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    If I Knew You Were Going To Be This Beautiful, I Never Would Have Let You Go

    If I Knew You Were Going To Be This Beautiful, I Never Would Have Let You Go

    5.0 1

    by Judy Chicurel


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      ISBN-13: 9780698138643
    • Publisher: Penguin Publishing Group
    • Publication date: 10/30/2014
    • Sold by: Penguin Group
    • Format: eBook
    • Pages: 288
    • File size: 1 MB
    • Age Range: 18 Years

    Judy Chicurel’s work has appeared in national, regional, and international publications, including The New York TimesNewsday, and Granta. Her plays have been produced and performed in Manhattan. Chicurel currently lives by the water in Brooklyn.

    Read an Excerpt

    So she says to me, ‘Young man, you got maniacs hanging around your

    store,’ and I tell her, ‘You’re right, lady, you’re a hundred percent

    right. I got maniacs outside my store, I got them inside my store, I got

    maniacs on the roof,’ I tell her.”

    Desi flicked a length of ash into the ashtray we were sharing. The

    end of his cigar was slick with saliva. He shifted it to the side of his

    mouth and continued. “What am I gonna do, argue with her? Kill her? I

    mean, please, some of these people should maybe look in their own

    backyards before they come around here making comments. There’s an

    old Italian saying, ‘Don’t spit up in the air, because it’s liable to come

    back down and hit you in the face.’ ”

    “I have no idea what that means,” I said.

    “It means what it means, man,” Mitch called from the other end of

    the counter. “Everybody’s everything. Can you dig it?” He had a six-

    pack of Pabst Blue Ribbon under the arm with the rainbow tattoo and

    was taking a Camel non-filter from a freshly opened pack he’d just purchased.

    He tapped his cane twice against the counter and then winked

    at me before hobbling out the door. Mitch lived at the opposite end of

    Comanche Street, in one of the rooms at The Starlight Hotel that looked

    out over the ocean and smelled of mildew and seaweed. This was the

    third six-pack of the day he’d bought at Eddy’s; he had to make separate

    trips because he could only carry one at a time. It was close to the end

    of the month, when his disability check ran out, which was why he was

    buying six-packs instead of sitting on the corner barstool by the jukebox

    in the hotel lounge.

    Desi shook his head, mopping up a puddle of liquid on the counter.

    “Yeah, yeah, just ask Peg Leg Pete over there,” he muttered as the door

    closed behind Mitch.

    “Don’t call him that, man,” I said. “I thought you liked him. I thought

    you were friends.” I felt a vague panic that this might not be so.

    “Hey, hey, did I say I didn’t like the guy? I love the guy,” Desi said,

    wringing out the rag, running it under the faucet behind the counter.

    “But he’s not the only one sacrificed for his country. A lost leg is not an

    excuse for a lost life. And besides, he only lost half a leg.”

    “Desi, Jesus—”

    “Don’t ‘Jesus’ me, what are we, in church? And what are you, his

    mother? Half a leg, no leg, whatever, he don’t need you to defend him.

    He can take care of himself.” He shook his head. “You kids, you think

    you know everything.”

    “I don’t think I know everything,” I said wearily. Most of the time, I

    didn’t think I knew anything.

    “Yeah, well, you,” Desi said, moving down the counter to the cash

    register to ring up Mr. Meaney’s Daily News. “You’re different from the

    other kids around here. You want my advice? Get out of Dodge. Now.

    Pronto.” My stomach winced. I was glad no one else was around to

    hear him; Mr. Meaney didn’t count. I’d been hanging around Comanche

    Street for three years and there were still times when it felt like I

    was watching a movie starring everyone I knew in the world, except

    me. The feeling would come up on me even when I was surrounded by

    a million people: in school, on the beach, sitting at the counter in

    Eddy’s.

    Desi owned Eddy’s, the candy store on the corner of Comanche Street

    and Lighthouse Avenue in the Trunk end of Elephant Beach. The original

    Eddy had long since retired and moved to Florida, but Desi wouldn’t

    change the name. “Believe me, it’s not worth the trouble,” he said. “Guy

    was here, what, twenty-five years? I pay for the sign, I change the lettering

    on the window, and then what? People are still gonna call it Eddy’s.”

    He was right. They did.

    Sometimes in February, I’d be sitting in Earth Science class or World

    History, and outside the windows, frozen snow would be bordering the

    sidewalk and the sky would be gunmetal gray and I’d start thinking

    about having a chocolate egg cream at Eddy’s, and suddenly summer

    didn’t feel so far away. If I thought hard enough, I could taste the edge of

    the chocolate syrup at the back of my throat and it would make me

    homesick for sitting at the counter, drinking an egg cream and smoking

    a cigarette underneath the creaky ceiling fan that never did much except

    push the stillborn air back and forth, while everyone was hanging out

    by the magazine racks if the cops were patrolling Comanche Street, or

    sitting on the garbage cans on the side of the store where, when it was

    hot enough, you could smell the pavement melting. Sometimes Desi’s

    wife, Angie, would open the side door and start sweeping people away,

    saying, “Look at youse, loafing, what would your mother say, she saw

    you sitting on a trash can in the middle of the day?” And Billy Mackey

    or someone would say, “She’d say, ‘Where do you think you are,

    Eddy’s?’” Then everyone would laugh and Angie would chase whoever

    said it with the broom, sometimes down to the end of the block, right

    up to the edge of the ocean.

    Eddy’s was open only in summer, from Memorial Day to Labor Day,

    sometimes until the end of September if the weather stayed warm. Desi

    and Angie and their kids, Gina and Vinny, moved down from Queens to

    Elephant Beach and lived in the rooms over the store, where they had a

    faint view of the ocean. On Sundays, when Vinny or Angie worked the

    counter, Desi would walk down to Comanche Street beach and put up a

    red, white and green umbrella (“the Italian flag”) and stretch out on a

    lounge chair, wearing huge black sunglasses, a white cotton sun hat,

    polka-dot bathing trunks that looked like underwear, and white tennis

    shoes because once he’d cut his toe on a broken shell and needed

    stitches. He’d lie out on that lounge chair like a king, smoking a cigar,

    turning up his portable radio every time a Sinatra song came on. If any

    of us tried talking to him, even to say hello, he’d say, “Beat it. Today I’m

    incognito.”

    “I’ll tell you what the trouble is with you kids,” Desi said now, walking

    back to where I was sitting. He took my empty glass and started

    mixing me another egg cream. He squirted seltzer and chocolate sauce

    into the glass and stirred it to a frenzy. He slid it back across the counter

    and I tasted it and it was perfect.

    “The trouble with all a youse is you don’t know how to shut up. I

    mean, who am I, Helen Keller? I can’t see or hear what goes on the other

    side of the counter? It’s sex and drugs and rock ’n’ roll all day long and

    mostly sex, and now it’s not just the guys talking.” His voice dropped a

    shocked octave lower. “It’s the girls. The girls. ‘So-and-so got so-and-so

    pregnant,’ ‘So-and-so had an abortion,’ I mean, please, what do I need to

    hear this for? Look at that little girl, what’s her name, the one got knocked

    up didn’t even finish high school, waddling in here like a pregnant duck.

    Nothing’s sacred, nothing. And then you wonder why.” Desi shook his

    head. “Believe me, there was just as much sex around when your mother

    and I were young. Thing is, we weren’t talking about it. We were doing it.”

    We both looked up as the door banged open and then just as quickly

    banged shut. Desi shrugged.

    “False alarm,” he said.

    He opened the ice-cream freezer and the cold heat from the freezer

    melted into the air. He began scooping ice cream into a glass sundae

    dish, vanilla, coffee, mint chocolate chip, and then covered the ice

    cream with a layer of chocolate sauce, then a layer of marshmallow topping,

    and finally a few healthy squirts of Reddi-wip.

    He picked up a spoon and casually began digging in. Angie hated that Desi could eat

    like that and never gain an ounce. She said that all she had to do was

    look at food and she gained ten pounds. Desi said she did a lot more than

    look, but only when Angie wasn’t around.

    I glanced up at the Coca-Cola clock behind the counter, wondering

    where everyone was. I’d left the A&P, where I worked, at three o’clock and

    figured I’d hang out at Comanche Street until it was time to go home for

    dinner. It was one of those dirty, overcast days in early summer and no

    one was at any of the usual places. They were probably at somebody’s

    house, in Billy’s basement, or maybe at Nanny’s. I thought about calling

    but the taste of the egg cream, the whoosh of the overhead fan, Desi’s

    familiar gluttony were all reassuring. Part of me was afraid I might be

    missing something, but I was always afraid of missing something. We all

    were. That’s why we raced through family dinners, snuck out of bedroom

    windows, took dogs out for walks that lasted three hours, said we had

    school projects and had to hang out at the library until it closed at nine

    o’clock at night.

    The way I felt now, though, unless Luke was involved, there wasn’t

    that much for me to miss. Part of me was hoping he’d come into Eddy’s

    to buy cigarettes or the latest surfing magazine. Something. I’d only seen

    him once since he got back from Vietnam last Sunday, right here in Eddy’s.

    I hadn’t been prepared, though; I hadn’t washed my hair or gotten

    my tan yet, and I hid in one of the phone booths in back until he left.

    Since the summer before tenth grade, I’d been watching Luke McCallister,

    from street corners, car windows, in movie theaters, where some girl

    would have her arm draped around his back and I’d watch that arm instead

    of the movie, wanting to cut it off. I’d comfort myself that she was

    hanging all over him, that if he’d really been into her, it would have been

    the other way around. Luke was three years older, his world wider than

    Comanche Street and the lounge at The Starlight Hotel, all the places we

    hung out. But I was eighteen now, almost finished with school and ready

    for real life. It was summer, and anything was possible.

    “Mystery,” Desi said, and I jumped a little, thinking he could read

    my mind. That’s exactly what I was thinking about Luke, that he was

    more of a mystery now than before he’d left for the jungle two years ago.

    I looked at Desi, who was scraping the last little bits of marshmallow

    sauce from the sundae dish. He pointed the stem of his spoon toward me.

    “You gotta have mystery, otherwise you got nothing.”

    I slurped the remains of my egg cream through the straw, making it

    last. Then I lit a cigarette. “I still have no idea what you’re talking

    about,” I said. “Speaking of mysteries.”

    Desi sighed. He carried the sundae dish over to the sink and rinsed

    it, then set it in the drain on the side. He came over to where I was sitting

    and put his palms flat down on the counter and stared at me, hard.

    “Here’s what I’m talking about,” he said. “A girl comes in here, she’s got

    on a nice blouse, maybe see-through, maybe she’s not wearing a bra, I

    don’t know. I look, I’m excited, I start imagining possibilities. But a girl

    comes in here topless, her jugs bouncing all over the counter? That’s it

    for me. I’m immediately turned off. Why? Because now I got nothing.

    There’s nothing left to my imagination. There’s no mystery, you see what

    I’m saying here?”

    I rolled my eyes. “Yeah, right. Like some girl would come in here

    topless and sit down at the counter and you’d have no interest.” But I

    could see that Desi wasn’t listening. He was just standing there, leaning

    against the counter with this dreamy little smile on his face.

    “What?” I asked finally.

    “Nothing,” he said after a moment. “I was just—”

    He picked up his cigar from the ashtray and relit the stub. “There was this girl, see. Back

    in Howard Beach. Before I started going with Angie. She used to wear

    this sky-blue sweater when she came around the corner.” He took a long

    pull from the cigar. “Little teeny-tiny pearl buttons, all the way up to her

    neck.” Embers spilled from the cigar stub and showered the counter.

    “All those buttons,” Desi said, gazing through the smoke, as if he

    was watching someone walking toward him. He put the cigar back in the

    ashtray and sighed again. He picked up the rag and began wiping the

    dead embers off the counter.

    “Ah, you kids,” he said. “You think you invented it. All of it! Everything.

    You think you invented life.”

    What People are Saying About This

    From the Publisher

    SEX AND DRUGS AND ROCK ‘N’ ROLL:
    At night, when I walked down the block of close-knit bungalows, past freckle-faced children playing stickball in the street and mothers standing inside their chain link fences smoking after-dishes cigarettes, and men sitting on their stoops, scratching, belching, watching the sunset, at the end of the block I’d see the crowd milling around the entrance to the beach, hear the cat calls, the dogs barking, ten speeds flying, surfboards leaning against the sea walls, cigarettes glowing like fireflies in the dusky heat, and my heart would beat harder, faster inside of me, and I’d think to myself: These are my people.
    .
     

    Reading Group Guide

    INTRODUCTION

    It is the summer of 1972, and Katie has just turned eighteen. Katie and her town, Elephant Beach, are both on the verge: Katie of adulthood, and Elephant Beach of gentrification. But not yet: Elephant Beach is still gritty, working-class, close-knit. And Katie spends her time smoking and drinking with her friends, dreaming about a boy just back from Vietnam who’s still fighting a battle Katie can’t understand.

    In this poignant, evocative debut collection, Judy Chicurel creates a haunting, vivid world, where conflicts between mothers and daughters, men and women, soldiers and civilians and haves and have-nots reverberate to our own time. She captures not only a time and place, but the universal experience of being poised between the past and the future.

    ABOUT JUDY CHICUREL

    Judy Chicurel’s work has appeared in national, regional, and international publications, including The New York TimesNewsday, and Granta. Her plays have been produced and performed in Manhattan. Chicurel currently lives by the water in Brooklyn.

    DISCUSSION QUESTIONS

    1. From the title, what did you think the book was going to be about? Were you surprised that this line applied to Katie’s birth mother?
    2. Although Katie is clearly curious about her birth mother, she makes no plans to try to find her. Why not, do you think? What societal frailties contribute to the physical images Katie has of her mother, and her ideas that, for instance, the Starlight Hotel would be a perfect place to look for her?
    3.  How would you describe Katie’s relationship with her adoptive mother? She  claims to want the best for Katie, but she often appears angry, impatient, dissatisfied. What effect does this have on Katie?
    4. In some ways, Luke is a main character in the book; in others, he is a shadow figure lurking in Katie’s mind. She says at one point that loving him was “like loving a ghost.” Why would she say that? In what ways does it add to the story?
    5. Veterans of the Vietnam War, Luke and Mitch never knew each other before meeting at The Starlight Hotel. In what ways are they similar? In what ways are they different?
    6. The book is set in a fictionalized seaside town on the skids more than forty years ago. How do the setting and the town of Elephant Beach reflect political and economic issues of the 1970s?
    7. The Trunk, where Katie and her friends hang out, is a run-down, seedy part of town whose faded glamour has all but disappeared. Why, then, is Katie so desperate to belong? How does her outsider status contribute to her relationship with others and her role in the book? Would it have been a different read if she had felt she belonged more?
    8. In chapter 10, “For Catholic Girls Who Have Considered Going to Hell When the Guilt Was Not Enough,” Katie accompanies Liz to an illegal abortion in another town. Both girls are startled and unsettled instead of relieved by the beauty and cleanliness of the doctor’s house. What does this say about women’s perception of abortion during that time period? What does the doctor mean when she tells Katie, “And we wonder why men treat us like dirt”?
    9. In chapter 7, “Running with Ramone,” Ramone’s childhood feels rife with promise, as if his gift of swiftness will lift him to a better future. Yet by the time Katie runs into him at Lips in a Hole, his life seems illustrative of Katie’s old babysitter’s words, “That’s just how it is with the spics. It’s not like you can expect things to work out for them.” Might things have worked out differently for Ramone today?
    10. The theme of escape is evident for Katie and her friends; many of them talk of leaving Elephant Beach and several actually do. What are the primary reasons Katie’s friends and family want to leave? Of the characters who do leave, who do you think will be most successful in forging a new life in a new environment? Why?
    11. In chapter 15, “Conversations with my Father,” Katie describes the fathers of her friends—and includes her own—as distant, removed from their families even when at home. Why is this so, and what does it say about gender roles during a time when social change was supposedly sweeping the country? Are circumstances different today? Are fathers stronger presences in their children’s lives and, if so, why?
    12.   What is the significance of the last line of the book, “I knew then that it was over, and I chose, instead of him I chose the part of me that was trapped forever inside The Starlight Hotel, along with all the dreams that never came true, and some that did?” If The Starlight Hotel represents a receptacle of lost dreams, why would Katie relinquish a part of herself to that place and time? What dreams did come true, for Katie or for any of the other characters? 

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    “Brings to mind the books of Richard Price and the films of Martin Scorsese... I did not want this book to end.” —Julie Klam, New York Times–bestselling author of Friendkeeping

    It is the summer of 1972, and Katie has just turned eighteen. Katie and her town, Elephant Beach, are both on the verge: Katie of adulthood, and Elephant Beach of gentrification. But not yet: Elephant Beach is still gritty, working-class, close-knit. And Katie spends her time smoking and drinking with her friends, dreaming about a boy just back from Vietnam who’s still fighting a battle Katie can’t understand. 

    In this poignant, evocative debut collection, Judy Chicurel creates a haunting, vivid world, where conflicts between mothers and daughters, men and women, soldiers and civilians and haves and have-nots reverberate to our own time. She captures not only a time and place, but the universal experience of being poised between the past and the future. At once heartbreaking, mesmerizing, and nostalgic, Chicurel shows us that no matter how beautiful some dreams are, there comes a time when we must let them go.

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    From the Publisher
    Praise for Judy Chicurel's If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go 

    “An emotionally resonant collection of coming-of-age stories…moving.”—The Wall Street Journal

    "Chicurel has the ability to sketch characters so real we can feel their breath on the back of our necks, their voices in our ears, and we come to care deeply about all of them. Her sense of place, and of the 1970s, is indelible.... The writing is clear and lovely.... a novel that brilliantly shines." —The Boston Globe

    “[A] beautiful and honest coming-of-age story.… a stunningly evocative portrait of a down-on-its-luck town and its people.” —Booklist, starred review

    "Chicurel's perfect pitch for the characters' patter ... is blunt, cynical, often profane and sometimes laugh-out-loud funny.... The author's masterful writing makes this short stay in Elephant Beach worthwhile." —Kirkus Reviews

    “Told in interconnected short stories, this deeply moving and beautifully written book shines a bright light on the intensity of teenage friendships. It evokes the era in vivid details…. The relationships are so relatable that the book is as compelling as it is profound, making it a perfect choice for book clubs.” —Long Island Woman

    If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go is a startling book of linked stories. This is not just another ‘coming of age’ tale, but a wise, clear look at what it was to be a young woman at  singular time in our country. Chicurel’s portrait of a small town in the ’70s speaks volumes about who we are as a culture. ‘Debut collection’ is misleading here. This is a beautiful, accomplished book.” —Katie Crouch, New York Times–bestselling author of Girls in Trucks and Abroad

    "A provocative story of unlikely friendships, unmatched compassion and learning to accept downtrodden people for who they are. With prose as clear as glass and words that carry even the most complicated of images, Chicurel reveals her characters’ best moments, their worst moments and moments of which they may only dream. The book reminds us that sometimes, something as simple as a beachfront view is enough to make something beautiful. And other times, the best things are in front of us without our knowing it." —Bookpage

    If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go is a dazzling debut collection that brings to mind the books of Richard Price and the films of Martin Scorsese. The characters in the stories burrow deeply under your skin and stay there.  Wonderful, vivid, funny, heart-wrenching and authentic. I did not want this book to end.” —Julie Klam, New York Times–bestselling author of Friendkeeping

    "A wonderful coming-of-age novel set against the backdrop of the Vietnam War." —Hannah Beckerman, author of The Dead Wife's Handbook

    Library Journal
    10/10/2014
    The summer after her high school graduation, Katie hangs out in “The Trunk,” the shabby neighborhood in her seaside town of Elephant Beach, which, in 1972, is well past its heyday as a resort spot. Katie, adopted, imagines that her birth mother was from a neighborhood like this; it's a connection to a life that could have been. Her friends are having sex, getting married, moving to New York City, dying even, while she pines for Jake, who has just returned from Vietnam, but can't figure out how to get close to him. Maybe because Katie lives in the better part of town and has caring, stable parents, she sees the Trunk's residents as romantically exotic, when many have serious drug problems or suffer from alcoholism or PTSD. Some of them are able to get out, move away; others meet their demise. In every situation, Katie is an acute observer who mourns change and feels everything deeply. There are too many colorful characters in Katie's world to get to know them more than superficially, but that is often the quality of relationships in one's youth.
    Verdict Narrated in the first person, this debut novel of connected short stories is similar to Dylan Landis's Rainey Royal and is recommended for those who like poignant coming-of-age stories.—Sonia Reppe, Stickney—Forest View P.L., IL

    (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

    Kirkus Reviews
    2014-10-09
    A vivid portrayal of the disappointed young adults in Elephant Beach, a fading East Coast seaside town, in 1972. Beware the seductive lure of sex, drugs, and rock and roll.The world-weary proprietor of a local hangout tells Katie, the 18-year-old narrator of this affecting debut short story collection, "You're different than the other kids around here. You want my advice? Get out of Dodge. Now." But in the summer after her high school graduation, there is some life lesson that Katie needs to learn from this on-the-skids town and her colorful, chain-smoking friends. Everyone around her is trying to escape the challenging circumstances that surround them in this working-class community. The women's dreams are quickly crushed in evanescent sexual affairs, which end in abandonment, arguments, abortions or just male indifference; the men they get involved with are too troubled or immature or stoned to be dependable partners. The rest of the country, roiling from the Vietnam War, seems distant, as does nearby Manhattan. Katie's friends are both contemptuous and jealous of the occasional hippie or privileged student who drifts by. Mitch, who lost a leg in Vietnam and is drinking himself to death, is the poster boy for those unable to withstand the vicissitudes of life. Katie, who comes from a more affluent family but works at an A&P, is obsessed with Luke, an elusive, recently returned vet; she is also grappling with her own adoption. What makes the desperation that abounds compelling is Chicurel's perfect pitch for the characters' patter, which is blunt, cynical, often profane and sometimes laugh-out-loud funny.Will Katie get her man? Will she make a break from this hard-luck population? The author's masterful writing makes this short stay in Elephant Beach worthwhile.

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