Emily Brontë was an English novelist and poet, who, along with her sisters Charlotte and Anne, produced some of the most enduring works of the 19th century. Best known for her only novel, Wuthering Heights, Brontë published her works using the pen name Ellis Bell, a practice common for female writers at the time. Called the Sphynx of Literature, Brontë had no desire for fame and wrote only for her own satisfaction. She died of consumption in 1848 at the age of 30. Collectively, the Brontë sisters’ novels are considered literary standards that continue to influence modern writers.
eBook
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ISBN-13:
9781443413893
- Publisher: HarperCollins Canada
- Publication date: 04/17/2012
- Sold by: HARPERCOLLINS
- Format: eBook
- Pages: 450
- File size: 1 MB
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Wuthering Heights
By Emily Brontë
Oldcastle Books
Copyright © 2013 Oldcastle Books LtdAll rights reserved.
ISBN: 978-1-84344-137-3
CHAPTER 1
1801 – I have just returned from a visit to my landlord – the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist's heaven: and Mr Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.
'Mr Heathcliff?' I said.
A nod was the answer.
'Mr Lockwood, your new tenant, sir. I do myself the honour of calling as soon as possible after my arrival, to express the hope that I have not inconvenienced you by my perseverance in soliciting the occupation of Thrushcross Grange: I heard yesterday you had had some thoughts –'
'Thrushcross Grange is my own, sir,' he interrupted, wincing. 'I should not allow anyone to inconvenience me, if I could hinder it – walk in!'
The 'walk in' was uttered with closed teeth, and expressed the sentiment, 'Go to the Deuce': even the gate over which he leant manifested no sympathising movement to the words; and I think that circumstance determined me to accept the invitation: I felt interested in a man who seemed more exaggeratedly reserved than myself.
When he saw my horse's breast fairly pushing the barrier, he did put out his hand to unchain it, and then sullenly preceded me up the causeway, calling, as we entered the court, – 'Joseph, take Mr Lockwood's horse; and bring up some wine.'
'Here we have the whole establishment of domestics, I suppose,' was the reflection suggested by this compound order. 'No wonder the grass grows up between the flags, and cattle are the only hedge-cutters.'
Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy. 'The Lord help us!' he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner, and his pious ejaculation had no reference to my unexpected advent.
Wuthering Heights is the name of Mr Heathcliff's dwelling. 'Wuthering' being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones.
Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date '1500', and the name 'Hareton Earnshaw'. I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium.
One stop brought us into the family sitting room, without any introductory lobby or passage: they call it here 'the house' pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
The apartment and furniture would have been nothing extraordinary as belonging to a homely, northern farmer, with a stubborn countenance, and stalwart limbs set out to advantage in knee-breeches and gaiters. Such an individual seated in his armchair, his mug of ale frothing on the round table before him, is to be seen in any circuit of five or six miles among these hills, if you go at the right time after dinner. But Mr Heathcliff forms a singular contrast to his abode and style of living. He is a dark-skinned gipsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose. Possibly, some people might suspect him of a degree of under-bred pride; I have a sympathetic chord within that tells me it is nothing of the sort: I know, by instinct, his reserve springs from an aversion to showy displays of feeling – to manifestations of mutual kindliness. He'll love and hate equally under cover, and esteem it a species of impertinence to be loved or hated again. No, I'm running on too fast: I bestow my own attributes over-liberally on him. Mr Heathcliff may have entirely dissimilar reasons for keeping his hand out of the way when he meets a would-be acquaintance, to those which actuate me. Let me hope my constitution is almost peculiar: my dear mother used to say I should never have a comfortable home; and only last summer I proved myself perfectly unworthy of one.
While enjoying a month of fine weather at the sea-coast, I was thrown into the company of a most fascinating creature: a real goddess in my eyes, as long as she took no notice of me. I 'never told my love' vocally; still, if looks have language, the merest idiot might have guessed I was over head and ears: she understood me at last, and looked a return – the sweetest of all imaginable looks. And what did I do? I confess it with shame – shrunk icily into myself, like a snail; at every glance retired colder and farther; till finally the poor innocent was led to doubt her own senses, and, overwhelmed with confusion at her supposed mistake, persuaded her mamma to decamp. By this curious turn of disposition I have gained the reputation of deliberate heartlessness; how undeserved, I alone can appreciate.
I took a seat at the end of the hearthstone opposite that towards which my landlord advanced, and filled up an interval of silence by attempting to caress the canine mother, who had left her nursery, and was sneaking wolfishly to the back of my legs, her lip curled up, and her white teeth watering for a snatch. My caress provoked a long, guttural gnarl.
'You'd better let the dog alone,' growled Mr Heathcliff in unison, checking fiercer demonstrations with a punch of his foot. 'She's not accustomed to be spoiled – not kept for a pet.' Then, striding to a side door, he shouted again, 'Joseph!'
Joseph mumbled indistinctly in the depths of the cellar, but gave no intimation of ascending; so his master dived down to him, leaving me vis-à-vis the ruffianly bitch and a pair of grim shaggy sheepdogs, who shared with her a jealous guardianship over all my movements. Not anxious to come in contact with their fangs, I sat still; but, imagining they would scarcely understand tacit insults, I unfortunately indulged in winking and making faces at the trio, and some turn of my physiognomy so irritated madam, that she suddenly broke into a fury and leapt on my knees. I flung her back, and hastened to interpose the table between us. This proceeding aroused the whole hive: half a dozen four-footed fiends, of various sizes and ages, issued from hidden dens to the common centre. I felt my heels and coat-laps peculiar subjects of assault; and parrying off the larger combatants as effectually as I could with the poker, I was constrained to demand, aloud, assistance from some of the household in re-establishing peace.
Mr Heathcliff and his man climbed the cellar steps with vexatious phlegm: I don't think they moved one second faster than usual, though the hearth was an absolute tempest of worrying and yelping. Happily, an inhabitant of the kitchen made more despatch: a lusty dame, with tucked -up gown, bare arms, and fire-flushed cheeks, rushed into the midst of us flourishing a frying pan: and used that weapon, and her tongue, to such purpose, that the storm subsided magically, and she only remained, heaving like a sea after a high wind, when her master entered on the scene.
'What the devil is the matter?' he asked, eyeing me in a manner that I could ill endure, after this inhospitable treatment.
'What the devil, indeed!' I muttered. 'The herd of possessed swine could have had no worse spirits in them than those animals of yours, sir. You might as well leave a stranger with a brood of tigers!'
'They won't meddle with persons who touch nothing,' he remarked, putting the bottle before me, and restoring the displaced table. 'The dogs do right to be vigilant. Take a glass of wine?'
'No, thank you.'
'Not bitten, are you?'
'If I had been, I would have set my signet on the biter.' Heathcliff's countenance relaxed into a grin.
'Come, come,' he said, 'you are flurried, Mr Lockwood. Here, take a little wine. Guests are so exceedingly rare in this house that I and my dogs, I am willing to own, hardly know how to receive them. Your health, sir!'
I bowed and returned the pledge; beginning to perceive that it would be foolish to sit sulking for the misbehaviour of a pack of curs; besides, I felt loth to yield the fellow further amusement at my expense; since his humour took that turn. He – probably swayed by prudential consideration of the folly of offending a good tenant – relaxed a little in the laconic style of chipping off his pronouns and auxiliary verbs, and introduced what he supposed would be a subject of interest to me – a discourse on the advantages and disadvantages of my present place of retirement. I found him very intelligent on the topics we touched; and before I went home, I was encouraged so far as to volunteer another visit tomorrow. He evidently wished no repetition of my intrusion. I shall go, notwithstanding. It is astonishing how sociable I feel myself compared with him.
CHAPTER 2Yesterday afternoon set in misty and cold. I had half a mind to spend it by my study fire, instead of wading through heath and mud to Wuthering Heights. On coming up from dinner, however, (NB – I dine between twelve and one o'clock; the housekeeper, a matronly lady, taken as a fixture along with the house, could not, or would not, comprehend my request that I might be served at five) – on mounting the stairs with this lazy intention, and stepping into the room, I saw a servant-girl on her knees surrounded by brushes and coal-scuttles, and raising an infernal dust as she extinguished the flames with heaps of cinders. This spectacle drove me back immediately; I took my hat, and, after a four -miles' walk, arrived at Heathcliff's garden gate just in time to escape the first feathery flakes of a snow-shower.
On that bleak hilltop the earth was hard with a black frost, and the air made me shiver through every limb. Being unable to remove the chain, I jumped over, and, running up the flagged causeway bordered with straggling gooseberry bushes, knocked vainly for admittance, till my knuckles tingled and the dogs howled.
'Wretched inmates!' I ejaculated, mentally, 'you deserve perpetual isolation from your species for your churlish inhospitality. At least, I would not keep my doors barred in the daytime. I don't care – I will get in!' So resolved, I grasped the latch and shook it vehemently. Vinegar-faced Joseph projected his head from a round window of the barn.
'What are ye for?' he shouted. 'T' maister's down i' t' fowld. Go round by th' end o' t' laith, if ye went to spake to him.'
'Is there nobody inside to open the door?' I hallooed, responsively.
'There's nobbut t' missis; and shoo'll not oppen 't an ye mak' yer flaysome dins till neeght.'
'Why? Cannot you tell her whom I am, eh, Joseph?'
'Nor-ne me! I'll hae no hend wi't,' muttered the head, vanishing.
The snow began to drive thickly. I seized the handle to essay another trial; when a young man without coat, and shouldering a pitchfork, appeared in the yard behind. He hailed me to follow him, and, after marching through a wash house, and a paved area containing a coalshed, pump, and pigeon cote, we at length arrived in the huge, warm, cheerful apartment where I was formerly received. It glowed delightfully in the radiance of an immense fire, compounded of coal, peat, and wood; and near the table, laid for a plentiful evening meal, I was pleased to observe the 'missis,' an individual whose existence I had never previously suspected. I bowed and waited, thinking she would bid me take a seat. She looked at me, leaning back in her chair, and remained motionless and mute.
'Rough weather!' I remarked. 'I'm afraid, Mrs Heathcliff, the door must bear the consequence of your servants' leisure attendance: I had hard work to make them hear me.'
She never opened her mouth. I stared – she stared also: at any rate, she kept her eyes on me in a cool, regardless manner, exceedingly embarrassing and disagreeable.
'Sit down,' said the young man, gruffly. 'He'll be in soon.'
I obeyed; and hemmed, and called the villain Juno, who deigned, at this second interview, to move the extreme tip of her tail, in token of owning my acquaintance.
'A beautiful animal!' I commenced again. 'Do you intend parting with the little ones, madam?'
'They are not mine,' said the amiable hostess, more repellingly than Heathcliff himself could have replied.
'Ah, your favourites are among these?' I continued, turning to an obscure cushion full of something like cats.
'A strange choice of favourites!' she observed scornfully.
Unluckily, it was a heap of dead rabbits. I hemmed once more, and drew closer to the hearth, repeating my comment on the wildness of the evening.
'You should not have come out,' she said, rising and reaching from the chimney piece two of the painted canisters.
Her position before was sheltered from the light; now, I had a distinct view of her whole figure and countenance. She was slender, and apparently scarcely past girlhood: an admirable form, and the most exquisite little face that I have ever had the pleasure of beholding; small features, very fair; flaxen ringlets, or rather golden, hanging loose on her delicate neck; and eyes, had they been agreeable in expression, that would have been irresistible: fortunately for my susceptible heart, the only sentiment they evinced hovered between scorn and a kind of desperation, singularly unnatural to be detected there. The canisters were almost out of her reach; I made a motion to aid her; she turned upon me as a miser might turn if anyone attempted to assist him in counting his gold.
'I don't want your help,' she snapped; 'I can get them for myself.'
'I beg your pardon!' I hastened to reply.
'Were you asked to tea?' she demanded, tying an apron over her neat black frock, and standing with a spoonful of the leaf poised over the pot.
'I shall be glad to have a cup,' I answered.
'Were you asked?' she repeated.
'No,' I said, half smiling. 'You are the proper person to ask me.'
She flung the tea back, spoon and all, and resumed her chair in a pet, her forehead corrugated, and her red underlip pushed out, like a child's ready to cry.
(Continues...)
Excerpted from Wuthering Heights by Emily Brontë. Copyright © 2013 Oldcastle Books Ltd. Excerpted by permission of Oldcastle Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
List of Illustrations
Top Withins
High Sunderland
"Gun Portrait" from Marion Harland
Portrait
Several illustrations from Bronte Society Transactions:
Main Street, Haworth
Haworth Old Church
The Birthplace of the Bronte Sisters, Thornton
The Black Bull
Branwell Bronte's Chair
The Waterfall on the Moor
Haworth Parsonage
Emily Bronte, drawing of Keeper
Haworth Parsonage
Facscimile Title Page of First Edition
About This Edition
Introduction
Chronologies
Text of Wuthering Heights
Notes
Contexts
Biographical
Emily and Anne Bronte, "Diary Note"
Charlotte Bronte, "Biographical Notice of Ellis and Acton Bell"
"Editor's Preface"
Ellen Nussey on Emily
Elizabeth Gaskell, The Life Of Charlotte Bronte on Emily
Emily Bronte, Poems
Historical, Social, and Legal
Inheritance, Law, and Women
From Barbara Leigh Smith Bodichon, A Brief Summary, in Plain Language, of the Most Important
LawConcerning Women (London: Chapman, 1854)
Class, Urban Culture, and Mobility
Urban Slums and Street Children
Self-Help
Houses, Home Decor, and Consumer Goods
From Charles Eastlake, Hints on Household Taste
From John Ruskin, The Stones of Venice
Regional and International
Ireland
Family History
William Wright, The Brontes In Ireland
The Great Hunger
Yorkshire
Dialect
From Richard Blakesborough, Wit, Character, Folklore & Customs of the Nortern Riding of Yorkshire, 1898
Religion
Literacy: Summary and Quotation from J. Paul Hunter, Before Novels
Haworth and Vicinity
Original Locations
Memoirs and Pilgrimages
C. Holmes Cautley, "Old Haworth Folk Who Knew the Brontes," 1910
Virginia Woolf, from "Haworth, November 1904"
Sylvia Plath
Muriel Spark
The Bronte Society and Parsonage Museum
From Claude Meeker, "Haworth: Home of the Brontes," 1895
Critical and Artful
Reviews
Early Criticism
Sequels, Adaptations, Films
Further Reading
Web materials
What People are Saying About This
Wuthering Heights was hewn in a wild workshop, with simple tools, out of homely materials... And there it stands colossal, dark, and frowning, half statue, half rock; in the former sense, terrible and goblin-like; in the latter, almost beautiful, for its colouring is of mellow grey, and moorland moss clothes it; and heath, with its blooming bells and balmy fragrance, grows faithfully close to the giant's foot.
Reading Group Guide
1. To what extent do you think the setting of the novel contributes to, or informs, what takes place? Do you think the moors are a character in their own right? How do you interpret Bronte's view of nature and the landscape?
2. Discuss Emily Bronte's careful attention to a rigid timeline and the role of the novel as a sober historical document. How is this significant, particularly in light of the turbulent action within? What other contrasts within the novel strike you, and why? How are these contrasts important, and how do they play out in the novel?
3. Do you think the novel is a tale of redemption, despair, or both? Discuss the novel's meaning to you. Do you think the novel's moral content dictates one choice over the other?
4. Do you think Bronte succeeds in creating three-dimensional figures in
Heathcliff and Cathy, particularly given their larger-than-life metaphysical passion? Why or why not?
5. Discuss Bronte's use of twos: Wuthering Heights and Thrushcross Grange; two families, each with two children; two couples (Catherine and Edgar, and Heathcliff and Isabella); two narrators; the doubling-up of names. What is Bronte's intention here? Discuss.
6. How do Mr. Lockwood and Nelly Dean influence the story as narrators? Do you think they are completely reliable observers? What does Bronte want us to believe?
7. Discuss the role of women in Wuthering Heights. Is their depiction typical of Bronte's time, or not? Do you think Bronte's characterizations of women mark her as a pioneer ahead of her time or not?
8. Who or what does Heathcliff represent in the novel? Is he a force of evil or a victim of it? How important is the role of class in the novel, particularly as it relates to Heathcliff and his life?
Foreword
1. To what extent do you think the setting of the novel contributes to, or informs, what takes place? Do you think the moors are a character in their own right? How do you interpret Bronte's view of nature and the landscape?
2. Discuss Emily Bronte's careful attention to a rigid timeline and the role of the novel as a sober historical document. How is this significant, particularly in light of the turbulent action within? What other contrasts within the novel strike you, and why? How are these contrasts important, and how do they play out in the novel?
3. Do you think the novel is a tale of redemption, despair, or both? Discuss the novel's meaning to you. Do you think the novel's moral content dictates one choice over the other?
4. Do you think Bronte succeeds in creating three-dimensional figures in
Heathcliff and Cathy, particularly given their larger-than-life metaphysical passion? Why or why not?
5. Discuss Bronte's use of twos: Wuthering Heights and Thrushcross Grange; two families, each with two children; two couples (Catherine and Edgar, and Heathcliff and Isabella); two narrators; the doubling-up of names. What is Bronte's intention here? Discuss.
6. How do Mr. Lockwood and Nelly Dean influence the story as narrators? Do you think they are completely reliable observers? What does Bronte want us to believe?
7. Discuss the role of women in Wuthering Heights. Is their depiction typical of Bronte's time, or not? Do you think Bronte's characterizations of women mark her as a pioneer ahead of her time or not?
8. Who or what does Heathcliff represent in the novel? Is he a force of evil or a victimof it? How important is the role of class in the novel, particularly as it relates to Heathcliff and his life?
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The only published novel by Emily Bronte, Wuthering Heights is the haunting story of the passionate love between the tortured Heathcliff and Catherine Earnshaw, the daughter of Heathcliff's benefactor. First published in 1847 under the pseudonym Ellis Bell, Wuthering Heights was remarkable for its unflinching and honest portrayal of obsessive love and its accompanying cruelty, which was out of character for novels of the era. Today, Wuthering Heights is considered to be a classic of English literature and has been adapted widely for the stage and screen.
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