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    The Killings of Stanley Ketchel: A Novel

    The Killings of Stanley Ketchel: A Novel

    by James Carlos Blake


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      ISBN-13: 9780061967979
    • Publisher: HarperCollins Publishers
    • Publication date: 01/26/2010
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 320
    • Sales rank: 203,159
    • File size: 397 KB

    James Carlos Blake is the author of nine novels. Among his literary honors are the Los Angeles Times Book Prize, Southwest Book Award, Quarterly West Novella Prize, and Chautauqua South Book Award. He lives in Arizona.

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    The Killings of Stanley Ketchel

    A Novel
    By James Blake

    HarperCollins Publishers, Inc.

    Copyright © 2005 James Blake
    All right reserved.

    ISBN: 0060554363

    Chapter One

    The Golden Smile

    Ketchel's manager, Willus Britt, lays it out plain and simple. "We put in the contract that if there's no knockout the fight's a draw. All Stevie and Jack have to do is make it look good from start to finish. The white hope middleweight against the Negro heavyweight. Like David and Goliath, only better. And only it's a draw. I'm telling you, the whole country'll go crazy. They'll be screaming for a rematch. And that's when we make a real killing."

    Across the table, George Little, who manages Johnson, smiles and nods.

    It is late summer of 1909. They are in a secluded booth next to a window in a San Francisco hilltop restaurant. The fog banking in from the bay is blue in the city's early evening light. Even from this vantage it is difficult to believe that a little more than three years ago the town had been charred rubble.

    "Not that we won't do plenty good on this one," Britt says. "Hell, we'll pack Sunny Jim's to the top rows. Plus, the odds'll be so heavy on Jack, we'll rake in even more with side bets on the draw."

    "We'd have to spread them bets around so's not to raise suspicion," George Little says.

    It's the remark of a man who's decided he's in, and Britt smiles. "Naturally. We'll use fronts to lay the bets."

    George Little nods.

    Britt leans farther over the table toward him. "Christ almighty, man, they'll pour in for the rematch like the Johnstown flood. We'll charge even more for tickets and still need a place double the size of Sunny Jim's to hold them all. I'm telling you, we'll need a goddamn freight train to carry off the gate money."

    He sits back and fingers his red bow tie to ensure its proper lay. A spare man whose perpetual half-smile and sleepy aspect can fool people into thinking he lacks astuteness.

    George Little leans back too, smiling small, eyes narrow.

    Beside him Jack Johnson grins. His gold teeth gleam in the lamp glow and his shaven head shines like polished ebony. Arthur John Johnson is thirty-one years old and the heavyweight boxing champion of the world. At 210 pounds and just shy of six feet two, he is by far the largest man at the table. The stickpin of his cravat is also of gold, the fob chain looping from his vest pocket, the head of his walking stick. He wears a diamond on his pinky. His suit is custom-tailored. His shoes are of crocodile hide.

    Sitting next to Britt, Ketchel smiles too, and thinks how grand it would feel to knock out those gold teeth.

    On Johnson's other side is a slender strawberry blonde with cool green eyes, her cheeks and nose powdered with freckles fine as cinnamon. She'd been introduced as Sheila. Although Ketchel is appalled that a white woman would keep company with a Negro, especially a woman as pretty as this one, and especially in public, he affects indifference. Yet he is intensely aware of her, of the push of her breasts against her shirtwaist. He would bet they were freckled too.

    Johnson catches Ketchel's appraising glance at her. "She a pulchritudious eyeful, ain't she, Mr. Stanley? Lady from Australia. Say something in Australian for the man, honey." He has a fondness for polysyllabic words, especially of his own concoction, and is prone to the malaprop.

    "We speak English in Australia, Jack, as you bloody well know."

    "Spake," Johnson says. "Aus-try-lya. Blooody well. Man, I loves that lingo."

    She rolls her eyes and looks out the window at the encroaching fog. Johnson puts his hand under the table and she smiles and gives him a sidelong glance.

    "What say we stick to business, Jack?" George Little says. He is clearly uncomfortable with the woman's presence, has repeatedly admonished Johnson to be more discreet about the white ones.

    Ketchel smiles to mask his indignation. The dinge pawing her in a public place with three white men looking on and the bitch barely shows a blush.

    "So?" Britt says. "We got a deal?"

    George Little turns to Johnson. "What say, Jack?"

    Everybody knows what his answer will be. His share of the purse when he won the title was a pittance, and he hasn't been able to get a big-money fight in the ten months since. He needs the cash. He's a high-roller. He likes the night life, flashy clothes, the horses, the dice. Bold white women. A fight with Ketchel means a payday too big to turn down.

    "I say fine," Johnson says. "Make me feel kinda lowdown to mix it up with a little fella, even if it ain't for real, but sometimes you got to take what you can get."

    "Gosh, Jack, that's sad," Ketchel says. He'll be damned if he'll let the coon nettle him with that "little fella" crack. He is the world middleweight champ, and at five feet nine inches and 160 pounds is larger than the average man of his day. In more than fifty official fights he has knocked out nearly all of his opponents, more than a dozen of whom outweighed him by at least twenty pounds ...

    Continues...


    Excerpted from The Killings of Stanley Ketchel by James Blake Copyright © 2005 by James Blake. Excerpted by permission.
    All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
    Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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    Hailed as "one of the greatest chroniclers of the mythical American outlaw life" (Entertainment Weekly), James Carlos Blake turns to the blazing story of Stanley Ketchel, the legendary ragtime-era middleweight boxing champion and daring rakehell, whose brief and meteoric life burned with violence and tragedy in and out of the ring. The Killings of Stanley Ketchel is a sweeping and powerful literary adventure by one of our most daring novelists.

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    Publishers Weekly
    The short, brutish life of Stanley Ketchel, the middleweight champion of the ragtime era who ruled the ring until his murder at age 24, serves as inspiration for Blake's action-packed new novel (after Handsome Harry). Blake follows Ketchel's career as he runs away from a loveless, violent farm home at age 15, "rides the rods" with the hoboes to Butte, Mont., where he first steps in the ring, and then goes pro in San Francisco. When Jack Johnson becomes heavyweight champ, the nation goes mad, and none more so than Ketchel, who itches to vanquish the confident black pugilist in a rematch. From Gibson Girl Evelyn Nesbitt, who enjoys a passionate liaison with Ketchel, to Emmett Dalton, last of the old-time outlaws, Blake brings to life a huge cast of characters across a glittering, vital America. The author writes with a loopy narrative drive, equal parts Dos Passos and Doctorow, suggesting vaguely that Ketchel's rage and murderous passions were at least in part inspired by a nostalgia for the Old West he had missed by a mere decade. Though the liberal embellishments of sex and violence can sometimes tip the book into weary clich , Blake has spun a fascinating tale. (Aug.) Copyright 2005 Reed Business Information.
    Kirkus Reviews
    Another brooding and violent tale from Blake (Handsome Harry, 2004, etc.), this one about the boxer best known for almost besting Jack Johnson. That was in 1909, and the opening chapter shows Ketchel's and Johnson's managers agreeing that the match will be a fake, staged to end in a draw so the fighters can make their real money on the rematch. Blake pulls no punches in his portrait of Ketchel, who comes across right away as a bigot and misogynist, offended by Johnson caressing his "bitch" white girlfriend. The story recalls the bleak work of such writers of the period as Stephen Crane and Frank Norris in its stark delineation of Stanley's abusive father and the boy's hardscrabble years as a hobo. (His first killing is a fellow vagrant who tries to rape him.) The level of violence only increases as Ketchel discovers his ability with his fists in Butte, Mont., where he makes his reputation inflicting maximum physical punishment-lavishly described-on anyone foolish enough to get into the ring with him. He's left with even more rage to vent when his one true love shoots herself rather than suffer to the death with throat cancer. It's all pretty grim, and despite the story's compulsive readability, it seems for a while that what we're being given is merely an exercise in sordid naturalism. But Blake slowly and skillfully softens our perception of Ketchel just enough so we can see his yearning for love and his passionate commitment to boxing. "Goddamit, you're the greatest fighter I ever saw," he finally admits to Johnson. Racism doesn't stand a chance against the truth of what Ketchel experiences in the ring. Blinkered and brutal though he is, we begin to hope that Stanley will grow up andfind some peace. But the author has warned us from the start that his flawed hero will meet a tragic end. Hard-bitten, yet surprisingly moving.
    Salt Lake City Tribune
    Probably the best boxing book ever written.
    Denver Rocky Mountain News
    A masterful story . . . impossible to resist . . . an absolute knockout.
    Fort Worth Star-Telegram
    Quite simply astonishing . . . a tale that resonates long after the last page is turned.

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