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    Under the Skin: A Novel

    Under the Skin: A Novel

    4.0 1

    by James Carlos Blake


    eBook

    $8.99
    $8.99

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      ISBN-13: 9780061860638
    • Publisher: HarperCollins Publishers
    • Publication date: 10/13/2009
    • Sold by: HARPERCOLLINS
    • Format: eBook
    • Pages: 304
    • Sales rank: 259,590
    • File size: 473 KB

    James Carlos Blake is the author of nine novels. Among his literary honors are the Los Angeles Times Book Prize, Southwest Book Award, Quarterly West Novella Prize, and Chautauqua South Book Award. He lives in Arizona.

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    Chapter One

    A chill desert night of wind and rain. The trade at Mrs. O'Malley's house has been kept meager by the inclement weather and the loss of the neighborhood's electrical power since earlier in the day. Rumor has it that a stray bullet struck dead a transformer. For the past two days errant rounds have carried over the Rio Grande -- glancing off buildings, popping through windowpanes, hitting random spectators among the rooftop crowds seeking to be entertained by the warfare across the river. Even through the closed windows and the pattering of the rain, gunfire remains audible at this late hour, though the latest word is that the rebels have taken Juárez and the shooting is now all in celebration and the exercise of firing squads.

    The house is alight with oil lamps. Its eight resident whores huddled into their housecoats and carping of boredom. Now comes a loud rapping of the front door's iron knocker and they all sit up as alert as cats.

    The houseman peers through a peephole, then turns to the madam and shrugs. Mrs. O'Malley bustles to the door and puts her eye to the peeper.

    "Well Jesus Mary and Joseph."

    She works the bolt and tugs open the door. The lamp flames dip and swirl in their glass and shadows waver on the walls as a cold rush of air brings in the mingled scents of creosote and wet dust.

    Mrs. O'Malley trills in Spanish at the two men who enter the dim foyer and shuts the door behind them. The maid Concha takes their overcoats and they shake the rainwater off their hats and stamp their boots on the foyer rugs.

    "Pasen, caballeros, pasen," Mrs. O'Malley says, ushering them into the parlor.

    Theycome into the brighter light and the girls see that they are Mexicans in Montana hats and suits of good cut. One of the men has appeared in photographs in the local newspapers almost every day for the past week, but few of these girls ever give attention to a newspaper and so most of them do not recognize him.

    "Attention, ladies," Mrs. O'Malley says, as the girls assemble themselves for inspection. "Just look who's honoring us with a visit." She extends her arms toward one of the men as if presenting a star performer on a theater stage. "My dear old friend -- "

    "Pancho!" one of the girls calls out -- Kate, whom the others call Schoolgirl for her claim of having attended college for a time before her fortunes turned. Only she and two of the other girls in the house -- a small brunette they call Pony and a fleshy girl named Irish Red -- were working at Mrs. O'Malley's last winter when this man regularly patronized the place. The three waggle their fingers in greeting and the man grins at them and nods.

    "General Francisco Villa," the madam enunciates, fixing the Schoolgirl with a correcting look and poorly concealing her irritation at being usurped of the introduction.

    The girls have of course all heard of him and they make a murmuring big-eyed show of being impressed. He is tall for a Mexican, big-chested and thick-bellied without conveying an impression of fatness. His eyes are hidden in the squint of his smile. The madam hugs him sideways around the waist and says how happy she is to see him again. He fondly pats her ample bottom and repositions her arm away from the holstered pistol under his coatflap.

    "Hace siete o ocho meses que no te veo, verdad?" the madam says. "Que tanto ha occurido en ese tiempo."

    Villa agrees that much has happened in the eight months since he was last in El Paso, living as an exile in the Mexican quarter with only eight men in his bunch. Now he commands the mighty Division of the North. He is one of the most celebrated chieftains of the Mexican Revolution and a favored subject of American reporters covering the war.

    Would he and his friend like a drink, the madam asks. Some music on the hand-cranked phonograph?

    Villa flicks his hand in rejection of the offer and returns his attention to the women, a man come to take his pleasure but with no time for parlor amenities. The girls have thrown open their housecoats to afford the visitors a franker view of their charms in negligee or camisole, but Villa already knows what he wants. He has come with the express hope of finding the Irish girl still here, and now beckons her. He much admires her bright red hair and lushly freckled skin as pale as cream -- traits not common among the women he usually enjoys. She beams and hastens to him.

    Mrs. O'Malley pats his arm and says she just knew he'd pick Megan again.

    "Y cual prefiere tu amigo?" she says, and turns to the other man.

    "Pues?" Villa says to him.

    He is taller than Villa, leaner of waist but as wide of chest, his mustache thicker, his eyes so black the pupils are lost in their darkness.

    "Esa larguirucha," he says, jutting his chin at a tall lean girl with honey-colored hair and eyes the blue of gas flames. The only one of them able to hold his gaze, her small smile a reflection of his own.

    "Ava," Mrs. O'Malley says. "Our newest." She turns from the man to the girl and back to the man, remarking the intensity of the look between them. "My," she says to Villa. "Parece que tu cuate se encontró una novia."

    "Otra novia mas," Villa says with a laugh. Then says to the redhead, "Vente, mi rojita," and hugs her against his side and they head for the stairway. The Ava girl takes the other man by the hand and they follow Villa and Irish Red up to the bedrooms.

    The rest of the girls resettle themselves, some of them casting envious glances after the couples ascending the stairs, chiefly at the Ava girl, who has been with them but a week, the one they call the Spook for her inclination to keep her own company and her manner of seeming to be elsewhere even when she's in their midst.

    Under the Skin. Copyright © by James Blake. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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    James Rudolph Youngblood, aka Jimmy the Kid, is an enforcer, a "ghost rider" for the Maceo brothers, Rosario and Sam, rulers of "the Free State of Galveston," who are prospering through illicit pleasures in the midst of the Great Depression. Raised on an isolated West Texas ranch that he was forced to flee at age eighteen following the violent breakup of his foster family, Jimmy has found a home and a profession in Galveston -- and a mentor in Rose Maceo.

    Looming over Jimmy's story like an ancient curse is the specter of his fearsome father. Their ties of blood, evident since Jimmy's boyhood, have been drawn tighter over time. Then a strange and beautiful girl enters his life and a swift and terrifying sequence of events is set in motion. Jimmy must cross the border and go deep into the brutal and merciless country of his ancestors -- where the story's harrowing climax closes a circle of destiny many years in the making.

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    Publishers Weekly
    Blake's gritty tales of the modern West (In the Rogue Blood; Wildwood Boys) have won him critical praise, a cult following and comparisons to Cormac McCarthy, but he has yet to attract a wide literary audience. Despite its gripping premise, his latest effort is unlikely to break him out. Narrator James ("Jimmy the Kid") Youngblood takes readers into the dark criminal underworld of Depression-era Texas, specifically the Free State of Galveston. Offspring of a Mexican revolutionary and a beautiful Anglo prostitute, Jimmy becomes the chief gunsel for the Maceo brothers, barbers turned mob bosses who run the city's graft and gambling enterprises. The plot ostensibly focuses on the conflict between the Maceos and a Dallas-based mob that has tried to encroach on the brothers' territory, but a subplot involving Jimmy's budding love affair with the young wife of a Mexican warlord soon overshadows the gang wars and carries the novel to an explosive climax in the Mexican desert. The historical detail is deftly deployed, and the portrait of 1930s Galveston alone makes the book worthwhile for fans of the modern western. However, the novel is hampered by trite dialogue and a thin plot that is only partially shored up by a 40-page flashback revealing Jimmy's checkered past. Supporting characters, even his chief love interest, seldom come off the page. Most of all, Blake doesn't quite succeed in making the ruthless Jimmy-a tough guy's tough guy who easily rationalizes murder and cruelty-into a three-dimensional, fully human character. The novel is still a good read, and Blake fans will find this a worthy addition to his growing canon-but one feels that Blake has a much stronger novel inside him. (Feb. 1) Copyright 2002 Cahners Business Information.
    Library Journal
    Blake's previous legends of anti-heroes (e.g., Red Grass River) fascinated readers, and his latest will be no exception. Set in Galveston, with forays into west Texas and Mexico during Prohibition, this is the story of Jimmy Youngblood, bastard son of a Pancho Villa lieutenant, who grows up to be bodyguard and hit man for Galveston gangsters Rose and Sam Maceo. Jimmy narrates his own story, deftly interspersing tales of gambling debts collected and deadly reprisals delivered to the Maceo brothers' competitors with flashbacks to his youth on a west Texas ranch, where he grew up as an ordinary kid with his mother, stepfather, and brother. A love affair with the young wife of an elderly Mexican warlord adds still other dimensions to this tough and tender story of lawlessness and retribution, exposing the human frailties of the hardest of criminals. Blake is a great storyteller with six previous novels and a collection of short fiction to his credit. He could easily be the next Larry McMurtry. Highly recommended.-Thomas L. Kilpatrick, formerly with Southern Illinois Univ. Lib., Carbondale Copyright 2003 Cahners Business Information.
    Kirkus Reviews
    Blake makes a small leap from the grotesquely amusing Roaring Twenties' crime-spree scene in A World of Thieves (2002), switching to Depression-era Texas with a Tex-Mex cast.

    Mexico's in mid-Revolution in 1914, and gunfire in Juàrez can be heard across the Rio Grande at Mrs. O'Malley's whorehouse in El Paso, when Pancho Villa himself comes to bed his choice gringo, the freckled Irish redhead Megan. He comes with Rodolfo Fierro, who just that day has killed 300 Federal prisoners before coming to Mrs. O'Malley's. Something fiery about Fierro causes his whore, Spooky Ava (real name: Ella), to remove her pessary and go for love. Pregnant, she marries rancher Cullen Youngblood and gives birth to James Rudolph Youngblood. Our only hint about her past is that she was once thought crazy. On New Year's Eve 1936, we meet Jimmy, now 21, in the Free State of Galveston, the nation's most wide-open gambling city, and, as we meet Jimmy the Kid, who has graveyard eyes, he's driving an ice pick into Willie Rags's heart. Jimmy's an enforcer, bagman, and bodyguard for Rose and Sam Maceo, who suck up all the gambling profits on the island and in Galveston County, and Willie Rags worked for foolish folk trying to muscle in on Maceo territory. Sam does the glad-handing and charitable handouts for public welfare, and Rose is the strong-arm, assisted by his Ghosts, who also help keep the local crime rate down. Jimmy is Rose's personal bodyguard, at times assisted by fellow Ghosts Raymond Brando (not Don Corleone but a great mimic) and LQ (from Peckinpah's Ride the High Country). Rags's rival mob in Houston wants its slots back. Bloody business affairs follow. Then Jimmy meets skin-tingling Daniela Zarate,whom he dives into Mexico to save.

    Different time period, but the message is still the same and as bleak as Peckinpah's: Even a world of thieves needs rules-and loyalty.

    Agent: Sobel Weber Associates

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