Euny Hong is a journalist and author with international experience in web, print, and television news. Her work has appeared in the New York Times, Washington Post, Wall Street Journal Europe, International Herald Tribune, New Republic, Boston Globe, and The Forward. She is the author of one previous book, the novel Kept: A Comedy of Sex and Manners. She is fluent in English, French, German, and Korean.
The Birth of Korean Cool: How One Nation Is Conquering the World Through Pop Culture
by Euny Hong
A FRESH, FUNNY, UP-CLOSE LOOK AT HOW SOUTH KOREA REMADE ITSELF AS THE WORLD'S POP CULTURE POWERHOUSE OF THE TWENTY-FIRST CENTURY
By now, everyone in the world knows the song "Gangnam Style" and Psy, an instantly recognizable star. But the song's international popularity is no passing fad. "Gangnam Style" is only one tool in South Korea's extraordinarily elaborate and effective strategy to become a major world superpower by first becoming the world's number one pop culture exporter.
As a child, Euny Hong moved from America to the Gangnam neighbourhood in Seoul. She was a witness to the most accelerated part of South Korea's economic development, during which time it leapfrogged from third-world military dictatorship to first-world liberal democracy on the cutting edge of global technology.
Euny Hong recounts how South Korea vaulted itself into the twenty-first century, becoming a global leader in business, technology, education, and pop culture. Featuring lively, in-depth reporting and numerous interviews with Koreans working in all areas of government and society, The Birth of Korean Cool reveals how a really uncool country became cool, and how a nation that once banned miniskirts, long hair on men, and rock ‘n' roll could come to mass produce boy bands, soap operas, and the world's most important smart phone.
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“Full of facts and entertaining to boot, it's definitely a gem.” EntertainmentWeekly.com
“An insightful book…[Hong's] brief chapter on Korea's han against Japan is both the best and most concise explanation I've read of the two countries' complicated and ancient feud.” Bloomberg Businessweek
“The rare book that's hilariously funny and also makes you smarter about world economies.” Vulture
“An incisive, colorfully written account of South Korea's cultural ascent.” Grantland
“Fabulously snarky…Hong is perfectly positioned to understand this complex Korean psyche while retaining enough distance (and cynicism) to evaluate it.” Helen Brown, The Telegraph (UK)
“Highly entertaining.” The Guardian (UK)
“Hong's breezy book is a good place to begin to understand this rising nation.” The Times (London)
“A witty chronicle of how pop culture shaped South Korea's meteoric rise from a war-torn nation to a technological giant.” The Forward
“Euny Hong playfully and insightfully dissects her native culture… There's much more to it than just ‘Gangnam Style.'” Charleston City Paper
“The Birth of Korean Cool is a sparkling gem that falls into the must-read category… A satisfying and thought-provoking book by a first-rate journalist whose style is irresistible and informative all at once.” Pop Matters (Nine out of Ten Stars)
“It's Hong's voice, a funny, smart, often conflicted and witty combination of personal essay and observational journalism, which makes the book unique.” Clayton Moore, Kirkus Reviews
“Being both an outsider and an insider, Hong is the perfect guide to explain South Korean culture.” The Toronto Star
“Hong is a funny and uber-snarky observer and is as clever as clever can be...[As] laugh-out-loud funny and as spicy and memorable as the best homemade kimchi.” Library Journal
“A pleasing mix of Margaret Cho, Sarah Vowell and a pinch of Cory Doctorow.” Kirkus Reviews
“Full of insight and shocking facts, The Birth Of Korean Cool is a hilarious, gutsy, eye-opening account of Korean drive and success. I couldn't put it down. Euny Hong is a force of nature.” Amy Chua, Yale Law Professor and author of The Triple Package and Battle Hymn of the Tiger Mother
“If you're not fascinated by Korea yet, you damn well should be. The most innovative country on earth deserves a hilarious and poignant account on the order of Euny Hong's The Birth of Korean Cool. Her phat beats got Gangnam Style and then some.” Gary Shteyngart
A funny, iconoclastic Korean-American journalist and author turns her skewering lens on her own culture.Hong (Kept: A Comedy of Sex and Manners, 2006, etc.) has a mischievous sense of humor when it comes to culture clashes, so it’s a pleasure to see her turn her wicked talents on “Hallyu.” It’s a broad term that describes the proliferation of South Korean pop content into the world’s culture-scape. Along the way, Hong gives a thoughtful, self-deprecating and sly analysis of the movement that brought us not only the unescapable rapper Psy, but also brilliant filmmakers like Park Chan-Wook (Oldboy), culinary superstar Hooni Kim and game developers Blizzard Entertainment (the Starcraft and Warcraft franchises). The book’s opening stories give nice insight into the author’s odd place between two worlds: A fully Americanized Korean-American girl often mistaken for Chinese, her parents moved her back to Korea, specifically the district of Gangnam. “Korea was not cool in 1985,” she bemoans in her opening line. Through the exploration of various cultural tropes, government enterprises, and social and economic changes, Hong shows how Korea got cool in the past decade or so, almost by accident. One of the more interesting chapters looks at “Han,” a sociological meme involving oppression against impossible odds and the eternal thirst for vengeance. Hong levies a lot of different factors into the reasons behind what politicians like to call the “Korean Wave,” among them a technology- and economy-based sophistication that birthed a new sense of irony, as well as a deliberate investment by the government in the creation and export of Hallyu. However, the author also believes that the wealth of addictive soap operas, video games and pop hits doesn’t represent lightning in a bottle, arguing that this brave new world is uniquely Korean.A pleasing mix of Margaret Cho, Sarah Vowell and a pinch of Cory Doctorow.