w) x 6.70(h) x 0.50(d)
- Age Range: 8 - 12 Years
What People are Saying About This
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One of the best loved animal stories ever written, the dramatic and heartwarming Black Beauty is told by the magnificent horse himself, from his idyllic days on a country squire's estate to his harsh fate as a London cab horse. No one can ever forget the gallant Black Beauty, a horse with a white star on his forehead and a heart of unyielding courage.
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“No animal narrative captures the complexity of Victorian relations with animals better than Black Beauty. This edition offers an invaluable introduction to the novel and the burgeoning field of Victorian animal studies. In addition, Guest’s excerpts of primary documents plunge readers into the physical, material, and affective conditions not only of domestic animals, but also of the authors and advocates who longed to understand and protect them.” Teresa Mangum, University of Iowa
“Students, as well as the growing number of literary scholars working in animal studies, will benefit immensely from this edition. Guest places the novel in the context of disparate, but overlapping, discourses in Victorian England: animal rights and anti-vivisection, scientific analyses of animal emotion, industrial discourse that linked horses with machines, and the sentimental novel. By locating the novel within a complicated cultural milieu, Guest defends the work from those who might dismiss it as a didactic tale for children. Her final note tying the cruelty suffered by animals in this text with the ongoing mistreatment of animals in our culture demonstrates just how relevant Sewell’s text remains today.” Monica Flegel, Lakehead University