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    House of All Nations

    House of All Nations

    by Christina Stead


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      ISBN-13: 9781453265208
    • Publisher: Open Road Media
    • Publication date: 10/23/2012
    • Sold by: Barnes & Noble
    • Format: eBook
    • Pages: 768
    • File size: 2 MB

    Christina Stead (1902–1983) was an Australian writer regarded as one of the twentieth century’s master novelists. Stead spent most of her writing life in Europe and the United States, and her varied residences acted as the settings for a number of her novels. She is best known for The Man Who Loved Children (1940), which was praised by author Jonathan Franzen as a “crazy, gorgeous family novel” and “one of the great literary achievements of the twentieth century.” Stead died in her native Australia in 1983.

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    House Of All Nations


    By Christina Stead

    OPEN ROAD INTEGRATED MEDIA

    Copyright © 1966 Christina Stead
    All rights reserved.
    ISBN: 978-1-4532-6520-8



    CHAPTER 1

    He Travels Fast But Not Alone


    They were in the Hotel Lotti in the Rue de Castiglione, but not in Léon's usual suite. Léon's medicine case in yellow pigskin lay open, showing its crystal flasks, on a Louis XV chair. The Raccamonds, man and wife, bent over this case and poked at it.

    "He always travels with it: cowardice of the lion before a common cold, eh?" Aristide reflected.

    Marianne sniffed. "He's afraid to lose his money, that's all."

    The white door opened a few inches and an immense head, with long black hair carefully brushed over a God's acre of baldness, appeared in the crack. Clear brown eyes sunk in large sockets searched them, forgave them. "Hello, Aristide! Just having a bath," said the head. "Wait a few minutes, will you? Sit down, Marianne. Ring if you want anything. Excuse me." The door shut. In a moment, it reopened. "Excuse me. How are you, Marianne? Do you want some tea, some—a cockta', sherry? Ring, on the telephone. I'll be with you in a minute."

    The door shut. Water was running behind several doors. Marianne fingered the curtains. "Why did they give him a suite at the back this time?"

    "Perhaps they're full up?"

    "So early in spring? No. He must be economizing." They waited. The water stopped running and they heard distant splashing. Persuasively came the edged voice of a woman. Marianne pricked her ears and looked at Aristide. "Then Mme. Léon is here?"

    "No: one of his women, it must be."

    Léon's traveling library was on the table: three dictionaries; Cook's handbook;Winter Sunshine; the Revue de Transylvanie, and Polish Up Your French.

    "She must be taking a bath, too."

    Aristide shook his head vigorously. "Léon never lets his women use his bed or his bath: modesty."

    Beside his bed was a faded breast-pocket photograph of a solid woman in ostrich plumes and kid gloves—his mother.

    Marianne laughed. "Fear."

    In a moment more the door opened and Léon appeared, fully dressed and very fresh. Behind him was a dazzling young woman, a Ukraine blonde, with a long plump face, a complexion of radishes in cream, hair in page curls. Her eyes, large as imperial amethysts, roved in an indolent stare of proud imbecility. For a full minute after the sudden splendor of her entrance, Aristide Raccamond found himself bathed in her glare. In the exalted fashion of Paris whores, she singled out and courted the husband in the presence of the wife. Henri Léon waited for her a moment and then hurriedly introduced her: "My friends, Mr. and Mme. Raccamond, old friends, good friends: Mme. Vera Ashnikidzé, an old friend of mine."

    She advanced with studied insulting vanity. "Charmed, I am sure." Her manners were perfect, that is, she flouted the Raccamonds outrageously, stirred the eels in their souls, while she went through the polite ritual minutely and coaxingly. Léon allowed them another gasp at his swan and then spoke to her in Russian. With a little frown and a lascivious smile, a short cooing broke out of her throat and she passed to the outer door, wallowing in the swelling air, not giving a second glance to the Raccamonds.

    Léon came back from shooing her off, with a bashful family smile. "What do you think of her, eh? Eh, Marianne?" He flushed. "I value your opinion, Marianne."

    "Russian, eh?" asked Aristide, somewhat embarrassed.

    "Very beautiful: I admire your taste," croaked Marianne.

    Léon made a wry face, recovered himself, expostulated, "She's a lady. I met her with Paul, Paul Méline, with a little friend, a Mme. Something, on the Champs-Élysées, Café du Berry. There were two of them right there at the little table. Méline was with me and I had a bet with him that they wouldn't speak to us. He got them into conversation and he won. I didn't pay him yet. He got the other girl. A lady, too." He begged, "She's a decent woman, Marianne, married. Have you ever seen a girl like that, Aristide?" He exulted, checked himself immediately out of respect for Marianne. He grinned at Marianne. "Marianne doesn't mind if you speak up. She knows you're faithful. Don't you, eh, Marianne?" He became earnest "I can tell you one thing about that boy, Marianne. I've known him ten, fifteen years, I've tempted him." He bubbled over with the confession. "I've tempted him." He sobered again. "No disrespect to you, Marianne. That was before I met you. Since I met you, never! Never, I swear to you! You're a fine type of woman. I respect you. But I've got to say it: he never fell! He's faithful to you, Marianne, I've got to say that for him." He ended with a shade of regret.

    Then he' laughed, "Listen, Aristide, there's too much talk about how good the pound sterling is. I want to see that banker you were telling me about. Berty? Berty—Bertillon? I've got an idea. Never mind—" He lowered his voice. "The other girl says she's a widow. She's quite a lady. Méline had breakfast with her. She's just gone, I think. Poor girl—" (He was evidently thinking of his own girl again.) He confided to Marianne: "A beauty like that. That's surprising, isn't it, Marianne? What do you make of it? And she lives in the Rue de Valence, near the Gobelins. Quite poor! Miserable! That shows she's honest." He looked dubious. "I saw her room last night: two rooms. Her husband's a naval lieutenant—comes home every three months. It's not much. She hasn't heard from him for three months. She's had typhoid fever. Some little trouble between them, I guess." He said lustily, "I should worry! My profit, eh! He, he, my profit." He clouded again. "I didn't like her telling me about the typhoid, but she says she comes from Transylvania too. Says she's a country girl. Shows she's honest. Eh? Eh?" He meditated between them, convinced they were absorbed by his affair. "She seems unhappy—I don't want no sympathy tales though. Imagine a girl like that living all alone. Can you?" He became gigantically sunny. "If she does. Well, who knows? Well, where are we lunching, Aristide? How's the son at Oxford, Marianne? My boy—not satisfied at all. Wants to be an archeologist; what's that, eh? Old ruins, eh? No good. Well, wait, wait, we'll see."

    They went towards the door, Léon affectionately grabbing Marianne's arm and murmuring, "What do you advise me to do, eh? You're a mother. You've got brains. What can I do? Well, where shall we—here, here, downstairs, I've got some telephoning to do. Here, here, this way."

    They had resigned themselves to Léon ten minutes before. Now, they let him waft them to the lounge, where they were supposed to wait for him respectably while he skirmished with his own business. They drifted to the bar of the hotel, waited, standing, awkwardly. "Let's have a drink," said Marianne.

    "What for?" Aristide asked. "We don't know if Léon is going to drink."

    A handsome, slender, middle-aged South Russian, with that mottled dusky-and-olive complexion often seen in underfed Negroes, leaned across the bar to a young woman whose silver curves resembled those of the chromium. He said in a conversational tone, "What beautiful nipples you have, Mademoiselle! I'm mad with enthusiasm. I should love to bite your splendid breasts."

    Aristide started. "There's Paul Méline! Let's go and speak to him before Henri comes back."

    The barman laughed. "I'll introduce you to Mademoiselle, Mr. Méline, so that you needn't be so formal: but you must behave."

    The young woman had flushed, but looked at Méline without resentment. No woman had ever looked at Paul Méline with resentment.

    "See how beautiful my wife is," said Méline, getting out a leather billfold and extracting a bundle of photographs. "Here she is—that's my little boy." Whereas Léon had an old, dull story and began by telling girls that he was unhappy and misunderstood at home, Méline always showed a picture of his wife and raved about his domestic happiness. It put everyone on the right footing and kept him out of scrapes.

    "Good morning, Paul," said Marianne. She took the photograph and looked again at the heavy Russian beauty whose dress was dashingly but comfortably draped over her, like a shawl over a grand piano. Méline got up, bowed, ignored Marianne's plainness, seemed to enter it in large figures in her credit sheet that she was cherished by someone (Aristide) if not by him. Then he took the photograph back rather hastily. It was not intended for Marianne. "Let's have our drinks in the foyer," he said. A waiter saw Méline a long way off and floated rapidly nearer.

    From their seats in the lounge, waiting for their drinks, they could see Léon at the desk. A black-coated manager with a set face appeared to remonstrate with Léon. Two clerks looked distantly preoccupied till they moved round the corner when they began to smirk in an unpleasant gentlemanly way. The revolving door turned and blew Léon's voice to them, brisk: "No, no, no, no, no. You quoted me one price. I've been here for months. You made me one price. I don't pay another. Next time you tell me beforehand, see." His voice faded again. They heard Léon commanding, "Send someone to fix up the room. Did Mr. Méline come downstairs? Where, where? Is there a lady waiting for me? Where is she?"

    He came springing towards them with his sturdy step, a short giant, five feet three in height, a great skull, bull neck, prizefighter's shoulders, gorilla's chest, thick waist and fleshy limbs, in a suit with too swagger a cut. His arms were short and thick above the elbow but of normal size in the forearm, so that they swung as he walked with an exaggerated sweep. Everything he did, even his sitting still, betrayed a violent will. He turned and rushed back to the desk with a swirl of coattails, to give the groom a message. He called peremptorily, "Hé, boy!" Another groom approached with the self-respecting scuttle of a great hotel. When he dispatched the second, both grooms sneered and grinned behind his back. They were taller, and were slender, dark young fellows, wearing white collars and the hotel livery. They thought Léon a bounder and themselves the tailor's dream. Besides, Léon had an all-in rate at the hotel and did not give any tips.

    A pale blonde with large hat, pointed chin, thin toes, thin neck but a good figure, sat and scrutinized them steadily. She also observed Léon with prepossession. Léon's bossy back, bright shoes, and malacca cane at an angle of forty-five degrees performed at the telephone switchboard. The telephone girl smiled her sweetest. Now he came towards them again. "That's right, Aristide, having a drink? No, none for me. Well, where shall we eat?"

    "Griffon's is a good place: I've been there a lot since you were here last," Aristide informed the air.

    Léon recovered himself. "Yes, yes, is it good? I've got a lot to talk over with you, Aristide." He turned to them, "Excuse us, Marianne. I want to go over a lot of business with, your husband. We'll both make a profit. You don't mind, do you? I must look around. I'm expecting someone. A lady. I want her to come to lunch—er, I want you to run your eye over her, Marianne. I think a lot of your opinion. A very fine business head. I don't usually go in for business ladies—" (the sudden sunrise which was his smile) "—one of the smartest I ever met." He frowned slightly, shook his head vigorously into his collar, and pulled back his chin with a rebellious pout and a somber roll of the eye. He thrust at Aristide, "How's Bertillon? Jules?"

    "As usual. I'd like you two to meet."

    "He does, eh?" he said vaguely. "I want to meet him, too. Saw him only a second. Heard about him. Smart feller. Must see for myself. Can't believe it: a goyisher Kopf. Old Amsterdam family, isn't it—Antwerp? Family in diamonds, something?"

    "The grandfather. The only non-Jew," said Aristide priggishly, "in the business."

    Léon's laughter rumbled in the seven mountains of his mind, "And he got out. He, he, he, ho, ho. When can I meet him?"

    "This afternoon. Whenever you like. What hour? I'll be there."

    "No, no. Not this afternoon. No. I've got some business. Yes. Business. Be occupied until late tonight. This woman's introducing me to a cotton planter and a man with an oil-royalties business in Mexico. Very smart girl. A cotton-picker, she says: revolutionize the southern states of the U.S.A. I hope it's one hundred per cent. I don't trust women's introductions. I'll see. At any rate. When can I see Bertillon? Tomorrow morning early? First thing? Eh, early? What time's he get in, eight?"

    "Nine-thirty," said Aristide.

    "All right: late. I'll be—where is it?—39, Pillet-Will, nine-thirty." He wrote it down. "All right. Come along, Marianne. Wait, I'll look round. She must be here. Smart woman. She wouldn't come upstairs. Nice woman."

    Léon frowned. "No, no, no, no: she doesn't want me to put up—nothing like that. If she does, good-by: nothing doing. But—I'll see. You'll give me your opinion, Marianne," he said coaxingly, but without conviction.

    He bustled into the passage, came round through the winter garden and the writing room, energetically shuttling his haunches, enumerating the women. Halfway, he saw the observant blonde and, hooking his stick over his arm, rushed towards her. She sat still and when he bent over her, smiled a pearly smile. The great impediment in her career was her expression: she looked as calculating as she was. She had a sweet smile and had brought out with care the lights of her soft skin and pale blonde hair, but the gray-blue eyes looked out sharply still from between her pale lashes and the California sun had drawn early crow's-feet in the corners. Léon held her pear-shaped small hand with its diamond and platinum bracelet for a minute, patted it, devoured the jewels. Méline lost nothing of all this. "Will she?" said Léon's attitude. "Won't she!" replied Méline's.

    She rose, and they approached. Aristide stood up. Nothing distinguished him from hundreds of Paris stock-exchange runners but an extensible melancholy, indicated by a gloomy bend of the head, feet firmly placed, and eyes bent down as if he were forever in a struggle, torn between pleasing others and doing his duty to himself. He was a Mediterranean, pallid, with large mistral-shaded eyes, glossy like the polished woods of ornaments: the hairs of his large head had moved aside to form a Suez Canal in the center. His sensually rounded, great-bodied, sulky, sloping frame was almost drowned in a tidal wave of flesh that had struck him two years before, at forty.

    "Mrs. Weyman—good friend," said Léon, "from Hollywood."

    Marianne took a fancy to Mrs. Weyman while Léon was introducing her. She appeared to be as clever as Marianne herself; physically she was her antithesis.

    Léon left. In about a quarter of an hour, he joined them at the table, with a wink at Méline and a smile as big as an oyster in each eye. His mind was elsewhere. He cheerfully threw an observation into the conversation, "Alfonso XIII will fly if he loses, eh? It would be pretty cowardly, eh? You expect a man with Alfonso's salary to show more manhood. But he won't. They sent a bull into the arena and found it was a cow." He laughed, looked round the table, blooming and nodding, like a great peony.


    (Continues...)

    Excerpted from House Of All Nations by Christina Stead. Copyright © 1966 Christina Stead. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

    Table of Contents

    Contents

    Sequence of Scenes,
    He Travels Fast But Not Alone,
    A Check Technique,
    Blind, Instinctive Love,
    Whoopee Party,
    Small Kratz and Great Léon,
    Limen of Honesty,
    Jean Frère's Garden,
    J'Accuse,
    Jules Bertillon,
    Why the Police Pursued Pedrillo,
    Why Léon is in Business,
    The Revolution,
    The Bank,
    The Collection,
    The Man with the Cunard-colored Eyes,
    'Ware the Bank,
    In Praise of God,
    The Bet,
    No Retreat,
    Roundshow,
    The Letter,
    "Weltanschauung",
    Credit,
    Against Michel,
    The Friendly Touch,
    No Money in Working for a Living,
    Snapshots,
    Posters on the Bank,
    Man Without Luck,
    Mme. Achitophelous,
    Poor Pasteur,
    Real Romance,
    Mamma,
    Five Cents and the Million Dollars,
    Field Day for William,
    Ralph Stewart,
    Spring Fever,
    The Five Brothers Simla,
    Daniel Cambo,
    Adam's Return,
    Thargelion,
    A Stuffed Carp,
    Polite Money,
    City Whispers,
    Christian Stockbroker,
    Friend of the King,
    Jules Dreams,
    A Ghostly Gathering,
    Various Matters,
    Honored Sir,
    All About the Lord,
    Rumor,
    The Wheat Scheme,
    The Affair of Henri Parouart,
    Bomba,
    Interregnum,
    Exorcism,
    Return,
    Time Forward, Time Abolished,
    Marianne,
    A Sanitary Measure,
    Sealed Orders,
    Trouble Brews,
    Definitely Not Cricket,
    The Gemini Angry,
    Façade,
    The Cholera,
    No Money in Philosophy,
    Léon's Letter,
    Love Letter,
    Aristide in a Stew,
    Marianne's Philosophy,
    Sell the Word,
    Worldling versus Mercury,
    A Family Brawl,
    Markets Down,
    A Changed Man,
    The Grand Coup,
    Dividers,
    Measure of Brains,
    Shadows,
    The Factor X,
    Manray's Dilemma,
    The Honorable Nations,
    Jacques Returns,
    Samson Redivivus,
    An Interview,
    Dodges,
    A Solution,
    Aristide's Friends,
    The Faithful,
    Carrière,
    Restitution,
    The World Against One,
    Léon's Grand Passion,
    The Secret Vaults,
    Man of Destiny,
    Interlude,
    Judges Like Serials,
    Last Days,
    Post-mortem,
    The Money Just Went,
    The Employees,
    What Avatar?,

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    The devious world of international finance comes alive in Christina Stead’s enthralling epic about a ruthless bank director in 1930s Paris
    Praised as “a work of extraordinary talent” by the New York Times, Christina Stead’s ambitiously layered House of All Nations is an engrossing satire of wealth and manipulation. Set in an elite European bank in the 1930s, Stead’s epic spans the interwar years of a money-hungry Paris. Jules Bertillon, the distrustful and unpredictable bank director, sees every national disaster—including war—as an opportunity for riches. Adored by his clients for his ability to rake in staggering profits, Bertillon leaves no opening wasted—even if it means dealing with unsavory speculators or ruthless gamblers while his clients suffer the consequences. A stunning page-turner, House of All Nations is as significant and resonant today as it was upon its publication in 1938.

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